Contents:
Special Issue: The Popular Culture of Romantic Love in Australia (Editor’s Introduction)
by Hsu-Ming Teo
The Private and Public Life of Nellie Stewart’s Bangle
by Annita Boyd
“We have to learn to love imperially”: Love in Late Colonial and Federation Australian Romance Novels
by Hsu-Ming Teo
A Masculine Romance: The Sentimental Bloke and Australian Culture in the War- and Early Interwar Years
by Melissa Bellanta
Marriage, Romance and Mourning Movement in Cherie Nowlan’s Thank God He Met Lizzie
by Mark Nicholls
After Happy Ever: Tender Extremities and Tangled Selves in Three Australasian Bluebeard Tales
by Lucy Butler
Teaching an Old Dog New Tricks?: Romance, Ethics and Human-Dog Relationships in a Rural Australian Novel
by Lauren O’Mahony
Writing the Happy Ever After: An Interview with Anne Gracie
by Lisa Fletcher
Editor’s Note: Issue 4.2
Genre, Author, Text, Reader: Teaching Nora Roberts’s Spellbound
by Beth Driscoll
“I’m a Feminist, But…” Popular Romance in the Women’s Literature Classroom
by Julie M. Dugger
Reading the Romance: A Thirtieth Anniversary Roundtable, Editor’s Introduction
by Eric Selinger
To My Mentor, Jan Radway, With Love
by Deborah Chappel Traylor
The Politics of Popular Romance Studies
by Lynn S. Neal
Radway Roundtable Remarks
by Katherine Larsen
Studying the Romance Reader, Then and Now: Rereading Janice Radway’s Reading the Romance
by Jessica Matthews
Love’s Laborers Lost: Radway, Romance Writers, and Recuperating Our Past
by Heather Schell
From Reading the Romance to Grappling with Genre
by Stephanie Moody
We’ve Come a Long Way, Baby: Reflecting Thirty Years after Reading the Romance
by Mallory Jagodzinski
Review: Deconstructing Twilight: Psychological and Feminist Perspectives on the Series, by Donna M. Ashcraft
Reviewed by Catherine Coker
Review: Happy Endings in Hollywood Cinema. Cliché, Convention and the Final Couple, by James MacDowell
Reviewed by Zorianna Zurba
Review: Romance: The History of a Genre, edited by Dana Percec
Reviewed by Hannah Priest
Review: The Princess Story: Modeling the Feminine in Twentieth-Century American Fiction and Film, by Sarah Rothschild
Erin E. Bell
Review: Getting Inside Your Head: What Cognitive Science Can Tell Us about Popular Culture, by Lisa Zunshine
Karen J. Renner
For more information, please visit the journal website.
Showing posts with label journals. Show all posts
Showing posts with label journals. Show all posts
Thursday, 30 October 2014
Saturday, 26 July 2014
OUT NOW: Prison Service Journal (July 2014, No. 214)
Special Edition: The Prison and the Public
Contents
Editorial Comment: The Prison and the Public
Dr Alana Barton and Dr Alyson Brown
Review of ‘The Prison and the Public’ Conference, Edge Hill University, Wednesday 27 March 2013
Holly White, Lindsey Ryan, Chris Wadsworth and Phil Williams
Chapter and Verse: The Role of Creating Writing in Reducing Re-offending
Michael Crowley
Free to Write: A Case Study in the Impact of Cultural History Research and Creative Writing Practice
Dr Tamsin Spargo and Dr Hannah Priest
Talking Justice: Building Vocal Public Support for Prison Reform
Katy Swaine Williams and Janet Crowe
Challenging Perceptions: Considering the Value of Public Opinion
Rachel Forster and Liz Knight
Repression and Revolution: Representations of Criminal Justice and Prisons in Recent Documentaries
Dr Jamie Bennett
How the Public Sphere was Privatized and Why Civil Society Could Reclaim it.
Mary S Corcoran
Artist or Offender?: Braving the Mirror
Robin Baillie
Civic Re-engagements Amongst Former Prisoners
Gill Buck
Film review: Everyday (2012)
Dr Jamie Bennett
Book Review: Critique and Dissent: An Anthology to Mark 40 Years of the European Group for the Study of Deviance and Social Control; Rethinking Social Exclusion: The End of the Social?; Criminal Justice and Neoliberalism; Why Prison?
Dr Jamie Bennett
For more information, please see the journal website. To download this issue of the PSJ, please click here.
Contents
Editorial Comment: The Prison and the Public
Dr Alana Barton and Dr Alyson Brown
Review of ‘The Prison and the Public’ Conference, Edge Hill University, Wednesday 27 March 2013
Holly White, Lindsey Ryan, Chris Wadsworth and Phil Williams
Chapter and Verse: The Role of Creating Writing in Reducing Re-offending
Michael Crowley
Free to Write: A Case Study in the Impact of Cultural History Research and Creative Writing Practice
Dr Tamsin Spargo and Dr Hannah Priest
Talking Justice: Building Vocal Public Support for Prison Reform
Katy Swaine Williams and Janet Crowe
Challenging Perceptions: Considering the Value of Public Opinion
Rachel Forster and Liz Knight
Repression and Revolution: Representations of Criminal Justice and Prisons in Recent Documentaries
Dr Jamie Bennett
How the Public Sphere was Privatized and Why Civil Society Could Reclaim it.
Mary S Corcoran
Artist or Offender?: Braving the Mirror
Robin Baillie
Civic Re-engagements Amongst Former Prisoners
Gill Buck
Film review: Everyday (2012)
Dr Jamie Bennett
Book Review: Critique and Dissent: An Anthology to Mark 40 Years of the European Group for the Study of Deviance and Social Control; Rethinking Social Exclusion: The End of the Social?; Criminal Justice and Neoliberalism; Why Prison?
Dr Jamie Bennett
For more information, please see the journal website. To download this issue of the PSJ, please click here.
Wednesday, 19 February 2014
CFP: Fons Luminis: Using and Creating Digital Medievalia
Fons Luminis, a peer-reviewed interdisciplinary journal edited and produced annually by graduate students at the Centre for Medieval Studies in the University of Toronto, provides a forum in which to address, challenge, and explore the content and methodologies of our various home disciplines. We invite current graduate students to submit papers relating in some way to the 2015 journal theme, “Using and Creating Digital Medievalia.”
Since the mid-twentieth century, computing has been and continues to be a major factor in the medievalist’s research. From Father Busa’s creation of the Index Thomasticus in the 1940’s to current library and archival digitization projects, computational methods are essential aspects of the medievalist’s occupation. Papers are encouraged to address: medievalist use of digitally stored information; social scientists and librarians as creators and/or curators of knowledge about the Middle Ages; future directions of digital humanities; the importance of digital humanities to work in paleography, codicology, diplomatics, and text editing.
Articles may also focus on topics including (but not limited to) mapping and space, the impact of digitization on concepts of the archive, and digital tools in teaching.
Contributions may take the form of a scholarly essay or focus on the study of a particular manuscript. Articles must be written in English, follow the 16th edition (2010) of The Chicago Manual of Style, and be at least 4,000 words in length, including footnotes. Quotations in the main text in languages other than English should appear along with their English translation.
As usual, we continue to accept other submissions on any aspect of medieval studies and welcome longer review articles (approximately 1,500 words) on recent or seminal works in medieval studies.
Submissions must be received by July 1, 2014 in order to be considered for publication.
Inquiries and submissions (as a Word document attachment) should be sent to the editors.
Since the mid-twentieth century, computing has been and continues to be a major factor in the medievalist’s research. From Father Busa’s creation of the Index Thomasticus in the 1940’s to current library and archival digitization projects, computational methods are essential aspects of the medievalist’s occupation. Papers are encouraged to address: medievalist use of digitally stored information; social scientists and librarians as creators and/or curators of knowledge about the Middle Ages; future directions of digital humanities; the importance of digital humanities to work in paleography, codicology, diplomatics, and text editing.
Articles may also focus on topics including (but not limited to) mapping and space, the impact of digitization on concepts of the archive, and digital tools in teaching.
Contributions may take the form of a scholarly essay or focus on the study of a particular manuscript. Articles must be written in English, follow the 16th edition (2010) of The Chicago Manual of Style, and be at least 4,000 words in length, including footnotes. Quotations in the main text in languages other than English should appear along with their English translation.
As usual, we continue to accept other submissions on any aspect of medieval studies and welcome longer review articles (approximately 1,500 words) on recent or seminal works in medieval studies.
Submissions must be received by July 1, 2014 in order to be considered for publication.
Inquiries and submissions (as a Word document attachment) should be sent to the editors.
Tuesday, 13 August 2013
CFP: Death and Decay
This call for papers invites submissions from Postgrads or Early Career Researchers on the subject of ‘Death and Decay’ for the third edition of HARTS + Minds, an online journal for students of the Humanities and Arts, which is due to be published online in Winter 2013-14.
All submissions should adhere to the guidelines available on our website www.harts-minds.co.uk and should be sent with an academic CV to the editors by Friday 4th October.
We accept:
- Articles: Send us an abstract (300 words) and your article (no longer than 6000 words) using the article template available on our website.
- Book Reviews: Between 1000 and 1500 words on an academic text that deals with the theme of Death and Decay in some respect. This would preferably be interdisciplinary, but we will accept reviews of subject specific texts.
- Exhibition Reviews: Between 1000 and 1500 words on any event along the lines of an art exhibition, museum collection, academic event or conference review that deals with the theme of Death and Decay in some respect.
- Creative Writing Pieces: Original poetry (up to 3 short or 1 long) or short stories of up to 6,000 words.
Subjects may include but are not limited to the following:
- Medical Humanities (e.g. parasites, disease, autopsy, the cadaver)
- Rituals and rites of the dead in various cultures, Burial practices
- Death and dying in global literatures
- Visual Death; in art, photography, illustration, in film and television, on stage
- Death personified: the Grim Reaper, Yama + Lord of Naraka, Hel, Hades etc.
- The geography of death; real or mythological
- Decay of buildings, bodies, nature, morals
- Reincarnation, immortality, Afterlife, textual afterlives, Eschatology
- The death of discourse, language, the author, God
- Death as taboo
- War and death
- The future of death in a posthuman world
- Hauntings, the undead, vampires, zombies
- The value of Death
- Dirt and debris, Wrecks and ruins, Flotsam and Jetsam
- Elegy, Obituary, the Funeral March, Eulogy
- Monuments, Memorials and the Archive
- Suicide, both literal and metaphorical
Please consider that HARTS + Minds is intended as a truly interdisciplinary journal and therefore esoteric topics will need to be written with a general academic readership in mind.
Further information can be found on the website and you can get updates on our journal on Facebook.
Co Chief Editors
Jen Baker and Daniel Evers
All submissions should adhere to the guidelines available on our website www.harts-minds.co.uk and should be sent with an academic CV to the editors by Friday 4th October.
We accept:
- Articles: Send us an abstract (300 words) and your article (no longer than 6000 words) using the article template available on our website.
- Book Reviews: Between 1000 and 1500 words on an academic text that deals with the theme of Death and Decay in some respect. This would preferably be interdisciplinary, but we will accept reviews of subject specific texts.
- Exhibition Reviews: Between 1000 and 1500 words on any event along the lines of an art exhibition, museum collection, academic event or conference review that deals with the theme of Death and Decay in some respect.
- Creative Writing Pieces: Original poetry (up to 3 short or 1 long) or short stories of up to 6,000 words.
Subjects may include but are not limited to the following:
- Medical Humanities (e.g. parasites, disease, autopsy, the cadaver)
- Rituals and rites of the dead in various cultures, Burial practices
- Death and dying in global literatures
- Visual Death; in art, photography, illustration, in film and television, on stage
- Death personified: the Grim Reaper, Yama + Lord of Naraka, Hel, Hades etc.
- The geography of death; real or mythological
- Decay of buildings, bodies, nature, morals
- Reincarnation, immortality, Afterlife, textual afterlives, Eschatology
- The death of discourse, language, the author, God
- Death as taboo
- War and death
- The future of death in a posthuman world
- Hauntings, the undead, vampires, zombies
- The value of Death
- Dirt and debris, Wrecks and ruins, Flotsam and Jetsam
- Elegy, Obituary, the Funeral March, Eulogy
- Monuments, Memorials and the Archive
- Suicide, both literal and metaphorical
Please consider that HARTS + Minds is intended as a truly interdisciplinary journal and therefore esoteric topics will need to be written with a general academic readership in mind.
Further information can be found on the website and you can get updates on our journal on Facebook.
Co Chief Editors
Jen Baker and Daniel Evers
Tuesday, 4 June 2013
CFP: Caietele Echinox/Echinox Journal - Fantasy and Science Fiction
Babes-Bolyai University, Cluj-Napoca, Romania
Caietele Echinox
Volume 26 (2014)
Caietele Echinox/Echinox Journal is a biannual academic journal in comparative literature, dedicated to the study of the social, historical, cultural, religious, literary and arts imaginaries. It is edited by Phantasma, the Center for Imagination Studies of the Babes-Bolyai University in Cluj, Romania. It is accredited by ERIH (European Research Index for the Humanities – NAT) and CNCS (The Romanian Nacional Council for Scientific Research) and indexed in EBSCO Publishing, CEEOL (Central and Eastern European Online Library), MLA International Bibliography and FABULA.
The possibility to build other worlds, different from those we live in, is emphasised in two important streams of modern literature: fantasy and science-fiction. Fantasy literature became famous in the second half of the 20th century. Developing the theoretical hallmark set by J. R. R. Tolkien in his essay “On Fairy-Stories” (1947), researchers like C. N. Manlove, W. R. Irwin, Eric S. Rabkin, Roger C. Schlobin, Brian Attebery, Rosemary Jackson, Kathryn Hume, and more recently Lucie Armitt and Farah Mendlesohn tried to define this type of literature, by establishing its historical and cultural roots, and disclosing fictional/ rhetorical/ imaginary mechanisms that enable the construction of “secondary worlds” (in Tolkien’s own words). There are still questions that need answers and any theoretical contribution and attempt to clarify concepts in this field are welcome. How do space and time function in fantasy fiction? Which methods and concepts work best to interpret this type of fiction? How far can we go to establish its roots? How did the narrative structure of fictions about possible and impossible worlds change throughout time? What kind of relationship can emerge between fantasy literature, the digital environment that creates alternative worlds, and the filmic portrayal of well-known stories such as Alice’s Adventures in Wonderland, The Lord of the Rings, The Chronicles of Narnia, The Neverending Story, Harry Potter, and so on? What relevance does fantasy literature have for the modern and postmodern individual?
In what concerns the science-fiction literature, the call envisages papers focusing both on different subgenres of SF and on the borderline works between SF and other genres. The first category includes articles that discuss and analyse works by the so called ‘Hard SF’ authors (such as, but not limited to, Arthur C. Clarke, Isaac Asimov, David Brin, Gregory Benford, Hal Clement or Stephen Baxter), ‘soft’ and social SF that revolve around themes connected to economics, social sciences, political science, psychology and anthropology (Arthur C. Clarke, The Strugatsky Brothers, Stanislaw Lem, Janusz Zajdel), utopian / dystopian fiction (developed by or related to George Orwell, Yevgeny Zamyatin, Doris Lessing, Aldous Huxley or Karel Capek), Cyberpunk, Biopunk, Steampunk and Dieselpunk fiction (William Gibson, Steve Stiles, Bruce Sterling, Neil Stephenson, Pat Cadigan, and others), feminist SF (Ursula Le Guin or Margaret Atwood), time travel narratives similar to those written by H.G Wells, military SF (John Ringo, David Drake, David Weber or S.M Stirling), uchronias and alternate history novels (Ward Moore, Philip K. Dick or Murray Leinster), superhuman or apocalyptic Science-Fiction (Olaf Stapledon, A.E van Vogt, George R. Steward or Ridley Walker) or Space Opera (L. Ron Hubbard, Edward E. Smith or Joss Wheedon). Bordeline SF includes horror stories by authors that have incorporated in their narratives science fictional elements (such as Mary Wolstonecraft Shelley or Edgar Allan Poe), works that combine SF with fantasy elements (Ann McAffrey), or with mystery (Kurt Vonnegut and others).
Deadline: January 1, 2014
Please follow Echinox Style Sheet
Send your papers to Corin Braga
Caietele Echinox
Volume 26 (2014)
Caietele Echinox/Echinox Journal is a biannual academic journal in comparative literature, dedicated to the study of the social, historical, cultural, religious, literary and arts imaginaries. It is edited by Phantasma, the Center for Imagination Studies of the Babes-Bolyai University in Cluj, Romania. It is accredited by ERIH (European Research Index for the Humanities – NAT) and CNCS (The Romanian Nacional Council for Scientific Research) and indexed in EBSCO Publishing, CEEOL (Central and Eastern European Online Library), MLA International Bibliography and FABULA.
The possibility to build other worlds, different from those we live in, is emphasised in two important streams of modern literature: fantasy and science-fiction. Fantasy literature became famous in the second half of the 20th century. Developing the theoretical hallmark set by J. R. R. Tolkien in his essay “On Fairy-Stories” (1947), researchers like C. N. Manlove, W. R. Irwin, Eric S. Rabkin, Roger C. Schlobin, Brian Attebery, Rosemary Jackson, Kathryn Hume, and more recently Lucie Armitt and Farah Mendlesohn tried to define this type of literature, by establishing its historical and cultural roots, and disclosing fictional/ rhetorical/ imaginary mechanisms that enable the construction of “secondary worlds” (in Tolkien’s own words). There are still questions that need answers and any theoretical contribution and attempt to clarify concepts in this field are welcome. How do space and time function in fantasy fiction? Which methods and concepts work best to interpret this type of fiction? How far can we go to establish its roots? How did the narrative structure of fictions about possible and impossible worlds change throughout time? What kind of relationship can emerge between fantasy literature, the digital environment that creates alternative worlds, and the filmic portrayal of well-known stories such as Alice’s Adventures in Wonderland, The Lord of the Rings, The Chronicles of Narnia, The Neverending Story, Harry Potter, and so on? What relevance does fantasy literature have for the modern and postmodern individual?
In what concerns the science-fiction literature, the call envisages papers focusing both on different subgenres of SF and on the borderline works between SF and other genres. The first category includes articles that discuss and analyse works by the so called ‘Hard SF’ authors (such as, but not limited to, Arthur C. Clarke, Isaac Asimov, David Brin, Gregory Benford, Hal Clement or Stephen Baxter), ‘soft’ and social SF that revolve around themes connected to economics, social sciences, political science, psychology and anthropology (Arthur C. Clarke, The Strugatsky Brothers, Stanislaw Lem, Janusz Zajdel), utopian / dystopian fiction (developed by or related to George Orwell, Yevgeny Zamyatin, Doris Lessing, Aldous Huxley or Karel Capek), Cyberpunk, Biopunk, Steampunk and Dieselpunk fiction (William Gibson, Steve Stiles, Bruce Sterling, Neil Stephenson, Pat Cadigan, and others), feminist SF (Ursula Le Guin or Margaret Atwood), time travel narratives similar to those written by H.G Wells, military SF (John Ringo, David Drake, David Weber or S.M Stirling), uchronias and alternate history novels (Ward Moore, Philip K. Dick or Murray Leinster), superhuman or apocalyptic Science-Fiction (Olaf Stapledon, A.E van Vogt, George R. Steward or Ridley Walker) or Space Opera (L. Ron Hubbard, Edward E. Smith or Joss Wheedon). Bordeline SF includes horror stories by authors that have incorporated in their narratives science fictional elements (such as Mary Wolstonecraft Shelley or Edgar Allan Poe), works that combine SF with fantasy elements (Ann McAffrey), or with mystery (Kurt Vonnegut and others).
Deadline: January 1, 2014
Please follow Echinox Style Sheet
Send your papers to Corin Braga
Friday, 18 January 2013
Call for Submissions: Wounds, Torture and the Grotesque
Hortulus: The Online Graduate Journal of Medieval Studies
Hortulus is a refereed, peer-reviewed, and born-digital journal devoted to the culture, literature, history, and society of the medieval past.
For the spring issue we are highly interested in reviews of books which fall under the current special topic. Our upcoming issue will be published in the spring of 2013, and concerns itself with the theme: wounds, torture, and the grotesque. These subjects have become increasingly popular in medieval scholarship. Hortulus invites full-length articles which consider these themes either individually or in tandem. We particularly encourage the submission of proposals that take a strongly theoretical and/or interdisciplinary approach, and that examine new and previously unconsidered aspects of these subjects.
Possible topics may be drawn from any discipline. Submission guidelines can be found on our website. Contributions may be submitted to the editors via email and are due February 15, 2013. If you are interested in submitting a paper but feel you would need additional time, please send an email and details about an expected time-scale for your submission.
Contact details:
Facebook
Twitter
Website
Email
Hortulus is a refereed, peer-reviewed, and born-digital journal devoted to the culture, literature, history, and society of the medieval past.
For the spring issue we are highly interested in reviews of books which fall under the current special topic. Our upcoming issue will be published in the spring of 2013, and concerns itself with the theme: wounds, torture, and the grotesque. These subjects have become increasingly popular in medieval scholarship. Hortulus invites full-length articles which consider these themes either individually or in tandem. We particularly encourage the submission of proposals that take a strongly theoretical and/or interdisciplinary approach, and that examine new and previously unconsidered aspects of these subjects.
Possible topics may be drawn from any discipline. Submission guidelines can be found on our website. Contributions may be submitted to the editors via email and are due February 15, 2013. If you are interested in submitting a paper but feel you would need additional time, please send an email and details about an expected time-scale for your submission.
Contact details:
Website
Saturday, 17 November 2012
CFP: New Perspectives on the Gothic in the Age of Terror(ism): The Horror? The Horror!
A special issue of Gothic Studies journal
This special issue will examine what happens to the Gothic as a literary and filmic genre along its main thematic lines in the post 9/11 era and its age of terror(ism):
• the staging of the Other (the irrational, the monstrous, the uncanny)
• the staging of death and violence (light vs. darkness, good vs. evil, tragic vs. abject)
• the staging of community and the social (including the border and the law)
• the instability of the modern subject
1. What ‘happens’ to these themes? How are they modified? altered? Has 9/11 and the pervasive sense of global terror changed our understanding of terror? What about the place of capitalism and the crisis? What images and protagonists has this new Gothic proposed in what can be called an ‘imagination’ of disaster?
2. What new fears are being addressed and represented by the Gothic, including visually within the cinema and in the recent proliferation of television series? What loss? What guilt?
3. What is the place of race and ethnicity in this epistemological landscape? Can the concepts of ‘mimicry’ (Bhabha) and ‘differAnce’ (Derrida) be used to revisit the theoretical foundations of the Gothic? Can we talk about a ‘racial Gothic’ as Leonardo Cassuto spoke of a ‘racial grotesque’?
4. The case of the Southern Gothic, and the encounter with what has been left at the margin, could be explored within the theoretical framework proposed by Kristeva in the Powers of Horror, by AnzaldĂșa in Borderlands or by Agamben in Homo Sacer. Can we also talk about a New Southern Gothic?
5. How does the Gothic engage with religion in our increasingly secular and yet religiously polarized world?
6. What happens to the question of ‘knowledge’?
7. How does the commercial success and mainstreaming of Gothic in the last decade affect its ability to figure terror and resistance to terror?
8. How has the Gothic responded to the constant state of war since 2001? What about the weaponization of various technologies, including video games? How have drones, Predators, Reapers and other mechanized death machines impacted the Gothic imagination?
9. How have Gothic texts outside of the US responded to the attack on the World Trade Center and America’s militarized and violent response? How does Canadian Gothic position itself in relation to the politics of post-9/11 America? What about Mexican or South American Gothic?
10. How have new technologies impacted the literary or visual Gothic? For example, the explosion of hand-held camera horror films, night vision sequences and closed-circuit video imagery?
Proposals (500 words) and brief CVs should be addressed to both editors of the volume by 1 June 2013.
Agnieszka Soltysik Monnet (University of Lausanne) and Marie Lienard-Yeterian (Université de Nice-Sophia Antipolis)
This special issue will examine what happens to the Gothic as a literary and filmic genre along its main thematic lines in the post 9/11 era and its age of terror(ism):
• the staging of the Other (the irrational, the monstrous, the uncanny)
• the staging of death and violence (light vs. darkness, good vs. evil, tragic vs. abject)
• the staging of community and the social (including the border and the law)
• the instability of the modern subject
1. What ‘happens’ to these themes? How are they modified? altered? Has 9/11 and the pervasive sense of global terror changed our understanding of terror? What about the place of capitalism and the crisis? What images and protagonists has this new Gothic proposed in what can be called an ‘imagination’ of disaster?
2. What new fears are being addressed and represented by the Gothic, including visually within the cinema and in the recent proliferation of television series? What loss? What guilt?
3. What is the place of race and ethnicity in this epistemological landscape? Can the concepts of ‘mimicry’ (Bhabha) and ‘differAnce’ (Derrida) be used to revisit the theoretical foundations of the Gothic? Can we talk about a ‘racial Gothic’ as Leonardo Cassuto spoke of a ‘racial grotesque’?
4. The case of the Southern Gothic, and the encounter with what has been left at the margin, could be explored within the theoretical framework proposed by Kristeva in the Powers of Horror, by AnzaldĂșa in Borderlands or by Agamben in Homo Sacer. Can we also talk about a New Southern Gothic?
5. How does the Gothic engage with religion in our increasingly secular and yet religiously polarized world?
6. What happens to the question of ‘knowledge’?
7. How does the commercial success and mainstreaming of Gothic in the last decade affect its ability to figure terror and resistance to terror?
8. How has the Gothic responded to the constant state of war since 2001? What about the weaponization of various technologies, including video games? How have drones, Predators, Reapers and other mechanized death machines impacted the Gothic imagination?
9. How have Gothic texts outside of the US responded to the attack on the World Trade Center and America’s militarized and violent response? How does Canadian Gothic position itself in relation to the politics of post-9/11 America? What about Mexican or South American Gothic?
10. How have new technologies impacted the literary or visual Gothic? For example, the explosion of hand-held camera horror films, night vision sequences and closed-circuit video imagery?
Proposals (500 words) and brief CVs should be addressed to both editors of the volume by 1 June 2013.
Agnieszka Soltysik Monnet (University of Lausanne) and Marie Lienard-Yeterian (Université de Nice-Sophia Antipolis)
Thursday, 15 November 2012
OUT NOW: Feminism and Psychology, 22:4 (Nov 2012)
Table of Contents
Articles
Julie L Nagoshi, Stephan/ie Brzuzy, and Heather K Terrell
Deconstructing the complex perceptions of gender roles, gender identity, and sexual orientation among transgender individuals
Ursula Lau and Garth Stevens
Textual transformations of subjectivity in men’s talk of gender-based violence
Heather AK Jacques and H Lorraine Radtke
Constrained by choice: Young women negotiate the discourses of marriage and motherhood
Alexandra Gibson and Catriona Macleod
(Dis)allowances of lesbians’ sexual identities: Lesbian identity construction in racialised, classed, familial, and institutional spaces
Making a difference
Breanne Fahs
Breaking body hair boundaries: Classroom exercises for challenging social constructions of the body and sexuality
Brief reports
Katie M Edwards, Christina M Dardis, and Christine A Gidycz
Women’s disclosure of dating violence: A mixed methodological study
Daniela Petrassi
‘For me, the children come first’: A discursive psychological analysis of how mothers construct fathers’ roles in childrearing and childcare
Observation and commentaries
Virginia Braun
Petting a snake? Reflections on feminist critique, media engagement and ‘making a difference’
Petra Boynton
Getting the press we deserve: Opportunities and challenges for innovative media practice
Book reviews
Breanne Fahs
Jamie Heckert and Richard Cleminson, Anarchism and Sexuality: Ethics, Relationships, and Power
Elin Weiss
Carol Gilligan, Joining the Resistance, Polity Press: Cambridge
Wendy Hollway
Alison Stone, Feminism, Psychoanalysis, and Maternal Subjectivity
Matt Murdoch and Jenna MacKay
Andrew McKinlay and Chris McVittie, Identities in Context: Individuals and Discourse in Action
Hannah Priest
Jacqueline Rose, The Jacqueline Rose Reader, ed. Justin Clemens and Ben Naparstek
Gemma Anne Yarwood
Rachel Thomson, Mary Jane Kehily, Lucy Hadfield and Sue Sharpe, Making Modern Mothers
Maria Papadima
Barbara Almond, The Monster Within: The Hidden Side of Motherhood
Jennifer M Haley
Kim Q Hall (ed.), Feminist Disability Studies
Catriona Macleod
A Rutherford, R Capdevila, V Undurti and I Palmary (eds), Handbook of International Feminisms: Perspectives on Psychology, Women, Culture and Rights
Notices
Thank you to our reviewers
Call for papers
Call for papers
For more information, please visit the journal's website.
Wednesday, 17 October 2012
CFP: Exegesis Journal
“It is the confession, not the priest, that gives us absolution.”
Oscar Wilde, The Picture of Dorian Gray
Exegesis, the academic e-journal of the English Department at Royal Holloway, University of London, is now accepting submissions for the Spring 2013 edition on Testimonies and Confessions. In this issue we seek to generate discussion about the forms that testimonies and confessions have taken historically, theologically, and literarily from an interdisciplinary, cross-period perspective. Authors may choose to investigate this topic literally, metaphorically, or theoretically, and in terms of specific texts, authors, times, or places. Articles and creative pieces might address, but are not limited to, any of the following subjects:
• Confessional/Testimonial literature as autobiographical, fictional, or sensationalized for humour
• First person narratives, such as diaries or letters
• Monologues (in Shakespeare, for example)
• Literary and theological confessions (e.g. Confessions of St. Augustine, Rousseau’s Confessions)
• False confessions
• In a court of law, admitting guilt of a crime, or testifying as witness
• Testifying on war, violence, social oppression, etc.
• The meaning of ‘truth’, how we find it, and what can be considered ‘proof’
• The role of confession to religion (sinning, absolution)
• Confession as an interpretation of identity
• Philosophical testimony (Kant, Hume, Ricoeur, and others)
Submission deadline is 10th January 2013. Please submit using the following email links: to submit a critical work; to submit a creative work; to submit a book review. After peer review, refereed submissions will be selected and published in our April 2013 issue. Please take note of the Guidelines below.
All submissions will be considered for the [Exegesis Writing Awards] of £100 for one critical article and £100 for one creative piece, which will be granted on the basis of writing excellence.
SUBMISSIONS GUIDELINES:
Exegesis invites submissions from postgraduate students and early career academics from the field of English Studies and beyond, multi- and cross- disciplinary researchers, and any scholar with interesting and relevant work. We welcome previously unpublished essays, short articles, reviews, and creative pieces on each issue’s theme, and encourage you to fully explore the meaning of exegesis.
Essays and short articles should be between 4000-6000 words and reviews around 1000 words (including all references), and must adhere to the MHRA referencing and style guide. Creative pieces are welcomed of no more than 5000 words. A copy of the MHRA style guide can be found here.
Your submission email should include your name, academic affiliation, the title of your submission, 5-7 keywords, and a 3-5 sentence abstract of the article or review piece. All attached submissions should be unnamed, to ensure impartiality during the selection process, and should be sent as Word documents (.doc format). Submissions which do not follow these guidelines will not be considered.
Wednesday, 19 September 2012
Call for Submissions: Special Issue of Gender and Language
Gender, Language, Communication and the Media
Gender and Language invite papers on the topic of gender, language, communication and the media for a forthcoming special issue in 2014. We invite papers that deploy various methods (e.g., linguistics, discourse analysis, pragmatics, content analysis, critical discourse analysis, conversation analysis, narrative analysis, and sociolinguistics) to explore the relationship(s) between gender and related topics (e.g. sexism, sexuality, sexualisation, post-feminism) and the media as broadly conceived (e.g. newspapers, television, radio, online environments).
Over recent years, issues to do with 'sex' and 'gender' have become increasingly visible across various forms of contemporary media. But how are we to understand the varied ways in which such phenomena are unpacked, reformulated, constructed, deleted, and so on, in and through these media?
This special issue aims to pull together a diverse range of papers that all coalesce around the following sorts of questions:
1. How are contemporary media representations, stereotypes and accounts of gender constructed in the media?
2. What, if anything, is new, unique and distinct about the ways in which gender is constructed in and through such media representations?
3. How is it possible, methodologically, to capture something like gender, and how can we know when we have found 'it'?
Please send a 750 word summary of your proposed paper, detailing *provisional* title, topic, methods, and findings. We will let you know at this outline stage whether or not your paper looks to be a 'good fit' for the special issue. Authors of papers that fit with the issue's aims will then be invited to submit a full length paper of between 5000-7000 words (including abstract, data and references). Papers will be subject to the usual peer review process.
In the event that we end up with more accepted papers than the special issue allows space for, papers may be accepted for future issues of Gender and Language.
The deadline for submitting 750 word summaries is November 30th 2012. Please submit your summary to the special issue editor, Dr Frederick Attenborough.
The deadline for full length papers is May 15th 2013.
Gender and Language is about to head into its 7th year. To promote the journal and establish its impact, the editors Elizabeth Stokoe and Ann Weatherall have recently moved to three issues per year, introduced 'early view' papers published online first with DOIs, and applied for an impact factor ranking. Special issues are part of our strategy for increasing the journal's profile.
Gender and Language invite papers on the topic of gender, language, communication and the media for a forthcoming special issue in 2014. We invite papers that deploy various methods (e.g., linguistics, discourse analysis, pragmatics, content analysis, critical discourse analysis, conversation analysis, narrative analysis, and sociolinguistics) to explore the relationship(s) between gender and related topics (e.g. sexism, sexuality, sexualisation, post-feminism) and the media as broadly conceived (e.g. newspapers, television, radio, online environments).
Over recent years, issues to do with 'sex' and 'gender' have become increasingly visible across various forms of contemporary media. But how are we to understand the varied ways in which such phenomena are unpacked, reformulated, constructed, deleted, and so on, in and through these media?
This special issue aims to pull together a diverse range of papers that all coalesce around the following sorts of questions:
1. How are contemporary media representations, stereotypes and accounts of gender constructed in the media?
2. What, if anything, is new, unique and distinct about the ways in which gender is constructed in and through such media representations?
3. How is it possible, methodologically, to capture something like gender, and how can we know when we have found 'it'?
Please send a 750 word summary of your proposed paper, detailing *provisional* title, topic, methods, and findings. We will let you know at this outline stage whether or not your paper looks to be a 'good fit' for the special issue. Authors of papers that fit with the issue's aims will then be invited to submit a full length paper of between 5000-7000 words (including abstract, data and references). Papers will be subject to the usual peer review process.
In the event that we end up with more accepted papers than the special issue allows space for, papers may be accepted for future issues of Gender and Language.
The deadline for submitting 750 word summaries is November 30th 2012. Please submit your summary to the special issue editor, Dr Frederick Attenborough.
The deadline for full length papers is May 15th 2013.
Gender and Language is about to head into its 7th year. To promote the journal and establish its impact, the editors Elizabeth Stokoe and Ann Weatherall have recently moved to three issues per year, introduced 'early view' papers published online first with DOIs, and applied for an impact factor ranking. Special issues are part of our strategy for increasing the journal's profile.
Wednesday, 5 September 2012
Call for Submissions: Monsters and the Monstrous Journal
Volume 3, Number 1, Themed Issue on Monstrous Spaces/Spaces of Monstrosity
This issue is concentrating on spaces that are considered monstrous or are themselves capable of producing monstrosity. these spaces can be actual or authored, real or imaginary. Spaces of violence and murder, social taboo, ideological excess and human depravity from the past, present or future. Equally spaces natural or supernatural, earth found or star bound that produce, spawn or inevitably return to monstrosity in all its many human, cultural and temporal forms.
The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission on the following or related themes:
● Monstrous Landscapes of Conflict: Genocide, battle zones, imprisonment, execution, torture
● Monstrous Environments: Biological experimentation, nuclear fallout, GM crops
● Monstrous Temporalities: Other dimensions, spirit worlds, mythical places
● Monstrous Cosmographies: Outer Space, Alien worlds, Terra Incognita, space craft, parallel universes
● Monstrous Religious Spaces: Hell, Hades, Purgatory, Heaven, Nirvana, Valhalla, Samsara, Paradise
● Monstrous Ideological Spaces: Society, Politics, Difference, Gender, Colonial, Post Colonial, Disabilities
Submissions for this Issue are required by Friday 8th March 2013 at the latest.
Contributions to the journal should be original and not under consideration for other publications at the same time as they are under consideration for this publication. Submissions are to be made electronically wherever possible using either Microsoft® Word or .rtf format.
For Further Information, please visit the journal's website.
Contributions are also invited for future issues of the journal which will include: “Monstrous Beauty/The Beauty of Monstrosity.”
We also invite submission to our special features on Non-English Language Book Reviews. Please mark entries for these topics with their respective headings.
All accepted articles, artworks and prose pieces will receive a free electronic version of the journal.
Length Requirements:
Articles – 5,000 – 7,000 words.
Reflections, reports and responses – 1,000 – 3,000 words.
Book reviews – 500 – 4,000 words.
Other forms of contributions such as artworks, photographs, poetry, prose and short stories are welcome.
In the case of visual work and images we ask that all copyrights to publication are either obtained or owned by the author/artist.
Send submissions via e-mail using the following Subject Line:
'Journal: Contribution Type (article/review/…): Author Surname'
Submissions E-Mail Address
Submissions will be acknowledged within 48 hours of receipt.
This issue is concentrating on spaces that are considered monstrous or are themselves capable of producing monstrosity. these spaces can be actual or authored, real or imaginary. Spaces of violence and murder, social taboo, ideological excess and human depravity from the past, present or future. Equally spaces natural or supernatural, earth found or star bound that produce, spawn or inevitably return to monstrosity in all its many human, cultural and temporal forms.
The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission on the following or related themes:
● Monstrous Landscapes of Conflict: Genocide, battle zones, imprisonment, execution, torture
● Monstrous Environments: Biological experimentation, nuclear fallout, GM crops
● Monstrous Temporalities: Other dimensions, spirit worlds, mythical places
● Monstrous Cosmographies: Outer Space, Alien worlds, Terra Incognita, space craft, parallel universes
● Monstrous Religious Spaces: Hell, Hades, Purgatory, Heaven, Nirvana, Valhalla, Samsara, Paradise
● Monstrous Ideological Spaces: Society, Politics, Difference, Gender, Colonial, Post Colonial, Disabilities
Submissions for this Issue are required by Friday 8th March 2013 at the latest.
Contributions to the journal should be original and not under consideration for other publications at the same time as they are under consideration for this publication. Submissions are to be made electronically wherever possible using either Microsoft® Word or .rtf format.
For Further Information, please visit the journal's website.
Contributions are also invited for future issues of the journal which will include: “Monstrous Beauty/The Beauty of Monstrosity.”
We also invite submission to our special features on Non-English Language Book Reviews. Please mark entries for these topics with their respective headings.
All accepted articles, artworks and prose pieces will receive a free electronic version of the journal.
Length Requirements:
Articles – 5,000 – 7,000 words.
Reflections, reports and responses – 1,000 – 3,000 words.
Book reviews – 500 – 4,000 words.
Other forms of contributions such as artworks, photographs, poetry, prose and short stories are welcome.
In the case of visual work and images we ask that all copyrights to publication are either obtained or owned by the author/artist.
Send submissions via e-mail using the following Subject Line:
'Journal: Contribution Type (article/review/…): Author Surname'
Submissions E-Mail Address
Submissions will be acknowledged within 48 hours of receipt.
Thursday, 21 June 2012
CFP: Must Love Dogs - or Dragons: Animals in Popular Romance (Journal)
Journal of Popular Romance Studies
Deadline: October 1 2012
From the animal brides and bridegrooms in folktales to the dragons and werewolves and other shape-shifters in paranormal love stories, popular romance has long relied on animal heroes, heroines, and helpers (i.e., the leopard in Bringing Up Baby) to explore human romance.
How, though, do invocations of the “animal” in popular romance differ from text to text, culture to culture, era to era? What do they suggest about the nature of love, whether the love of humans for one another or the love we feel for pets, companions, and co-workers of other species? How might a focus on the “Beast” in a popular romance novel, film, TV series, or other text help us to understand the beauties — the artistry, the interest — of that text?
The Journal of Popular Romance Studies (JPRS) seeks essay submissions for a special forum examining the role of animals in popular romance media—folk tale, fiction, film, TV, music video, etc.—now and in the past, from around the world. Essays may address either literal or figurative animals, including furry fandom, pony-play, and other fetishes, as long as the overarching context is the representation of romantic love.
Submissions are due by October 1 2012. The issue is slated for publication in April 2013.
Published by the International Association for the Study of Popular Romance (IASPR), the peer-reviewed Journal of Popular Romance Studies is the first academic journal to focus exclusively on representations of romantic love across national and disciplinary boundaries. Our editorial board includes representatives from Comparative Literature, English, Ethnomusicology, History, Religious Studies, Sociology, African Diaspora Studies, and other fields. JPRS is available without subscription.
Please submit scholarly papers of no more than 10,000 words by October 1 2012, to An Goris, Managing Editor. Longer manuscripts of particular interest will be considered on a case-by-case basis.
Submissions should be Microsoft Word documents, with citations in MLA format. Please remove all identifying material (i.e., running heads with the author’s name) so that submissions can easily be sent out for anonymous peer review. Suggestions for appropriate peer reviewers are welcome.
Deadline: October 1 2012
From the animal brides and bridegrooms in folktales to the dragons and werewolves and other shape-shifters in paranormal love stories, popular romance has long relied on animal heroes, heroines, and helpers (i.e., the leopard in Bringing Up Baby) to explore human romance.
How, though, do invocations of the “animal” in popular romance differ from text to text, culture to culture, era to era? What do they suggest about the nature of love, whether the love of humans for one another or the love we feel for pets, companions, and co-workers of other species? How might a focus on the “Beast” in a popular romance novel, film, TV series, or other text help us to understand the beauties — the artistry, the interest — of that text?
The Journal of Popular Romance Studies (JPRS) seeks essay submissions for a special forum examining the role of animals in popular romance media—folk tale, fiction, film, TV, music video, etc.—now and in the past, from around the world. Essays may address either literal or figurative animals, including furry fandom, pony-play, and other fetishes, as long as the overarching context is the representation of romantic love.
Submissions are due by October 1 2012. The issue is slated for publication in April 2013.
Published by the International Association for the Study of Popular Romance (IASPR), the peer-reviewed Journal of Popular Romance Studies is the first academic journal to focus exclusively on representations of romantic love across national and disciplinary boundaries. Our editorial board includes representatives from Comparative Literature, English, Ethnomusicology, History, Religious Studies, Sociology, African Diaspora Studies, and other fields. JPRS is available without subscription.
Please submit scholarly papers of no more than 10,000 words by October 1 2012, to An Goris, Managing Editor. Longer manuscripts of particular interest will be considered on a case-by-case basis.
Submissions should be Microsoft Word documents, with citations in MLA format. Please remove all identifying material (i.e., running heads with the author’s name) so that submissions can easily be sent out for anonymous peer review. Suggestions for appropriate peer reviewers are welcome.
Monday, 14 May 2012
Journal Announcement and Call for Submissions: Monsters and the Monstrous
Volume 2, Number 2
Special Issue on Monstrous Pedagogy: Teaching and Reading the Twilight Saga
As we approach the release of the final cinematic installment of the Twilight Saga we want to focus on monsters and pedagogy and in particular the relation between “Twilight and the Classroom”. How do we teach Twilight? Why do we teach Twilight? Should we teach Twilight?
The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission on the following or related themes:
● Twilight and Gender and Sexuality Studies
● Twilight and Literary Studies
● Twilight and Cultural Studies
● Twilight and Film Studies
● Twilight and Race, Ethnicity, and Indigeneity
● Twilight and Disability Studies
● Twilight and Religious Studies
● Twilight and Psychology
● Twilight and Sociology
Submissions for this Issue are required by Friday 3rd August 2012 at the latest.
Contributions to the journal should be original and not under consideration for other publications at the same time as they are under consideration for this publication. Submissions are to be made electronically wherever possible using either Microsoft® Word or .rtf format.
Length Requirements:
Articles - 5,000 – 7,000 words
Reflections, reports and responses - 1,000 – 3,000 words
Book reviews - 500 – 4,000 words
Artworks and photographs (Copyright permissions required)
Poems, prose and short stories
Other forms of contributions are also welcome
Submission Information:
Send submissions via e-mail using the following Subject Line: ‘Journal: Contribution Type (article/review/...): Author Surname’ and marked "Monstrous Pedagogy."
Submissions E-Mail Address
Submissions will be acknowledged within 48 hours of receipt.
Contributions are also invited for future issues of the journal which will include: "Monstrous Spaces/ Spaces of Monstrosity" and "Monstrous Beauty."
We also invite submission to our special features on Non-English Language Book Reviews, and Monstrous Pedagogy. Please mark entries for these topics with their respective headings.
We look forward to folks getting involved in and with the journal.
Special Issue on Monstrous Pedagogy: Teaching and Reading the Twilight Saga
As we approach the release of the final cinematic installment of the Twilight Saga we want to focus on monsters and pedagogy and in particular the relation between “Twilight and the Classroom”. How do we teach Twilight? Why do we teach Twilight? Should we teach Twilight?
The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission on the following or related themes:
● Twilight and Gender and Sexuality Studies
● Twilight and Literary Studies
● Twilight and Cultural Studies
● Twilight and Film Studies
● Twilight and Race, Ethnicity, and Indigeneity
● Twilight and Disability Studies
● Twilight and Religious Studies
● Twilight and Psychology
● Twilight and Sociology
Submissions for this Issue are required by Friday 3rd August 2012 at the latest.
Contributions to the journal should be original and not under consideration for other publications at the same time as they are under consideration for this publication. Submissions are to be made electronically wherever possible using either Microsoft® Word or .rtf format.
Length Requirements:
Articles - 5,000 – 7,000 words
Reflections, reports and responses - 1,000 – 3,000 words
Book reviews - 500 – 4,000 words
Artworks and photographs (Copyright permissions required)
Poems, prose and short stories
Other forms of contributions are also welcome
Submission Information:
Send submissions via e-mail using the following Subject Line: ‘Journal: Contribution Type (article/review/...): Author Surname’ and marked "Monstrous Pedagogy."
Submissions E-Mail Address
Submissions will be acknowledged within 48 hours of receipt.
Contributions are also invited for future issues of the journal which will include: "Monstrous Spaces/ Spaces of Monstrosity" and "Monstrous Beauty."
We also invite submission to our special features on Non-English Language Book Reviews, and Monstrous Pedagogy. Please mark entries for these topics with their respective headings.
We look forward to folks getting involved in and with the journal.
Friday, 27 April 2012
OUT NOW: Journal of Monsters and the Monstrous, Vol. 1, No. 2 (September 2011)
Contents:
Freeing Woman from Truth and the Unknown: Using Kahlo and Irigaray to Liberate Woman from Haggard's She - Cameron Ellis
The Monstrification of the Monster: How CeauĆescu Became the Red Vampire - Peter Mario Kreuter
Saturday, 25 February 2012
CFP: Journal Announcement: Monsters and the Monstrous
Volume 2, Number 1, Special Issue on Monstrous Memory
The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission on the following or related themes:
Monstrous Memory
Sethe: "It's so hard for me to believe in . Some things go. Pass on. Some things just stay. I used to think it was my rememory. . . But it's not. Places, places are still there. If a house burns down, it's gone, but the place - the picture of it - stays, and not just in my rememory, but out there, in the world".
Denver: "If it's still there, waiting, that must mean that nothing ever dies."
Sethe: "Nothing ever does." (Morrison, Beloved)
Monsters of memory, monstrous memories, monsters as memories.
Keywords: memory, remembrance, history, trauma, the past, undead, re-memory, undying, haunting, unheimlich, spectres, monsters, ghosts.
Call for Articles:
This special issue of Monsters and the Monstrous is looking for articles and reviews that are based around the idea of Monstrosity and Memory.
Memories of the past, whether individual, societal or national constantly invade our everyday lives. Sometimes as the remembrance of monstrous past events that can, and should, never die or be forgotten but also as disruptive and destructive presences that upset, intrude and invade our equilibrium and sense of self.
EXAMPLES:
Monstrous events and people that live on today:
-the holocaust and national geneocides, hiroshima etc.
-natural disasters, tsunamis, eartquakes and volcanic eruptions.
-monstrous figures from the past such as Rasputin, Jack the Ripper, Stalin.
-the national and cultural disparities in the conceptions of all of the above.
Monstrous entities from the past in fiction and film:
- Manifestations of the national past and political extremism, The Grudge, Godzilla, Dead Snow, Frostbite
- Representation of monsters that lived before humans, Cthulhu (Lovecraft), Jurassic Park, Starship Troopers, Priest.
Ghosts and Spirits that Haunt the Present:
-Popular series such as Medium, The Ghost Whisperer, Supernatural, Buffy the Vampire Slayer
-Discontented figures that want justice or revenge, Woman in Black, Death Watch, Ringu, Nightmare on Elm Street
- traumatic events that cannot be escaped, Silent Hill, Triangle, Inception
Whether Proustian flashbacks or actual embodiments , metaphorical, psychological, or phantasical the monsters of the past will not relinquish their hold on our times, lives and imaginations.
Submissions for this Issue are required by 31st March 2012 at the latest.
Contributions to the journal should be original and not under consideration for other publications at the same time as they are under consideration for this publication. Submissions are to be made electronically wherever possible using either Microsoft® Word or .rtf format.
Length Requirements:
Articles - 5,000 – 7,000 words.
Reflections, reports and responses - 1,000 – 3,000 words.
Book reviews - 500 – 4,000 words.
Other forms of contributions are welcome.
Submission Information:
Send submissions via e-mail using the following Subject Line:
‘Journal: Contribution Type (article/review/...): Author Surname’ and marked "Monstrous Memory".
Submissions E-Mail Address
Submissions will be acknowledged within 48 hours of receipt.
Contributions are also invited for future issues of the journal which will include: "Twilight and Teaching the Monstrous", "Monstrous Spaces".
We also invite submission to our special features on Non-English Language Book Reviews, and Monstrous Pedagogy. Please mark entries for these topics with their title.
For more information about the journal, please click here.
The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission on the following or related themes:
Monstrous Memory
Sethe: "It's so hard for me to believe in . Some things go. Pass on. Some things just stay. I used to think it was my rememory. . . But it's not. Places, places are still there. If a house burns down, it's gone, but the place - the picture of it - stays, and not just in my rememory, but out there, in the world".
Denver: "If it's still there, waiting, that must mean that nothing ever dies."
Sethe: "Nothing ever does." (Morrison, Beloved)
Monsters of memory, monstrous memories, monsters as memories.
Keywords: memory, remembrance, history, trauma, the past, undead, re-memory, undying, haunting, unheimlich, spectres, monsters, ghosts.
Call for Articles:
This special issue of Monsters and the Monstrous is looking for articles and reviews that are based around the idea of Monstrosity and Memory.
Memories of the past, whether individual, societal or national constantly invade our everyday lives. Sometimes as the remembrance of monstrous past events that can, and should, never die or be forgotten but also as disruptive and destructive presences that upset, intrude and invade our equilibrium and sense of self.
EXAMPLES:
Monstrous events and people that live on today:
-the holocaust and national geneocides, hiroshima etc.
-natural disasters, tsunamis, eartquakes and volcanic eruptions.
-monstrous figures from the past such as Rasputin, Jack the Ripper, Stalin.
-the national and cultural disparities in the conceptions of all of the above.
Monstrous entities from the past in fiction and film:
- Manifestations of the national past and political extremism, The Grudge, Godzilla, Dead Snow, Frostbite
- Representation of monsters that lived before humans, Cthulhu (Lovecraft), Jurassic Park, Starship Troopers, Priest.
Ghosts and Spirits that Haunt the Present:
-Popular series such as Medium, The Ghost Whisperer, Supernatural, Buffy the Vampire Slayer
-Discontented figures that want justice or revenge, Woman in Black, Death Watch, Ringu, Nightmare on Elm Street
- traumatic events that cannot be escaped, Silent Hill, Triangle, Inception
Whether Proustian flashbacks or actual embodiments , metaphorical, psychological, or phantasical the monsters of the past will not relinquish their hold on our times, lives and imaginations.
Submissions for this Issue are required by 31st March 2012 at the latest.
Contributions to the journal should be original and not under consideration for other publications at the same time as they are under consideration for this publication. Submissions are to be made electronically wherever possible using either Microsoft® Word or .rtf format.
Length Requirements:
Articles - 5,000 – 7,000 words.
Reflections, reports and responses - 1,000 – 3,000 words.
Book reviews - 500 – 4,000 words.
Other forms of contributions are welcome.
Submission Information:
Send submissions via e-mail using the following Subject Line:
‘Journal: Contribution Type (article/review/...): Author Surname’ and marked "Monstrous Memory".
Submissions E-Mail Address
Contributions are also invited for future issues of the journal which will include: "Twilight and Teaching the Monstrous", "Monstrous Spaces".
We also invite submission to our special features on Non-English Language Book Reviews, and Monstrous Pedagogy. Please mark entries for these topics with their title.
Tuesday, 29 November 2011
CFP: Preternature 2.2
Monstrophy: The Academic Study of Monsters
''Monstrophy'' is a term referring to the academic study of monsters as representational and conceptual categories, which has gained recent currency in several related fields of study (literary and cultural history, sociological theories of identity and difference, et al.), as well as in a number of recent books and articles about monsters as subjects of theoretical interpretation. Etymologically derived from Latin ''mĆnstrum'' (meaning prodigy, ominous sign, monstrous creature or person, abomination) and Greek ''sophia'' (ÏÎżÏία, wisdom), hybrid compounding of monstrophy is not uncommon in disciplinary names, e.g. [[sociology]], another Greek and Latin compound.) Monstrophy literally means "wisdom about monsters," and in academic usage refers to the broader study of monsters in society and history.
Monsters have been widely catalogued in their historical and ethnographic contexts, and have been commonly included in cultural products such as epic, folktale, fiction, and film, but have only begun to be studied seriously as semiological markers indicating the seams of internal cultural tension. Interpreters commonly note the "monstrous" as occupying space at the borders of a society's conceptual categories, such as those relating to sexual and behavioral transgression, or to inherent prejudice and internal conflict (for instance, in race, gender, politics, and religion). Monsters are rarely fully distinct from the "human," but are often comprised of hybrid features
of the human and non-human. This issue of Preternature invites contributions that explore how the category of "monster" is used to define and articulate what a certain group of people articulates to itself to be properly human.
Contributions are welcome from any discipline, time period, or geographic provenance, so long as the discussion highlights the cultural, literary, religious, or historical significance of the topic.
Contributions should be roughly 8,000 - 12,000 words (with the possibility of longer submissions in exceptional cases), including all documentation and critical apparatus. If accepted for publication, manuscripts will be required to adhere to the Chicago Manual of Style, 15th edition (style 1, employing footnotes).
Preternature also welcomes original editions or translations of texts related to the topic that have not otherwise been made available in recent editions or in English. Submissions are made online here.
Final Papers are due February 15, 2012
Queries about submissions, queries concerning books to be reviewed, or requests to review individual titles may be made to the Editor.
Inquiries about book reviews should be sent to the Book Review Editor.
For more on the journal, please consult the website.
''Monstrophy'' is a term referring to the academic study of monsters as representational and conceptual categories, which has gained recent currency in several related fields of study (literary and cultural history, sociological theories of identity and difference, et al.), as well as in a number of recent books and articles about monsters as subjects of theoretical interpretation. Etymologically derived from Latin ''mĆnstrum'' (meaning prodigy, ominous sign, monstrous creature or person, abomination) and Greek ''sophia'' (ÏÎżÏία, wisdom), hybrid compounding of monstrophy is not uncommon in disciplinary names, e.g. [[sociology]], another Greek and Latin compound.) Monstrophy literally means "wisdom about monsters," and in academic usage refers to the broader study of monsters in society and history.
Monsters have been widely catalogued in their historical and ethnographic contexts, and have been commonly included in cultural products such as epic, folktale, fiction, and film, but have only begun to be studied seriously as semiological markers indicating the seams of internal cultural tension. Interpreters commonly note the "monstrous" as occupying space at the borders of a society's conceptual categories, such as those relating to sexual and behavioral transgression, or to inherent prejudice and internal conflict (for instance, in race, gender, politics, and religion). Monsters are rarely fully distinct from the "human," but are often comprised of hybrid features
of the human and non-human. This issue of Preternature invites contributions that explore how the category of "monster" is used to define and articulate what a certain group of people articulates to itself to be properly human.
Contributions are welcome from any discipline, time period, or geographic provenance, so long as the discussion highlights the cultural, literary, religious, or historical significance of the topic.
Contributions should be roughly 8,000 - 12,000 words (with the possibility of longer submissions in exceptional cases), including all documentation and critical apparatus. If accepted for publication, manuscripts will be required to adhere to the Chicago Manual of Style, 15th edition (style 1, employing footnotes).
Preternature also welcomes original editions or translations of texts related to the topic that have not otherwise been made available in recent editions or in English. Submissions are made online here.
Final Papers are due February 15, 2012
Queries about submissions, queries concerning books to be reviewed, or requests to review individual titles may be made to the Editor.
Inquiries about book reviews should be sent to the Book Review Editor.
For more on the journal, please consult the website.
Monday, 28 February 2011
Journal Announcement and Call for Submissions
A message from the lovely people at ID.net. The first issue is out, and I've got a review in it!
Monsters and the Monstrous
Volume 1, Number 1
March 2011
We are pleased to announce the launch of the first journal in our Global Interdisciplinary Research Series - Monsters and the Monstrous
Click here to visit the website.
The first edition will be available from 1st March 2011; subscriptions are now open.
The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission.
Contributions to the journal should be original and not under consideration for other publications at the same time as they are under consideration for this publication. Submissions are to made electronically wherever possible using either Microsoft Word or .rtf format.
Length requirements:
Articles - 5000 - 7000 words
Reflections, reports, responses - 1000 - 3000 words
Book reviews - 500 - 4000 words
Other forms of contributions are welcome.
Submission information:
Send submissions via email, using the following Subject Line:
'Journal: Contribution Type (article/review/...): Author Surname'
Submissions Email Address
Submissions will be acknowledged within 48 hours of receipt.
Monsters and the Monstrous
Volume 1, Number 1
March 2011
We are pleased to announce the launch of the first journal in our Global Interdisciplinary Research Series - Monsters and the Monstrous
Click here to visit the website.
The first edition will be available from 1st March 2011; subscriptions are now open.
The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission.
Contributions to the journal should be original and not under consideration for other publications at the same time as they are under consideration for this publication. Submissions are to made electronically wherever possible using either Microsoft Word or .rtf format.
Length requirements:
Articles - 5000 - 7000 words
Reflections, reports, responses - 1000 - 3000 words
Book reviews - 500 - 4000 words
Other forms of contributions are welcome.
Submission information:
Send submissions via email, using the following Subject Line:
'Journal: Contribution Type (article/review/...): Author Surname'
Submissions Email Address
Submissions will be acknowledged within 48 hours of receipt.
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