Sunday 19th September 2021
Chapeltown Picture House, Cheetham Hill
The
Greater Manchester Fringe Festival is on at multiple venues across the region throughout September. I’m reviewing a selection of the shows for this blog and for
North Manchester FM. The next show I saw was
Feeling Haunted by emerging theatre company
Psycho Garbage, which was on at the
Chapeltown Picture House in Cheetham Hill on Sunday 19th September. My radio review of this production will be broadcast on Tuesday’s
Hannah’s Bookshelf GM Fringe Reviews Special, but here’s the blog version…
Before I start on the review of the show, I’d just like to mention the venue. This was my first visit to the Chapeltown Picture House, and it certainly won’t be my last. Chapeltown Picture House is a cinema and performance space housed in
Grub in the Redbank area of Cheetham Hill. Although I’ve passed Grub a few times, I’ve never been in. I had no idea it was such a big place, or that it was home to such an incredible cinema/theatre space. The venue has a great atmosphere, and it’s comfortable and spacious enough to let you relax and lose yourself in whatever you’re watching. I can’t wait to see a film there!
And so… onto
Feeling Haunted…
The play is a spoof episode of a fictional TV show of the same name. It’s set up as a ‘lost episode’ being shown on the Horror Channel, but don’t let that mislead you. This is a comedy, rather than a horror.
Feeling Haunted (i.e. the fictional TV show) is a ghost-hunting show, hosted by David G. Hostmann (played by Dylan Hopkins) with his sidekick cameraman Terry F.Y. (played by Jacob Lee Normansell). I probably don’t need to explain the influences here, as
Feeling Haunted is closely modelled on the material it spoofs, even down to the studio-based talking head interviews that punctuate the action.
This ‘lost episode’ sees the
Feeling Haunted team responding to a case of ghostly activity at Oak House, a rambling old property owned by the elderly Darlene Sweetly (played by Leah Mulchay) who has a supply of Capri-Suns and a soft spot for David Hostmann. As appears to be the format of the show, the hosts call for assistance from psychic Galina Pakulska (played by Dominika Rak), and then things get a little bit silly.
There is a lot to like about
Feeling Haunted. While the material they use is probably not the most original – there have been countless other spoofs of the ghost-hunter TV format, and the fake adverts that are included in the show are well-trodden territory (for instance, a parody of the Cillit Bang advert that was, always, beyond parody anyway), the company present it with an enjoyable verve and energy. Hopkins revels in his performance as a borderline-OTT trenchcoated American presenter, though he gets to reveal a little more of his Welsh roots when he doubles-up as one of the previous residents of the house that we see via intercut VT. And Normansell is charming – and surprisingly convincing – as the cameraman Terry, particularly with his ‘That’s what I’m talking about!’ catchphrase whenever paranormal activity is noted.
Mulchay carries much of the physical comedy in her performance of sometimes-sweet, sometimes worryingly lascivious elderly homeowner. Again, there’s an exuberance to the performance that is hard not to enjoy, but Mulchay will also give us an indication of her wider range later in show (and I’m not going to give any spoilers for that!).
I don’t know if this is a matter of personal taste, but I particularly enjoyed Rak’s turn as the flamboyant psychic Galina. She hams up the clichéd elements of the character to just the right extent, but also undercuts the stereotype with barbed asides, including a commentary on the running joke that Hostmann and Terry can’t pronounce her name correctly (in fact, they mangle it to the point of calling her ‘Garlic Bread’ and ‘Gar Gar Binks’ towards the end).
Although the set-up to the show is pretty straightforward, there’s also an ambition to the performance that is executed with style and flair. The use of pre-recorded video projected onto the Chapeltown Picture House’s cinema screen is well-done. The show’s opening credits are shown in this way, as are the spoof adverts I mentioned earlier. The interaction between the recorded segments and the live action on stage is smooth and assured, and it allows for more depth to both the comedy and the plot.
And there is a plot here – for all the silly shenanigans of spilt Capri-Sun and body-swapping séances – and it isn’t quite the plot you might be expecting. Those VT talking heads that I mentioned take on an additional resonance as the audience gradually realize that they are watching clues that will help them, alongside the
Feeling Haunted team, solve the mystery of what is going on at Oak House.
That’s not to say that this a mystery in the Agatha Christie sense, but there is undoubtedly another, more animated, pop culture influence underlying the spooky daftness (or daft spookiness). I had a bit of a chuckle as it dawned on me where we were going, before a final line from one character (again, no spoilers) confirmed it all.
For a first play from a new company,
Feeling Haunted has a confidence and ambition to it that is impressive. The use of the stage/screen space is both fun and compelling, and the gusto of the performances carries even the most groan-worthy of puns. It’s true that the material sometimes lacks originality, and some of the comedy takes the path well-travelled, but the format and story of
Feeling Haunted allows this emerging company to show off what it can do, both in terms of comedic performance and also multi-media production. The pace and length of the piece is just right as well, giving us a taste – I hope – of what will come from Psycho Garbage as they develop and stretch their talents further.
(And, I should add… although some of the spoof adverts are pretty standard parody material, like a firm of personal injury lawyers or the aforementioned Cillit Bang, I really didn’t expect to see a take on the DFS adverts that was genuinely original and unlike any that I’ve seen before. So kudos to Psycho Garbage for managing to find something funny to say about DFS adverts that hasn’t been said before!)
Overall, this was an enjoyable and fun piece of theatre that plays it comedy with a heavy hand but evident skill. The
Feeling Haunted programme describes itself as a ‘silly little show’, but I think the company are doing themselves down here. It might be silly, but it certainly doesn’t feel ‘little’. I look forward to seeing what Psycho Garbage do next.
Feeling Haunted was on at Chapeltown Picture House on Sunday 19th September, as part of the Greater Manchester Fringe. To see the full programme for this year’s Fringe, please visit
the festival website.
