2nd - 4th May 2013
We are pleased to announce the call for papers for Gender and Transgression in the
Middle Ages 2013, a three-day interdisciplinary conference for postgraduate and early
career researchers hosted by The University of St Andrews Institute of Medieval
Studies (SAIMS). Now in its fifth year, the conference aims to create a lively and
welcoming forum for speakers to present their research, make contacts, and
participate in creative discussion on the topics of gender and transgression in the
Middle Ages.
This year’s keynote speaker will be Professor Pauline Stafford, Emeritus Professor in
Early Medieval History at the University of Liverpool, who will be speaking on
reading gender in chronicles, with special reference to the old English vernacular.
We invite postgraduate, postdoctoral and early career researchers from departments of
History, Modern and Mediaeval Languages, English, Art History, Theology and
Divinity, in addition to scholars working in any other relevant subject area, to submit
a paper of approximately 20 minutes that engage with the themes of gender and/or
transgression in the mediaeval period. Possible topics for papers might include, but
are by no means limited to gender and/or transgression in the fields of:
• Politics: kingship, queenship, the nobility, royal/noble household, royal favourites
and mistresses, royal ritual, display and chivalry.
• Legal Studies: men, women and the law, court cases, law-breaking, marriage and
divorce.
• Social and economic history: urban and rural communities, domestic household,
motherhood and children, widows, working women, prostitution and crime.
• Religion: monastic communities, saints and saints' lives, mysticism and lay religion.
• Literature: chivalric texts, romances, poetry, vernacular works.
• Visual culture: depictions, architecture, art, material culture and patronage.
• Masculinity and femininity in the middle ages and their application in current
historiography.
• Homosexuality, sexual deviancy and cross-dressing.
To mark the launch of St Andrews Centre for Mediaeval and Early Modern Law and
Literature (CMEMLL) we shall be holding a session on medieval law and literature
within the broader conference theme of gender and transgression and therefore
particularly welcome papers within this field.
Those wishing to give a paper please submit an abstract of no more than 300 words to
the conference convenors by Monday 11 February 2013. Your abstract should be attached to your email as a Microsoft Word or PDF file and include your name, home institution and what stage of your postgraduate or postdoctoral career you are currently at.
Registration for the conference will be £5 for students/unwaged, £10 for staff, which
will cover tea, coffee and lunch on two days, and two wine receptions. All delegates
are also warmly invited to the conference meal on Friday 3 May, the cost of which
will be covered for speakers. Further details can be found at our website
as they come available and we
can be followed on Twitter.
Thursday, 15 November 2012
EVENTS TONIGHT - ALL WELCOME
Two events tonight at the University of Manchester...
Dress and Textile Discussion Group
Dr. John Peter Wild: Roman Textiles
5pm,Studio 5, Samuel Alexander Building
Manchester Medieval Society
Dr. William Rossiter (Senior Lecturer, Liverpool Hope University):
Dante, Petrarch and Boccaccio: The Trecento Anxiety of Influence?
6pm, Room A102, Samuel Alexander Building
Dress and Textile Discussion Group
Dr. John Peter Wild: Roman Textiles
5pm,Studio 5, Samuel Alexander Building
Manchester Medieval Society
Dr. William Rossiter (Senior Lecturer, Liverpool Hope University):
Dante, Petrarch and Boccaccio: The Trecento Anxiety of Influence?
6pm, Room A102, Samuel Alexander Building
Friday, 2 November 2012
CFP: Literature in English Symposium (Poznan, Poland)
21 April 2013
'I am an exile from heaven beating on its closed doors'*:
Saints and Sinners: Postmodernism, Feminism and Medievalism in Literature in English
Saints and Sinners: Postmodernism, Feminism and Medievalism in Literature in English
'I am a stranger in this world' says the nun, the narrator of a story of a forbidden book by Marguerite Porete. The year is 1340, thirty years after Marguerite was burned at the stake for writing and disseminating her heretical work, The Mirror of Simple Souls. The place is England, a Cistercian nunnery where she tells her story the night before her death, knowing that the book irretrievably changed but also shortened her life. But the idea of being a stranger in the world is not an uncommon one for many other Michele Roberts’ characters.
From the early feminists to postmodern protagonists her novels rewrite medieval saints and sinners, Victorian mediums and contemporary visionaries, offering us new perspectives on well known stories and motifs. As Michele Roberts herself will be our guest of honor at the Faculty of English, her work is the inspiration for our 2013 Literature in English Symposium but we welcome papers about topics related to postmodern rewriting of history and culture as well as the feminist standpoint on both contemporary and earlier literature in English.
The conference will take place at Adam Mickiewicz University in Poznan, Poland (Niepodleglosci Street). The deadline for abstract submissions is 15th December 2012. Please send your proposals and a short bio to Dr Katarzyna Bronk.
*The quotation comes from Michele Roberts, The Book of Mrs Noah (1999: 125). London: Vintage.
OUT NOW: Wolf-Girls Kindle Edition
At long last... the anthology of short stories about female werewolves that I edited is now available on Kindle.
Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny
Edited by Hannah Kate
Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded, the abject, the monster.
The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…
Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.
Available now from: Amazon UK and Amazon US.
For more information, visit the Hic Dragones website.
lycogyny, n., the assumption by women of the form and nature of wolves
Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny
Edited by Hannah Kate
Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded, the abject, the monster.
The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…
Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.
Available now from: Amazon UK and Amazon US.
For more information, visit the Hic Dragones website.
Thursday, 1 November 2012
CFP: 6th Global Conference: Diasporas
Saturday 6th July–Monday 8th July 2013
Mansfield College, Oxford
Call for Presentations:
This inter- and multi-disciplinary project seeks to explore the contemporary experience of Diasporas – communities who conceive of themselves as a national, ethnic, linguistic or other form of cultural and political construction of collective membership living outside of their ‘home lands.’ Diaspora is a concept which is far from being definitional. Despite problems and limitations in terminology, this notion may be defined with issues attached to it for a more complete understanding. Such a term which may have its roots in Greek, is used customarily to apply to a historical phenomenon that has now passed to a period that usually supposes that diasporans are those who are settled forever in a country other than the one in which they were born and thus this term loses its dimension of irreversibility and of exile.
In order to increase our understanding of Diasporas and their impact on both the receiving countries and their respective homes left behind, key issues will be addressed related to Diaspora cultural expression and interests. In addition, the conference will address the questions: Do Diasporas continue to exist? How do they evolve? What is the footprint or limit of Diaspora? Is the global economy, media and policies sending different messages about diaspora to future generations?
Presentations, papers, performances, workshops, presentations and pre-formed panels are invited on any of the following themes:
Queering Diaspora
Diasporic identities and practices invariably position heterosexuality as central to the past (the imagined homeland) and the future survival of the diasporic community through implicit and explicit norms, traditions, and expectations. How do members of diasporic communities who identify with subordinated forms of sexuality such as lesbian, gay, bisexual, transgendered or other queer identities negotiate hetero-normativity in their communities? Do questions of diasporic cultural and social survival heighten homophobia? Or conversely, are diasporic spaces more easily queered? We welcome papers that address how LGBTQ members negotiate sexuality and diasporic identities, and consider the implications for intersectional theories of diaspora.
Diaspora, Sex, and Gender
If heteronormativity can shape diasporic identities, so too can historical norms of patriarchal power and the practices and social infrastructure associated with them. How, for instance, are diasporas and diasporic communities complicit in the general social practices that buttress inequalities or abuses? Do differences between sexes produce different perspectives on what constitutes diasporic identity? Does this disparity result in the co-existence of competing diasporic identities or ‘imaginaries’ that are tied to sex and gender identity? Or, on the other hand, does diaspora offer opportunities for change or for alternate social performances of sex and gender to arise? Does the distance between the home/land left behind and the new home offer an opportunity to break with the past and with tradition? To what extent can we speak of ‘gendered’ diasporas?
Visible Diasporas
Cinema, television, youtube and other mass media, and the visual arts are instrumental in representing diaspora or making diaspora visible both to itself and to others beyond the diasporic community. In then case of cinema, the presence and impact of displaced/globalised populations of audiences, spectators and producers of new mainstream/Hollywood/Bollywood cinema are crucial to the emergence of this post-diasporic cinema, as these narratives from texts to screen constitute a fundamental challenge for the negotiation of complex diasporic issues. How does the visual language of these various media shape or define diaspora? Those presenting on this topic and whose papers focus on cinema and other visual narratives/media are encouraged to show short excerpts or clips from their primary texts or to provide handouts rather than simply to describe the visual media. Long, descriptive summaries of film, for instance, are discouraged.
Invisible Diasporas
While there are multiple ways in which diaspora is made visible, what are the ways in which diasporas are made invisible? How do diasporas escape the attention of, or are actively made invisible by, the global media the collective institutional consciousness of such bodies as state governments and organisations such as the United Nations, etc.? Are these diasporas invisible because of their relatively small size or because they exist within other diasporas or in the shadow of other, larger visible diasporas? Is their invisibilty the result of a lack of awareness or documentation? Ignorance and apathy? Or are they forced into silence and invisibility due to the exigencies of power? That is to say, is their visibility actively repressed? Or do these diasporas engage in making themselves strategically invisible as a kind of self-defensive cloaking or masking mechanism necessary to survival? Do discrimination, assimilationist ideology or other forces ensure that this takes place either actively or passively over the course of time?
e-Diasporas and Technology
Technology has changed the way we think about diaspora. The internet, youtube, email, skype, social media, etc. have produced what has become known as the virtual diaspora and has had a profound effect on the way that diasporic communities interact with ‘home/land’ and each other. When communication can take place in such an immediate way, distances are shrunk and the boundaries between ‘here’ and ‘there’ are problematised or made more porous if not actually erased. Such connectivity only intensifies the interstitiality or cross-border mobility of diasporans who are able to engage virtually in more than one social environment. In a discussion of so-called e-diasporas, questions of access, mobility, connectivity ultimately lead to questions of privilege. Who is able to connect and who is not? And how does technology and the connections it provides allow the diaspora to reshape ‘home’ from a distance and vice versa?
The Limits of Diaspora — Problematising ‘Diaspora’
What are the ‘limits’ of diaspora? What is its ‘footprint’? What are the inter-generational issues that cause diasporas to evolve over time, to move toward or away from assimilation in then mainstream culture of the present home? How and why do diasporas redefine themselves? In what ways does ‘diaporic identity’ perform a gate-keeping function that includes but also excludes? How are diasporic identities contested? What are some of the ways to identity and define the subject in changing political boundaries where cultural interactions are amplified? What are the processes of social formation and reformation of diasporas in an age of increasing globalisation? What are the circumstances that give diasporas a window of opportunity to redefine their social position in both the place of origin and the current place of residence? How do we ‘problematise’ or critique diaspora?
The Evolution of the Critical Language of Diaspora
This topic is related to the previous one but focuses more specifically on the discipline of diaspora studies itself. What new cross-’ethnoscapes’ and cross-’ideoscapes’ are emerging and what new methods can be used to theorise the web of forces that influences Diasporas? Rogers Brubaker posits the current phenomenon of a diaspora ‘diaspora’ or an increasing dispersal of the concept and the ways that diaspora is represented, understood, and theorised. Stéphane Dufoix discusses the need to “go beyond ‘diaspora’ in the same way that Rogers Brubaker and Frederick Cooper have shown it is useful to go beyond ‘identity’” (Diaspora. Berkeley: U of California P, 2008. 108). What is the current state of diaspora studies and what is the trajectory of its evolution? How does globalisation affect the ways in which we understand diaspora? In what ways are the realities of contemporary diasporas posing challenges to the critical language of the discipline? What’s next?
The Steering Group particularly welcomes the submission of pre-formed panel proposals. Papers will also be considered on any related theme.
What to Send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: DIAS6 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Ram Vemuri and Rob Fisher
Jonathan Rollins
The conference is part of the ‘Diversity and Recognition’ series of research projects, which in turn belong to the At the Interface programmes of ID.Net. All papers accepted for and presented at the conference will be published in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Mansfield College, Oxford
Call for Presentations:
This inter- and multi-disciplinary project seeks to explore the contemporary experience of Diasporas – communities who conceive of themselves as a national, ethnic, linguistic or other form of cultural and political construction of collective membership living outside of their ‘home lands.’ Diaspora is a concept which is far from being definitional. Despite problems and limitations in terminology, this notion may be defined with issues attached to it for a more complete understanding. Such a term which may have its roots in Greek, is used customarily to apply to a historical phenomenon that has now passed to a period that usually supposes that diasporans are those who are settled forever in a country other than the one in which they were born and thus this term loses its dimension of irreversibility and of exile.
In order to increase our understanding of Diasporas and their impact on both the receiving countries and their respective homes left behind, key issues will be addressed related to Diaspora cultural expression and interests. In addition, the conference will address the questions: Do Diasporas continue to exist? How do they evolve? What is the footprint or limit of Diaspora? Is the global economy, media and policies sending different messages about diaspora to future generations?
Presentations, papers, performances, workshops, presentations and pre-formed panels are invited on any of the following themes:
Queering Diaspora
Diasporic identities and practices invariably position heterosexuality as central to the past (the imagined homeland) and the future survival of the diasporic community through implicit and explicit norms, traditions, and expectations. How do members of diasporic communities who identify with subordinated forms of sexuality such as lesbian, gay, bisexual, transgendered or other queer identities negotiate hetero-normativity in their communities? Do questions of diasporic cultural and social survival heighten homophobia? Or conversely, are diasporic spaces more easily queered? We welcome papers that address how LGBTQ members negotiate sexuality and diasporic identities, and consider the implications for intersectional theories of diaspora.
Diaspora, Sex, and Gender
If heteronormativity can shape diasporic identities, so too can historical norms of patriarchal power and the practices and social infrastructure associated with them. How, for instance, are diasporas and diasporic communities complicit in the general social practices that buttress inequalities or abuses? Do differences between sexes produce different perspectives on what constitutes diasporic identity? Does this disparity result in the co-existence of competing diasporic identities or ‘imaginaries’ that are tied to sex and gender identity? Or, on the other hand, does diaspora offer opportunities for change or for alternate social performances of sex and gender to arise? Does the distance between the home/land left behind and the new home offer an opportunity to break with the past and with tradition? To what extent can we speak of ‘gendered’ diasporas?
Visible Diasporas
Cinema, television, youtube and other mass media, and the visual arts are instrumental in representing diaspora or making diaspora visible both to itself and to others beyond the diasporic community. In then case of cinema, the presence and impact of displaced/globalised populations of audiences, spectators and producers of new mainstream/Hollywood/Bollywood cinema are crucial to the emergence of this post-diasporic cinema, as these narratives from texts to screen constitute a fundamental challenge for the negotiation of complex diasporic issues. How does the visual language of these various media shape or define diaspora? Those presenting on this topic and whose papers focus on cinema and other visual narratives/media are encouraged to show short excerpts or clips from their primary texts or to provide handouts rather than simply to describe the visual media. Long, descriptive summaries of film, for instance, are discouraged.
Invisible Diasporas
While there are multiple ways in which diaspora is made visible, what are the ways in which diasporas are made invisible? How do diasporas escape the attention of, or are actively made invisible by, the global media the collective institutional consciousness of such bodies as state governments and organisations such as the United Nations, etc.? Are these diasporas invisible because of their relatively small size or because they exist within other diasporas or in the shadow of other, larger visible diasporas? Is their invisibilty the result of a lack of awareness or documentation? Ignorance and apathy? Or are they forced into silence and invisibility due to the exigencies of power? That is to say, is their visibility actively repressed? Or do these diasporas engage in making themselves strategically invisible as a kind of self-defensive cloaking or masking mechanism necessary to survival? Do discrimination, assimilationist ideology or other forces ensure that this takes place either actively or passively over the course of time?
e-Diasporas and Technology
Technology has changed the way we think about diaspora. The internet, youtube, email, skype, social media, etc. have produced what has become known as the virtual diaspora and has had a profound effect on the way that diasporic communities interact with ‘home/land’ and each other. When communication can take place in such an immediate way, distances are shrunk and the boundaries between ‘here’ and ‘there’ are problematised or made more porous if not actually erased. Such connectivity only intensifies the interstitiality or cross-border mobility of diasporans who are able to engage virtually in more than one social environment. In a discussion of so-called e-diasporas, questions of access, mobility, connectivity ultimately lead to questions of privilege. Who is able to connect and who is not? And how does technology and the connections it provides allow the diaspora to reshape ‘home’ from a distance and vice versa?
The Limits of Diaspora — Problematising ‘Diaspora’
What are the ‘limits’ of diaspora? What is its ‘footprint’? What are the inter-generational issues that cause diasporas to evolve over time, to move toward or away from assimilation in then mainstream culture of the present home? How and why do diasporas redefine themselves? In what ways does ‘diaporic identity’ perform a gate-keeping function that includes but also excludes? How are diasporic identities contested? What are some of the ways to identity and define the subject in changing political boundaries where cultural interactions are amplified? What are the processes of social formation and reformation of diasporas in an age of increasing globalisation? What are the circumstances that give diasporas a window of opportunity to redefine their social position in both the place of origin and the current place of residence? How do we ‘problematise’ or critique diaspora?
The Evolution of the Critical Language of Diaspora
This topic is related to the previous one but focuses more specifically on the discipline of diaspora studies itself. What new cross-’ethnoscapes’ and cross-’ideoscapes’ are emerging and what new methods can be used to theorise the web of forces that influences Diasporas? Rogers Brubaker posits the current phenomenon of a diaspora ‘diaspora’ or an increasing dispersal of the concept and the ways that diaspora is represented, understood, and theorised. Stéphane Dufoix discusses the need to “go beyond ‘diaspora’ in the same way that Rogers Brubaker and Frederick Cooper have shown it is useful to go beyond ‘identity’” (Diaspora. Berkeley: U of California P, 2008. 108). What is the current state of diaspora studies and what is the trajectory of its evolution? How does globalisation affect the ways in which we understand diaspora? In what ways are the realities of contemporary diasporas posing challenges to the critical language of the discipline? What’s next?
The Steering Group particularly welcomes the submission of pre-formed panel proposals. Papers will also be considered on any related theme.
What to Send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: DIAS6 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Ram Vemuri and Rob Fisher
Jonathan Rollins
The conference is part of the ‘Diversity and Recognition’ series of research projects, which in turn belong to the At the Interface programmes of ID.Net. All papers accepted for and presented at the conference will be published in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
CFP: 2nd Global Conference: Apocalypse: Imagining the End
Wednesday 10th July–Friday 12th July 2013
Mansfield College, Oxford
Call for Presentations:
From Christian concept of the ‘Apocalypse’ to the Hindu notions of the Kali Yuga, visions of destruction and fantasies of the ‘end times’ have a long history. In the last few years, public media, especially in the West, have been suffused with images of the end times and afterward, from the zombie apocalypse (the AMC series The Walking Dead) to life after the collapse of civilization (the NBC series Revolution.) Several popular television series and video games (Deep Earth Bunker) are now based on preparing for and surviving the end of the world. Once a fringe activity, ‘survivalism’ has gone mainstream, and a growing industry supplies ‘doomsday preppers’ with all they need to the post-apocalyptic chaos. One purpose of the conference is to explore these ideas by situating them in context — psychological, historical, literary, cultural, political, and economic. The second aim of conference is to examine today’s widespread fascination the apocalyptic and post-apocalyptic thought, and to understand its rising appeal across broad sections of contemporary society around the world.
This interdisciplinary project welcomes presentations from all disciplines and research areas, including anthropology, psychoanalysis, political economy, psychology, area studies, communal studies, environmental studies, history, sociology, religion, theology, and gender studies.
Presentations,papers, performances, reports, work-in-progress, workshops and pre-formed panels are invited on issues related to (but not limited to) the following themes:
- Decline, Collapse, Decay, Disease, Mass Death
- Survivalism and Doomsday Preppers
- Revolution
- Theories of Social Change
- Peak Oil, Resource Depletion, Global Warming, Economic Collapse
- The Second Coming/Millenarianism/Rapture
- The Hindu Kali Yuga
- Sex and Gender at the End of Time
- Ironic and/or Anti-Apocalyptic Thinking
- Utopia and Dystopia
- Intentional Communities as Communities of the End Times
- Selling the Apocalypse, Commodifying Disaster, and Marketing the End Times
- Death Tourism and Disaster Capitalism
- The Age of Terror
- Zombies, Vampires, and Werewolves in Post-Apocalyptic Fiction
- Disaster Fiction/Movies/Video Games
- History as Apocalypse
- Remembering and Reliving the Collapse of the Western Roman Empire
What to send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: Apocalypse2 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Charles W. Nuckolls
Rob Fisher
The conference is part of the ‘Ethos’ series of research projects, which in turn belong to the Critical Issues programmes of ID.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference will be published in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Mansfield College, Oxford
Call for Presentations:
From Christian concept of the ‘Apocalypse’ to the Hindu notions of the Kali Yuga, visions of destruction and fantasies of the ‘end times’ have a long history. In the last few years, public media, especially in the West, have been suffused with images of the end times and afterward, from the zombie apocalypse (the AMC series The Walking Dead) to life after the collapse of civilization (the NBC series Revolution.) Several popular television series and video games (Deep Earth Bunker) are now based on preparing for and surviving the end of the world. Once a fringe activity, ‘survivalism’ has gone mainstream, and a growing industry supplies ‘doomsday preppers’ with all they need to the post-apocalyptic chaos. One purpose of the conference is to explore these ideas by situating them in context — psychological, historical, literary, cultural, political, and economic. The second aim of conference is to examine today’s widespread fascination the apocalyptic and post-apocalyptic thought, and to understand its rising appeal across broad sections of contemporary society around the world.
This interdisciplinary project welcomes presentations from all disciplines and research areas, including anthropology, psychoanalysis, political economy, psychology, area studies, communal studies, environmental studies, history, sociology, religion, theology, and gender studies.
Presentations,papers, performances, reports, work-in-progress, workshops and pre-formed panels are invited on issues related to (but not limited to) the following themes:
- Decline, Collapse, Decay, Disease, Mass Death
- Survivalism and Doomsday Preppers
- Revolution
- Theories of Social Change
- Peak Oil, Resource Depletion, Global Warming, Economic Collapse
- The Second Coming/Millenarianism/Rapture
- The Hindu Kali Yuga
- Sex and Gender at the End of Time
- Ironic and/or Anti-Apocalyptic Thinking
- Utopia and Dystopia
- Intentional Communities as Communities of the End Times
- Selling the Apocalypse, Commodifying Disaster, and Marketing the End Times
- Death Tourism and Disaster Capitalism
- The Age of Terror
- Zombies, Vampires, and Werewolves in Post-Apocalyptic Fiction
- Disaster Fiction/Movies/Video Games
- History as Apocalypse
- Remembering and Reliving the Collapse of the Western Roman Empire
What to send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: Apocalypse2 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Charles W. Nuckolls
Rob Fisher
The conference is part of the ‘Ethos’ series of research projects, which in turn belong to the Critical Issues programmes of ID.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference will be published in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
CFP: 12th Global Conference: Environmental Justice and Citizenship
Wednesday 10th July–Friday 12th July 2013
Mansfield College, Oxford
Call for Presentations:
This inter-disciplinary and multi-disciplinary conference aims to explore the role of environmental thinking in the context of contemporary society and international affairs, and assess the implications for our understandings of fairness, justice and citizenship. ‘Environmental justice’ is conceived broadly as reflecting not only justice in the context of human communities but also towards other species, ecosystems, habitats, landscapes, succeeding generations and the environment as a whole. ‘Citizenship’ is understood as an awareness of individual’s relative responsibilities in the global context.
Within this framework the 12th Conference of Environmental Justice and Citizenship will explore models, approaches and context necessary to solve the problems impeding environmental justice and living justly. We request contributions which explore technological, political or economic solutions to these problems, or those antecedents, agents, processes and institutions that support development of such solutions. The conference provides opportunities for scholars and practitioners in different disciplines to share examples and proposals for reducing the barriers to environmental justice and citizenship.
Presentations, papers, performances, reports and workshops are invited on any of the following indicative themes:
- Boundaries: reach and limitations of judicial and political systems in contributing to solving problems of environmental justice and citizenship
- Media and knowledge: generating, vetting and disseminating information related to environmental justice and citizenship; sources and channels
- Education: approaches to environmental education
- Hegemony and diversity: resolving problems involving differences in moral and legal frameworks
- Sustainable communities: lessons to be learned from communities that have implemented standards for environmental justice
- Hope: the roles of emotions in shaping behavior and practices; how hope for environmental justice and citizenship develops and is sustained
- Critical thinking: skills, assumptions, perspectives and habits of mind essential to environmental justice and citizenship
Perspectives are sought from all disciplines including:
- The natural and social sciences, and those engaged in actor network theory, agriculture and agricultural economics, the built environment and urban studies, conflict and dispute resolution, critical geography, environmental studies, human and sustainable development, industrial relations, law, philosophy and ethics, political science and international affairs, public policy and politics, sociology and communication of science, theology, cultural studies and anthropology
- People in the public and private sectors who are involved in planning and project development, policy-making and implementation, and negotiation and mediation at national and international levels
- People in Governmental, inter-governmental and non-governmental organisations, voluntary sector bodies, environmental charities and groups, business and professional associations
The Steering Group welcomes the submission of pre-formed panel proposals.
What to Send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. 300 word abstracts should be submitted simultaneously to all Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract.f) up to 10 keywords
E-mails should be entitled: EJGC12 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline).We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Ram Vemuri and Rob Fisher
Karen Druffel
The conference is part of the Critical Issues series of research projects run by Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Mansfield College, Oxford
Call for Presentations:
This inter-disciplinary and multi-disciplinary conference aims to explore the role of environmental thinking in the context of contemporary society and international affairs, and assess the implications for our understandings of fairness, justice and citizenship. ‘Environmental justice’ is conceived broadly as reflecting not only justice in the context of human communities but also towards other species, ecosystems, habitats, landscapes, succeeding generations and the environment as a whole. ‘Citizenship’ is understood as an awareness of individual’s relative responsibilities in the global context.
Within this framework the 12th Conference of Environmental Justice and Citizenship will explore models, approaches and context necessary to solve the problems impeding environmental justice and living justly. We request contributions which explore technological, political or economic solutions to these problems, or those antecedents, agents, processes and institutions that support development of such solutions. The conference provides opportunities for scholars and practitioners in different disciplines to share examples and proposals for reducing the barriers to environmental justice and citizenship.
Presentations, papers, performances, reports and workshops are invited on any of the following indicative themes:
- Boundaries: reach and limitations of judicial and political systems in contributing to solving problems of environmental justice and citizenship
- Media and knowledge: generating, vetting and disseminating information related to environmental justice and citizenship; sources and channels
- Education: approaches to environmental education
- Hegemony and diversity: resolving problems involving differences in moral and legal frameworks
- Sustainable communities: lessons to be learned from communities that have implemented standards for environmental justice
- Hope: the roles of emotions in shaping behavior and practices; how hope for environmental justice and citizenship develops and is sustained
- Critical thinking: skills, assumptions, perspectives and habits of mind essential to environmental justice and citizenship
Perspectives are sought from all disciplines including:
- The natural and social sciences, and those engaged in actor network theory, agriculture and agricultural economics, the built environment and urban studies, conflict and dispute resolution, critical geography, environmental studies, human and sustainable development, industrial relations, law, philosophy and ethics, political science and international affairs, public policy and politics, sociology and communication of science, theology, cultural studies and anthropology
- People in the public and private sectors who are involved in planning and project development, policy-making and implementation, and negotiation and mediation at national and international levels
- People in Governmental, inter-governmental and non-governmental organisations, voluntary sector bodies, environmental charities and groups, business and professional associations
The Steering Group welcomes the submission of pre-formed panel proposals.
What to Send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. 300 word abstracts should be submitted simultaneously to all Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract.f) up to 10 keywords
E-mails should be entitled: EJGC12 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline).We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Ram Vemuri and Rob Fisher
Karen Druffel
The conference is part of the Critical Issues series of research projects run by Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
CFP: 4th Global Conference: Revenge
Sunday 14th July–Tuesday 16th July 2013
Mansfield College, Oxford
Call for Presentations:
Confucius is said to have remarked, ‘Before you embark on a journey of revenge, dig two graves,’ implying that revenge cannot be undertaken without recursive deleterious effects on the revenging agent. This is the view that revenge is at best counterproductive, or that seeking it runs counter to the ethical mandate that one turn the other cheek. Does that mean that vengeful motives are out of place in seeking justice for real wrongs? Should the law attempt to exclude vengeance-seeking? Do some economic or political systems tolerate, or even require, elaborate systems of revenge? Not all societies, of course, would agree that revenge is ethically problematic; some would define revenge as a necessary component in social relationships, even as a method for connecting people across time or over distances. Traditional grudges are commonplace in places as cultural different from each as the Swat Valley (Pakistan) and the American Southeast. Given all this, is is even possible to come up with a universally relevant concept of revenge that would make comparison possible?
This multi-disciplinary research and publications project seeks to explore the different ideas, actions, and cultural traditions of vengeance or revenge. The project explores the nature of revenge, its relationship with issues of justice, economy, and social organization, and its manifestation in the actions of individuals, cultures, communities and nations. We will also consider the history and political economy of revenge, its ‘legitimacy,’ the ‘scale’ of vengeful actions, and whether or not revenge has (or should have) ‘limits.’ Representations of revenge in film, literature, law, television, and cultural performances will be analysed; cultural ‘traditions’ of retaliation and revenge will be considered. And the role of mercy, forgiveness and pardon will be assessed.
Presentations will be considered on the following or related themes:
- Philosophies of revenge
- Revenge and political economy
- Revenge in the philsophies of East and South Asia: Confucian and Hindu perspectives
- Revenge in Maori culture
- Vengeance and gender
- Vengeance in history, literature, and popular culture
- Revenge cross-culturally
- Is there any proper and improper time for revenge? Can an act of revenge be carried across generations?
- Revenge, vengeance, retaliation
- Justice and revenge
- Betrayal, humiliation, shame, resentment, and revenge
- Revenge and the individual; revenge and the group; revenge and the nation; revenge and capitalism
- Revenge in music and the arts
- Revenge in television, film, radio and theatre
- Relationship between revenge and mercy, forgiveness, pardon
- Revenge case-studies: individual, cultural, and historical
The Steering Group particularly welcomes the submission of pre-formed panel proposals.
What to send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 key words
E-mails should be entitled: REV4 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Joint Organising Chairs:
Charles W. Nuckolls
Rob Fisher
The conference is part of the Probing the Boundaries programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at this conference will be eligible for publication in an ISBN eBook. Selected papers maybe invited for development for publication in a themed hard copy volume(s).
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Mansfield College, Oxford
Call for Presentations:
Confucius is said to have remarked, ‘Before you embark on a journey of revenge, dig two graves,’ implying that revenge cannot be undertaken without recursive deleterious effects on the revenging agent. This is the view that revenge is at best counterproductive, or that seeking it runs counter to the ethical mandate that one turn the other cheek. Does that mean that vengeful motives are out of place in seeking justice for real wrongs? Should the law attempt to exclude vengeance-seeking? Do some economic or political systems tolerate, or even require, elaborate systems of revenge? Not all societies, of course, would agree that revenge is ethically problematic; some would define revenge as a necessary component in social relationships, even as a method for connecting people across time or over distances. Traditional grudges are commonplace in places as cultural different from each as the Swat Valley (Pakistan) and the American Southeast. Given all this, is is even possible to come up with a universally relevant concept of revenge that would make comparison possible?
This multi-disciplinary research and publications project seeks to explore the different ideas, actions, and cultural traditions of vengeance or revenge. The project explores the nature of revenge, its relationship with issues of justice, economy, and social organization, and its manifestation in the actions of individuals, cultures, communities and nations. We will also consider the history and political economy of revenge, its ‘legitimacy,’ the ‘scale’ of vengeful actions, and whether or not revenge has (or should have) ‘limits.’ Representations of revenge in film, literature, law, television, and cultural performances will be analysed; cultural ‘traditions’ of retaliation and revenge will be considered. And the role of mercy, forgiveness and pardon will be assessed.
Presentations will be considered on the following or related themes:
- Philosophies of revenge
- Revenge and political economy
- Revenge in the philsophies of East and South Asia: Confucian and Hindu perspectives
- Revenge in Maori culture
- Vengeance and gender
- Vengeance in history, literature, and popular culture
- Revenge cross-culturally
- Is there any proper and improper time for revenge? Can an act of revenge be carried across generations?
- Revenge, vengeance, retaliation
- Justice and revenge
- Betrayal, humiliation, shame, resentment, and revenge
- Revenge and the individual; revenge and the group; revenge and the nation; revenge and capitalism
- Revenge in music and the arts
- Revenge in television, film, radio and theatre
- Relationship between revenge and mercy, forgiveness, pardon
- Revenge case-studies: individual, cultural, and historical
The Steering Group particularly welcomes the submission of pre-formed panel proposals.
What to send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 key words
E-mails should be entitled: REV4 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Joint Organising Chairs:
Charles W. Nuckolls
Rob Fisher
The conference is part of the Probing the Boundaries programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at this conference will be eligible for publication in an ISBN eBook. Selected papers maybe invited for development for publication in a themed hard copy volume(s).
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Wednesday, 31 October 2012
CFP: 8th Global Conference: Visions of Humanity in Cyberculture, Cyberspace and Science Fiction
Thursday 18th July–Saturday 20th July 2013
Mansfield College, Oxford, United Kingdom
Call for Presentations:
This inter-disciplinary and multi-disciplinary project aims to explore what it is to be human and the nature of human community in cyberculture, cyberspace and science fiction. In particular, the project will explore the possibilities offered by these contexts for creative thinking about persons and the challenges posed to the nature and future of national, international, and global communities.
Presentations, papers, performances, and workshops are invited on issues related to any of the following themes:
- the relationship between cyberculture, cyberspace, science fiction
- cyberculture, cyberpunk and the near future: utopias vs. dystopias
- technologies of the future today: equality and access
- science fiction and cyberpunk as a medium for exploring the nature of persons
- humans and cyborgs; the synergy of humans and technology; changing views of the body
- human and post-human concepts in digital arts and cinema
- digital artistic practices and aesthetics
- mobile media, place and the telematic body
- bodies in cyberculture; body modifications; from apes to androids
– electronic evolution; biotechnical advances and the impact of life, death, and social existence
- artificial intelligence, robotics and biomedia: self-organization as a cultural logic
- gender and cyberspace: new gender, new feminisms, new masculinities
- cyberculture of virtual worlds and videogames
- interactive storytelling, emergent narratives, transmedia storytelling, alternate reality games
- nature, enhancing nature, and artificial intelligence; artificial life, life and information systems
- networked living in future city, new urban lifestyles
- human and post-human politics; cyborg citizenship and rights; influence of political technologies
- boundaries, frontiers and taboos in cyberculture
The Steering Group particularly welcomes the submission of pre-formed panel proposals. Papers will also be considered on any related theme.
What to Send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 key words
E-mails should be entitled: VISIONS8 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Joint Organising Chairs:
Daniel Riha
Rob Fisher
The conference is part of the ‘Critical Issues’ series of research projects run by Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Mansfield College, Oxford, United Kingdom
Call for Presentations:
This inter-disciplinary and multi-disciplinary project aims to explore what it is to be human and the nature of human community in cyberculture, cyberspace and science fiction. In particular, the project will explore the possibilities offered by these contexts for creative thinking about persons and the challenges posed to the nature and future of national, international, and global communities.
Presentations, papers, performances, and workshops are invited on issues related to any of the following themes:
- the relationship between cyberculture, cyberspace, science fiction
- cyberculture, cyberpunk and the near future: utopias vs. dystopias
- technologies of the future today: equality and access
- science fiction and cyberpunk as a medium for exploring the nature of persons
- humans and cyborgs; the synergy of humans and technology; changing views of the body
- human and post-human concepts in digital arts and cinema
- digital artistic practices and aesthetics
- mobile media, place and the telematic body
- bodies in cyberculture; body modifications; from apes to androids
– electronic evolution; biotechnical advances and the impact of life, death, and social existence
- artificial intelligence, robotics and biomedia: self-organization as a cultural logic
- gender and cyberspace: new gender, new feminisms, new masculinities
- cyberculture of virtual worlds and videogames
- interactive storytelling, emergent narratives, transmedia storytelling, alternate reality games
- nature, enhancing nature, and artificial intelligence; artificial life, life and information systems
- networked living in future city, new urban lifestyles
- human and post-human politics; cyborg citizenship and rights; influence of political technologies
- boundaries, frontiers and taboos in cyberculture
The Steering Group particularly welcomes the submission of pre-formed panel proposals. Papers will also be considered on any related theme.
What to Send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 key words
E-mails should be entitled: VISIONS8 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Joint Organising Chairs:
Daniel Riha
Rob Fisher
The conference is part of the ‘Critical Issues’ series of research projects run by Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
CFP: 5th Global Conference: Videogame Culture and the Future of Interactive Entertainment
Sunday 14th July–Tuesday 16th July 2013
Mansfield College, Oxford
Call for Presentations:
This inter- and multi-disciplinary conference aims to examine, explore and critically engage with the issues and implications created by the mass use of computers and videogames for human entertainment and focus on the impact of innovative videogame titles and interfaces for human communication and ludic culture. In particular the conference will encourage equally theoretical and practical debates which surround the cultural contexts within which videogames flourish.
Presentations, papers, performances, workshops and reports are invited on any of the following themes:
1. Videogames and Gaming
Theories and Concepts of Gaming. Identifying Key Features and Issues.
Videogames as Text. Videogames as Interactive Image. Multidisciplinary Approaches to Videogame Analysis. Film, Literary, Art Studies and Cultural Studies Approaches to the Analysis of Videogames.
2. Videogame Cultures
Emerging Practices in Online and Offline Gaming. Games as Cultural Artifacts.
Pervasive Gaming, Convergence and the Integration of Videogames. Videogames as Art, Fan Cultures.
3. Games and Society
Ethical Issues in Videogames, Videogame Controversy – Rating, Violence, Sex, Morality and their relation to Maturity. Videogames and Politics. Propaganda Games. Censorship.
4. Immersion and Embodiment
New Forms of Interaction, Immersion and Collaboration in Videogames. Sound, Music, Touch, and Game Space. Evolution of Gaming. The Role of Innovative Interfaces.
5. Games with Meaning?
The Relationship between Game and Gamer. Social Impact Simulations. Educational Use of Videogames. Serious Games. News and Documentary Videogames.
6. Reception, Temporality and Videogames
Player Generations. Old Originals vs. Retro games. Indie Games and Low-Tech Aesthetics. Innovations in Independent Game Movements.
7. Works in Progress
Games in Development. Approaches to Game Design. Discussion Workshops on Games under Production. Best Practice and Know-How Exchange.
A presentation with a quick demo of the game and workshop proposals are strongly encouraged. We might offer 2 hour slot for 1-3 intensive workshops on design methodologies and media comparative sessions. Delegates presenting in the frame of workshops are eligible for publishing in special track of Videogames 5 ebook on methodologies.
The Steering Group particularly welcomes the submission of pre-formed panel proposals. Papers will also be considered on any related theme.
What to Send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: VG5 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Joint Organising Chairs:
Daniel Riha
Rob Fisher
The conference is part of the ‘Critical Issues’ series of research projects run by Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Mansfield College, Oxford
Call for Presentations:
This inter- and multi-disciplinary conference aims to examine, explore and critically engage with the issues and implications created by the mass use of computers and videogames for human entertainment and focus on the impact of innovative videogame titles and interfaces for human communication and ludic culture. In particular the conference will encourage equally theoretical and practical debates which surround the cultural contexts within which videogames flourish.
Presentations, papers, performances, workshops and reports are invited on any of the following themes:
1. Videogames and Gaming
Theories and Concepts of Gaming. Identifying Key Features and Issues.
Videogames as Text. Videogames as Interactive Image. Multidisciplinary Approaches to Videogame Analysis. Film, Literary, Art Studies and Cultural Studies Approaches to the Analysis of Videogames.
2. Videogame Cultures
Emerging Practices in Online and Offline Gaming. Games as Cultural Artifacts.
Pervasive Gaming, Convergence and the Integration of Videogames. Videogames as Art, Fan Cultures.
3. Games and Society
Ethical Issues in Videogames, Videogame Controversy – Rating, Violence, Sex, Morality and their relation to Maturity. Videogames and Politics. Propaganda Games. Censorship.
4. Immersion and Embodiment
New Forms of Interaction, Immersion and Collaboration in Videogames. Sound, Music, Touch, and Game Space. Evolution of Gaming. The Role of Innovative Interfaces.
5. Games with Meaning?
The Relationship between Game and Gamer. Social Impact Simulations. Educational Use of Videogames. Serious Games. News and Documentary Videogames.
6. Reception, Temporality and Videogames
Player Generations. Old Originals vs. Retro games. Indie Games and Low-Tech Aesthetics. Innovations in Independent Game Movements.
7. Works in Progress
Games in Development. Approaches to Game Design. Discussion Workshops on Games under Production. Best Practice and Know-How Exchange.
A presentation with a quick demo of the game and workshop proposals are strongly encouraged. We might offer 2 hour slot for 1-3 intensive workshops on design methodologies and media comparative sessions. Delegates presenting in the frame of workshops are eligible for publishing in special track of Videogames 5 ebook on methodologies.
The Steering Group particularly welcomes the submission of pre-formed panel proposals. Papers will also be considered on any related theme.
What to Send:
300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013. Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: VG5 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Joint Organising Chairs:
Daniel Riha
Rob Fisher
The conference is part of the ‘Critical Issues’ series of research projects run by Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Wednesday, 17 October 2012
CFP: Exegesis Journal
“It is the confession, not the priest, that gives us absolution.”
Oscar Wilde, The Picture of Dorian Gray
Exegesis, the academic e-journal of the English Department at Royal Holloway, University of London, is now accepting submissions for the Spring 2013 edition on Testimonies and Confessions. In this issue we seek to generate discussion about the forms that testimonies and confessions have taken historically, theologically, and literarily from an interdisciplinary, cross-period perspective. Authors may choose to investigate this topic literally, metaphorically, or theoretically, and in terms of specific texts, authors, times, or places. Articles and creative pieces might address, but are not limited to, any of the following subjects:
• Confessional/Testimonial literature as autobiographical, fictional, or sensationalized for humour
• First person narratives, such as diaries or letters
• Monologues (in Shakespeare, for example)
• Literary and theological confessions (e.g. Confessions of St. Augustine, Rousseau’s Confessions)
• False confessions
• In a court of law, admitting guilt of a crime, or testifying as witness
• Testifying on war, violence, social oppression, etc.
• The meaning of ‘truth’, how we find it, and what can be considered ‘proof’
• The role of confession to religion (sinning, absolution)
• Confession as an interpretation of identity
• Philosophical testimony (Kant, Hume, Ricoeur, and others)
Submission deadline is 10th January 2013. Please submit using the following email links: to submit a critical work; to submit a creative work; to submit a book review. After peer review, refereed submissions will be selected and published in our April 2013 issue. Please take note of the Guidelines below.
All submissions will be considered for the [Exegesis Writing Awards] of £100 for one critical article and £100 for one creative piece, which will be granted on the basis of writing excellence.
SUBMISSIONS GUIDELINES:
Exegesis invites submissions from postgraduate students and early career academics from the field of English Studies and beyond, multi- and cross- disciplinary researchers, and any scholar with interesting and relevant work. We welcome previously unpublished essays, short articles, reviews, and creative pieces on each issue’s theme, and encourage you to fully explore the meaning of exegesis.
Essays and short articles should be between 4000-6000 words and reviews around 1000 words (including all references), and must adhere to the MHRA referencing and style guide. Creative pieces are welcomed of no more than 5000 words. A copy of the MHRA style guide can be found here.
Your submission email should include your name, academic affiliation, the title of your submission, 5-7 keywords, and a 3-5 sentence abstract of the article or review piece. All attached submissions should be unnamed, to ensure impartiality during the selection process, and should be sent as Word documents (.doc format). Submissions which do not follow these guidelines will not be considered.
CFP: 1st Global Conference: The Boundaries of Reproduction
Sunday 12th May – Tuesday 14th May 2013
Prague, Czech Republic
Call for Presentations:
This conference seeks to explore the boundaries of reproduction, not merely as physical birth but more broadly as an agent of change, of bodily, sexual, cultural (and even viral) transitions.
From iconic images of the incarnation to depictions of monstrous births, the cultural rituals and mythologies of reproduction continue to fascinate us. Bodies that copulate, bodies that reproduce, bodies that replicate, change, decay—or divide—produce anxiety about the boundaries of self and identity. Reproduction, like evolution, reminds us that we are ever in flux, that change is inevitable. Birth, like death, forces us to acknowledge the limits of our bodies and our ‘selves.’ Additionally, this age of epidemics and viral warfare incites dystopic visions of a future where the effective reproducers are micro-organisms, where humans have been replaced by a replicating other. We seek to explore not only the biological imperative of preserving a species, but also our search for origins, our search for ourselves, our desires, our sexual identities, our gods.
We invite perspectives that explore identity, bodies, boundaries, sexuality and futurity. We likewise invite reflections on whether the nature of our origins tells us anything about who and what we are; whether it lays the ground for understanding what we will become and how our future will unfold. What is the nature of our transition from birth through life to death? Is the end present in the beginning, and does this complicate our notions of evolutions and transitions as forward progress? What does it mean to be pregnant? To impregnate? What concerns are raised about a woman’s body historically, culturally, politically, her ability to feed, grow and harbour new life, as well as her control over her own reproductive destiny? What about bodies that replicate without sex? Cloning? Hermaphroditic reproduction? What about non-human reproduction, about invasive species, about viral epidemics?
We encourage scholarly contributions from inter, multi and transdisciplinary perspectives, from practitioners working in all contexts, professionals, ngo’s and those from the voluntary sector. We will entertain submissions drawn from literature, medicine, politics, social history, film, television, graphic novels and manga, from science to science fiction.
Topics may include but are not limited to:
-Historical medical discourses about reproduction
-The monstrosity of birth: monstrous births
-Birth in the dystopic narrative
-Freak(s) – of nature; of technology; accidents of birth
-Religious discourse of reproduction
-Gender and biomedicine
-Queering reproduction
-Motherhood/fatherhood/parenthood
-Technologies of and for the body
-Reproduction and ethical practice
-Managing reproductive bodies: law, health care and medical practice
-The “changing” body: rebirth and metamorphosis
-Invading and possessing bodies
-Eugenics, social biology and inter-racial generation
-Genetic engineering and “nightmare” reproductions
-Science fiction: inter-species reproduction: non-human reproduction
-Viral reproduction and pandemic
What to submit:
The Steering Group particularly welcomes the submission of pre-formed panel proposals. Presentations will also be considered on any related theme. 300 word abstracts should be submitted by Friday 4th January 2013. 300 word abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: BR1 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Brandy Scillace
Rob Fisher
The conference is part of the Probing the Boundaries programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at the conference will be eligible for publication in an ISBN eBook. Selected papers may be developed for publication in a themed hard copy volume(s).
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Prague, Czech Republic
Call for Presentations:
This conference seeks to explore the boundaries of reproduction, not merely as physical birth but more broadly as an agent of change, of bodily, sexual, cultural (and even viral) transitions.
From iconic images of the incarnation to depictions of monstrous births, the cultural rituals and mythologies of reproduction continue to fascinate us. Bodies that copulate, bodies that reproduce, bodies that replicate, change, decay—or divide—produce anxiety about the boundaries of self and identity. Reproduction, like evolution, reminds us that we are ever in flux, that change is inevitable. Birth, like death, forces us to acknowledge the limits of our bodies and our ‘selves.’ Additionally, this age of epidemics and viral warfare incites dystopic visions of a future where the effective reproducers are micro-organisms, where humans have been replaced by a replicating other. We seek to explore not only the biological imperative of preserving a species, but also our search for origins, our search for ourselves, our desires, our sexual identities, our gods.
We invite perspectives that explore identity, bodies, boundaries, sexuality and futurity. We likewise invite reflections on whether the nature of our origins tells us anything about who and what we are; whether it lays the ground for understanding what we will become and how our future will unfold. What is the nature of our transition from birth through life to death? Is the end present in the beginning, and does this complicate our notions of evolutions and transitions as forward progress? What does it mean to be pregnant? To impregnate? What concerns are raised about a woman’s body historically, culturally, politically, her ability to feed, grow and harbour new life, as well as her control over her own reproductive destiny? What about bodies that replicate without sex? Cloning? Hermaphroditic reproduction? What about non-human reproduction, about invasive species, about viral epidemics?
We encourage scholarly contributions from inter, multi and transdisciplinary perspectives, from practitioners working in all contexts, professionals, ngo’s and those from the voluntary sector. We will entertain submissions drawn from literature, medicine, politics, social history, film, television, graphic novels and manga, from science to science fiction.
Topics may include but are not limited to:
-Historical medical discourses about reproduction
-The monstrosity of birth: monstrous births
-Birth in the dystopic narrative
-Freak(s) – of nature; of technology; accidents of birth
-Religious discourse of reproduction
-Gender and biomedicine
-Queering reproduction
-Motherhood/fatherhood/parenthood
-Technologies of and for the body
-Reproduction and ethical practice
-Managing reproductive bodies: law, health care and medical practice
-The “changing” body: rebirth and metamorphosis
-Invading and possessing bodies
-Eugenics, social biology and inter-racial generation
-Genetic engineering and “nightmare” reproductions
-Science fiction: inter-species reproduction: non-human reproduction
-Viral reproduction and pandemic
What to submit:
The Steering Group particularly welcomes the submission of pre-formed panel proposals. Presentations will also be considered on any related theme. 300 word abstracts should be submitted by Friday 4th January 2013. 300 word abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: BR1 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Brandy Scillace
Rob Fisher
The conference is part of the Probing the Boundaries programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at the conference will be eligible for publication in an ISBN eBook. Selected papers may be developed for publication in a themed hard copy volume(s).
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Wednesday, 3 October 2012
CFP: 2nd Global Conference: Making Sense Of: Play
Monday 22nd July – Wednesday 24th July 2013
Mansfield College, Oxford
Call for Presentations:
The interdisciplinary project Making Sense Of: Play seeks to examine the various meanings of “play”, elucidate their inter-relationships and trace the origins of the patterns of play and their place in the human condition. Variations in cultural conditions naturally impact on play, its meanings and its forms, as do, often in a different way, economic inequalities both within and between different cultures. Our deliberations will necessarily takes this into account. In many languages, as in English, throughout its etymological history “play” has been closely connected to the world of children and make believe. Academic study of play, too, deals predominantly with various aspects of children’s play and its importance in development. There is, in fact, a lack of balance between the study of play in relation to children and childhood on one hand, and “play” more generally, as outlined above, on the other. For this reason our project explicitly emphasizes the comparatively under-explored aspects of play in linguistic, literary, philosophical, historical, psychological and evolutionary frames of reference.
“You can discover more about a person in an hour of play than in a year of conversation.” (Plato)
Possible Themes and Topics:
Its evolutionary significance: Viewed from biological and paleoanthropoligical standpoint, how has play factored into the evolution of Homo Sapiens?
In politics: is politics a game? What are the “rules” and how can they be transgressed?
In literature and the arts: How do the arts function as play in our culture? Are artists game-masters? Are some forms of art especially “playful?” How is “the play the thing”- to quote Shakespeare? What should we make of artistic works in which “dark play” is featured?
Historical and cultural models of play: Does “play” mean and function differently in different cultures and societies? What can we learn by exploring other cultures’ models of play? Has the concept and practice of play evolved differently for adults and children?
In philosophy: How does play function in the divide between truth and appearance? Do philosophers “play” with ideas? How can we understand play beyond the limits of specific disciplinary boundaries? Why does play continue to be a “slippery concept”?
As a psychological issue: Do we need to play as a function of mental health and well being? Are there healthy and non-healthy forms of play?
Play/Work/Contemplation: does Aristotle’s analysis of the good life serve contemporary conditions?
In language: what does it mean to” play with language?” Are metaphors linguistic play? How is ‘deconstruction’ a form of playing with language?
As humour: How do jokes and other forms of humor operate as play? When might jokes and humor be “anti-play?”
Play of perception: How do our senses afford us opportunities to play? Is the artistic look a form of play? Can sounds, tastes, colors invite us to playfully engage in the world?
Play and the life-course: How does play figure into existential crisis (illness, death), love, hatred, and power? Does play serve as special form of communication? Can play be a form of addiction or can it be used to address addictive behavior? What forms does play take in adult lives and in the lives of the elderly?
Animal play: What does play mean in the animal world? Do animals play? Need to play? Can we play with animals in the sense that we are engaging in their own forms of play? Animal play has been an important tool in understanding how humans play. Given this, how are human and animal play different and similar?
Play and children: What role do toys serve in a child’s life? How does play function in the classroom? How do children play? What role does contact with the natural world play in child’s play?
Play and technology: How has technology changed and expanded/or limited how we play in our respective cultures?
Dark and dangerous play: Where does play veer from “playful” to dangerous and destructive? How does the example of “war as play” provide a paradigm of exploring the complicated nature of play? How can we understand “dark play” within the classic paradigm in which play is seen as predominantly “fun”?
The Steering Group particularly welcomes the submission of pre-formed panel proposals. Papers will also be considered on any related theme. 300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013.
What to Send: Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 key words
E-mails should be entitled: PLAY2 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Joint Organising Chairs:
Wendy Turgeon (Project Leader)
Rob Fisher (Network Founder and Leader)
The conference is part of the Probing the Boundaries programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Mansfield College, Oxford
Call for Presentations:
The interdisciplinary project Making Sense Of: Play seeks to examine the various meanings of “play”, elucidate their inter-relationships and trace the origins of the patterns of play and their place in the human condition. Variations in cultural conditions naturally impact on play, its meanings and its forms, as do, often in a different way, economic inequalities both within and between different cultures. Our deliberations will necessarily takes this into account. In many languages, as in English, throughout its etymological history “play” has been closely connected to the world of children and make believe. Academic study of play, too, deals predominantly with various aspects of children’s play and its importance in development. There is, in fact, a lack of balance between the study of play in relation to children and childhood on one hand, and “play” more generally, as outlined above, on the other. For this reason our project explicitly emphasizes the comparatively under-explored aspects of play in linguistic, literary, philosophical, historical, psychological and evolutionary frames of reference.
“You can discover more about a person in an hour of play than in a year of conversation.” (Plato)
Possible Themes and Topics:
Its evolutionary significance: Viewed from biological and paleoanthropoligical standpoint, how has play factored into the evolution of Homo Sapiens?
In politics: is politics a game? What are the “rules” and how can they be transgressed?
In literature and the arts: How do the arts function as play in our culture? Are artists game-masters? Are some forms of art especially “playful?” How is “the play the thing”- to quote Shakespeare? What should we make of artistic works in which “dark play” is featured?
Historical and cultural models of play: Does “play” mean and function differently in different cultures and societies? What can we learn by exploring other cultures’ models of play? Has the concept and practice of play evolved differently for adults and children?
In philosophy: How does play function in the divide between truth and appearance? Do philosophers “play” with ideas? How can we understand play beyond the limits of specific disciplinary boundaries? Why does play continue to be a “slippery concept”?
As a psychological issue: Do we need to play as a function of mental health and well being? Are there healthy and non-healthy forms of play?
Play/Work/Contemplation: does Aristotle’s analysis of the good life serve contemporary conditions?
In language: what does it mean to” play with language?” Are metaphors linguistic play? How is ‘deconstruction’ a form of playing with language?
As humour: How do jokes and other forms of humor operate as play? When might jokes and humor be “anti-play?”
Play of perception: How do our senses afford us opportunities to play? Is the artistic look a form of play? Can sounds, tastes, colors invite us to playfully engage in the world?
Play and the life-course: How does play figure into existential crisis (illness, death), love, hatred, and power? Does play serve as special form of communication? Can play be a form of addiction or can it be used to address addictive behavior? What forms does play take in adult lives and in the lives of the elderly?
Animal play: What does play mean in the animal world? Do animals play? Need to play? Can we play with animals in the sense that we are engaging in their own forms of play? Animal play has been an important tool in understanding how humans play. Given this, how are human and animal play different and similar?
Play and children: What role do toys serve in a child’s life? How does play function in the classroom? How do children play? What role does contact with the natural world play in child’s play?
Play and technology: How has technology changed and expanded/or limited how we play in our respective cultures?
Dark and dangerous play: Where does play veer from “playful” to dangerous and destructive? How does the example of “war as play” provide a paradigm of exploring the complicated nature of play? How can we understand “dark play” within the classic paradigm in which play is seen as predominantly “fun”?
The Steering Group particularly welcomes the submission of pre-formed panel proposals. Papers will also be considered on any related theme. 300 word abstracts should be submitted by Friday 8th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 10th May 2013.
What to Send: Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 key words
E-mails should be entitled: PLAY2 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Joint Organising Chairs:
Wendy Turgeon (Project Leader)
Rob Fisher (Network Founder and Leader)
The conference is part of the Probing the Boundaries programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
CFP: 1st Global Conference: Virtualosity: Gaming, Interfaces and Digital Arts
Monday 4th February – Wednesday 6th February 2013
Sydney, Australia
Call for Presentations:
Games and digital and virtual interactions proliferate throughout everyday life, from individual game players, to online communities; from the people that make and market games to their influence in and on popular media; leisure activities and to educational, professional and political activities. The impact of such a ubiquitous platform of individual and communal interaction has not just ethical dimensions but also in the ways we view ourselves, our society the future and the very notions of identity and being. In this light gaming and the designing and creating of interactive virtual environments offer us the chance to change both the world that we enter into but also the real world that we bring such technologies into. The resultant blurring of boundaries, if indeed this is the case, has dramatic consequences for ethical and political stances, not least for personal and communal responsibility, as well as gender construction and ‘real’ and ‘performed’ sexualities and hybridities. Also importantly within this framework are notions of inclusion and exclusion, not just within the particular environments and communities created but through access to the technologies themselves, be they geographical or financial, political or individual difference (i.e. non-normative bodies).
This project approaches videogames and interactive virtual spaces from a multi-, inter- and cross-disciplinary perspective that seeks to blend theoretical discussions with concerns of the industry in order to benefit both groups. We therefore welcome papers that explore how games work in society, how they are made, how they are analysed and discussed and current industrial trends. More importantly, because these concepts are often discussed separately, this is an opportunity to examine interrelationships and improve understanding of games across the board. It is of great importance for the industry to contribute to the development of games education just as it is important for the growing education sector to be more informed about production and industry practices.
Presentations, papers, performances, workshops and artworks are called for, but not limited to, the following themes:
Games and Worlds:
-Analysis and criticism of videogames as texts, games and cultural objects. Videogame and Virtual worlds theory, analysis, criticism
-Art, fiction, story, literature writing, transmedia
-Music audio and performance (voice, physical mo-cap etc)
-Their place with other platforms such as film, literature, graphic novels and other forms of gaming (i.e. Hasbro etc)
Contexts:
-Historical approaches and previous envisionings and practices.
-New Interfaces, cultural and individual strategies and mappings.
-Recording, archiving and gaming memory.
-Virtual versus real interactions, online and offline gaming.
-Virtual worlds in actual spaces, role playing, digital arts, interactive graphic novels and narratives.
-Pervasiveness and convergence.
-Gamings use and influence in other platforms and media.
-New interactions, immersions and collaborations and integrations with sound, music, textures and spaces.
-Games Marketing and Gamers as a market
Production:
-Exploration of new opportunities such as education, science, health and engineering.
-Videogames beyond the entertainment market such as commercial practicalities and academic concerns.
-Actual experiences from practitioners, artists, professionals, developers and educators.
-Works in progress, post-mortems
-Linkage diaries: academia, industry and independent projects, models, experiments etc.
-Approaches, methods and practices
-Technology, programming, design, innovations
-Performance notes (as above, music, voice, physical etc)
Creativity and Interactions:
-Fan cultures, communities and social networking.
-The impact of the above on other platforms such as film, graphic novels and science fiction. Interactive storytelling, emergent narratives, transmedia storytelling.
-The relationship between the game, producer, the game and the gamer.
-How can great game designs become great games that players can buy?
-The use of virtual worlds worlds and games in education, online learning, research networking and global and local learning.
-The uniqueness of particular geographical locations i.e. what specific opportunities exist in Australia and where does it stand in the global context?
Corporealities and Ethics:
-Bodily integrity, hybridity and cyborgism.
-Avatars, modifications and mutations; the impact on life, death, and social existence
-Gender and virtuality: new gender, new feminisms, new masculinities
-Human, animal, machine; Boundaries, frontiers and taboos in games and virtual worlds.
-Ethics in virtual world; and games; Rating, violence, sex, morality and game rape.
-Gaming ethics and their relation to maturity.
-Politics, propaganda, activism and censorship.
-In world surveillance and privacy, cybercrime and ethical hacking.
What to Send:
300 word abstracts or presentation proposals should be submitted simultaneously to both Organising Chairs by Friday 26th October 2012; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract.
E-mails should be entitled: DI1 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Adam Ruch
Rob Fisher
The conference is part of the Ethos programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Sydney, Australia
Call for Presentations:
Games and digital and virtual interactions proliferate throughout everyday life, from individual game players, to online communities; from the people that make and market games to their influence in and on popular media; leisure activities and to educational, professional and political activities. The impact of such a ubiquitous platform of individual and communal interaction has not just ethical dimensions but also in the ways we view ourselves, our society the future and the very notions of identity and being. In this light gaming and the designing and creating of interactive virtual environments offer us the chance to change both the world that we enter into but also the real world that we bring such technologies into. The resultant blurring of boundaries, if indeed this is the case, has dramatic consequences for ethical and political stances, not least for personal and communal responsibility, as well as gender construction and ‘real’ and ‘performed’ sexualities and hybridities. Also importantly within this framework are notions of inclusion and exclusion, not just within the particular environments and communities created but through access to the technologies themselves, be they geographical or financial, political or individual difference (i.e. non-normative bodies).
This project approaches videogames and interactive virtual spaces from a multi-, inter- and cross-disciplinary perspective that seeks to blend theoretical discussions with concerns of the industry in order to benefit both groups. We therefore welcome papers that explore how games work in society, how they are made, how they are analysed and discussed and current industrial trends. More importantly, because these concepts are often discussed separately, this is an opportunity to examine interrelationships and improve understanding of games across the board. It is of great importance for the industry to contribute to the development of games education just as it is important for the growing education sector to be more informed about production and industry practices.
Presentations, papers, performances, workshops and artworks are called for, but not limited to, the following themes:
Games and Worlds:
-Analysis and criticism of videogames as texts, games and cultural objects. Videogame and Virtual worlds theory, analysis, criticism
-Art, fiction, story, literature writing, transmedia
-Music audio and performance (voice, physical mo-cap etc)
-Their place with other platforms such as film, literature, graphic novels and other forms of gaming (i.e. Hasbro etc)
Contexts:
-Historical approaches and previous envisionings and practices.
-New Interfaces, cultural and individual strategies and mappings.
-Recording, archiving and gaming memory.
-Virtual versus real interactions, online and offline gaming.
-Virtual worlds in actual spaces, role playing, digital arts, interactive graphic novels and narratives.
-Pervasiveness and convergence.
-Gamings use and influence in other platforms and media.
-New interactions, immersions and collaborations and integrations with sound, music, textures and spaces.
-Games Marketing and Gamers as a market
Production:
-Exploration of new opportunities such as education, science, health and engineering.
-Videogames beyond the entertainment market such as commercial practicalities and academic concerns.
-Actual experiences from practitioners, artists, professionals, developers and educators.
-Works in progress, post-mortems
-Linkage diaries: academia, industry and independent projects, models, experiments etc.
-Approaches, methods and practices
-Technology, programming, design, innovations
-Performance notes (as above, music, voice, physical etc)
Creativity and Interactions:
-Fan cultures, communities and social networking.
-The impact of the above on other platforms such as film, graphic novels and science fiction. Interactive storytelling, emergent narratives, transmedia storytelling.
-The relationship between the game, producer, the game and the gamer.
-How can great game designs become great games that players can buy?
-The use of virtual worlds worlds and games in education, online learning, research networking and global and local learning.
-The uniqueness of particular geographical locations i.e. what specific opportunities exist in Australia and where does it stand in the global context?
Corporealities and Ethics:
-Bodily integrity, hybridity and cyborgism.
-Avatars, modifications and mutations; the impact on life, death, and social existence
-Gender and virtuality: new gender, new feminisms, new masculinities
-Human, animal, machine; Boundaries, frontiers and taboos in games and virtual worlds.
-Ethics in virtual world; and games; Rating, violence, sex, morality and game rape.
-Gaming ethics and their relation to maturity.
-Politics, propaganda, activism and censorship.
-In world surveillance and privacy, cybercrime and ethical hacking.
What to Send:
300 word abstracts or presentation proposals should be submitted simultaneously to both Organising Chairs by Friday 26th October 2012; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract.
E-mails should be entitled: DI1 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Adam Ruch
Rob Fisher
The conference is part of the Ethos programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Tuesday, 25 September 2012
CFP: 1st Global Conference: 21st Century Science: Health, Agency and Well-Being
Wednesday 30th January – Friday 1st February 2013
Sydney, Australia
Call for Presentations:
This project is about the conjunction of science, medicine, agency and well-being and the interface between modern, or institutionalised, and natural sciences. In particular this is about approaches that challenges the precepts of the accepted scientific establishment of a particular time and culture. Whilst focused upon current and emerging practices and methodologies it is also about the cultural and historical contexts from which they have previously emerged. This will necessarily reference previous ages, cultures and ideologies that find the roots of today’s anti-establishment medical movements in yester years occult and esoteric knowledge. Such knowledge which saw its birth and development in the natural sciences has become oppositional to the forces of modern empirical knowledge which can be largely seen to ignore anything which cannot be directly measured, categorised or controlled. As Foucault has stated, this form the basis of the medical gaze which restricts and controls as much as it heals and treats. Natural or anti-establishment methodologies then return control of the healing process away from large corporate or nationalised institutions back into the hands of those who require treatment.
In this framework the patient themselves become both agents and communicator of alternative methods of treatment, healing and well-being. As agents of the ‘anti-establishment science movements’, ‘lay’ people become involved into everyday science and knowledge production, they become protoscientists. For example, blog discussion on the side-effects of a particular medicine/drug can be more personal, revealing and informative and can go beyond what an information leaflet or a clinician may offer. While blogging, the ‘lay’ person generates and exchanges knowledge with the other bloggers that may be useful for one’s health. There is a paucity of literature depicting these movements as ‘bottom up’ challenges of establishment science literature. This kind of authority challenge has only marginally been considered by the ‘establishment’ science (for example: Fuller (2010)) and this conference will provide a platform for such consideration and discussion with specific focus on self-healing, health knowledge co-production and DIY treatments. This conference welcomes papers from various fields of study, such as social sciences, humanities, medical sciences and philosophy.
Presentations, papers, performances, work-in-progress and workshops are invited on any issues related to the following themes:
Ideological Approaches:
-The effect of the DIY practices on established health systems and peoples’ personal lives
-The embeddedness of protoscience in the everyday life and the philosophical underpinnings of protoscience as everyday science
-Alternative and self-healing practices beyond the relational milieu vis-à-vis a conventional/non-conventional medicine binary
-The consequences of the anti-establishment science movements for economic relations determining the health care industry
21st Century Practices Practices:
-Alternative and Complimentary Medicine
-Mind-Body Intervention, Meditation, Spiritual and Self-Healing
-Homeopathy, Energy Medicine, Manipulative Therapy and Holistic Healing
-Acupuncture, Chiropractic, Psychotherapy, Nutrition and Dietetics
Traditional and Non-Western Approaches:
-Faith Healing, Johrei, Crystals, Maharishi Vedic Medicine; Shamanism
-Folk Medicine, Herbalism, Ayurveda
-Traditional Chinese Medicine, Traditional Korean Medicine, Native American Traditional Healing, Traditional Aboriginal Bush Medicine; rongoā Māori (traditional healing), Traditional medicine in the South Pacific island countries
Historical and Anthropological Approaches to Health and Medicine:
-Historical-Anthropological accounts of pre-clinical medicine
-Ancient Health paradigms, Sramana and Classical Indian Philosophy, Gnosticism, Alchemy (Indian, Chinese and Modern), Kabbalah, Hermeticism
-Medical anthropology, applied medical anthropology
-Community Health Paradigms and culturally appropriate health provision
Diasporic and Minority Health
Literary and Media Representations of CAM and Scientific Medicine:
-Representations of CAM and Scientific medicine through Media: Medical Infotainment, Reality TV, Medical Soaps
-Doctors, Alternative healers and patients/health consumers in films and novels
-Media representations of health vis-à-vis Paganism, Occultism, Witchcraft, Magic
-Literary representations of health and healing agents: Gothicism, Romanticism and Science Fiction
Contemporary Communities of Health and Well-Being:
-The empowering effect of the free and open source technology vis-à-vis the status of the individual/the agent as knowledgeable agent in the field of health
-The effect of the DIY practices on established health systems and peoples’ personal lives
-Discussion of the relevance of these movements in relation to the existent theories of power
-The relevance of the historical and socio-political context regarding what constitutes ‘mainstream’ in the health sector
-E-health and online communities, representations in popular media and self-help and support groups
We actively encourage participation from practitioners and non-academics with an interest in the topic as well as pre-formed three paper panels
What to Send:
300 word abstracts or presentation proposals should be submitted simultaneously to both Organising Chairs by Friday 19th October 2012; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract.
E-mails should be entitled: SCIENCE Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Irena Veljanova
Rob Fisher
The conference is part of the Ethos programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Sydney, Australia
Call for Presentations:
This project is about the conjunction of science, medicine, agency and well-being and the interface between modern, or institutionalised, and natural sciences. In particular this is about approaches that challenges the precepts of the accepted scientific establishment of a particular time and culture. Whilst focused upon current and emerging practices and methodologies it is also about the cultural and historical contexts from which they have previously emerged. This will necessarily reference previous ages, cultures and ideologies that find the roots of today’s anti-establishment medical movements in yester years occult and esoteric knowledge. Such knowledge which saw its birth and development in the natural sciences has become oppositional to the forces of modern empirical knowledge which can be largely seen to ignore anything which cannot be directly measured, categorised or controlled. As Foucault has stated, this form the basis of the medical gaze which restricts and controls as much as it heals and treats. Natural or anti-establishment methodologies then return control of the healing process away from large corporate or nationalised institutions back into the hands of those who require treatment.
In this framework the patient themselves become both agents and communicator of alternative methods of treatment, healing and well-being. As agents of the ‘anti-establishment science movements’, ‘lay’ people become involved into everyday science and knowledge production, they become protoscientists. For example, blog discussion on the side-effects of a particular medicine/drug can be more personal, revealing and informative and can go beyond what an information leaflet or a clinician may offer. While blogging, the ‘lay’ person generates and exchanges knowledge with the other bloggers that may be useful for one’s health. There is a paucity of literature depicting these movements as ‘bottom up’ challenges of establishment science literature. This kind of authority challenge has only marginally been considered by the ‘establishment’ science (for example: Fuller (2010)) and this conference will provide a platform for such consideration and discussion with specific focus on self-healing, health knowledge co-production and DIY treatments. This conference welcomes papers from various fields of study, such as social sciences, humanities, medical sciences and philosophy.
Presentations, papers, performances, work-in-progress and workshops are invited on any issues related to the following themes:
Ideological Approaches:
-The effect of the DIY practices on established health systems and peoples’ personal lives
-The embeddedness of protoscience in the everyday life and the philosophical underpinnings of protoscience as everyday science
-Alternative and self-healing practices beyond the relational milieu vis-à-vis a conventional/non-conventional medicine binary
-The consequences of the anti-establishment science movements for economic relations determining the health care industry
21st Century Practices Practices:
-Alternative and Complimentary Medicine
-Mind-Body Intervention, Meditation, Spiritual and Self-Healing
-Homeopathy, Energy Medicine, Manipulative Therapy and Holistic Healing
-Acupuncture, Chiropractic, Psychotherapy, Nutrition and Dietetics
Traditional and Non-Western Approaches:
-Faith Healing, Johrei, Crystals, Maharishi Vedic Medicine; Shamanism
-Folk Medicine, Herbalism, Ayurveda
-Traditional Chinese Medicine, Traditional Korean Medicine, Native American Traditional Healing, Traditional Aboriginal Bush Medicine; rongoā Māori (traditional healing), Traditional medicine in the South Pacific island countries
Historical and Anthropological Approaches to Health and Medicine:
-Historical-Anthropological accounts of pre-clinical medicine
-Ancient Health paradigms, Sramana and Classical Indian Philosophy, Gnosticism, Alchemy (Indian, Chinese and Modern), Kabbalah, Hermeticism
-Medical anthropology, applied medical anthropology
-Community Health Paradigms and culturally appropriate health provision
Diasporic and Minority Health
Literary and Media Representations of CAM and Scientific Medicine:
-Representations of CAM and Scientific medicine through Media: Medical Infotainment, Reality TV, Medical Soaps
-Doctors, Alternative healers and patients/health consumers in films and novels
-Media representations of health vis-à-vis Paganism, Occultism, Witchcraft, Magic
-Literary representations of health and healing agents: Gothicism, Romanticism and Science Fiction
Contemporary Communities of Health and Well-Being:
-The empowering effect of the free and open source technology vis-à-vis the status of the individual/the agent as knowledgeable agent in the field of health
-The effect of the DIY practices on established health systems and peoples’ personal lives
-Discussion of the relevance of these movements in relation to the existent theories of power
-The relevance of the historical and socio-political context regarding what constitutes ‘mainstream’ in the health sector
-E-health and online communities, representations in popular media and self-help and support groups
We actively encourage participation from practitioners and non-academics with an interest in the topic as well as pre-formed three paper panels
What to Send:
300 word abstracts or presentation proposals should be submitted simultaneously to both Organising Chairs by Friday 19th October 2012; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract.
E-mails should be entitled: SCIENCE Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Irena Veljanova
Rob Fisher
The conference is part of the Ethos programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Wednesday, 19 September 2012
Call for Submissions: Special Issue of Gender and Language
Gender, Language, Communication and the Media
Gender and Language invite papers on the topic of gender, language, communication and the media for a forthcoming special issue in 2014. We invite papers that deploy various methods (e.g., linguistics, discourse analysis, pragmatics, content analysis, critical discourse analysis, conversation analysis, narrative analysis, and sociolinguistics) to explore the relationship(s) between gender and related topics (e.g. sexism, sexuality, sexualisation, post-feminism) and the media as broadly conceived (e.g. newspapers, television, radio, online environments).
Over recent years, issues to do with 'sex' and 'gender' have become increasingly visible across various forms of contemporary media. But how are we to understand the varied ways in which such phenomena are unpacked, reformulated, constructed, deleted, and so on, in and through these media?
This special issue aims to pull together a diverse range of papers that all coalesce around the following sorts of questions:
1. How are contemporary media representations, stereotypes and accounts of gender constructed in the media?
2. What, if anything, is new, unique and distinct about the ways in which gender is constructed in and through such media representations?
3. How is it possible, methodologically, to capture something like gender, and how can we know when we have found 'it'?
Please send a 750 word summary of your proposed paper, detailing *provisional* title, topic, methods, and findings. We will let you know at this outline stage whether or not your paper looks to be a 'good fit' for the special issue. Authors of papers that fit with the issue's aims will then be invited to submit a full length paper of between 5000-7000 words (including abstract, data and references). Papers will be subject to the usual peer review process.
In the event that we end up with more accepted papers than the special issue allows space for, papers may be accepted for future issues of Gender and Language.
The deadline for submitting 750 word summaries is November 30th 2012. Please submit your summary to the special issue editor, Dr Frederick Attenborough.
The deadline for full length papers is May 15th 2013.
Gender and Language is about to head into its 7th year. To promote the journal and establish its impact, the editors Elizabeth Stokoe and Ann Weatherall have recently moved to three issues per year, introduced 'early view' papers published online first with DOIs, and applied for an impact factor ranking. Special issues are part of our strategy for increasing the journal's profile.
Gender and Language invite papers on the topic of gender, language, communication and the media for a forthcoming special issue in 2014. We invite papers that deploy various methods (e.g., linguistics, discourse analysis, pragmatics, content analysis, critical discourse analysis, conversation analysis, narrative analysis, and sociolinguistics) to explore the relationship(s) between gender and related topics (e.g. sexism, sexuality, sexualisation, post-feminism) and the media as broadly conceived (e.g. newspapers, television, radio, online environments).
Over recent years, issues to do with 'sex' and 'gender' have become increasingly visible across various forms of contemporary media. But how are we to understand the varied ways in which such phenomena are unpacked, reformulated, constructed, deleted, and so on, in and through these media?
This special issue aims to pull together a diverse range of papers that all coalesce around the following sorts of questions:
1. How are contemporary media representations, stereotypes and accounts of gender constructed in the media?
2. What, if anything, is new, unique and distinct about the ways in which gender is constructed in and through such media representations?
3. How is it possible, methodologically, to capture something like gender, and how can we know when we have found 'it'?
Please send a 750 word summary of your proposed paper, detailing *provisional* title, topic, methods, and findings. We will let you know at this outline stage whether or not your paper looks to be a 'good fit' for the special issue. Authors of papers that fit with the issue's aims will then be invited to submit a full length paper of between 5000-7000 words (including abstract, data and references). Papers will be subject to the usual peer review process.
In the event that we end up with more accepted papers than the special issue allows space for, papers may be accepted for future issues of Gender and Language.
The deadline for submitting 750 word summaries is November 30th 2012. Please submit your summary to the special issue editor, Dr Frederick Attenborough.
The deadline for full length papers is May 15th 2013.
Gender and Language is about to head into its 7th year. To promote the journal and establish its impact, the editors Elizabeth Stokoe and Ann Weatherall have recently moved to three issues per year, introduced 'early view' papers published online first with DOIs, and applied for an impact factor ranking. Special issues are part of our strategy for increasing the journal's profile.
GUEST POST: What's so fascinating about female werewolves by Jeanette Greaves
I'm pleased to welcome another guest post as part of the Wolf-Girls blog tour. Today Jeanette Greaves, author of 'The Cameron Girls', posts on her fascination with female werewolves...
Lions and tigers and bears are old hat, what we want these days are vampires, werewolves and zombies. All three were human once, all three infected by some agent that has changed them and taken them out of normal society, but the werewolf stands alone in still having life. Vampires and zombies are cold creatures, forever apart from humanity. The werewolf can pass for human and often does, struggling with its bloody secret, fighting to keep its human life and place in society, knowing that inside lies the monster, an animal that will break free, that will have its due. The secret beast within a werewolf is its power and its downfall.
The werewolf is ruled by the moon, the rise and fall of the beast subject to an inevitable, regular cycle. Once a month, the demon breaks free, and everything changes. Sounds familiar? The idea of linking the threat of a woman at the peak of her cycle with that of a werewolf's monthly rage comes inevitably, and it's no surprise that so many of our modern female werewolves are angry creatures, ready to use their sudden strength and power to strike back at those who have hurt and humiliated them in the past.
It's somewhat surprising that the werewolf has traditionally been a male creature, when the waxing and waning of strength and blood is so female. It is women who give birth to new life, who change the world with every child they bring forth. Perhaps it's a secret envy of that power to change that led to so many stories of the werewolf, the man who changes, the man whose body dances to the rhythm of the moon?
Many traditional western shapeshifter stories painted women who changed into animals as witches, fated to be caught out in their deceit by an injury carried from their animal form to their human form, revealing them as shapeshifters. Even in animal form, these women were rarely wolves, more often they were deer or hares, prey creatures. These women would be shamed and often killed, in their human form, driving home the message that women who stray from their given fate will be found out and punished. Male werewolves die in wolf form, allowed to keep their strength and power, even in death.
It's hardly surprising that today's writers are claiming the female werewolf as the essence of power, strong, uninhibited, and with a rare gift. Our werewolf girls and women are as varied as the writers who they spring from, some are kind and dread the escape of the beast within, some are ruled by the moon, others are in control of their inner wolf. They have one thing in common, strength and power, traditionally male attributes, which are being taken by our wolf girls and used for their own purposes. Will they be used for good or evil? We can only watch and wait, and hope for more stories about the wolf girls and their kin.
Read Jeanette's story in Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, published by Hic Dragones.
Lions and tigers and bears are old hat, what we want these days are vampires, werewolves and zombies. All three were human once, all three infected by some agent that has changed them and taken them out of normal society, but the werewolf stands alone in still having life. Vampires and zombies are cold creatures, forever apart from humanity. The werewolf can pass for human and often does, struggling with its bloody secret, fighting to keep its human life and place in society, knowing that inside lies the monster, an animal that will break free, that will have its due. The secret beast within a werewolf is its power and its downfall.
The werewolf is ruled by the moon, the rise and fall of the beast subject to an inevitable, regular cycle. Once a month, the demon breaks free, and everything changes. Sounds familiar? The idea of linking the threat of a woman at the peak of her cycle with that of a werewolf's monthly rage comes inevitably, and it's no surprise that so many of our modern female werewolves are angry creatures, ready to use their sudden strength and power to strike back at those who have hurt and humiliated them in the past.
It's somewhat surprising that the werewolf has traditionally been a male creature, when the waxing and waning of strength and blood is so female. It is women who give birth to new life, who change the world with every child they bring forth. Perhaps it's a secret envy of that power to change that led to so many stories of the werewolf, the man who changes, the man whose body dances to the rhythm of the moon?
Many traditional western shapeshifter stories painted women who changed into animals as witches, fated to be caught out in their deceit by an injury carried from their animal form to their human form, revealing them as shapeshifters. Even in animal form, these women were rarely wolves, more often they were deer or hares, prey creatures. These women would be shamed and often killed, in their human form, driving home the message that women who stray from their given fate will be found out and punished. Male werewolves die in wolf form, allowed to keep their strength and power, even in death.
It's hardly surprising that today's writers are claiming the female werewolf as the essence of power, strong, uninhibited, and with a rare gift. Our werewolf girls and women are as varied as the writers who they spring from, some are kind and dread the escape of the beast within, some are ruled by the moon, others are in control of their inner wolf. They have one thing in common, strength and power, traditionally male attributes, which are being taken by our wolf girls and used for their own purposes. Will they be used for good or evil? We can only watch and wait, and hope for more stories about the wolf girls and their kin.
Read Jeanette's story in Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, published by Hic Dragones.
Friday, 14 September 2012
GUEST POST: The Poetry of the Wolf-Girl by Kim Bannerman
It gives me great pleasure to welcome another guest post from a writer taking part in the Hic Dragones Wolf-Girls blog tour. Today I welcome Kim Bannerman, author of the story 'A Woman of Wolves Born'.
Question: What’s so fascinating about female werewolves?
Answer: For me, it’s simple. Female werewolves are fascinating because they are completely, utterly free. They embody the capricious, confident spirit that so many women desire: they are free of hesitation, free of obligation, free of restraint. Female werewolves do not cast fearful glances over their shoulders when they walk down dark alleys. They do not stay safe behind locked door. They don’t freak out when they find a bit of hair where society tells them none should be. Female werewolves can be bitches, and it’s totally okay, because it’s not an insult: it’s biology.
Of course, I can only speak to finding them fascinating in a female sort of way. I love to read about female werewolves because I love what they can do, and I wish I could do it, too. I can’t speak to why men find them fascinating, if they even do at all.
But while men might not find the concept of unrestrained liberation as intoxicating as I do, I wager there’s a good portion of the male population that finds female werewolves fascinating in a whole other way. A werewolf is powerful, unpredictable, and brimming with bestial sexuality. Female werewolves are sleek, lithe and strong, and unabashed by their body. (Vampires are sexy, too, but they don’t run around naked and athletic.) Have you ever seen a pack of wolves, running through the snow? Their bodies are fluid and fierce, and they slice through the air like arrows.
Now translate that into a woman’s form. See her move with grace through a crowded street, her head held high, her bright eyes catching every movement. She is an apex predator, a silent shadow that slips between the cacophonic traffic of an urban setting. Her heightened senses sample the delights that surround her: the smell of almond biscotti in a bakery window, the sound of the heartbeats of those around her, the touch of the cool autumn breeze as it ruffles the leaves of the elms in the park.
And tonight, when the moon is full, she will leave behind her human form to creep silently along silver-touched paths, a beast capable of poetry. She will embrace her bitchiness, delight in the taste of blood on her teeth, and drive all the wolf-boys wild.
Kim Bannerman's story is one of seventeen new female werewolf stories in Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, edited by Hannah Kate and published by Hic Dragones. For more information, or to buy a copy, please visit the publishers' website.
Question: What’s so fascinating about female werewolves?
Answer: For me, it’s simple. Female werewolves are fascinating because they are completely, utterly free. They embody the capricious, confident spirit that so many women desire: they are free of hesitation, free of obligation, free of restraint. Female werewolves do not cast fearful glances over their shoulders when they walk down dark alleys. They do not stay safe behind locked door. They don’t freak out when they find a bit of hair where society tells them none should be. Female werewolves can be bitches, and it’s totally okay, because it’s not an insult: it’s biology.
 |
| Image: Shawn Pigott |
Of course, I can only speak to finding them fascinating in a female sort of way. I love to read about female werewolves because I love what they can do, and I wish I could do it, too. I can’t speak to why men find them fascinating, if they even do at all.
But while men might not find the concept of unrestrained liberation as intoxicating as I do, I wager there’s a good portion of the male population that finds female werewolves fascinating in a whole other way. A werewolf is powerful, unpredictable, and brimming with bestial sexuality. Female werewolves are sleek, lithe and strong, and unabashed by their body. (Vampires are sexy, too, but they don’t run around naked and athletic.) Have you ever seen a pack of wolves, running through the snow? Their bodies are fluid and fierce, and they slice through the air like arrows.
Now translate that into a woman’s form. See her move with grace through a crowded street, her head held high, her bright eyes catching every movement. She is an apex predator, a silent shadow that slips between the cacophonic traffic of an urban setting. Her heightened senses sample the delights that surround her: the smell of almond biscotti in a bakery window, the sound of the heartbeats of those around her, the touch of the cool autumn breeze as it ruffles the leaves of the elms in the park.
 |
| Image: Shawn Pigott |
And tonight, when the moon is full, she will leave behind her human form to creep silently along silver-touched paths, a beast capable of poetry. She will embrace her bitchiness, delight in the taste of blood on her teeth, and drive all the wolf-boys wild.
Kim Bannerman's story is one of seventeen new female werewolf stories in Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, edited by Hannah Kate and published by Hic Dragones. For more information, or to buy a copy, please visit the publishers' website.
CFP: Transmedia: Storytelling and Beyond
Thursday 31 January 2013, Friday 1 February 2013
Sydney, Australia
Call For Presentations Narratives and interactive experiences developed across different media platforms—each of which contributes something unique and valuable to the whole—have become standard fixtures in the contemporary digital landscape. The term ‘transmedia storytelling’ has enjoyed particular currency within academic circles while the media industry speaks in terms of multiplatform experiences. Much has been written on the subject in the academic and industry press, though new technologies and the pressure to do something innovative with the digital medium mean that the idea and practice of transmedia are in flux. While the debate over what to call this phenomenon remains unresolved, there is no denying its profound impact on the relationship between media producers, audiences/users, digital content and the devices used to consume and produce it. Naming conventions remain a contentious issue, however, there is also a need to examine other aspects of this emerging industry to ensure its ongoing sustainability. This call for presentations represents an invitation to introduce, highlight or clarify key questions concerning issues such as models for benchmarking, techniques for user engagement, value measurement, pedagogy and curriculum design, and evaluative techniques for complex and dynamic user engagement. Transmedia is, by its very nature, an interdisciplinary enterprise that draws from fields such as creative writing, IT, film, television, media studies, economics, public policy, creative design, and education. Thus, the project seeks to create a space for critical engagement that is enriched by the participation of academics, industry professionals and other stakeholders, as well as audience/users from across the disciplinary spectrum.
The project will launch in Sydney with 2 one-day events organised around separate, yet related themes. We therefore welcome proposals for presentations, papers and panels on topics on the following topics:
Day One: 31st January 2013—Innovation in Transmedia Design and Production
~ (Re)Defining and understanding the meaning of transmedia/multiplatform production
~ Narrative/Aesthetic/Thematic analysis of transmedia/multiplatform experiences
~ Social networking trends and their impact on transmedia/multiplatform development
~ Technologies that drive transmedia/multiplatform consumption, production and the post-broadcast era as a whole
~ Innovation in transmedia/multiplatform production
~ The future of transmedia/multiplatform development, uses and engagement
~ Pedagogies and curriculum design for teaching transmedia/multiplatform
~ Cultural policy and the promotion of transmedia/multiplatform innovation
Day Two: 1st February 2013—Innovation in Sustainable Business Practices
~ Transmedia/multiplatform production business models
~ Studies of transmedia/multiplatform audiences
~ Defining and measuring audience/user engagement
~ Uses and limitations of web analytics; new approaches
Abstracts and proposals not exceeding 300 words should be submitted jointly to the Organising Chairs by Friday 19th October 2012. Submissions may be in Word, WordPerfect, or RTF formats with the following information and in this order: a) author (s), b) affiliation, c) email address, d) title of abstract, e) body of abstract. E-mails should be entitled: TM1 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Ann-Marie Cook, Deirdre Hynes and Debra Polson
Rob Fisher
This event is part of the Global Transmedia Research Initiative, whose aim is to bring together people from different disciplinary and professional backgrounds in an ongoing series of events dedicated to generating dialogue and research around the many facets of transmedia production and reception.
For further details of the event, please click here.
Please note: Since each day is a self-contained event, participants may opt to register for one or two days.
We regret that as a not-for-profit network, Inter-Disciplinary.Net is not in a position to assist with conference travel or subsistence.
Sydney, Australia
Call For Presentations Narratives and interactive experiences developed across different media platforms—each of which contributes something unique and valuable to the whole—have become standard fixtures in the contemporary digital landscape. The term ‘transmedia storytelling’ has enjoyed particular currency within academic circles while the media industry speaks in terms of multiplatform experiences. Much has been written on the subject in the academic and industry press, though new technologies and the pressure to do something innovative with the digital medium mean that the idea and practice of transmedia are in flux. While the debate over what to call this phenomenon remains unresolved, there is no denying its profound impact on the relationship between media producers, audiences/users, digital content and the devices used to consume and produce it. Naming conventions remain a contentious issue, however, there is also a need to examine other aspects of this emerging industry to ensure its ongoing sustainability. This call for presentations represents an invitation to introduce, highlight or clarify key questions concerning issues such as models for benchmarking, techniques for user engagement, value measurement, pedagogy and curriculum design, and evaluative techniques for complex and dynamic user engagement. Transmedia is, by its very nature, an interdisciplinary enterprise that draws from fields such as creative writing, IT, film, television, media studies, economics, public policy, creative design, and education. Thus, the project seeks to create a space for critical engagement that is enriched by the participation of academics, industry professionals and other stakeholders, as well as audience/users from across the disciplinary spectrum.
The project will launch in Sydney with 2 one-day events organised around separate, yet related themes. We therefore welcome proposals for presentations, papers and panels on topics on the following topics:
Day One: 31st January 2013—Innovation in Transmedia Design and Production
~ (Re)Defining and understanding the meaning of transmedia/multiplatform production
~ Narrative/Aesthetic/Thematic analysis of transmedia/multiplatform experiences
~ Social networking trends and their impact on transmedia/multiplatform development
~ Technologies that drive transmedia/multiplatform consumption, production and the post-broadcast era as a whole
~ Innovation in transmedia/multiplatform production
~ The future of transmedia/multiplatform development, uses and engagement
~ Pedagogies and curriculum design for teaching transmedia/multiplatform
~ Cultural policy and the promotion of transmedia/multiplatform innovation
Day Two: 1st February 2013—Innovation in Sustainable Business Practices
~ Transmedia/multiplatform production business models
~ Studies of transmedia/multiplatform audiences
~ Defining and measuring audience/user engagement
~ Uses and limitations of web analytics; new approaches
Abstracts and proposals not exceeding 300 words should be submitted jointly to the Organising Chairs by Friday 19th October 2012. Submissions may be in Word, WordPerfect, or RTF formats with the following information and in this order: a) author (s), b) affiliation, c) email address, d) title of abstract, e) body of abstract. E-mails should be entitled: TM1 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Ann-Marie Cook, Deirdre Hynes and Debra Polson
Rob Fisher
This event is part of the Global Transmedia Research Initiative, whose aim is to bring together people from different disciplinary and professional backgrounds in an ongoing series of events dedicated to generating dialogue and research around the many facets of transmedia production and reception.
For further details of the event, please click here.
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Thursday, 13 September 2012
GUEST POST: Female Werewolves, Fur and Body Hair by Carys Crossen
This is the fourth and final post in my short series on female body hair. Links to previous posts in the series can be found at the end of this piece.
Today's guest writer is Carys Crossen, recent PhD graduate and my collaborator on the 2010 She-Wolf: Female Werewolves, Shapeshifters and Other Horrors conference.
Carys Crossen was recently awarded her doctorate, entitled '"There is God and the Devil in Them": Gender and Sexuality in Post-1800 Werewolf Fiction and Film' by the University of Manchester, and is currently working as a Graduate Teaching Assistant in the university’s Department of English and American Studies. Her main research interests include the Gothic, psychoanalytic criticism, Monster Theory, Victorian literature, Young Adult fantasy and horror fiction, feminist theory and anything with werewolves. Her publications to date include a book contribution on celibate male vampires, a review of a new collection of stories by Robert Louis Stevenson and a forthcoming contribution to Hannah Priest's forthcoming collection on female werewolves, on the little-known authors Clemence Housman and Rosamund Marriott Watson.
Imagine this: you’re a werewolf. More specifically, you are a female werewolf. Life as a werewolf isn’t bad, despite what the films tell you. The full moon lends a whole new meaning to ‘that time of the month’, admittedly, and you like your meat rare, but it’s by no means a curse. If you eat the neighbours, you can always get new ones and property prices will recover soon. And you can cope with the fangs, the claws, the hair...
And it is here that, if you are a werewolf devotee, you may notice something odd. Hair. Not that being hairy is at all peculiar for a werewolf: sprouting hair every full moon is traditional and looks fantastic in cinematic transformation scenes. However, in the vast majority of werewolf fiction and film, particular that featuring a female protagonist, body hair is scarcely ever mentioned, let alone discussed in any detail. As an academic whose PhD thesis was focused on the contemporary lycanthrope, I thought this absence a striking one. Body hair is mentioned briefly in Faith Hunter’s Skinwalker (2009) and Sparkle Hayter’s Naked Brunch (2003) but only mentioned. The one pulp fiction series that deals with it in any depth is Karen MacInerney’s Tales of an Urban Werewolf series, in which the heroine has a ‘bic razor habit.’ (1) Rather frustratingly however, the series does not discuss body hair as signifier or cultural taboo, and focuses primarily on the disappointingly conventional removal of hair from legs, arms and other areas. And the classic Ginger Snaps film trilogy does indeed have hairy anti-heroines, but once again focuses on the removal of body hair rather than the hair itself.
Considering how the popularity of the female werewolf has mushroomed in recent years, it seems astonishing that these were the only instances of lycanthropic, female body hair being mentioned that I discovered during four years of research, but it is so. Body hair simply is not looked at, talked about or made visible in relation to the female werewolf, that hairiest, fuzziest of monsters. Moreover, it is hair that seems to be unmentionable – fur is another matter entirely. Fur has different connotations than hair: it implies luxury, decadence, softness, beauty and is just a little bit illicit in this enlightened era. Loving descriptions of beautiful wolf pelts are not uncommon in lycanthropic fiction. But hair brings with it an entirely different set of associations, particularly in relation to the female body. As Karín Lesnik-Oberstein in the appropriately titled academic text The Last Taboo: Women and Body Hair (2007) comments, ‘women’s body hair is configured as a taboo: something not to be seen or mentioned; prohibited and circumscribed by rules of avoidance; surrounded by shame, disgust and censure’. (2) This taboo is so strong, it seems, that it extends to fictional female werewolves, for whom hairiness is an unavoidable fact of lycanthropic life.
The hairiness of the werewolf is an essential aspect of its monstrosity. As Marina Warner comments, ‘hairiness indicates animal nature: it is the distinctive sign of the wilderness and its inhabitants’. (3) The significance of the werewolf’s hairiness is obvious in this context – it is, if not quite an animal, the ‘beast within’, a representative of wildness, beastliness and ferocity. So, why exactly have female werewolf texts failed to examine the issue of body hair? Texts featuring female werewolves are seldom averse to embracing the lycanthrope’s potential beastliness – just look at Ginger Snaps or Clemence Housman’s story 'The Werewolf' (1896). So why have they resisted using the signifier of beastliness and animalism? Well, one thing I’ve noticed about a great many female werewolf heroines – often gutsy, independent and clever – is their overwhelming desire to be ‘normal’ or at least mimic normality. This usually means holding down a job, having a relationship, and most importantly conforming to society and its expectations. And society simply does not accommodate hairy women. As Lesnik-Oberstein comments, ‘"hairy" women, on the other hand, are monstrous in being like men, or masculine’. (4) In other words, you want to be normal, girl, that beard’s got to go. Never mind if your pack thinks it’s cute. Of course, not all female werewolves cling to their desire for normality, especially when they discover the perks of being a werewolf, but nor do they renounce it to the extent that they embrace their hairiness and all its negative cultural connotations. Ignoring hairiness, or removing hair, is a quick and easy way to integrate into human society, a discarding of an important indicator of wildness.
Moreover, the very fact that the werewolf is nearly always a hairy monster may be the reason why its hairiness is so seldom mentioned; it is hidden in plain sight, so to speak. The female werewolf’s hairiness is revealed for all to see when she is transformed; ergo there is no need to mention the issue. Hair, often an emblem of deviant sexuality, beastliness, and masculinity, is displayed on the transformed body and hence there is no need to address the issue of hairiness, not when it is flaunted by the lycanthrope in her transformed state. Or else, as I suggested earlier, feminine hair is more taboo than being a werewolf, which, looking at Western notions of feminine beauty may not be as far-fetched as you might imagine.
So, onto my final question – will feminine lycanthropic hairiness ever be embraced, or at least discussed in werewolf texts? I haven’t got a clue, I can’t predict the future. But I certainly hope so. There are stories about female werewolves and body hair out there, academic discussions are slowly starting up, attention is being paid. I’ll leave you with a quote from a story by Helen Cross, entitled ‘Fur’ – guess what it’s about? ‘In fact wolf lies deep in female nature. They are all capable of this, all of them have it in them – once they choose to let themselves go.’ (5)
References
(1) Karen MacInerney, On the Prowl (New York: Ballantine Books, 2008), p. 9.
(2) Karín Lesnik-Oberstein, 'The Last Taboo: Women, Body Hair and Feminism, in Karín Lesnik-Oberstein (ed.), The Last Taboo: Women and Body Hair (Manchester: Manchester University Press, 2007), pp. 1-17, p. 2.
(3) Marina Warner, From the Beast to the Blonde: On Fairy Tales and Their Tellers (London: Vintage, 1995), p. 359.
(4) Lesnik-Oberstein, p. 3.
(5) Helen Cross, ‘Fur’ in Hannah Kate (ed.), Wolf Girls: Dark Tales of Teeth, Claws and Lycogyny (Manchester: Hic Dragones, 2012), pp. 219-226, p. 226.
Read the other posts in the Body Hair blog series:
On Making and Publishing The Last Taboo: Women and Body Hair, by Karín Lesnik-Oberstein
Damned if you do and damned if you don't, by Rosie Garland
On Body Hair, by LJ Maher
Today's guest writer is Carys Crossen, recent PhD graduate and my collaborator on the 2010 She-Wolf: Female Werewolves, Shapeshifters and Other Horrors conference.
Carys Crossen was recently awarded her doctorate, entitled '"There is God and the Devil in Them": Gender and Sexuality in Post-1800 Werewolf Fiction and Film' by the University of Manchester, and is currently working as a Graduate Teaching Assistant in the university’s Department of English and American Studies. Her main research interests include the Gothic, psychoanalytic criticism, Monster Theory, Victorian literature, Young Adult fantasy and horror fiction, feminist theory and anything with werewolves. Her publications to date include a book contribution on celibate male vampires, a review of a new collection of stories by Robert Louis Stevenson and a forthcoming contribution to Hannah Priest's forthcoming collection on female werewolves, on the little-known authors Clemence Housman and Rosamund Marriott Watson.
Imagine this: you’re a werewolf. More specifically, you are a female werewolf. Life as a werewolf isn’t bad, despite what the films tell you. The full moon lends a whole new meaning to ‘that time of the month’, admittedly, and you like your meat rare, but it’s by no means a curse. If you eat the neighbours, you can always get new ones and property prices will recover soon. And you can cope with the fangs, the claws, the hair...
And it is here that, if you are a werewolf devotee, you may notice something odd. Hair. Not that being hairy is at all peculiar for a werewolf: sprouting hair every full moon is traditional and looks fantastic in cinematic transformation scenes. However, in the vast majority of werewolf fiction and film, particular that featuring a female protagonist, body hair is scarcely ever mentioned, let alone discussed in any detail. As an academic whose PhD thesis was focused on the contemporary lycanthrope, I thought this absence a striking one. Body hair is mentioned briefly in Faith Hunter’s Skinwalker (2009) and Sparkle Hayter’s Naked Brunch (2003) but only mentioned. The one pulp fiction series that deals with it in any depth is Karen MacInerney’s Tales of an Urban Werewolf series, in which the heroine has a ‘bic razor habit.’ (1) Rather frustratingly however, the series does not discuss body hair as signifier or cultural taboo, and focuses primarily on the disappointingly conventional removal of hair from legs, arms and other areas. And the classic Ginger Snaps film trilogy does indeed have hairy anti-heroines, but once again focuses on the removal of body hair rather than the hair itself.
Considering how the popularity of the female werewolf has mushroomed in recent years, it seems astonishing that these were the only instances of lycanthropic, female body hair being mentioned that I discovered during four years of research, but it is so. Body hair simply is not looked at, talked about or made visible in relation to the female werewolf, that hairiest, fuzziest of monsters. Moreover, it is hair that seems to be unmentionable – fur is another matter entirely. Fur has different connotations than hair: it implies luxury, decadence, softness, beauty and is just a little bit illicit in this enlightened era. Loving descriptions of beautiful wolf pelts are not uncommon in lycanthropic fiction. But hair brings with it an entirely different set of associations, particularly in relation to the female body. As Karín Lesnik-Oberstein in the appropriately titled academic text The Last Taboo: Women and Body Hair (2007) comments, ‘women’s body hair is configured as a taboo: something not to be seen or mentioned; prohibited and circumscribed by rules of avoidance; surrounded by shame, disgust and censure’. (2) This taboo is so strong, it seems, that it extends to fictional female werewolves, for whom hairiness is an unavoidable fact of lycanthropic life.
The hairiness of the werewolf is an essential aspect of its monstrosity. As Marina Warner comments, ‘hairiness indicates animal nature: it is the distinctive sign of the wilderness and its inhabitants’. (3) The significance of the werewolf’s hairiness is obvious in this context – it is, if not quite an animal, the ‘beast within’, a representative of wildness, beastliness and ferocity. So, why exactly have female werewolf texts failed to examine the issue of body hair? Texts featuring female werewolves are seldom averse to embracing the lycanthrope’s potential beastliness – just look at Ginger Snaps or Clemence Housman’s story 'The Werewolf' (1896). So why have they resisted using the signifier of beastliness and animalism? Well, one thing I’ve noticed about a great many female werewolf heroines – often gutsy, independent and clever – is their overwhelming desire to be ‘normal’ or at least mimic normality. This usually means holding down a job, having a relationship, and most importantly conforming to society and its expectations. And society simply does not accommodate hairy women. As Lesnik-Oberstein comments, ‘"hairy" women, on the other hand, are monstrous in being like men, or masculine’. (4) In other words, you want to be normal, girl, that beard’s got to go. Never mind if your pack thinks it’s cute. Of course, not all female werewolves cling to their desire for normality, especially when they discover the perks of being a werewolf, but nor do they renounce it to the extent that they embrace their hairiness and all its negative cultural connotations. Ignoring hairiness, or removing hair, is a quick and easy way to integrate into human society, a discarding of an important indicator of wildness.
Moreover, the very fact that the werewolf is nearly always a hairy monster may be the reason why its hairiness is so seldom mentioned; it is hidden in plain sight, so to speak. The female werewolf’s hairiness is revealed for all to see when she is transformed; ergo there is no need to mention the issue. Hair, often an emblem of deviant sexuality, beastliness, and masculinity, is displayed on the transformed body and hence there is no need to address the issue of hairiness, not when it is flaunted by the lycanthrope in her transformed state. Or else, as I suggested earlier, feminine hair is more taboo than being a werewolf, which, looking at Western notions of feminine beauty may not be as far-fetched as you might imagine.
So, onto my final question – will feminine lycanthropic hairiness ever be embraced, or at least discussed in werewolf texts? I haven’t got a clue, I can’t predict the future. But I certainly hope so. There are stories about female werewolves and body hair out there, academic discussions are slowly starting up, attention is being paid. I’ll leave you with a quote from a story by Helen Cross, entitled ‘Fur’ – guess what it’s about? ‘In fact wolf lies deep in female nature. They are all capable of this, all of them have it in them – once they choose to let themselves go.’ (5)
References
(1) Karen MacInerney, On the Prowl (New York: Ballantine Books, 2008), p. 9.
(2) Karín Lesnik-Oberstein, 'The Last Taboo: Women, Body Hair and Feminism, in Karín Lesnik-Oberstein (ed.), The Last Taboo: Women and Body Hair (Manchester: Manchester University Press, 2007), pp. 1-17, p. 2.
(3) Marina Warner, From the Beast to the Blonde: On Fairy Tales and Their Tellers (London: Vintage, 1995), p. 359.
(4) Lesnik-Oberstein, p. 3.
(5) Helen Cross, ‘Fur’ in Hannah Kate (ed.), Wolf Girls: Dark Tales of Teeth, Claws and Lycogyny (Manchester: Hic Dragones, 2012), pp. 219-226, p. 226.
Read the other posts in the Body Hair blog series:
On Making and Publishing The Last Taboo: Women and Body Hair, by Karín Lesnik-Oberstein
Damned if you do and damned if you don't, by Rosie Garland
On Body Hair, by LJ Maher
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