2nd Annual Indiana Medieval Graduate Student Consortium Conference
Call for Papers
Keynote Speaker: Professor Geraldine Heng
Perceval Fellow and Associate Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin
The students of the Indiana Medieval Graduate Student Consortium (IMGC) are pleased to announce that we are accepting submissions for the second annual IMGC conference, 'The Geographic Imagination: Conceptualizing Places and Spaces in the Middle Ages', to take place on 28 Feb-1 Mar 2014 at the University of Notre Dame.
The transnational turn in the humanities over the last two decades has put increasing pressure on our ideas of nationhood and has provided us with a liberating awareness of the constructedness of the spaces we study. New methodologies have developed in response to this pressure as scholars turn to comparative approaches, borderland studies, histoire croisée, studies of empire, and oceanic models in order to accommodate the ambiguities of nationhood and of conceptions of space. Suggested by seminal transnational studies, such as Paul Gilroy’s The Black Atlantic, many critics now study “the flows of people, capital, profits and information.” Recently, David Wallace’s ambitious literary history of Europe has adopted a similarly fluid approach to culture, avoiding a study of “national blocks” of literature, organizing itself instead along transnational itineraries that stretch beyond the European sphere. The Middle Ages offer a particularly broad and rich era in which to encounter fluid notions of space, as any glance at a medieval map such as the famous Hereford mappa mundi invitingly suggests. We invite presentations from all fields to explore any aspect of the medieval “geographic imagination,” of conceptions of space, place, and nation: ideas of geography, cartography, transnational identities and networks, intercultural encounters, mercantile routes, travelogues, rural and urban spaces, religious places, and concepts of locality and local identities.
The IMGC is delighted to announce that our keynote speaker this year will be Dr Geraldine Heng, well known to many of us for her exhaustive and provocative study of medieval romance, Empire of Magic, and her subsequent work on race in the Middle Ages.
Please submit a 300 word abstract for a 15-20 minute paper by 15 Dec, 2013 on the conference website. Proposals should include the title of the paper, presenter's name, institutional and departmental affiliation, and any technology requests.
This conference is generously sponsored by the Nanovic Institute for European Studies. The Nanovic Institute is committed to enriching the intellectual culture of Notre Dame by creating an integrated, interdisciplinary home for students and faculty to explore the evolving ideas, cultures, beliefs, and institutions that shape Europe today.
Showing posts with label space. Show all posts
Showing posts with label space. Show all posts
Sunday, 15 September 2013
Wednesday, 5 September 2012
CFP: 2nd Global Conference: Monstrous Geographies
Wednesday 15th May – Friday 17th May 2013
Prague, Czech Republic
Call for Presentations:
What is the relationship between the monstrous and the geographic? From ‘Aristotelian’ spaces – as containers of monsters and the monstrous – to ‘Leibnizian’ spaces, where the monstrous emerges from the topological relation between events and localities, monstrous geographies have always haunted the human cultural imagination. From the Necropolis to the Killing Fields and from the Amityville Horror to the island of Dr. Moreau, geographical locations may act as the repository or emanation of human evil, made monstrous by the rituals and behaviours enacted within them, or by their peculiarities of atmosphere or configuration. Whether actual or imagined, these places of wonder, fear and horror speak of the symbiotic relation between humanity and location that sees morality, ideology and emotions given physical form in the house, the forest, the island, the nation and even far away worlds in both space and time. They may engage notions of self and otherness, inclusion and exclusion, normal and aberrant, defence and contagion; may act as magnets for destructive and evil forces, such as the island of Manhattan; they are the source of malevolent energies and forces, such as Transylvania, Area 51 and Ringu; and they are the fulcrum for chaotic, warping energies, such as the Bermuda Triangle, Atlantis and Pandemonium. Alongside this, there exist the monstrous geographies created by scientific experimentation, human waste and environmental accidents, creating sites of potential and actual disaster such as the Chernobyl nuclear plant, the Gulf of Mexico in the wake of the BP oil disaster, and the devastated coastline of Tohuku, Japan. These places raise diverse post-human quandaries regarding necessities in the present leading to real or imagined futures of humanity and habitation.
Encompassing the factual and the fictional, the literal and the literary, this project investigates the very particular relationships and interactions between humanity and place, the natural and the unnatural, the familiar and the unfamiliar, and sees a multitude of configurations of human monstrosity and evil projected, inflicted, or immanent to place. Such monstrous geographies can be seen to emerge from the disparity between past and present, memory and modernity, urban and rural and can be expressed through categories of class, gender and racial difference as well as generational, political and religious tensions.
Presentations, papers, reports, performances, work-in-progress, workshops and pre-formed panels are invited on issues related to any of the following themes:
Monstrous Cartographies
~Terra incognita
~Real and Mythic lost lands: eg., Atlantis, D’yss, and Shangri-La
~Utopias/Dystopias, future cities in time and space
~Malevolent regions: eg., Lemuria, Bermuda Triangle, Transylvania
~Sublime landscapes
~Bodies as maps and maps as bodies, eg. Prison Break
Monstrous Islands
~As sites of experimentation. Dr. Moreau, Jurassic Park etc As a beacon for evil: eg., Manhattan in Godzilla and Cloverfield
~As site of ritual evil and incest: eg., Wicker Man, Pitkin Islands, Isle of the Dead
~Imperialist intent and construction: eg., Prospero’s Island, Hong Kong, Hashima
Monstrous Cosmographies
~Evil planets and dimensions
~Comets, meteorites and beings from unknown worlds
~Worlds as dark reflections/twins of Earth
~Planets and alien landscapes that consume and mutate earthly travelers
Monstrous Environmental Geographies
~Polluted lakes and landscapes
~Landfills, oil spills and mining sites
~Melting icecaps and landforms at risk from global warming
~Land impacted by GM crops and associated experimentation
~Sites of starvation, disaster and pestilence
~De-militarized zones and no-man’s lands
Monstrous Religious Sites & Ritualistic Monstrosity
~Armageddon, Apocalypse and final battlegrounds
~Hell, the Underworld and Valhalla
~Eden, Purgatory, Paradise, El Dorado, Shangri La
~Sites of religious ritual, sacrifice and burial
~Houses and haunts of murderers and serial killers
Monstrous Landscapes of Conflict
~The land of the enemy and the other
~Sites of attack and retaliation
~Sites of revolution and protest
~Concentration camps, prisons and other sites of incarceration
~Sites of genocide, battlefields and military graveyards
~Border crossings
~Ghettos, shanty towns and relocation sites
~Urban and rural, cities, towns and villages and regional and national prejudice
~Minefields and sites of damage, destruction and ruin
~Arsenals, bunkers and military experimentation
Uncanny Geographical Temporalities
~Old buildings in new surroundings
~Buildings with too much, and those without, memory
~Soulless Architecture
~Ideological architecture, palaces, museums etc
~Places held in time, UNESCO sites and historical and listed buildings
~Old towns and New towns, rich and poor
~Appearing and disappearing towns/regions, eg., Brigadoon, Silent Hill
Monsters on the Move
~Contagion, scouring and infectious landscapes
~Monsters and mobile technologies: phone, video, cars, planes, computers etc
~Fluid identities, fluid places
~Touring Monstrosities, dreamscapes and infernal topologies
Architectural Monstrosity
~Mazes and labyrinths (with or without the Minotaur)
~Unsettling/revolting geometries (E.A. Abbot’s Flatland, H.P. Lovecraft’s City of R’lyeh)
~Monstrous/abject building materials (bones, concrete, excrements, the corpse in the wall)
~The architecture of death (hospices, death row, funeral homes, slaughterhouses)
What to Send:
300 word abstracts should be submitted by Friday 30th November 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 15th February 2013. 300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f0 up to 10 keywords
E-mails should be entitled: Monstrous Geographies 2 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Jessica Rapson
Rob Fisher
The aim of the conference is to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Prague, Czech Republic
Call for Presentations:
What is the relationship between the monstrous and the geographic? From ‘Aristotelian’ spaces – as containers of monsters and the monstrous – to ‘Leibnizian’ spaces, where the monstrous emerges from the topological relation between events and localities, monstrous geographies have always haunted the human cultural imagination. From the Necropolis to the Killing Fields and from the Amityville Horror to the island of Dr. Moreau, geographical locations may act as the repository or emanation of human evil, made monstrous by the rituals and behaviours enacted within them, or by their peculiarities of atmosphere or configuration. Whether actual or imagined, these places of wonder, fear and horror speak of the symbiotic relation between humanity and location that sees morality, ideology and emotions given physical form in the house, the forest, the island, the nation and even far away worlds in both space and time. They may engage notions of self and otherness, inclusion and exclusion, normal and aberrant, defence and contagion; may act as magnets for destructive and evil forces, such as the island of Manhattan; they are the source of malevolent energies and forces, such as Transylvania, Area 51 and Ringu; and they are the fulcrum for chaotic, warping energies, such as the Bermuda Triangle, Atlantis and Pandemonium. Alongside this, there exist the monstrous geographies created by scientific experimentation, human waste and environmental accidents, creating sites of potential and actual disaster such as the Chernobyl nuclear plant, the Gulf of Mexico in the wake of the BP oil disaster, and the devastated coastline of Tohuku, Japan. These places raise diverse post-human quandaries regarding necessities in the present leading to real or imagined futures of humanity and habitation.
Encompassing the factual and the fictional, the literal and the literary, this project investigates the very particular relationships and interactions between humanity and place, the natural and the unnatural, the familiar and the unfamiliar, and sees a multitude of configurations of human monstrosity and evil projected, inflicted, or immanent to place. Such monstrous geographies can be seen to emerge from the disparity between past and present, memory and modernity, urban and rural and can be expressed through categories of class, gender and racial difference as well as generational, political and religious tensions.
Presentations, papers, reports, performances, work-in-progress, workshops and pre-formed panels are invited on issues related to any of the following themes:
Monstrous Cartographies
~Terra incognita
~Real and Mythic lost lands: eg., Atlantis, D’yss, and Shangri-La
~Utopias/Dystopias, future cities in time and space
~Malevolent regions: eg., Lemuria, Bermuda Triangle, Transylvania
~Sublime landscapes
~Bodies as maps and maps as bodies, eg. Prison Break
Monstrous Islands
~As sites of experimentation. Dr. Moreau, Jurassic Park etc As a beacon for evil: eg., Manhattan in Godzilla and Cloverfield
~As site of ritual evil and incest: eg., Wicker Man, Pitkin Islands, Isle of the Dead
~Imperialist intent and construction: eg., Prospero’s Island, Hong Kong, Hashima
Monstrous Cosmographies
~Evil planets and dimensions
~Comets, meteorites and beings from unknown worlds
~Worlds as dark reflections/twins of Earth
~Planets and alien landscapes that consume and mutate earthly travelers
Monstrous Environmental Geographies
~Polluted lakes and landscapes
~Landfills, oil spills and mining sites
~Melting icecaps and landforms at risk from global warming
~Land impacted by GM crops and associated experimentation
~Sites of starvation, disaster and pestilence
~De-militarized zones and no-man’s lands
Monstrous Religious Sites & Ritualistic Monstrosity
~Armageddon, Apocalypse and final battlegrounds
~Hell, the Underworld and Valhalla
~Eden, Purgatory, Paradise, El Dorado, Shangri La
~Sites of religious ritual, sacrifice and burial
~Houses and haunts of murderers and serial killers
Monstrous Landscapes of Conflict
~The land of the enemy and the other
~Sites of attack and retaliation
~Sites of revolution and protest
~Concentration camps, prisons and other sites of incarceration
~Sites of genocide, battlefields and military graveyards
~Border crossings
~Ghettos, shanty towns and relocation sites
~Urban and rural, cities, towns and villages and regional and national prejudice
~Minefields and sites of damage, destruction and ruin
~Arsenals, bunkers and military experimentation
Uncanny Geographical Temporalities
~Old buildings in new surroundings
~Buildings with too much, and those without, memory
~Soulless Architecture
~Ideological architecture, palaces, museums etc
~Places held in time, UNESCO sites and historical and listed buildings
~Old towns and New towns, rich and poor
~Appearing and disappearing towns/regions, eg., Brigadoon, Silent Hill
Monsters on the Move
~Contagion, scouring and infectious landscapes
~Monsters and mobile technologies: phone, video, cars, planes, computers etc
~Fluid identities, fluid places
~Touring Monstrosities, dreamscapes and infernal topologies
Architectural Monstrosity
~Mazes and labyrinths (with or without the Minotaur)
~Unsettling/revolting geometries (E.A. Abbot’s Flatland, H.P. Lovecraft’s City of R’lyeh)
~Monstrous/abject building materials (bones, concrete, excrements, the corpse in the wall)
~The architecture of death (hospices, death row, funeral homes, slaughterhouses)
What to Send:
300 word abstracts should be submitted by Friday 30th November 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 15th February 2013. 300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f0 up to 10 keywords
E-mails should be entitled: Monstrous Geographies 2 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Jessica Rapson
Rob Fisher
The aim of the conference is to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Call for Submissions: Monsters and the Monstrous Journal
Volume 3, Number 1, Themed Issue on Monstrous Spaces/Spaces of Monstrosity
This issue is concentrating on spaces that are considered monstrous or are themselves capable of producing monstrosity. these spaces can be actual or authored, real or imaginary. Spaces of violence and murder, social taboo, ideological excess and human depravity from the past, present or future. Equally spaces natural or supernatural, earth found or star bound that produce, spawn or inevitably return to monstrosity in all its many human, cultural and temporal forms.
The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission on the following or related themes:
● Monstrous Landscapes of Conflict: Genocide, battle zones, imprisonment, execution, torture
● Monstrous Environments: Biological experimentation, nuclear fallout, GM crops
● Monstrous Temporalities: Other dimensions, spirit worlds, mythical places
● Monstrous Cosmographies: Outer Space, Alien worlds, Terra Incognita, space craft, parallel universes
● Monstrous Religious Spaces: Hell, Hades, Purgatory, Heaven, Nirvana, Valhalla, Samsara, Paradise
● Monstrous Ideological Spaces: Society, Politics, Difference, Gender, Colonial, Post Colonial, Disabilities
Submissions for this Issue are required by Friday 8th March 2013 at the latest.
Contributions to the journal should be original and not under consideration for other publications at the same time as they are under consideration for this publication. Submissions are to be made electronically wherever possible using either Microsoft® Word or .rtf format.
For Further Information, please visit the journal's website.
Contributions are also invited for future issues of the journal which will include: “Monstrous Beauty/The Beauty of Monstrosity.”
We also invite submission to our special features on Non-English Language Book Reviews. Please mark entries for these topics with their respective headings.
All accepted articles, artworks and prose pieces will receive a free electronic version of the journal.
Length Requirements:
Articles – 5,000 – 7,000 words.
Reflections, reports and responses – 1,000 – 3,000 words.
Book reviews – 500 – 4,000 words.
Other forms of contributions such as artworks, photographs, poetry, prose and short stories are welcome.
In the case of visual work and images we ask that all copyrights to publication are either obtained or owned by the author/artist.
Send submissions via e-mail using the following Subject Line:
'Journal: Contribution Type (article/review/…): Author Surname'
Submissions E-Mail Address
Submissions will be acknowledged within 48 hours of receipt.
This issue is concentrating on spaces that are considered monstrous or are themselves capable of producing monstrosity. these spaces can be actual or authored, real or imaginary. Spaces of violence and murder, social taboo, ideological excess and human depravity from the past, present or future. Equally spaces natural or supernatural, earth found or star bound that produce, spawn or inevitably return to monstrosity in all its many human, cultural and temporal forms.
The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission on the following or related themes:
● Monstrous Landscapes of Conflict: Genocide, battle zones, imprisonment, execution, torture
● Monstrous Environments: Biological experimentation, nuclear fallout, GM crops
● Monstrous Temporalities: Other dimensions, spirit worlds, mythical places
● Monstrous Cosmographies: Outer Space, Alien worlds, Terra Incognita, space craft, parallel universes
● Monstrous Religious Spaces: Hell, Hades, Purgatory, Heaven, Nirvana, Valhalla, Samsara, Paradise
● Monstrous Ideological Spaces: Society, Politics, Difference, Gender, Colonial, Post Colonial, Disabilities
Submissions for this Issue are required by Friday 8th March 2013 at the latest.
Contributions to the journal should be original and not under consideration for other publications at the same time as they are under consideration for this publication. Submissions are to be made electronically wherever possible using either Microsoft® Word or .rtf format.
For Further Information, please visit the journal's website.
Contributions are also invited for future issues of the journal which will include: “Monstrous Beauty/The Beauty of Monstrosity.”
We also invite submission to our special features on Non-English Language Book Reviews. Please mark entries for these topics with their respective headings.
All accepted articles, artworks and prose pieces will receive a free electronic version of the journal.
Length Requirements:
Articles – 5,000 – 7,000 words.
Reflections, reports and responses – 1,000 – 3,000 words.
Book reviews – 500 – 4,000 words.
Other forms of contributions such as artworks, photographs, poetry, prose and short stories are welcome.
In the case of visual work and images we ask that all copyrights to publication are either obtained or owned by the author/artist.
Send submissions via e-mail using the following Subject Line:
'Journal: Contribution Type (article/review/…): Author Surname'
Submissions E-Mail Address
Submissions will be acknowledged within 48 hours of receipt.
Friday, 13 July 2012
CFP: 1st Global Conference: Time, Space and Body
Monday 11th February – Wednesday 13th February 2013
Sydney, Australia
Call for Presentations:
While the categories of space and time have been ways of understanding and analysing humanity, the body has often been an ‘absent presence’ (Shilling, 2003). Moreover, in shaping a ‘natural’ attitude about our existence we have been preoccupied with the role of the mind. We have tended to organise our perception of the world by dividing not only the ability to acquire knowledge away from bodily awareness but also the embodied lived being away from its death. This form of organising knowledge acquisition tends to hide the multi-faceted nature of space, time and the body as it is ‘suspended in webs of significance’ (Geertz, 1973). However, by observing humans existence and interaction within these ‘webs’ it becomes apparent that societies consist of people who are embodied, ‘enselved’ and constantly participating in interactive rituals in time and space which include, for example, forms of power, inspiration and elimination. These rituals, be they individualised or participatory, can be explored within specific tasks. As Turner (2004:38) argues ‘every society is confronted by four tasks: the reproduction of populations in time, the regulation of bodies in space, the restraint of the interior body through disciplines and the representation of the exterior body in social space.’
This new conference project focuses on inter- and multi-disciplinary discussion and seeks to explore these tasks in order to open up a dialogue about the beliefs, representations and socio-political practices, of space, time and the body. We encourage presenters to use their own research interests as the foundation to explore inter-connections between their topic and its relationship(s) with time, space and/or the body. We are not expecting papers from experts in all three areas of space, time and the body, but presenters will be expected to discuss how their research relates to at least two out of the three ways of understanding humanity. We seek submissions from a range of disciplines including social geography and anthropology, literary studies, religious studies, archaeology, media and audience studies, architecture and planning, the visual and creative arts, classics and philosophy, social and natural sciences, business studies and politics.
Recognising that different disciplines express themselves in different mediums, we welcome traditional papers, workshop proposals and other forms of performance (as can be accommodated in the space provided). Submissions are sought on different aspects and/or relationships between any combination of space, time or the body or on how space and time are constructed in order to affect, effect, order and/or control the body or vice versa.
Topics could include, but are not limited to:
Cyclical, spiral, dreamtime, memory or linear time and its relation to space and the body
Representations of time, space and the body in popular culture, literature, art and language
How changing attitudes to time, space or the body effect attitudes toward pain, death, suffering, religion, family, gender, sexuality, disability or fashion
Non-human bodies in space and time
The ‘body politic’ or the political body in space and time
Time, ‘performativity’ and identity
Technology and futurology
Time and the spatiality of movement
Monstrosity in space and the body
Body modification and maintenance: past, present and future
Architecture: its adaption to changing attitudes towards the embodiment of time
City planning and change over time or terrain
Time and Space as Everyday Life
Film, theatre and TV: music and mis-en-scene in relation to time and/or space
Language and embodied/disembodied characters in novels, films, theatre and TV
Working and/or power relations in time and space
Space, time and the body in computer games
Altered consciousness, spirituality and ritual
Indigenous cultures and cosmologies of space, time and the body
The impact of space and time upon the body
Monetising/economics of production between time, space and body
Legislative/legal constructions as related to time, space, body
We actively encourage participation from practitioners and non-academics with an interest in the topic as well as pre-formed three paper panels.
What to Send:
300 word abstracts or presentation proposals should be submitted simultaneously to both Organising Chairs by 14th September 2012; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract.
E-mails should be entitled: TS+B1 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Shona Hill and Shilinka Hill
Rob Fisher
The conference is part of the making Sense Of: programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Sydney, Australia
Call for Presentations:
While the categories of space and time have been ways of understanding and analysing humanity, the body has often been an ‘absent presence’ (Shilling, 2003). Moreover, in shaping a ‘natural’ attitude about our existence we have been preoccupied with the role of the mind. We have tended to organise our perception of the world by dividing not only the ability to acquire knowledge away from bodily awareness but also the embodied lived being away from its death. This form of organising knowledge acquisition tends to hide the multi-faceted nature of space, time and the body as it is ‘suspended in webs of significance’ (Geertz, 1973). However, by observing humans existence and interaction within these ‘webs’ it becomes apparent that societies consist of people who are embodied, ‘enselved’ and constantly participating in interactive rituals in time and space which include, for example, forms of power, inspiration and elimination. These rituals, be they individualised or participatory, can be explored within specific tasks. As Turner (2004:38) argues ‘every society is confronted by four tasks: the reproduction of populations in time, the regulation of bodies in space, the restraint of the interior body through disciplines and the representation of the exterior body in social space.’
This new conference project focuses on inter- and multi-disciplinary discussion and seeks to explore these tasks in order to open up a dialogue about the beliefs, representations and socio-political practices, of space, time and the body. We encourage presenters to use their own research interests as the foundation to explore inter-connections between their topic and its relationship(s) with time, space and/or the body. We are not expecting papers from experts in all three areas of space, time and the body, but presenters will be expected to discuss how their research relates to at least two out of the three ways of understanding humanity. We seek submissions from a range of disciplines including social geography and anthropology, literary studies, religious studies, archaeology, media and audience studies, architecture and planning, the visual and creative arts, classics and philosophy, social and natural sciences, business studies and politics.
Recognising that different disciplines express themselves in different mediums, we welcome traditional papers, workshop proposals and other forms of performance (as can be accommodated in the space provided). Submissions are sought on different aspects and/or relationships between any combination of space, time or the body or on how space and time are constructed in order to affect, effect, order and/or control the body or vice versa.
Topics could include, but are not limited to:
Cyclical, spiral, dreamtime, memory or linear time and its relation to space and the body
Representations of time, space and the body in popular culture, literature, art and language
How changing attitudes to time, space or the body effect attitudes toward pain, death, suffering, religion, family, gender, sexuality, disability or fashion
Non-human bodies in space and time
The ‘body politic’ or the political body in space and time
Time, ‘performativity’ and identity
Technology and futurology
Time and the spatiality of movement
Monstrosity in space and the body
Body modification and maintenance: past, present and future
Architecture: its adaption to changing attitudes towards the embodiment of time
City planning and change over time or terrain
Time and Space as Everyday Life
Film, theatre and TV: music and mis-en-scene in relation to time and/or space
Language and embodied/disembodied characters in novels, films, theatre and TV
Working and/or power relations in time and space
Space, time and the body in computer games
Altered consciousness, spirituality and ritual
Indigenous cultures and cosmologies of space, time and the body
The impact of space and time upon the body
Monetising/economics of production between time, space and body
Legislative/legal constructions as related to time, space, body
We actively encourage participation from practitioners and non-academics with an interest in the topic as well as pre-formed three paper panels.
What to Send:
300 word abstracts or presentation proposals should be submitted simultaneously to both Organising Chairs by 14th September 2012; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract.
E-mails should be entitled: TS+B1 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Shona Hill and Shilinka Hill
Rob Fisher
The conference is part of the making Sense Of: programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Wednesday, 27 June 2012
Call for Submissions: Impossible Spaces...
and the things we find there.
Submissions wanted for a new anthology of short stories set in impossible spaces. From the conceptual impossibilities of China Mièville’s worlds, to the ludic illogicality of Lewis Carroll’s Wonderland, the retro-futurism of steampunk and the Kafka-esque repetitions and restrictions of dystopia – we love fiction set in places that could not (or should not) be. We’re looking for new and established writers to contribute dark and weird fiction for a new collection of stories set in places that bend the mind.
Editor: Hannah Kate
Publisher: Hic Dragones
What we want: Edgy, dark and weird fiction. While setting is very important, we’re also looking for compelling characters and original plots. Any interpretation of the theme is welcome – and we have no preconceptions about what ‘place’ and ‘space’ might mean. Any genre considered: dark fantasy, urban fantasy, horror, sci fi, steampunk, cyberpunk, biopunk, dystopian, slipstream. We’re looking for original and fresh voices, that challenge and unsettle. (And, please remember, we do not publish misogyny, misandry, homophobia, transphobia or racism.)
Word Count: 3000-7000
Submission Guidelines: Electronic submissions as .doc, .docx or .rtf attachments only. 12pt font, 1.5 or double spaced. Please ensure name, title and email address are included on the attachment. Email submissions to the editor. Submissions are welcome from anywhere, but must be in English.
Submission Deadline: Thursday 13th December 2012
Payment: 1 contributor copy (how we wish it could be more… and one day, perhaps, it will be!)
For more information, visit the Hic Dragones website or email the editor.
Submissions wanted for a new anthology of short stories set in impossible spaces. From the conceptual impossibilities of China Mièville’s worlds, to the ludic illogicality of Lewis Carroll’s Wonderland, the retro-futurism of steampunk and the Kafka-esque repetitions and restrictions of dystopia – we love fiction set in places that could not (or should not) be. We’re looking for new and established writers to contribute dark and weird fiction for a new collection of stories set in places that bend the mind.
Editor: Hannah Kate
Publisher: Hic Dragones
What we want: Edgy, dark and weird fiction. While setting is very important, we’re also looking for compelling characters and original plots. Any interpretation of the theme is welcome – and we have no preconceptions about what ‘place’ and ‘space’ might mean. Any genre considered: dark fantasy, urban fantasy, horror, sci fi, steampunk, cyberpunk, biopunk, dystopian, slipstream. We’re looking for original and fresh voices, that challenge and unsettle. (And, please remember, we do not publish misogyny, misandry, homophobia, transphobia or racism.)
Word Count: 3000-7000
Submission Guidelines: Electronic submissions as .doc, .docx or .rtf attachments only. 12pt font, 1.5 or double spaced. Please ensure name, title and email address are included on the attachment. Email submissions to the editor. Submissions are welcome from anywhere, but must be in English.
Submission Deadline: Thursday 13th December 2012
Payment: 1 contributor copy (how we wish it could be more… and one day, perhaps, it will be!)
For more information, visit the Hic Dragones website or email the editor.
Saturday, 3 December 2011
CFP: 3rd Global Conference: Space and Place
Monday 3rd September – Thursday 6th September 2012
Mansfield College, Oxford, United Kingdom
Call for Papers:
Questions of space and place affect the very way in which we experience and recreate the world. Wars are fought over both real and imagined spaces; boundaries are erected against the “Other” constructed a lived landscape of division and disenfranchisement; and ideology constructs a national identity based upon the dialectics of inclusion and exclusion. The construction of space and place is also a fundamental aspect of the creative arts either through the art of econstruction of a known space or in establishing a relationship between the audience and the performance. Politics, power and knowledge are also fundamental components of space as is the relationship between visibility and invisibility. This new inter- and multi-disciplinary conference project seeks to explore these and other topics and open up a dialogue about the politics and practices of space and place. We seek submissions from a range of disciplines including archaeology, architecture, urban geography, the visual and creative arts, philosophy and politics and also actively encourage practioners and non-academics with an interest in the topic to participate.
We welcome traditional papers, preformed panels of papers, workshop proposals and other forms of performance – recognising that different disciplines express themselves in different mediums.
Submissions are sought on any aspect of space and place, including the following:
1. Theorising Space and Place
~Philosophies and space and place
~Surveillance, sight and the panoptic structures and spaces of contemporary life
~Rhizomatics and/or postmodernist constructions of space as a “meshwork of paths” (Ingold: 2008)
~The relationship between spatiality and temporality/space as a temporal-spatial event (Massey: 2005)
~The language and semiotics of space and place
2. Situated Identities
~Gendered spaces including the tension between domestic and public spheres
~Work spaces and hierarchies of power
~Geographies and archaeologies of space including Orientalism and Occidentalism
~Ethnic spaces/ethnicity and space
~Disabled spaces/places
~Queer places and spaces
3. Contested spaces
~The politics and ideology of constructions and discourses of space and place including the construction of gated communities as a response to real/imagined terrorism.
~The relationship between power, knowledge and the construction of place and space
~Territorial wars, both real and imagined.
~The relationship between the global and the local
~Barriers, obstructions and disenfranchisement in the construction of lived spaces
~Space and place from colonisation to globalisation
~Real and imagined maps/cartographies of place
~Transnational and translocal places
4. Representations of place and space
~Embodied/disembodied spaces
~Lived spaces and the architecture of identity
~Haunted spaces/places and non-spaces
~Set design and the construction of space in film, television and theatre
~Authenticity and the reproduction/representation of place in the creative arts
~Technology and developments in the representation of space including new media technologies and 3D technologies of viewing
~Future cities/futurology and space
~Representations of the urban and the city in the media and creative arts
~Space in computer games
Papers on any other topic related to the theme will also be considered.
This project will run concurrently with our project on Reframing Punishment – we welcome any papers considering the problems or addressing issues on Reframing Punishment and Space and Place for a cross-over panel. We also welcome pre-formed panels on any aspect of Space or Place or in relation to crossover panel(s).
300 word abstracts should be submitted by Friday 16th March 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 22nd June 2012. 300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: SP Abstract Submission
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Matt Melia
Conference Leader
Inter-Disciplinary.Net
Kingston University, United Kingdom
Rob Fisher
Network Founder and Network Leader,
Inter-Disciplinary.Net, Oxfordshire, United Kingdom.
The conference is part of the ‘Ethos’ series of research projects, which in turn belong to the Critical Issues programmes of ID.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference will be published in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Mansfield College, Oxford, United Kingdom
Call for Papers:
Questions of space and place affect the very way in which we experience and recreate the world. Wars are fought over both real and imagined spaces; boundaries are erected against the “Other” constructed a lived landscape of division and disenfranchisement; and ideology constructs a national identity based upon the dialectics of inclusion and exclusion. The construction of space and place is also a fundamental aspect of the creative arts either through the art of econstruction of a known space or in establishing a relationship between the audience and the performance. Politics, power and knowledge are also fundamental components of space as is the relationship between visibility and invisibility. This new inter- and multi-disciplinary conference project seeks to explore these and other topics and open up a dialogue about the politics and practices of space and place. We seek submissions from a range of disciplines including archaeology, architecture, urban geography, the visual and creative arts, philosophy and politics and also actively encourage practioners and non-academics with an interest in the topic to participate.
We welcome traditional papers, preformed panels of papers, workshop proposals and other forms of performance – recognising that different disciplines express themselves in different mediums.
Submissions are sought on any aspect of space and place, including the following:
1. Theorising Space and Place
~Philosophies and space and place
~Surveillance, sight and the panoptic structures and spaces of contemporary life
~Rhizomatics and/or postmodernist constructions of space as a “meshwork of paths” (Ingold: 2008)
~The relationship between spatiality and temporality/space as a temporal-spatial event (Massey: 2005)
~The language and semiotics of space and place
2. Situated Identities
~Gendered spaces including the tension between domestic and public spheres
~Work spaces and hierarchies of power
~Geographies and archaeologies of space including Orientalism and Occidentalism
~Ethnic spaces/ethnicity and space
~Disabled spaces/places
~Queer places and spaces
3. Contested spaces
~The politics and ideology of constructions and discourses of space and place including the construction of gated communities as a response to real/imagined terrorism.
~The relationship between power, knowledge and the construction of place and space
~Territorial wars, both real and imagined.
~The relationship between the global and the local
~Barriers, obstructions and disenfranchisement in the construction of lived spaces
~Space and place from colonisation to globalisation
~Real and imagined maps/cartographies of place
~Transnational and translocal places
4. Representations of place and space
~Embodied/disembodied spaces
~Lived spaces and the architecture of identity
~Haunted spaces/places and non-spaces
~Set design and the construction of space in film, television and theatre
~Authenticity and the reproduction/representation of place in the creative arts
~Technology and developments in the representation of space including new media technologies and 3D technologies of viewing
~Future cities/futurology and space
~Representations of the urban and the city in the media and creative arts
~Space in computer games
Papers on any other topic related to the theme will also be considered.
This project will run concurrently with our project on Reframing Punishment – we welcome any papers considering the problems or addressing issues on Reframing Punishment and Space and Place for a cross-over panel. We also welcome pre-formed panels on any aspect of Space or Place or in relation to crossover panel(s).
300 word abstracts should be submitted by Friday 16th March 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 22nd June 2012. 300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: SP Abstract Submission
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Matt Melia
Conference Leader
Inter-Disciplinary.Net
Kingston University, United Kingdom
Rob Fisher
Network Founder and Network Leader,
Inter-Disciplinary.Net, Oxfordshire, United Kingdom.
The conference is part of the ‘Ethos’ series of research projects, which in turn belong to the Critical Issues programmes of ID.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference will be published in an ISBN eBook. Selected papers may be invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Wednesday, 23 March 2011
CFP: 1st Global Conference: Space and Place
Wednesday 14th September – Friday 16th September 2011
Mansfield College,
Oxford, United Kingdom
Call for Papers
Questions of space and place affect the very way in which weexperience and recreate the world. Wars are fought over both real and imagined spaces; boundaries are erected against the “Other”constructed a lived landscape of division and disenfranchisement; and ideology constructs a national identity based upon the dialectics of inclusion and exclusion. The construction of space and place is also a fundamental aspect of the creative arts either through the art of reconstruction of a known space or in establishing a relationship between the audience and the performance. Politics, power and knowledge are also fundamental components of space as is the relationship between visibility and invisibility.
This new inter- and multi-disciplinary conference project seeks to explore these and other topics and open up a dialogue about the politics and practices of space and place. We seek submissions from a range of disciplines including archaeology, architecture, urban geography, the visual and creative arts, philosophy and politics and also actively encourage practitioners and non-academics with an interest in the topic to participate. We welcome traditional papers, preformed panels of papers, workshop proposals and other forms of performance – recognising that different disciplines express themselves in different mediums.
Submissions are sought on any aspect of space and place, including the following:
1. Theorising Space and Place
* Philosophies and space and place
*Surveillance, sight and the panoptic structures and spaces of contemporary life
* Rhizomatics and/or postmodernist constructions of space as a “meshwork of paths” (Ingold: 2008)
* The relationship between spatiality and temporality/space as a temporal-spatial event (Massey: 2005)
* The language and semiotics of space and place
2. Situated Identities
* Gendered spaces including the tension between domestic and public spheres
* Work spaces and hierarchies of power
* Geographies and archaeologies of space including Orientalism and Occidentalism
* Ethnic spaces/ethnicity and space
* Disabled spaces/places
* Queer places and spaces
3. Contested spaces
* The politics and ideology of constructions and discourses of spaceand place including the construction of gated communities as aresponse to real/imagined terrorism.
* The relationship between power, knowledge and the construction of place and space
* Territorial wars, both real and imagined.
* The relationship between the global and the local
* Barriers, obstructions and disenfranchisement in the construction of lived spaces
* Space and place from colonisation to globalisation
* Real and imagined maps/cartographies of place
* Transnational and translocal places
4. Representations of place and space
* Embodied/disembodied spaces
* Lived spaces and the architecture of identity
* Haunted spaces/places and non-spaces
* Set design and the construction of space in film, television and theatre
* Authenticity and the reproduction/representation of place in the creative arts
* Technology and developments in the representation of space including new media technologies and 3D technologies of viewing
* Future cities/futurology and space
* Representations of the urban and the city in the media and creative arts * Space in computer games
300 word abstracts should be submitted by Friday 22nd April 2011. If an abstract is accepted for the conference, a full draft paper shouldbe submitted by Friday 22nd July 2011.
300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order: a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract
E-mails should be entitled: SP Abstract Submission
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might belost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Shona Hill & Shilinka Smith
Conference Leaders
Inter-Disciplinary.Net
New Zealand
Colette Balmain
Inter-Disciplinary.Net,
London,
United Kingdom
Rob Fisher
Network Founder and Network Leader,
Inter-Disciplinary.Net,
Oxfordshire,
United Kingdom.
The conference is part of the ‘Ethos’ series of researchprojects, which in turn belong to the Critical Issues programmes of ID.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference will be published in an ISBN eBook. Selected papers maybe invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details about the conference, please click here.
For further details about the project please click here.
Mansfield College,
Oxford, United Kingdom
Call for Papers
Questions of space and place affect the very way in which weexperience and recreate the world. Wars are fought over both real and imagined spaces; boundaries are erected against the “Other”constructed a lived landscape of division and disenfranchisement; and ideology constructs a national identity based upon the dialectics of inclusion and exclusion. The construction of space and place is also a fundamental aspect of the creative arts either through the art of reconstruction of a known space or in establishing a relationship between the audience and the performance. Politics, power and knowledge are also fundamental components of space as is the relationship between visibility and invisibility.
This new inter- and multi-disciplinary conference project seeks to explore these and other topics and open up a dialogue about the politics and practices of space and place. We seek submissions from a range of disciplines including archaeology, architecture, urban geography, the visual and creative arts, philosophy and politics and also actively encourage practitioners and non-academics with an interest in the topic to participate. We welcome traditional papers, preformed panels of papers, workshop proposals and other forms of performance – recognising that different disciplines express themselves in different mediums.
Submissions are sought on any aspect of space and place, including the following:
1. Theorising Space and Place
* Philosophies and space and place
*Surveillance, sight and the panoptic structures and spaces of contemporary life
* Rhizomatics and/or postmodernist constructions of space as a “meshwork of paths” (Ingold: 2008)
* The relationship between spatiality and temporality/space as a temporal-spatial event (Massey: 2005)
* The language and semiotics of space and place
2. Situated Identities
* Gendered spaces including the tension between domestic and public spheres
* Work spaces and hierarchies of power
* Geographies and archaeologies of space including Orientalism and Occidentalism
* Ethnic spaces/ethnicity and space
* Disabled spaces/places
* Queer places and spaces
3. Contested spaces
* The politics and ideology of constructions and discourses of spaceand place including the construction of gated communities as aresponse to real/imagined terrorism.
* The relationship between power, knowledge and the construction of place and space
* Territorial wars, both real and imagined.
* The relationship between the global and the local
* Barriers, obstructions and disenfranchisement in the construction of lived spaces
* Space and place from colonisation to globalisation
* Real and imagined maps/cartographies of place
* Transnational and translocal places
4. Representations of place and space
* Embodied/disembodied spaces
* Lived spaces and the architecture of identity
* Haunted spaces/places and non-spaces
* Set design and the construction of space in film, television and theatre
* Authenticity and the reproduction/representation of place in the creative arts
* Technology and developments in the representation of space including new media technologies and 3D technologies of viewing
* Future cities/futurology and space
* Representations of the urban and the city in the media and creative arts * Space in computer games
300 word abstracts should be submitted by Friday 22nd April 2011. If an abstract is accepted for the conference, a full draft paper shouldbe submitted by Friday 22nd July 2011.
300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order: a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract
E-mails should be entitled: SP Abstract Submission
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might belost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Shona Hill & Shilinka Smith
Conference Leaders
Inter-Disciplinary.Net
New Zealand
Colette Balmain
Inter-Disciplinary.Net,
London,
United Kingdom
Rob Fisher
Network Founder and Network Leader,
Inter-Disciplinary.Net,
Oxfordshire,
United Kingdom.
The conference is part of the ‘Ethos’ series of researchprojects, which in turn belong to the Critical Issues programmes of ID.Net. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and challenging. All papers accepted for and presented at the conference will be published in an ISBN eBook. Selected papers maybe invited to go forward for development into 20-25 page chapters for publication in a themed dialogic ISBN hard copy volume.
For further details about the conference, please click here.
For further details about the project please click here.
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