Blonde on a Stick, by Conrad Williams
An extraordinary killer, the Four-Year-Old, has arrived in London, and is hell-bent on destruction. No sooner has PI Joel Sorrell been approached by the mysterious Kara Geenan, who is desperate to find her missing brother, than an attempt is made on his life. When Kara vanishes too, it becomes clear that this is no routine job. Something is casting a long, long shadow over the case, and Joel must travel north, to a past he was desperate to forget, in order to find out the truth. As those close to Joel are sucked into his nightmare, he knows he must track down the killer fast if he is to halt a grisly master plan - even if it means sacrificing his own life.
The Cannibal Spirit, by Harry Whitehead
George Hunt has a white father and a native mother. A shaman and chieftain among his people, the Kwagiulth, helplessly he has watched them die-from disease, warfare, alcohol, despair-as their world is besieged by the arrival of the twentieth century and the encroachments of the young country called Canada. Yet he is also an assistant to the famed anthropologist Franz Boas, and a collector of native artefacts for the white man's museums. He inhabits both worlds, looking in and looking out, at peace in neither. A bear of a man, he is imposing in body and intellect, yet prone to fits of wild rage. When his son dies of tuberculosis, and he insists on performing the funeral rites of his mother's people, George provokes the fury of the missionaries and the Indian Agents, and sets in motion a chain of events that forces him to defend what is most important to him; not only with blade and rifle in the remote fastness of the northern British Colombia coast, but also with his wits and precarious dignity in a Vancouver courtroom. Masterful, unforgettable, and utterly gripping, The Cannibal Spirit broods with nostalgia for a passing world and pounds with relentless tension. Based on the life of the real historical figure George Hunt, this astonishing evocation of the fog-wrapped forests of the northwest coast, and the heedless bustle of the arrival of modernity in the midst of an older, beleaguered way of life, tells the story of the grappling of two civilizations in the life of one man.
Habit, by Stephen McGeagh
Manchester, the present. Michael divides his time between the job centre and the pub. A chance meeting with Lee, an introduction to her ‘Uncle’ Ian, and a heavy night on the lash lead to a job working the door at a Northern Quarter massage parlour. After witnessing the violent death of one of the ‘punts’, Michael experiences blood-drenched flashbacks and feels himself being sucked into a twilight world that he doesn’t understand but that is irresistibly attractive. When he eventually finds out what goes on in the room below 7th Heaven, Michael’s life will never be the same again. Think Bret Easton Ellis. On a writing break in the north of England. And all he packed was Fight Club and some early Stephen King novels. Stephen McGeagh’s powerful debut will stay with you for a long time.
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