Sunday 4th November–Tuesday 6th November 2012
Salzburg, Austria
Call For Presentations:
Across many research disciplines and practitioner based institutions
such as aeronautics, space travel design, religious studies, cognitive
science, digital gaming, architecture, philosophy, business, business
leadership and management, educational leadership and management,
outdoor education, adventure therapy, school based education and
childhood growth and development, the concept of ‘connectivity’
has begun to surface as a critical issue. Connectivity is defined as
“a sense of being a part of something larger than oneself. It is a
sense of belonging, or a sense of accompaniment. It is that feeling in
your bones that you are not alone” (Hallowell 1992) Enlarging on
this notion, Lerner (2010) believed it is the means by which people
‘fit’ into the world around them. In other words they gain ‘a
sense of self’’ and identity by actively working on “enhancing
their connectedness to others.” With the exponential creation of
technological networks and avenues, humanity has on the one hand
developed more opportunities to connect to one another in ways never
thought possible, while at the same time there has been an increase of
people expressing a deep sense of disconnection to those around them.
“Human beings have a powerful need for connectedness” (Lee &
Robbins, 2000). We appear to be at a cross roads to develop our sense
of connectivity to bridge the gap between the perceived social, superficial ‘connectedness’ to a deeper sense of intimacy.
Therefore, ‘connectivity’ has come to be an overarching spectrum
that deals with how people connect within the coterie of the family,
social emotional frameworks within friendship and community groups,
and means of connecting across the globe through social media. Given
the physiological, psychological and socio-emotional concerns and
pressures humans face in this current era, this project seeks to give
research and practical voice to what it means to define
‘connectivity’. It also aims to pull together how each discipline
speaks to others as the planet digitally shrinks but the spread of
humanity continues unabated with serious issues such adolescent
suicide, loneliness and depression, all related to the notion of
‘connectivity’.
Presentation, papers, artworks and performances could deal with, but
are not limited to the following focal areas and questions such as:
Connectivity and Social Media
* How have current issues such as the Facebook and Twitter ‘Kony
2012’, Arab Spring revolution, Japanese tsunami discussions
developed a sense of connectivity?
* What do these phenomenon reveal about current needs to connect?
* Do these modes develop genuine engagement with others?
* How does social media connectivity engender a sense of wellbeing,
socio-global agency, and a more humanistic approach to problem
solving?
* Does ‘open access’ software promote global awareness and
change?
* How does the notion of ‘open universities increase humanities
sense of connectivity?
* Who are the new techno-rich and new techno-poor, and what does it
mean for global connectivity?
Connectivity and Gaming Communities
* Do gaming communities offer cross cultural learning and engagement?
* What are the various forms of obvious and unconscious learning that
global gaming develops?
* What new forms of literacy does global gaming require?
Connectivity and Social Emotional Intelligence
* What types of educational systems and ideologies support optimal
social emotional awareness?
* Where does social-emotional learning fit in an ever-increasing
global village?
* What role does resiliency play in deepening connectivity in
children, adolescents and adults?
* How can we develop systems of connectivity to ameliorate the
instances of effects of bullying in school and in social media
outlets?
* How do we ensure ‘connectivity’ in the adolescent years?
* Where does the concept, and practices that lead to connectivity,
fit into the current school based curriculum?
Connectivity as a Precept of Wellbeing
* The definition of ‘connectivity’ for specific disciplines and
how this definition has arisen within specific research paradigms
* The diversity of nature of ‘connectivity’ forms within specific
cultures, or across cultures how these relate to the creation of
societal health
* How have the older forms of ‘connectivity’ narratives,
understanding and practices have migrated into new the digital age?
* Where, why and how the 21st century’s concept of
‘connectivity’ started, why it started where it ends in and
amongst the current set of discipline understandings and research?
* Where does sexuality fit into the concept of “connectivity”?
* Connectivity and the need for creativity and the creative process
* What is the intersection between cognitive, psychological and
psychological health and how this cross-section relates to a holistic
concept of ‘connectivity’?
* Where does ‘self, and the notion of identity fit with the idea of
connectivity?
* What forms of ‘connectivity’ need to be created so as to ensure
societal and individual wellbeing for the coming decades?
* How does ‘service learning’ create connectivity and wellbeing?
What to submit:
The Steering Group particularly welcomes the submission of pre-formed
panel proposals. Presentations will also be considered on any related
theme. 300 word abstracts should be submitted by Friday 6th July 2012.
300 word abstracts should be submitted simultaneously to both
Organising Chairs; abstracts may be in Word, WordPerfect, or RTF
formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract,
e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: CN1 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using
footnotes and any special formatting, characters or emphasis (such as
bold, italics or underline). Please note that a Book of Abstracts is
planned for the end of the year. All accepted abstracts will be
included in this publication.We acknowledge receipt and answer to all
paper proposals submitted. If you do not receive a reply from us in a
week you should assume we did not receive your proposal; it might be
lost in cyberspace! We suggest, then, to look for an alternative
electronic route or resend.
Organising Chairs:
Edie Lanphar
Rob Fisher
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we
are not in a position to be able to assist with conference travel or
subsistence.
Showing posts with label Salzburg. Show all posts
Showing posts with label Salzburg. Show all posts
Monday, 4 June 2012
Thursday, 8 March 2012
CFP: 3rd Global Conference: Performance: Visual Aspects of Performance
Tuesday 13th November – Thursday 15th November 2012
Salzburg, Austria
Call For Papers:
Theatre and the many varied expressions of performance practice are by their nature inter-disciplinary forms of art. They draw ideas and symbolisms from diverse theoretical and creative fields of humanities, making historical references and links, presenting social relations, putting forward great ideas and dilemmas of the mind, highlighting aspects of the human personality and employing all existing art-forms in order to create a performance as a whole. Performance practice, whether in a theatrical space, site-specific space, or as a street or public performance of any nature, can be examined from the artistic point of view, but also from a cultural, a sociological, a historical, a psychological, a semiological, an anthropological, as well as from an educational perspective. The term “performance practice” refers to the interface within which the work of the director, performer, movement director and choreographer, scenographer (set and costume designer), musical director, composer, lighting designer and sound designer meet. It also includes all aspects and issues involving the creative process, from the initial concept to the final realization and presentation to an audience.
The aim of this conference is to develop discussion with a focus on the visual aspects of performance brought up by visual and spatial artists and researchers in various performance disciplines and practices.
Papers, workshops, presentations and pre-formed panels are invited on any of the following themes:
1. Narrative and Meaning
* Visual interpretation of text / of narrative
* Visual literacy and perception within performance
* The relationship between narrative, visuality and textuality
* Challenging of established aesthetics, the relationship of old and new traditions
* Visual expression and symbolism in theatre and performance
* The notion of the visual metaphor
* The role of imagination today (before, during and after a performance)
2. Design Processes
* The birth of a visual concept
* Design as theatrical action
* Visual resources, and interpretation in performance
* Scenographic materials, form, texture, composition and light
* From design to realization – the process for the creation of a visual/spatial environment
* Collaboration and practice in the visual aspect of performance making
* Aesthetics and visual principles in performance
* Media and new technology as performance visual elements
* Challenging traditions: New approaches in performance design and practice
3. Set and Costume, discourse and practice
* Scenographer: The author of space?
* History of scenography
* Leading figures in the world tradition of scenography
* Costume and the body, embodiment and expression
* Actor-character: Dressing the performer, dressing the character
* Body and space: The spatial dynamics of costume
* The performativity of costume / The narrative of dress inperformance
* Costume sociology
4. Perception
* The gaze of the spectator / Aspects of spectatorship
* Experience and perceptions of the performer
* Experience and perceptions of the audience
* Cross-cultural appropriation, Inter-disciplinarity and Interactivity in performance
* The impact of new media on performance
* Liveness / humanness and the contemporary technological context
5. Pedagogy & Policy
* Designing theatre for diverse settings and audiences (e.g. children, elders, communities, people with disability)
* Performance, ethics, poetics, and politics – visual approaches
* Teaching the visual aspects of performance practice, context and approaches
Papers will also be considered on any related theme. 300 word abstracts should be submitted by Friday 4th May 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012.
300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: Performance3 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Sofia Pantouvaki
Professor of Costume Design for Theatre and Film
Aalto University
School of Arts, Design and Architecture
Finland
Rob Fisher Network
Founder and Leader, Inter-Disciplinary.Net
Freeland
Oxfordshire
United Kingdom
The conference is part of the Critical Issues programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at the conference will be eligible for publication in an ISBN eBook. Selected papers may be developed for publication in a themed hard copy volume(s).
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Salzburg, Austria
Call For Papers:
Theatre and the many varied expressions of performance practice are by their nature inter-disciplinary forms of art. They draw ideas and symbolisms from diverse theoretical and creative fields of humanities, making historical references and links, presenting social relations, putting forward great ideas and dilemmas of the mind, highlighting aspects of the human personality and employing all existing art-forms in order to create a performance as a whole. Performance practice, whether in a theatrical space, site-specific space, or as a street or public performance of any nature, can be examined from the artistic point of view, but also from a cultural, a sociological, a historical, a psychological, a semiological, an anthropological, as well as from an educational perspective. The term “performance practice” refers to the interface within which the work of the director, performer, movement director and choreographer, scenographer (set and costume designer), musical director, composer, lighting designer and sound designer meet. It also includes all aspects and issues involving the creative process, from the initial concept to the final realization and presentation to an audience.
The aim of this conference is to develop discussion with a focus on the visual aspects of performance brought up by visual and spatial artists and researchers in various performance disciplines and practices.
Papers, workshops, presentations and pre-formed panels are invited on any of the following themes:
1. Narrative and Meaning
* Visual interpretation of text / of narrative
* Visual literacy and perception within performance
* The relationship between narrative, visuality and textuality
* Challenging of established aesthetics, the relationship of old and new traditions
* Visual expression and symbolism in theatre and performance
* The notion of the visual metaphor
* The role of imagination today (before, during and after a performance)
2. Design Processes
* The birth of a visual concept
* Design as theatrical action
* Visual resources, and interpretation in performance
* Scenographic materials, form, texture, composition and light
* From design to realization – the process for the creation of a visual/spatial environment
* Collaboration and practice in the visual aspect of performance making
* Aesthetics and visual principles in performance
* Media and new technology as performance visual elements
* Challenging traditions: New approaches in performance design and practice
3. Set and Costume, discourse and practice
* Scenographer: The author of space?
* History of scenography
* Leading figures in the world tradition of scenography
* Costume and the body, embodiment and expression
* Actor-character: Dressing the performer, dressing the character
* Body and space: The spatial dynamics of costume
* The performativity of costume / The narrative of dress inperformance
* Costume sociology
4. Perception
* The gaze of the spectator / Aspects of spectatorship
* Experience and perceptions of the performer
* Experience and perceptions of the audience
* Cross-cultural appropriation, Inter-disciplinarity and Interactivity in performance
* The impact of new media on performance
* Liveness / humanness and the contemporary technological context
5. Pedagogy & Policy
* Designing theatre for diverse settings and audiences (e.g. children, elders, communities, people with disability)
* Performance, ethics, poetics, and politics – visual approaches
* Teaching the visual aspects of performance practice, context and approaches
Papers will also be considered on any related theme. 300 word abstracts should be submitted by Friday 4th May 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012.
300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: Performance3 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Sofia Pantouvaki
Professor of Costume Design for Theatre and Film
Aalto University
School of Arts, Design and Architecture
Finland
Rob Fisher Network
Founder and Leader, Inter-Disciplinary.Net
Freeland
Oxfordshire
United Kingdom
The conference is part of the Critical Issues programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at the conference will be eligible for publication in an ISBN eBook. Selected papers may be developed for publication in a themed hard copy volume(s).
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Saturday, 25 February 2012
CFP: 9th Global Conference: War, Civil Conflict, Security and Peace
Wednesday 7th November – Friday 9th November 2012
Salzburg, Austria
Call for Papers:
What is the experience of war and what does it mean to us? Is war an extension of politics by other means? The locomotive of technology? Does a state of peace truly exist, or do we perpetually live in absentia bello? Is humankind at war in its most natural state; or is human society – despite perceptions and ongoing conflict around the world today – actually moving toward an aversion to war and toward a state of peace? Are Human Rights illusory and is the quest for Human Security achievable?
This inter-disciplinary and multi-disciplinary conference seeks to provide a challenging forum for the examination and evaluation of the nature, purpose and experience of war, and its impacts on all aspects of communities across the world. Viewing war as a multi-layered phenomenon, this conference series invites committed academics, non-academic based professionals from all walks of life, including those from Military forces, serving or retired, Emergency, Aid and Development Organisations (IOs, International Non-Governmental Organisations (INGOs), NGOs and other Non-State Actors (NSAs) or Trans-National Social Movement (TNSMs), Commercial companies and corporate institutions, the public services, Faith based institutions, charities, the media, the medical professions, the arts and students in all related fields of interest, to explore the historical, legal, social, human, religious, economic, and political contexts of conflicts, and assess the place of nations, alliances, politics, the military, peace activism, science, academia, faith, the humanitarian sector, art, journalism, literature, music, the media and the internet in representation and interpretation of the experience of warfare. In particular papers, workshops, reports, formed panels and presentations are invited on any of the following themes;
1. How do we Talk about War? Portrayal, awareness, language and expression. How do we come to understand war in contemporary and historical cultures?
* The Language of modern contemporary warfare, the language of war in society, in the work space and popular culture; obscuration of conditions of being at ‘war’ and the condition of 'peace’.
* Militarization of society, propaganda, war toys, computer gaming; in fashion - ‘military chic’.
* Representing the realities of war versus ‘national interest’ – images of the heroism, glory, tacit and explicit justifications of war; the horror of war and societal responses.
2. Representations and Experiences Viewing War as a multi-layered social phenomena.
* The individual experience of war, the impact of war, in protest; in the alleviation of the impacts of war and in peace building.
* Nations, Communities and individuals recovering from war, trauma, rehabilitation and nation building.
* The experience of war; art, literature, music, poetry, cinema and the theatre; the role of the
media – journalism, radio, television, the internet; propaganda.
* The representations and experiences of protest.
3. History and Development of Warfare and War Fighting. How have we fought and why. Lessons learned, mistakes repeated.
* Warfare in human history, revisionism and post-revisionism.
* The sources, origins, and causes of war; why and how do wars begin?
* Means and methods in war – land, sea, air, space, nuclear, chemical, biological; terror and terrorism; conventional and guerrilla warfare; civil war; ‘total’ warfare’. Where are the new ‘battlespaces’?
* The nature of warfare; strategy and strategic thought; changes and the implications of changes in the ways wars are fought; the influenceand effect of technologies; nuclear deterrence/compellance; changes in the nature and role of military personnel; information and information warfare.
* New and perceived ‘Revolutions in Military Affairs’.
4. Extent, Conduct and Morality. Can war even be distinguished from peace, combatant from non-combatant, who are legitimate targets? The totalisation of war in modern society and culture.
* Where are we now? How has war pervaded our society and culture in everyday life?
* The extent of war; geo-political, physical; blockades, sanctions, defence expenditure and the impact on social and public policy; on social and human capital.
* The regulation and control of warfare; how is and should warfare be conducted? What are the limits of conflict? Are there any prohibitions in fighting a war?
* Globalization; the human, geographic, social and economic boundaries of war in the modern era.
* Resource warfare, food, water, oil and mineral wealth, challenges in the 21st century.
* International Humanitarian Law and Conflict.
5. Human Rights and Human Security. Have the means and methods in war, finally outpaced International law and norms of behaviour? What protection is available? If truth is the first casualty in war, is human rights the second?
* Human security issues; protection, shelter, economic security; public health.
* Human rights; protection, promotion and abuses; genocide, ethnic cleansing; terrorism; scorched earth; war crimes; crimes against humanity.
* The Humanitarian space in conflict.
* Armed non-state actors, roles, practices and regulation.
* Gender and Race in War and Peace.
6. The Boundaries of War. How far will humankind push the limits of acceptable behaviour and practice in war?
* The ‘morality’ and the ‘ethics’ of war; just war; deterrence; pre-emptive war; defence and self-defence; the influence of nationalism; the place of human rights; societies and the military; increases in moral sensibilities – qualms about carpet bombing, collateral damage; the status of combatants in warfare, the impact of civilians; neutrality.
* War and religion; the important role of religion, the church, and the intellectual elite in multi-ethnic conflict specifically and in war in general; just war, jihad and crusade.
* War and gender; women in war; impact, abuses, role in war as combatants and in peace building. Gender equality issues and peacebuilding, cultures of violence in society propagating conflict.
* Children and war, child soldiers, trauma, exposure, conditioning, propaganda, bereavement, expression though play, art and behaviour.
* Slavery and war; past, present and future; unwilling combatants, from janissaries to mamelukes, to conscripts and child soldiers.
* Resistance under occupation, where collaboration ends and resistance begins? Forms of resistance.
7. Prevention and Peacebuilding. Can we give peace a chance? Viewing war as un-natural, preventable within a variety of frameworks. The legal mechanisms and the trans-national social movements ‘waging peace’.
* Peace building; means and methods; negative peace and building apositive peace; war-termination and nation-building.
* The prevention of war; the role of conflict resolution; avoiding war; peace-keeping; the role and importance of law and international legal order; the rise and impact of non-violent movements.
* The effectiveness of Supra-National, Trans-National and International organsiations in conflict prevention, mediation and resolution.
* Peace and Balances of Power.
* Disarmament and Arms Control.
* Conscientious objection, alternative service.
* The Peace Movement.
8. The Role of Non-state Actors and NGOs in War and Post-conflict. Breaking the state conundrum, participation in relief from the depredations of war, alleviating the suffering, advocacy from theatres of war. Or compromising humanitarian Aid? Force multipliers?Abrogating combatants' responsibilities toward their populations.
* History: The Quakers to the Red Cross and beyond.
* NGOs, the ‘third space’ actors in the relief of the impact of warfare, aid and development programmes, refugees and IDPs, childsoldiers, landmines/cluster munitions; small arms light weapons (SALW/DDR), Depleted Uranium (DU), NGOs prolonging conflict by abrogating state and combatants responsibilities in time of conflict.
* Armed non-state actors. Terrorists? Freedom fighters? Private security companies and forces. Mercenaries in the modern world.
9. Future War: Revolutions in Military Affairs – Emerging Types of Warfare. Be afraid, be very afraid. Are there no limits to man's inhumanity to man?
* Cyber-war Virtual war; cyber-terrorism; cyber-power, cyber-war; computer technologies in the conduct of war.
* Technology leaps – acquiring WMD.
* Space war – fantasy or an emerging reality? Issue in the militarisation and weaponisation of space.
* Bio-warfare: gene warfare; the genetic codes of agriculture and livestock as targets in war
* Economic warfare in a Globalised world.
The Steering Group particularly welcomes the submission of pre-formed panel proposals. 300 word abstracts should be submitted by Friday 4thMay 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012. 300 word abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: WAR Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Joint Organising Chairs:
Graeme Goldsworthy Webster
University and the Hague Centre for Strategic Studies (HCSS),
The Netherlands
Rob Fisher
Network Founder and Leader,
Inter-Disciplinary.Net
Freeland, Oxfordshire, United Kingdom
The conference is part of the Probing the Boundaries programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Salzburg, Austria
Call for Papers:
What is the experience of war and what does it mean to us? Is war an extension of politics by other means? The locomotive of technology? Does a state of peace truly exist, or do we perpetually live in absentia bello? Is humankind at war in its most natural state; or is human society – despite perceptions and ongoing conflict around the world today – actually moving toward an aversion to war and toward a state of peace? Are Human Rights illusory and is the quest for Human Security achievable?
This inter-disciplinary and multi-disciplinary conference seeks to provide a challenging forum for the examination and evaluation of the nature, purpose and experience of war, and its impacts on all aspects of communities across the world. Viewing war as a multi-layered phenomenon, this conference series invites committed academics, non-academic based professionals from all walks of life, including those from Military forces, serving or retired, Emergency, Aid and Development Organisations (IOs, International Non-Governmental Organisations (INGOs), NGOs and other Non-State Actors (NSAs) or Trans-National Social Movement (TNSMs), Commercial companies and corporate institutions, the public services, Faith based institutions, charities, the media, the medical professions, the arts and students in all related fields of interest, to explore the historical, legal, social, human, religious, economic, and political contexts of conflicts, and assess the place of nations, alliances, politics, the military, peace activism, science, academia, faith, the humanitarian sector, art, journalism, literature, music, the media and the internet in representation and interpretation of the experience of warfare. In particular papers, workshops, reports, formed panels and presentations are invited on any of the following themes;
1. How do we Talk about War? Portrayal, awareness, language and expression. How do we come to understand war in contemporary and historical cultures?
* The Language of modern contemporary warfare, the language of war in society, in the work space and popular culture; obscuration of conditions of being at ‘war’ and the condition of 'peace’.
* Militarization of society, propaganda, war toys, computer gaming; in fashion - ‘military chic’.
* Representing the realities of war versus ‘national interest’ – images of the heroism, glory, tacit and explicit justifications of war; the horror of war and societal responses.
2. Representations and Experiences Viewing War as a multi-layered social phenomena.
* The individual experience of war, the impact of war, in protest; in the alleviation of the impacts of war and in peace building.
* Nations, Communities and individuals recovering from war, trauma, rehabilitation and nation building.
* The experience of war; art, literature, music, poetry, cinema and the theatre; the role of the
media – journalism, radio, television, the internet; propaganda.
* The representations and experiences of protest.
3. History and Development of Warfare and War Fighting. How have we fought and why. Lessons learned, mistakes repeated.
* Warfare in human history, revisionism and post-revisionism.
* The sources, origins, and causes of war; why and how do wars begin?
* Means and methods in war – land, sea, air, space, nuclear, chemical, biological; terror and terrorism; conventional and guerrilla warfare; civil war; ‘total’ warfare’. Where are the new ‘battlespaces’?
* The nature of warfare; strategy and strategic thought; changes and the implications of changes in the ways wars are fought; the influenceand effect of technologies; nuclear deterrence/compellance; changes in the nature and role of military personnel; information and information warfare.
* New and perceived ‘Revolutions in Military Affairs’.
4. Extent, Conduct and Morality. Can war even be distinguished from peace, combatant from non-combatant, who are legitimate targets? The totalisation of war in modern society and culture.
* Where are we now? How has war pervaded our society and culture in everyday life?
* The extent of war; geo-political, physical; blockades, sanctions, defence expenditure and the impact on social and public policy; on social and human capital.
* The regulation and control of warfare; how is and should warfare be conducted? What are the limits of conflict? Are there any prohibitions in fighting a war?
* Globalization; the human, geographic, social and economic boundaries of war in the modern era.
* Resource warfare, food, water, oil and mineral wealth, challenges in the 21st century.
* International Humanitarian Law and Conflict.
5. Human Rights and Human Security. Have the means and methods in war, finally outpaced International law and norms of behaviour? What protection is available? If truth is the first casualty in war, is human rights the second?
* Human security issues; protection, shelter, economic security; public health.
* Human rights; protection, promotion and abuses; genocide, ethnic cleansing; terrorism; scorched earth; war crimes; crimes against humanity.
* The Humanitarian space in conflict.
* Armed non-state actors, roles, practices and regulation.
* Gender and Race in War and Peace.
6. The Boundaries of War. How far will humankind push the limits of acceptable behaviour and practice in war?
* The ‘morality’ and the ‘ethics’ of war; just war; deterrence; pre-emptive war; defence and self-defence; the influence of nationalism; the place of human rights; societies and the military; increases in moral sensibilities – qualms about carpet bombing, collateral damage; the status of combatants in warfare, the impact of civilians; neutrality.
* War and religion; the important role of religion, the church, and the intellectual elite in multi-ethnic conflict specifically and in war in general; just war, jihad and crusade.
* War and gender; women in war; impact, abuses, role in war as combatants and in peace building. Gender equality issues and peacebuilding, cultures of violence in society propagating conflict.
* Children and war, child soldiers, trauma, exposure, conditioning, propaganda, bereavement, expression though play, art and behaviour.
* Slavery and war; past, present and future; unwilling combatants, from janissaries to mamelukes, to conscripts and child soldiers.
* Resistance under occupation, where collaboration ends and resistance begins? Forms of resistance.
7. Prevention and Peacebuilding. Can we give peace a chance? Viewing war as un-natural, preventable within a variety of frameworks. The legal mechanisms and the trans-national social movements ‘waging peace’.
* Peace building; means and methods; negative peace and building apositive peace; war-termination and nation-building.
* The prevention of war; the role of conflict resolution; avoiding war; peace-keeping; the role and importance of law and international legal order; the rise and impact of non-violent movements.
* The effectiveness of Supra-National, Trans-National and International organsiations in conflict prevention, mediation and resolution.
* Peace and Balances of Power.
* Disarmament and Arms Control.
* Conscientious objection, alternative service.
* The Peace Movement.
8. The Role of Non-state Actors and NGOs in War and Post-conflict. Breaking the state conundrum, participation in relief from the depredations of war, alleviating the suffering, advocacy from theatres of war. Or compromising humanitarian Aid? Force multipliers?Abrogating combatants' responsibilities toward their populations.
* History: The Quakers to the Red Cross and beyond.
* NGOs, the ‘third space’ actors in the relief of the impact of warfare, aid and development programmes, refugees and IDPs, childsoldiers, landmines/cluster munitions; small arms light weapons (SALW/DDR), Depleted Uranium (DU), NGOs prolonging conflict by abrogating state and combatants responsibilities in time of conflict.
* Armed non-state actors. Terrorists? Freedom fighters? Private security companies and forces. Mercenaries in the modern world.
9. Future War: Revolutions in Military Affairs – Emerging Types of Warfare. Be afraid, be very afraid. Are there no limits to man's inhumanity to man?
* Cyber-war Virtual war; cyber-terrorism; cyber-power, cyber-war; computer technologies in the conduct of war.
* Technology leaps – acquiring WMD.
* Space war – fantasy or an emerging reality? Issue in the militarisation and weaponisation of space.
* Bio-warfare: gene warfare; the genetic codes of agriculture and livestock as targets in war
* Economic warfare in a Globalised world.
The Steering Group particularly welcomes the submission of pre-formed panel proposals. 300 word abstracts should be submitted by Friday 4thMay 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012. 300 word abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: WAR Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Joint Organising Chairs:
Graeme Goldsworthy Webster
University and the Hague Centre for Strategic Studies (HCSS),
The Netherlands
Rob Fisher
Network Founder and Leader,
Inter-Disciplinary.Net
Freeland, Oxfordshire, United Kingdom
The conference is part of the Probing the Boundaries programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
CFP: 2nd Global Conference: Writing: Paradigms, Power, Poetics, Praxis
Saturday 10th November – Monday 12th November 2012
Salzburg, Austria
Call for Papers:
This global research and publications project on Writing will explore the many facets of writing from an interdisciplinary perspective. It seeks to explore the many intertextual and intersemiotic facets of writing as they exist in the digital age but also taking into account the historical forces, process and mechanisms, their relationships to contemporary writing forms, and the possibilities of future directions. ‘All writing comes from somewhere’ and with this axiom in mind this project will not only examine the pragmatic elements of writing but also the complex issues concerning the metafunctions of writing as a creative and purposeful process across various disciplines.
Papers, presentations, reports, workshops and pre-formed panels are invited on, but not limited to any of the following focus areas;
1. Writing as a Creative Process: Theory and Practice
* What are the origins and forms of creative writing?
* What are the personal and interpersonal relationship between creativity and writing?
* How is effective and creative writing developed and nurtured?
* How do various disciplines understand the pragmatic elements of writing and the thought processes that underpin writing?
* What are the similarities/differences in understanding between the related research disciplines?
* How can creative writing be fostered in a world dominated by measurement, outcomes and benchmarks?
* How do authors actually write?
2. Writing across the Disciplines: Theory and Practice
* How do various disciplines define writing?
* The psychology, philosophy and pedagogy of writing of various fields of thought
* What is creativity in theory and practice in the business world?
* Can writing be taught?
* How do readers engage with writing?
* What does engagement with writing and the writing process mean for adults and for children?
* How does writing develop in all age groups or across age groups?
* What are the various forms of Inter-disciplinary approaches to teaching writing?
* Historical and contemporary representations of writing as art, in film and literature?
* The future role of writing?
* How will the visual media be related to writing in the next decade or beyond?
* The relationships between children’s engagement with television, film, visual literacy and writing?
* Traditional forms of writing: what are they and how do they fit in the visual age?
* The role and nature of learning theories and their view of writing
3. Critical and Cultural Thinking
* How is writing linked to critical thinking? Is it the same ascritical literacy?
* Where does this writing ability come from?
* What is the role of the 'significant other' in developing critical engagement with writing at home, school and beyond?
* What are the conditions that foster critical thinking and critical writing?
* How is writing engendered and produced in different contexts of cultural contexts?
* Developing writing as life skills, social issues and education for citizenship in the 21st century
Papers will be considered on any related theme. 300 word abstracts should be submitted by Friday 4th May 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012. 300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: Writing2 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Phil Fitzsimmons
Faculty of Education,
Avondale College of Higher Learning
New South Wales, Australia
Rob Fisher
Network Leader
Inter-Disciplinary.Net,
Freeland, Oxfordshire, United Kingdom
The conference is part of the Education Hub series of research projects, which in turn belong to the At the Interface programmes of Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore discussions which are innovative and challenging. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume or volumes.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Salzburg, Austria
Call for Papers:
This global research and publications project on Writing will explore the many facets of writing from an interdisciplinary perspective. It seeks to explore the many intertextual and intersemiotic facets of writing as they exist in the digital age but also taking into account the historical forces, process and mechanisms, their relationships to contemporary writing forms, and the possibilities of future directions. ‘All writing comes from somewhere’ and with this axiom in mind this project will not only examine the pragmatic elements of writing but also the complex issues concerning the metafunctions of writing as a creative and purposeful process across various disciplines.
Papers, presentations, reports, workshops and pre-formed panels are invited on, but not limited to any of the following focus areas;
1. Writing as a Creative Process: Theory and Practice
* What are the origins and forms of creative writing?
* What are the personal and interpersonal relationship between creativity and writing?
* How is effective and creative writing developed and nurtured?
* How do various disciplines understand the pragmatic elements of writing and the thought processes that underpin writing?
* What are the similarities/differences in understanding between the related research disciplines?
* How can creative writing be fostered in a world dominated by measurement, outcomes and benchmarks?
* How do authors actually write?
2. Writing across the Disciplines: Theory and Practice
* How do various disciplines define writing?
* The psychology, philosophy and pedagogy of writing of various fields of thought
* What is creativity in theory and practice in the business world?
* Can writing be taught?
* How do readers engage with writing?
* What does engagement with writing and the writing process mean for adults and for children?
* How does writing develop in all age groups or across age groups?
* What are the various forms of Inter-disciplinary approaches to teaching writing?
* Historical and contemporary representations of writing as art, in film and literature?
* The future role of writing?
* How will the visual media be related to writing in the next decade or beyond?
* The relationships between children’s engagement with television, film, visual literacy and writing?
* Traditional forms of writing: what are they and how do they fit in the visual age?
* The role and nature of learning theories and their view of writing
3. Critical and Cultural Thinking
* How is writing linked to critical thinking? Is it the same ascritical literacy?
* Where does this writing ability come from?
* What is the role of the 'significant other' in developing critical engagement with writing at home, school and beyond?
* What are the conditions that foster critical thinking and critical writing?
* How is writing engendered and produced in different contexts of cultural contexts?
* Developing writing as life skills, social issues and education for citizenship in the 21st century
Papers will be considered on any related theme. 300 word abstracts should be submitted by Friday 4th May 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012. 300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: Writing2 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Phil Fitzsimmons
Faculty of Education,
Avondale College of Higher Learning
New South Wales, Australia
Rob Fisher
Network Leader
Inter-Disciplinary.Net,
Freeland, Oxfordshire, United Kingdom
The conference is part of the Education Hub series of research projects, which in turn belong to the At the Interface programmes of Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore discussions which are innovative and challenging. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume or volumes.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
CFP: 3rd Global Conference: Making Sense Of: Suffering
Tuesday 13th November – Thursday 15th November 2012
Salzburg, Austria
Call for Papers:
This inter- and multi-disciplinary conference seeks to explore if, or to what extent, meaning can be found in suffering. During the course of living our lives, we are invariably forced to stop and question why we suffer – be it through illness, pain, loss, grief or the multitude of distressing circumstances which we encounter. Problems arise in a variety of contexts and due to a bewildering variety of conditions. And because our lives are constant streams of experience, the nature of suffering and consequently the ‘meaning’ of such suffering continually varies and changes. The conference aims to raise and assess a variety of questions related to the nature of suffering, the origins of suffering, the ‘meaning’ of suffering, explanations for suffering and responding to suffering.
Papers, workshops, presentations and pre-formed panels are invited on any of the following themes:
I. What is Suffering?
• Defining ‘suffering’. What is ‘suffering’? How do we approach ‘suffering’?
• Is suffering unique or exclusive to human beings?
• Non-human suffering
• Categories of suffering. Suffering as – a problem; a condition; an expression; an experience; a position of powerlessness; a consequence of meaninglessness; a result of affliction.
II. The Roots of Suffering
• The origins of suffering
• Suffering as universal; as international; as national; as local; as particular
• Suffering and history
• The contexts and conditions of suffering
• Producing suffering
III. The Meaning of Suffering
• Suffering and meaning
• Suffering and language
• What is at stake when dealing with suffering?
• The ‘limits’ of suffering
• The dangers of suffering
IV. Explaining Suffering
• suffering and explanation
• theories of suffering: the work of the disciplines
• theories of suffering: the work of the professions
• theories of suffering: the work of the vocations
• silence and suffering
V. Suffering and Practice
• suffering, apathy and indifference
• alleviating suffering
• practices causing, prolonging, truncating, overcoming, relieving or resolving suffering
• suffering, hope and despair
VI. Suffering and Religion
• Suffering from the perspective of religious traditions
• Suffering and sacred texts
• Portraits of suffering and sufferers
• Suffering and ‘redemption’
• Suffering and atheism
VII. Representing Suffering
• suffering and representation
• suffering in literature
• suffering in the media
• suffering in tv, film, theatre and radio
• suffering in cybercultures
VIII. Confronting Suffering
• meaning, suffering and action
• overcoming suffering
• should suffering be overcome?
• case studies
• practice(s), resolution(s), settlement
Papers will be considered on any related theme. 300 word abstracts should be submitted by Friday 4th May 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012. 300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: Suffering 3 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Nate Hinerman
Nursing/Theology and Religious Studies
University of San Francisco
San Francisco, USA
Rob Fisher
Network Leader
Inter-Disciplinary.Net,
Freeland, Oxfordshire, United Kingdom
The conference is part of the Making Sense Of: series of research projects, which in turn belong to the Probing the Boundaries programmes of Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore discussions which are innovative and challenging. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Salzburg, Austria
Call for Papers:
This inter- and multi-disciplinary conference seeks to explore if, or to what extent, meaning can be found in suffering. During the course of living our lives, we are invariably forced to stop and question why we suffer – be it through illness, pain, loss, grief or the multitude of distressing circumstances which we encounter. Problems arise in a variety of contexts and due to a bewildering variety of conditions. And because our lives are constant streams of experience, the nature of suffering and consequently the ‘meaning’ of such suffering continually varies and changes. The conference aims to raise and assess a variety of questions related to the nature of suffering, the origins of suffering, the ‘meaning’ of suffering, explanations for suffering and responding to suffering.
Papers, workshops, presentations and pre-formed panels are invited on any of the following themes:
I. What is Suffering?
• Defining ‘suffering’. What is ‘suffering’? How do we approach ‘suffering’?
• Is suffering unique or exclusive to human beings?
• Non-human suffering
• Categories of suffering. Suffering as – a problem; a condition; an expression; an experience; a position of powerlessness; a consequence of meaninglessness; a result of affliction.
II. The Roots of Suffering
• The origins of suffering
• Suffering as universal; as international; as national; as local; as particular
• Suffering and history
• The contexts and conditions of suffering
• Producing suffering
III. The Meaning of Suffering
• Suffering and meaning
• Suffering and language
• What is at stake when dealing with suffering?
• The ‘limits’ of suffering
• The dangers of suffering
IV. Explaining Suffering
• suffering and explanation
• theories of suffering: the work of the disciplines
• theories of suffering: the work of the professions
• theories of suffering: the work of the vocations
• silence and suffering
V. Suffering and Practice
• suffering, apathy and indifference
• alleviating suffering
• practices causing, prolonging, truncating, overcoming, relieving or resolving suffering
• suffering, hope and despair
VI. Suffering and Religion
• Suffering from the perspective of religious traditions
• Suffering and sacred texts
• Portraits of suffering and sufferers
• Suffering and ‘redemption’
• Suffering and atheism
VII. Representing Suffering
• suffering and representation
• suffering in literature
• suffering in the media
• suffering in tv, film, theatre and radio
• suffering in cybercultures
VIII. Confronting Suffering
• meaning, suffering and action
• overcoming suffering
• should suffering be overcome?
• case studies
• practice(s), resolution(s), settlement
Papers will be considered on any related theme. 300 word abstracts should be submitted by Friday 4th May 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012. 300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: Suffering 3 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Nate Hinerman
Nursing/Theology and Religious Studies
University of San Francisco
San Francisco, USA
Rob Fisher
Network Leader
Inter-Disciplinary.Net,
Freeland, Oxfordshire, United Kingdom
The conference is part of the Making Sense Of: series of research projects, which in turn belong to the Probing the Boundaries programmes of Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore discussions which are innovative and challenging. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
CFP: 1st Global Conference: Immersive Worlds and Transmedia Narratives
Tuesday 13th November – Thursday 15th November 2012
Salzburg, Austria
* The Novel
* The Film
* The Television Series
* The Graphic Novel
* The Facebook Page
* The Tweets
* The Fan-Sites
* The Video Game
* The You-Tube Clips
* The Smart Phone
* The Convention
* The Theme Park
* The Merchandising
THE CALL
This call for papers is about where the story starts and where it ends, about who writes the story and who reads it and whether any of these definitions apply when we are in the story itself. This then is about world making and about the media, mediums and machinery that converge to make it possible. The rhizomic qualities of a smart phone that enmesh us into the real world also connect and implicate large parts of ourselves in imaginary and virtual spaces; with people we have never met and places we will never see other than through the app, the blog or the social networking site.
“In the final decade of the 21st Century, men and women in rocketships landed on the moon. By 2200 AD, they had reached the other planets of our solar system. Almost at once there followed the discovery of hyperdrive through which the speed of light was first obtained and later greatly surpassed. And so, at last, mankind began the conquest and colonization of deep space”
(The Forbidden Planet)
THE EXAMPLE
True Blood. Originally from Charlene Harris’ Southern Vampire Mysteries series of novels. Now a hit television show. It has a facebook page and characters from the series produce You Tube videos (Jessica- Baby Vamp). The stars from the show share tweets with fans and each other but not as themselves but the characters they play. Viral marketing spreads adverts and teasers for products that come from the show, not just simple merchandising but items such as Tru-Blood, the synthetic blood substitute that bases the premise of the show where vampires can become part of society. The graphic novel,written by the television series creator Allan Ball and which extends storylines from the show. Fangtasia, the vampire bar from the series is recreated in actual real life venues and where people can dress as vampires. At each point of entry the “reader’ can choose which parts and to what level they want to engage, or participate, in the narrative enabling various levels of immersion and ways to influence and change the world that one is entering. Who writes the story and what story are they writing and who consumes what and who and is everyone welcome?
“Welcome to my house! Enter freely and of your own will!”(Dracula)
But who can enter this world and how does it impinge on our own? Is it only for the wealthy, the westernised, the capital-ised? How does it purposely exclude and include certain groups and why? What is the future of the technologies and the types of narratives involved? Will it become a world that people never want to leave or one that will expand to consume our former notions of what constituted reality. Where does the story end and real life begin? (Keywords: Transmedia, Convergence, Participatory, Affinity, ReMix, Hypersociability, Technologies, Medium, Narrative, Story, Play, Interaction, Immersive, Virtual)
THE WHAT?
The Steering Group particularly welcomes the submission of pre-formed panel proposals, works in progress, performances, literary and visual presentations and practitioner case studies. Papers will also be considered on any related theme. 300 word abstracts should be submitted by Friday 4th May 2012. All other significant dates, please see Details page.
THE WHO?
Those that study, research or take part in transmedia narratives or convergence cultures, film and media studies, gaming and virtual worlds, literature and fandom, marketing and advertising, graphic novels and animation, artists, writers… SHOULD APPLY
THE HOW?
Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: TM1 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Phil Fitzsimmons
Rob Fisher
Simon Bacon
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a
position to be able to assist with conference travel or subsistence.
Salzburg, Austria
* The Novel
* The Film
* The Television Series
* The Graphic Novel
* The Facebook Page
* The Tweets
* The Fan-Sites
* The Video Game
* The You-Tube Clips
* The Smart Phone
* The Convention
* The Theme Park
* The Merchandising
THE CALL
This call for papers is about where the story starts and where it ends, about who writes the story and who reads it and whether any of these definitions apply when we are in the story itself. This then is about world making and about the media, mediums and machinery that converge to make it possible. The rhizomic qualities of a smart phone that enmesh us into the real world also connect and implicate large parts of ourselves in imaginary and virtual spaces; with people we have never met and places we will never see other than through the app, the blog or the social networking site.
“In the final decade of the 21st Century, men and women in rocketships landed on the moon. By 2200 AD, they had reached the other planets of our solar system. Almost at once there followed the discovery of hyperdrive through which the speed of light was first obtained and later greatly surpassed. And so, at last, mankind began the conquest and colonization of deep space”
(The Forbidden Planet)
THE EXAMPLE
True Blood. Originally from Charlene Harris’ Southern Vampire Mysteries series of novels. Now a hit television show. It has a facebook page and characters from the series produce You Tube videos (Jessica- Baby Vamp). The stars from the show share tweets with fans and each other but not as themselves but the characters they play. Viral marketing spreads adverts and teasers for products that come from the show, not just simple merchandising but items such as Tru-Blood, the synthetic blood substitute that bases the premise of the show where vampires can become part of society. The graphic novel,written by the television series creator Allan Ball and which extends storylines from the show. Fangtasia, the vampire bar from the series is recreated in actual real life venues and where people can dress as vampires. At each point of entry the “reader’ can choose which parts and to what level they want to engage, or participate, in the narrative enabling various levels of immersion and ways to influence and change the world that one is entering. Who writes the story and what story are they writing and who consumes what and who and is everyone welcome?
“Welcome to my house! Enter freely and of your own will!”(Dracula)
But who can enter this world and how does it impinge on our own? Is it only for the wealthy, the westernised, the capital-ised? How does it purposely exclude and include certain groups and why? What is the future of the technologies and the types of narratives involved? Will it become a world that people never want to leave or one that will expand to consume our former notions of what constituted reality. Where does the story end and real life begin? (Keywords: Transmedia, Convergence, Participatory, Affinity, ReMix, Hypersociability, Technologies, Medium, Narrative, Story, Play, Interaction, Immersive, Virtual)
THE WHAT?
The Steering Group particularly welcomes the submission of pre-formed panel proposals, works in progress, performances, literary and visual presentations and practitioner case studies. Papers will also be considered on any related theme. 300 word abstracts should be submitted by Friday 4th May 2012. All other significant dates, please see Details page.
THE WHO?
Those that study, research or take part in transmedia narratives or convergence cultures, film and media studies, gaming and virtual worlds, literature and fandom, marketing and advertising, graphic novels and animation, artists, writers… SHOULD APPLY
THE HOW?
Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: TM1 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Phil Fitzsimmons
position to be able to assist with conference travel or subsistence.
Wednesday, 22 February 2012
CFP: 4th Global Conference: Bullying and the Abuse of Power
Sunday 4th November – Tuesday 6th November 2012
Salzburg, Austria
Call For Papers
Bullying is a global problem. Whether it takes place in the schoolyard; the board room; the corridors of academe; a detention centre for alleged terrorists; a government office, or cyber space; and whether it involves insult, physical assault or manipulation of the environment with the intention of making another person’s life intolerable, bullying involves the abuse of power. Everyone is affected by it, whether directly or indirectly.
All of us know people who are bullied, and all of us know bullies, though we may be unaware that we do. After all, bullies may seem, on the surface, to be kind, caring and supportive human beings, interested in nurturing others. And if they have been kind to us, we may fail to perceive their unkindness to others.
Bullying goes on at every level, often goes on behind closed doors; inside private emails, and in actions that might appear innocuous. It grows out of the ability that many (and perhaps most) people have, to find enjoyment and fulfilment in exerting power over others. It depends for its existence either on a lack of empathy and human feeling, or on the developed ability to suspend empathy. It can ruin lives, and it can end lives. We should not allow ourselves to believe that because it is not open to view, bullying is not present.
In the first three years of Bullying and the Abuse of Power, a number of themes have emerged. Two of these – bullying in schools and bullying in the workplace (including universities) are unsurprising and have featured strongly in both earlier conferences. Alongside these, and other themes with a practical focus, such as cyberbullying, participants have wrestled with the problem of saying exactly what is to count as bullying, and how far its boundaries extend.
Abstracts are now invited for Bullying and the Abuse of Power 4, for individual contributions or for symposia of three papers. Abstracts that illuminate and comment on more than one sphere in which bullying manifests itself, are especially welcomed, as are abstracts that draw together insights from more than one academic, professional or vocational area, or that draw from more than one cultural or theoretical perspective. Abstracts are also especially welcomed that focus on bullying in areas where the abuse of power is less commonly thought of in this way, including the ill treatment of elders; genocide; human trafficking, and bullying in international relations and international trade.
1. Bullying in School/in the Workplace
~ Bullying of older people/disabled people
~ Sexual bullying
~ Racial bullying
~ Religious intolerance
2. From Playground Bullying to Genocide/Bullying: How Far Can it Go?
~ Human Rights abuses
~ Genocide
~ The Holocaust
~ Human trafficking
3. International Relations
~ Cultural intolerance
~ Terrorism as a means of persuasion
~ Imposition of the wishes of the developed world on developing countries
~ Bullying of Indigenous people
4. Multinationals, Impoverished Nations and Corner Shops
~ The effects of globalisation on business
~ Changing patterns of shopping: corner shops vs superstores
~ Advertising and vulnerable consumers
~ Cut price goods and low pay for workers
Papers will be considered on any related theme. Abstracts should be written in simple language and for individual contributions should beno longer than 300 words, while for symposia they should include a 150 word overview for each contribution and a 200 word overview for the whole session (please take these word limits seriously). Abstracts should be submitted by Friday 4th May 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012. Abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract,e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: BULLY4 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Gavin J Fairbairn
Professor of Ethics and Language
Leeds Metropolitan University
Leeds
United Kingdom
Rob Fisher
Inter-Disciplinary.Net
Priory House,
Wroslyn Road,
Freeland,
Oxfordshire OX29 8HR
The conference is part of the Ethos Hub series of ongoing research and publications projects conferences, run within the Critical Issues domain which aims to bring together people from different areas and interests to share ideas and explore innovative and challenging routes of intellectual and academic exploration. All papers accepted for and presented at the conference will be eligible for publication in an ISBN eBook. Selected papers may be developed for publication in a themed hard copy volume.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network andwe are not in a position to be able to assist with conference travel or subsistence.
Salzburg, Austria
Call For Papers
Bullying is a global problem. Whether it takes place in the schoolyard; the board room; the corridors of academe; a detention centre for alleged terrorists; a government office, or cyber space; and whether it involves insult, physical assault or manipulation of the environment with the intention of making another person’s life intolerable, bullying involves the abuse of power. Everyone is affected by it, whether directly or indirectly.
All of us know people who are bullied, and all of us know bullies, though we may be unaware that we do. After all, bullies may seem, on the surface, to be kind, caring and supportive human beings, interested in nurturing others. And if they have been kind to us, we may fail to perceive their unkindness to others.
Bullying goes on at every level, often goes on behind closed doors; inside private emails, and in actions that might appear innocuous. It grows out of the ability that many (and perhaps most) people have, to find enjoyment and fulfilment in exerting power over others. It depends for its existence either on a lack of empathy and human feeling, or on the developed ability to suspend empathy. It can ruin lives, and it can end lives. We should not allow ourselves to believe that because it is not open to view, bullying is not present.
In the first three years of Bullying and the Abuse of Power, a number of themes have emerged. Two of these – bullying in schools and bullying in the workplace (including universities) are unsurprising and have featured strongly in both earlier conferences. Alongside these, and other themes with a practical focus, such as cyberbullying, participants have wrestled with the problem of saying exactly what is to count as bullying, and how far its boundaries extend.
Abstracts are now invited for Bullying and the Abuse of Power 4, for individual contributions or for symposia of three papers. Abstracts that illuminate and comment on more than one sphere in which bullying manifests itself, are especially welcomed, as are abstracts that draw together insights from more than one academic, professional or vocational area, or that draw from more than one cultural or theoretical perspective. Abstracts are also especially welcomed that focus on bullying in areas where the abuse of power is less commonly thought of in this way, including the ill treatment of elders; genocide; human trafficking, and bullying in international relations and international trade.
1. Bullying in School/in the Workplace
~ Bullying of older people/disabled people
~ Sexual bullying
~ Racial bullying
~ Religious intolerance
2. From Playground Bullying to Genocide/Bullying: How Far Can it Go?
~ Human Rights abuses
~ Genocide
~ The Holocaust
~ Human trafficking
3. International Relations
~ Cultural intolerance
~ Terrorism as a means of persuasion
~ Imposition of the wishes of the developed world on developing countries
~ Bullying of Indigenous people
4. Multinationals, Impoverished Nations and Corner Shops
~ The effects of globalisation on business
~ Changing patterns of shopping: corner shops vs superstores
~ Advertising and vulnerable consumers
~ Cut price goods and low pay for workers
Papers will be considered on any related theme. Abstracts should be written in simple language and for individual contributions should beno longer than 300 words, while for symposia they should include a 150 word overview for each contribution and a 200 word overview for the whole session (please take these word limits seriously). Abstracts should be submitted by Friday 4th May 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012. Abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract,e) body of abstract, f) up to 10 keywords.
E-mails should be entitled: BULLY4 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Gavin J Fairbairn
Professor of Ethics and Language
Leeds Metropolitan University
Leeds
United Kingdom
Rob Fisher
Inter-Disciplinary.Net
Priory House,
Wroslyn Road,
Freeland,
Oxfordshire OX29 8HR
The conference is part of the Ethos Hub series of ongoing research and publications projects conferences, run within the Critical Issues domain which aims to bring together people from different areas and interests to share ideas and explore innovative and challenging routes of intellectual and academic exploration. All papers accepted for and presented at the conference will be eligible for publication in an ISBN eBook. Selected papers may be developed for publication in a themed hard copy volume.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network andwe are not in a position to be able to assist with conference travel or subsistence.
CFP: 9th Global Conference: Making Sense Of: Dying and Death
Saturday 10th November – Monday 12th November 2012
Salzburg, Austria
Call For Papers:
This inter- and multi-disciplinary conference explores dying and death and the ways culture impacts care for the dying, the overall experience of dying, and ways the dead are remembered. Over the past three decades, scholarship in thanatology has increased dramatically.This particular conference seeks a broad array of perspectives that explore, analyze, and/or interpret the myriad interrelations and interactions that exist between death and culture. Culture not only presents and portrays ideas about “a good death” and norms that seek to achieve it, culture also operates as both a vehicle and medium through which meaning about death is communicated and understood. Sadly, too, culture sometimes facilitates death through violence.
Submissions might be imagined in any (or none) of the following ways:“death” as an expression of doctrinal beliefs and/or core values,death and dying as an on-going movement between an individual or community and a larger socio-cultural matrix, or death as essentiallya cultural construction. Investigations that engage cultural studies from a variety of perspective are certainly encouraged. We also welcome perspectives that interrogate the stability of meaning(s)assigned to such terms (“culture,” “death,” “dignity,”“care,” etc.) and their complex inter-relations.
Specifically, submissions should be framed with at least one of the following four rubrics in mind: death/dying within culture, culture within death/dying, death/dying as popular culture (and vice versa), or death/dying in tension with culture.
We welcome submissions that produce conversations engaging historical, ethnographic, normative, literary, anthropological, philosophical, artistic, political or other terms that elaborate a relationship between death and culture. For example, submissions might investigate death and dying in relation to any of the following realms of culture:
* music
* literature
* film
* broadcast media
* religious broadcasting
* journalism
* athletics
* comic books
* novels / poetry / short story
* television
* radio
* print media
* internet / technology
* popular art / architecture
* sacred vs. profane space
* advertising
* consumerism
* new religious movements/religious subcultures
Papers will be considered on any related theme. 300 word abstracts should be submitted by Friday 4th May 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012. 300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this
order:
a) author(s), b) affiliation, c) email address, d) title of abstract,e) body of abstract, f) up to 10 keywords
E-mails should be entitled: DD9 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics orunderline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Nate Hinerman
Nursing/Theology and Religious Studies
University of San Francisco
San Francisco, USA
Rob Fisher
Network Leader
Inter-Disciplinary.Net,
Freeland,
Oxfordshire, United Kingdom
The conference is part of the Making Sense Of: series of research projects, which in turn belong to the Probing the Boundaries programmes of Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore discussions which are innovative and challenging. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Salzburg, Austria
Call For Papers:
This inter- and multi-disciplinary conference explores dying and death and the ways culture impacts care for the dying, the overall experience of dying, and ways the dead are remembered. Over the past three decades, scholarship in thanatology has increased dramatically.This particular conference seeks a broad array of perspectives that explore, analyze, and/or interpret the myriad interrelations and interactions that exist between death and culture. Culture not only presents and portrays ideas about “a good death” and norms that seek to achieve it, culture also operates as both a vehicle and medium through which meaning about death is communicated and understood. Sadly, too, culture sometimes facilitates death through violence.
Submissions might be imagined in any (or none) of the following ways:“death” as an expression of doctrinal beliefs and/or core values,death and dying as an on-going movement between an individual or community and a larger socio-cultural matrix, or death as essentiallya cultural construction. Investigations that engage cultural studies from a variety of perspective are certainly encouraged. We also welcome perspectives that interrogate the stability of meaning(s)assigned to such terms (“culture,” “death,” “dignity,”“care,” etc.) and their complex inter-relations.
Specifically, submissions should be framed with at least one of the following four rubrics in mind: death/dying within culture, culture within death/dying, death/dying as popular culture (and vice versa), or death/dying in tension with culture.
We welcome submissions that produce conversations engaging historical, ethnographic, normative, literary, anthropological, philosophical, artistic, political or other terms that elaborate a relationship between death and culture. For example, submissions might investigate death and dying in relation to any of the following realms of culture:
* music
* literature
* film
* broadcast media
* religious broadcasting
* journalism
* athletics
* comic books
* novels / poetry / short story
* television
* radio
* print media
* internet / technology
* popular art / architecture
* sacred vs. profane space
* advertising
* consumerism
* new religious movements/religious subcultures
Papers will be considered on any related theme. 300 word abstracts should be submitted by Friday 4th May 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 3rd August 2012. 300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this
order:
a) author(s), b) affiliation, c) email address, d) title of abstract,e) body of abstract, f) up to 10 keywords
E-mails should be entitled: DD9 Abstract Submission
Please use plain text (Times Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics orunderline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Nate Hinerman
Nursing/Theology and Religious Studies
University of San Francisco
San Francisco, USA
Rob Fisher
Network Leader
Inter-Disciplinary.Net,
Freeland,
Oxfordshire, United Kingdom
The conference is part of the Making Sense Of: series of research projects, which in turn belong to the Probing the Boundaries programmes of Inter-Disciplinary.Net. It aims to bring together people from different areas and interests to share ideas and explore discussions which are innovative and challenging. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
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