Showing posts with label Manchester Museum. Show all posts
Showing posts with label Manchester Museum. Show all posts

Sunday, 16 February 2014

Miri Rubin Lectures at the University of Manchester (May 2014)

The Sherman Lectures in Jewish Studies 2014

Centre for Jewish Studies
University of Manchester

Thinking about Jews in Medieval Europe: Explorations with Text, Images and Sounds
Miri Rubin

Prof. Miri Rubin is professor of Medieval and Early Modern History at Queen Mary University of London. The dates of the University Lectures are 12-15 May 2014. Time: 5:15pm. Venue: Kanaris Lecture Theatre, Manchester Museum (located centrally on the University campus). There will also be a community lecture at 8pm on 11 May 2014 at a venue tbc.

Community Lecture: Jews in Medieval English Culture (Sunday 11 May)

Jews were embedded in the ideas and practices of every community of which they formed a part. Yet the experience of living as a Jew or with Jews varied greatly between European regions and over time. This lecture will consider the circumstances surrounding the settlement of Jews, and the intera_ctions and attitudes that developed towards them. It will point out, in particular, the diverse attitudes and interactions experienced in different milieus: monastic, urban, scholastic, courtly, as well as in Latin, English and French.

Thinking about Jews in Medieval Europe: People and Places (Monday 12 May)

Who created ideas about Jews in medieval Europe, and how were these transmitted and recorded? Why did some periods display an intensity of interest in Jews compared to others? This lecture will consider the challenge posed by the presence of Jews to those who managed, taxed, led and educated medieval communities. It will probe the directions of change over time, as well as regional variation across Europe.

The Jewish Body (Tuesday 13 May)

Difference between social groups is always marked by external signs and often by the attribution of physical difference. The Middle Ages saw the development of some powerful ideas about the Jewish – usually male – body. This lecture will explore these ideas and their relation to prevailing concepts of well-being and virtue. It will probe how the Jewish body came to be seen as threatening and indeed predatory, and an enduring obstacle to true conversion.

Jews and Children (Wednesday 14 May)

One of the most horrific accusations born in medieval Europe was that of child murder. This lecture will explore the conditions that made the birth of such slander in twelfth-century Norwich possible. It will also consider how Christians viewed childhood and attempted making sense of Jewish kinship and family life.

Jews and Material Christianity (Thursday 15 May)

Everywhere they turned Jews saw and heard the signs of Christian religious culture: cathedrals, statues at street corners, shrines, processions, and bells. The final lecture explores the ideas Jews developed towards these pervasive images and sounds, and explores the rejection – as well as attractions – experienced towards what Caroline Bynum has called Material Christianity.

For more information, see the Centre for Jewish Studies website or email.

Saturday, 2 March 2013

Registration Open: Cannibals: Cannibalism, Consumption and Culture

Kanaris Lecture Theatre and Conference Room
Manchester Museum, Oxford Road, Manchester M13 9PL, United Kingdom

Thursday 25th April – Friday 26th April 2013

Registration is now open for the Hic Dragones Cannibals: Cannibalism, Consumption and Culture conference. For information about how to register, please visit the conference website.

Conference Programme

Thursday 25th April

9.15-9.45am: Registration

9.45-10.00am: Welcome and Opening Remarks (Kanaris Lecture Theatre)

10.00-11.30am: Session 1: Cultural/Cannibal Encounters (Kanaris Lecture Theatre)
Chair: TBC

(i) Sarah-Louise Flowers (University of Manchester): Consuming Local Tradition: How Outsiders Have Left the Amazon’s Dead Cold and Lonely
(ii) Ruth (Meg) Oldman (Indiana University of Pennsylvania): Preying Upon Blood: Depictions of Catholics in Early Modern Literature
(iii) Michelle Green (University of Nottingham): The Wendigo Cannibal and the ‘Myth’ of Diabetes in Native American Groups

11.30-12.00am: Coffee

12.00-1.30pm: Parallel Sessions

Session 2a: Theorizing Cannibal Culture (Kanaris Lecture Theatre)
Chair: TBC

(i) Sandra Bowdler (University of Western Australia): ‘Cannibalism is Bad’
(ii) Kamil Łacina and Dagna Skrzypinska (Jagiellonian University, Krokow): Bon Appetit! A Concise Defense of Cannibalism
(iii) Suzanne Stuart (University of South Wales, Australia): A Very Particular ‘Consumer Culture’: Theorising Cannibalism in Cultural Discourse

Session 2b: Consuming Women (Conference Room)
Chair: TBC

(i) Jennifer Bowes (Leeds Metropolitan University): Devouring the Self: Eating Disorders as Cannibalism of the Psyche in Stephenie Meyer’s Twilight Universe and Margaret Atwood’s The Edible Woman
(ii) Nancy Schumann (Books With Bite): Pardon My Bite: Vampire Women Who Kill Children From Ancient Folklore to Post-Modern Literature
(iii) Carys Crossen (University of Manchester): Fine Young Cannibals: Cannibalism, Psychoanalysis and the Ethics of Consumption in Stephenie Meyer’s Twilight Series and Poppy Z. Brite’s Lost Souls

1.30-2.30pm: Lunch

2.30-3.30pm: Film Screening and Round Table: Babysitting and the Child Cannibal (Kanaris Lecture Theatre)
A screening of Babysitting (dir. Lucas Masson, 2012), followed by a round table discussion about children, horror and cannibalism
Chair: Hannah Priest
Panel: TBC

3.30-4.00pm: Coffee

4.00-5.00pm: Session 3: Cannibalism in Fiction (Kanaris Lecture Theatre)
Chair: TBC

(i) Abby Bentham (University of Salford): Let Us Prey: Cannibalism, Capitalism and Culture in Jim Thompson’s The Getaway
(ii) Nela Roxana Gheorghica (Independent Scholar): Faber’s Under the Skin and the Cannibal Within Us All

5.00pm: Sessions End

*****

Friday 26th April

9.00-10.30am: Parallel Sessions

Session 4a: Consuming Knowledge, Consuming Christ (Kanaris Lecture Theatre)
Chair: TBC

(i) Matthew Graham (Leeds Metropolitan University): The Devouring of Knowledge: Consumption and Philosophy in Blanchot’s Thomas the Obscure
(ii) Daisy Black (University of Manchester): ‘Smiting a Cake’: Preparing and Cooking Christ in the Croxton Play of the Sacrament
(iii) Sara Williams (Independent Scholar): ‘The Soul is Like an Infant That Still Nurses When at its Mother’s Breast’: Oral Fixation and Fantasies of Kleinian Cannibalism in Female Hagiography

Session 4b: On Serial Murder (Conference Room)
Chair: John Wallen

(i) Helen Gavin (University of Huddersfield): Guess Who’s Coming to Dinner? Inside the Mind of the Cannibal Serial Killer
(ii) Emilia Musumeci (University of Catania): Love Me, Kill Me, Eat Me. Serial Killers, Sexual Behaviour, and Voluntary Cannibalism
(iii) David McWilliam (University of Lancaster): ‘Help Me, I am in Hell’: Necrophiliac, Necrophagic Serial Killer Jeffrey Dahmer and the Limits of Empathy

10.30-11.00am: Coffee

11.00-12.30pm: Parallel Sessions

Session 5a: Empire and Machine (Kanaris Lecture Theatre)
Chair: TBC

(i) Jessica George (Cardiff University): ‘The War Ate my Boy, Damn Them All’: Food Chain and Fantasy in Lovecraft
(ii) James Collinge (Leeds Metropolitan University): Rethinking the Martian: British ‘New Imperialism’ as a Cannibal Cyborg in H.G. Wells’s The War of the Worlds
(iii) Franziska E. Kohlt (Independent Scholar): Horrid King Besmear’d with Blood of Human Sacrifice: Man-Consuming Machinery and Moloch as Dystopic Metaphor in H.G. Wells’s Time Machine and Fritz Lang’s Metropolis

Session 5b: Cannibalism and Textuality (Conference Room)
Chair: TBC

(i) Barbara Laner (University of Innsbruck): Incorporating Media: Cannibalism in Film as a Metaphor for Intermediality
(ii) Ellie Dobson (University of Birmingham): Flesh-Eaters in London: Cosmopolitan Cannibals in Late Nineteenth-Century Fiction and the Press
(iii) John Wallen (University of Nizwa, Oman): The ‘Cannibal Club’ and the Roots of British Racism and Pornography

12.30-1.30pm: Lunch

1.30-3.00pm: Parallel Sessions

Session 6a: Cannibals and the Other (Kanaris Lecture Theatre)
Chair: TBC

(i) Savi Munjal (University of Leeds): ‘’Tis Human Flesh They Gnaw’: The French Revolution and Cannibalism in Gillray’s Un Petit Souper à La Parisienne
(ii) Joanne Ella Parsons (Bath Spa University): ‘Bone Soup’: Cannibalism, Civilisation, and Racism in The Frozen Deep and the Franklin Expedition

Session 6b: Of Aliens and Monsters (Conference Room)
Chair: TBC

(i) Matthias Stephan (Aarhus University, Denmark): How Other is the Cannibal? – Ontological Blurring in SF Cannibal Scenes
(ii) Franziska Burstyn (University of Siegen): Wicked Witches and Gruesome Giants: Parental Infanticide in Children’s Literature

3.00-3.30pm: Coffee

3.30-5.00pm: Session 7: Cannibals and Popular Culture (Kanaris Lecture Theatre)
Chair: TBC

(i) Karley Adney (ITT Technical Institute): A Carnivalesque Cannibal: ‘Mein Teil’ and Representations of Homosexuality
(ii) Hannah Priest (Hic Dragones/University of Manchester): ‘Killing for Sport… Eating All the Bodies’: Richard the Lionheart, Eric Cartman, Hollywood Superstar Shia Leboeuf
(iii) Edward Powell (University of Leeds): ‘SuperUndeadMassacreFPS!’: Cannibalism and Consuming Commodified Violence in Call of Duty: Zombies

5.00pm: Conference Close

To register for this two-day event, please visit the conference website or email the conference convenors.

Wednesday, 22 February 2012

GUEST POST: Bryan Sitch



The Heronbridge Skeletons at The Manchester Museum

The human skeletons from Heronbridge near Chester have attracted a lot of interest recently. Some of this is thanks to Hannah with whom I discussed the remains last year. Within a matter of hours it seemed Hannah had arranged for me to speak about the discovery at a conference she was organising about Gender and the Middle Ages. In just over five weeks’ time on 29th March there will be another opportunity to explore what the bones mean when the Manchester Museum holds a day school on the Heronbridge skeletons. This is to coincide with a Manchester Anglo-Saxon Studies Colloquium which is being held on 28th March. Hopefully people will find it worthwhile to stay over. What is it that makes the skeletons so interesting?

The skeletons were found during excavations at Heronbridge during the early 1930s. Many of the finds were of Roman date and it was assumed that the skeletons were also of Roman date. In the excavation publication it was stated that the remains would be deposited at the Manchester Museum and that a detailed report had been presented to the university librarian. On the basis of this statement a number of enquirers had contacted the Museum to ask about the skeletons but no-one was able to find them. It was just over a year ago that the penny dropped.

As Curator of Archaeology I had gone through the human remains in the collection to find out what was known about them. I noticed that many of the bones had no associated information. Some, however, had distinctive labels on which Greek characters were written such as alpha, beta, gamma, delta and so on. At the time this meant nothing to me but it quickly became clear when I re-read the brief report about the Heronbridge skeletons published in 1933. In a table at the back of the report the skeletons were listed but half way across the table the numbering changed and the skeletons had dual numbering using Greek characters. On its own this might not be sufficient to tie down the provenance but the bone report also referred to wounds on the skulls. When I checked the skulls I saw large impact trauma, injuries made by long edged weapons. Dr Elwyn Davies who wrote the bone report speculated the injuries were caused by Roman cavalry swords. This conclusion was based on the presence of Roman finds on the Heronbridge site. However, in 2005 further archaeological work was carried out at Heronbridge and two of the skeletons were recovered and radiocarbon dated. The range of dates suggested a time somewhere around the early 7th century AD.

This was extremely interesting because in his 'Ecclesiastical History of the English People' Bede gave an account of the Battle of Chester. A Northumbrian army led by King Aethelfrith fought a smaller force of northern Welsh Britons and defeated it. Bede's account said that Aethelfrith, seeing British Christian monks praying for the defeat of the Northumbrians, ordered his men to cut them down. Many of the monks were killed. The Northumbrians retreated having suffered heavy casualties in their turn and with British reinforcements on their way.

Could the skeletons in the Manchester Museum be casualties of the Battle of Chester in or about 616 AD? None have been radiocarbon dated but they come from very similar contexts to the skeletons lifted in 2005. As the latter have been radiocarbon dated it seems reasonable to infer that the skeletons from the 1930s excavations are of the same date. As the dead were buried in significant numbers in pits (laid out respectfully like sardines in a tin), it must have been a significant battle. The wounds on some of the bones are very similar to those seen on skeletons from Anglo-Saxon cemeteries. And they are all men. I conclude that the skeletons in the Museum must be from the Battle of Chester. To have a sizeable group of human remains showing trauma from a 'Dark Age' battlefield together with an historical account is really exciting.

But who are the skeletons? Which side were they on? Could they be the remains of the monks? Perhaps tidied away respectfully by the Welsh reinforcements that arrived too late to take part in the battle? Prof. Nick Higham of the University of Manchester has argued that we must take what Bede has to say with a large pinch of salt. Bede isn't a reliable guide to events on the battlefield. He was writing providential history and trying to justify the slaughter of Christians by the pagan Anglo-Saxons who would later become Christian. Bede was serving a religious agenda. For instance no early medieval monastery in this country can have had the numbers of monks ascribed to it by Bede. Bu'Lock argued the monks were former warriors who had retired to the cloister to pass their twilight years only to be pressed back into military service in an emergency when the Northumbrians attacked Chester. Again this seems unlikely. Whether we can find out from isotopic studies which part of the world these men came from remains to be seen.

We will explore aspects of the story in the day school at the Manchester Museum on 29th March. Six speakers have confirmed their titles and it looks like a fascinating date.

Bryan Sitch
Deputy Head of Collections and Curator of Archaeology
The Manchester Museum

For more information about the Heronbridge skeletons, see the Ancient Worlds blog from The Manchester Museum.

GUEST POST: Bryan Sitch (The Manchester Museum)

Monsters, the Museum and Sacrificial Theory

When Hannah contacted me about contributing a paper to a conference she is organising on the subject of Monsters, I immediately thought of the presentation I gave - or rather a colleague gave on my behalf - at a conference a year or so ago. In the paper I made a brief survey of objects in the Manchester Museum archaeology collection depicting monsters, including Odysseus in the Cyclops’ cave on an ancient Greek vase and figurines of the chimera or chimaera, the sirens and the sphinx.



At that time I was very interested in sacrificial theory, but I was only able to touch upon the topic in passing because most of the paper was devoted to monstrous objects in the Museum collection. One of the questions I posed was if, as has been argued by Adrienne Mayor in her fascinating book The First Fossil Hunters: Paleontology in Greek and Roman Times (2001), some of the monsters in ancient Greek myths were inspired by discoveries of fossilised bones from long-extinct Mediterranean megafauna, then how do we explain weird composites or hybrids like the chimaera or the sphinx in which the bodies of completely different creatures are mixed together? The former animal had the body of a lioness with a snake for a tail and a goat’s head sticking out of its back. It's like one of those books for children in which you turn a page and the head of one person is superimposed upon the body of someone else who is in turn superimposed over the lower body of another person. Reading Rene Girard's books about sacrificial theory seemed to offer a solution. Girard is a French academic who has worked for many years in the USA

His argument goes something like this: in the distant past members of a community that facing a flood or a famine or pestilence might experience into a state of collective anxiety such that the members of that community become progressively more agitated to the point where a total break-down of order and respect for social distinction is threatened. Girard compares the situation to a pan of milk about to boil over. What prevents the pan boiling over and a collective descent into anarchy – what Girard calls the ‘sacrifical crisis’- is the selection of a victim or scapegoat who acts as a lightning rod, exorcising the communal frenzy and bringing about a return to normality. Typically the victim is accused of having committed horrendous crimes and suffers a violent death in which all the members of the community take part. The victim is selected on the basis of disabilities or blemishes (and sometimes being unblemished is the excuse). Think of the myth of Oedipus with his club foot for example. Once order has been restored the community rationalises its violent treatment of the victim, who undergoes a change of status. Girard calls this the ‘mythic crystallisation’. Instead of being held responsible for the break-down of social order the victim is seen as having brought about its resolution and becomes a sanctified figure.

There are a number of things here that are relevant. Firstly, people who suffer from a disability or a blemish can be perceived as monstrous as well as being accused of monstrous crimes by other members of the community. Think of Oedipus who murdered his father and married his mother. Secondly Girard characterises the descent into chaos as a lack of respect for order and degree and social hierarchies. The people involved become so agitated that they can no longer make sense of what they are seeing. In the collective madness their perceptions are confused, resulting in the mixing of different categories, such as animal and human, and the creation of monstrous compilations and hybrids.



Monstrosity, therefore, is an important part of Rene Girard’s work on scape-goating. This offers potentially a way of understanding monsters, of which hybrids like the chimaera and the sphinx in Greek mythology are such memorable examples.

Bryan Sitch
Deputy Head of Collections and Curator of Archaeology
The Manchester Museum

Images:

1. Bronze Figurine of a Sphinx
2. Terracota Depicting Medusa


Bryan Sitch will be speaking on 'Monsters, the Museum and Sacrificial Theory' at the Hic Dragones Monsters: Subject, Object, Abject Conference, to be held at the Manchester Museum on 12-13 April 2012. For more information about the conference, please visit the Hic Dragones website.

Tuesday, 21 February 2012

Monsters: Subject, Object, Abject

Kanaris Lecture Theatre and Conference Room
Manchester Museum, Oxford Road,
Manchester M13 9PL, United Kingdom

Thursday 12th April – Friday 13th April 2012

Conference Programme

Thursday 12th April

9.00-9.30am: Registration

9.30-11.00am: Opening Remarks (Dr. Hannah Priest, University of Manchester) and Session 1: Monsters in Popular Culture (Kanaris Lecture Theatre)
Chair: TBC
(i) Matthew Freeman (University of Nottingham): Who’s Monster?: Monsters, Subjectivity, and the Figure of the Child in Doctor Who
(ii) James Campbell (University of Stirling): ‘Welcome to the Madhouse’: The Conflation of Monstrosity, Madness and Mental Illness in DC Comics’ Batman Franchise
(iii) Christina Wilkins (University of Southampton): Transatlantic Differences and the Importance of Religion in Post-9/11 Monsters

11.00-11.30am: Coffee

11.30-1.00pm: Parallel Sessions

Session 2a: Literary Monsters (Kanaris Lecture Theatre)
Chair: TBC
(i) Lisa Tagliaferri (The Graduate Center, CUNY): S’el fu sì bel com’elli è ora brutto: Dante’s Vision of Lucifer
(ii) Imke Heuer (University of Southampton): ‘A brood of monsters like myself’: Joshua Pickersgill’s The Three Brothers, Byron’s The Deformed Transformed and Mary Shelley’s Frankenstein
(iii) Giulia I. Sandelewski (Shakespeare Institute, University of Birmingham): Vengeful or Revenger? Renaissance Drama as a Lens for Vallgren’s Hercules Barefoot

Session 2b: Making Monsters (Conference Room)
Chair: TBC
(i) Lisa Temple-Cox (Independant Researcher): Making Myself a Monster: Self-Portraiture as Teratological Specimen
(ii) Rosie Garland (Independent Researcher): ‘The Girl You Never Loved But Always Looked For’: Occupational Therapy and the Development of the Performance Persona Rosie Lugosi the Vampire Queen
(iii) Susanne Hamscha (FU Berlin): “Gaga, Ooh La La”: Lady Gaga and the Pleasures of Being a Freak

1.00-2.00pm: Lunch

2.00-3.30pm: Parallel Sessions

Session 3a: Embodying Monstrosity (Kanaris Lecture Theatre)
Chair: TBC
(i) Tracy Fahey (Limerick School of Art and Design, LIT): Invisible Monsters: Gothic and the Diabetic Body
(ii) Michel Delville (University of Liège) and Andrew Norris (Institut Supérieur des Traducteurs et Interprètes): Monstrosity, Hunger and Resistance
(iii) Lorie Hamalian (California State University): Swans and Prawns: Monster Metamorphoses and Hybrid Identities in Aronofsky’s Black Swan and Blomkamp’s District 9

Session 3b: Monsters of Literature (Conference Room)
Chair: TBC
(i) Jessica George (Cardiff University): Celtic Subject and Racial Other in Arthur Machen’s ‘The White People’
(ii) Kay Lint (University of Hertfordshire): ‘Mangy fur and red, smouldering eyes’, The Monstrous Dog in Graham Masterton’s Charnel House
(iii) Rick Hudson (Bath Spa University): ‘Their Hand Is At Your Throat, But Ye See Them Not’: Monstrous Absence in the Fiction of H.P. Lovecraft

3.30-4.00pm: Coffee

4.00-5.00pm: Parallel Sessions

Session 4a: Folk Monsters (Kanaris Lecture Theatre)
Chair: TBC
(i) Carla Bascombe (University of the West Indies): Monsters of the Caribbean: A Portrait of the Traditional Torturer in the Untraditional Tale
(ii) Alexandra McGlynn (Independent Researcher): Kappa: Buttocks-Ball Eating Monsters of Shintõ Suijin

Session 4b: Monsters of Cinema (Conference Room)
Chair: TBC
(i) Michael C. Bongiorno (CUNY, College of Staten Island): Another One for the Fire: Spectatorship, Apparatus and Recognition in Night of the Living Dead (1968)
(ii) Joshua Peery (Independent Researcher): Fear the Ma(SHE)ne: Monstrous Female Machines in Sci-Fi Cinema

5.00pm: Close

7.30pm: Conference Dinner at Felicini

*****

Friday 13th April

9.30-11.00am: Parallel Sessions

Session 5a: Old Monsters, New Faces (Kanaris Lecture Theatre)
Chair: TBC
(i) Rachel Mizsei Ward (University of East Anglia): Munchkin Cthulhu, My Little Cthulhu and Chibithulu: The Transformation of H.P. Lovecraft’s Cthulhu from Horrific Body to Cute Body
(ii) Carys Crossen (University of Manchester): ‘The loup-garou has a duty: justice’: The Law, Justice and Vigilantism in Contemporary Lycanthropic Fiction
(iii) Kim Wilkins (University of Queensland): Writing the Medieval Monstrous

Session 5b: Spaces of Monstrosity
Chair: TBC
(i) Ersi Ioannidou (University of Brighton): Dismembered Domesticity: the House as Monster
(ii) David Allen (Midland Actors Theatre): Expedition Everest
(iii) Garfield Benjamin (University of Wolverhampton): Virtual Monsters: Becoming Death and the Quantum Immortal

11.00-11.30am: Coffee

11.30-1.00pm: Parallel Sessions

Session 6a: Of Monstrosity and Humanity (Kanaris Lecture Theatre)
Chair: TBC
(i) Maria Chatzidimou (Aristotle University of Thessaloni): I am not an elephant! I am not a man! I am a colonized abject! : Re-viewing David Lynch’s The Elephant Man
(ii) Ian Pettigrew (University of Miami): The Monster’s Choice to Be Human: Guillermo del Toro’s Incarnations of a Hitchcockian Theme

Session 6b: More Literary Monstrosity (Conference Room)
Chair: TBC
(i) Martyn Colebrook (University of Hull): ‘The Last Banned Book in Britain’: David Britton, Michael Butterworth, Lord Horror and Monstrosity
(ii) Eva Bru (Independent Researcher) The Spectacle of the Monstrous: Enforcing Normalcy in Mercè Rodoreda’s Death in Spring
(iii) Kristy Butler (Mary Immaculate College, University of Limerick): Breaking the Frame: Alternative Histories, Monstrous Ideologies and the Political Gothic

1.00-2.00pm: Lunch

2.00-3.00pm: Monsters, the Museum and Sacrificial Theory: Workshop with Bryan Sitch (Manchester Museum) (Kanaris Lecture Theatre)

3.00-3.30pm: Coffee

3.30-4.30pm: Session 7: The Monstrous Human (Kanaris Lecture Theatre)
Chair: TBC
(i) Abby Bentham (University of Salford): The Monster in Me: On Cultural Fascination with the Fictional Psychopath
(ii) David McWilliam (Lancaster University): Demystifying the Folk Devil: The Humanization of Aileen Wuornos in Patty Jenkins’s Monster (2003)





4.30-5.00pm: Closing Remarks

5.00pm: Conference Close








This conference is being run by Hic Dragones, and information on registration can be found on the Hic Dragones website. The registration fee is £75 (including refreshments) or £97 (including a 3-course conference dinner on Thursday 12th), and the deadline for registration in 30th March 2012. Following the conference, there will be a series of public events with a horror/monstrous theme. For more information about the public events, please click here.

Sunday, 21 August 2011

CFP: Monsters: Subject, Object, Abject

April 12th-13th 2012

The Manchester Museum, Oxford Road
Manchester, United Kingdom

This two-day interdisciplinary, cross-period conference will explore humanity’s perennial fascination with the monstrous. From children’s toys to religious architecture, from medical and legal definitions to Gothic romance – cultural products resonate with fear, obsession and desire for the monster.

CALL FOR PAPERS

Proposals are sought for 20-minute papers. Possible topics include (but are not limited to):

- Monsters in literature, art, music and film
- Architectural monsters
- Subjectivity and the monster
- Objectification and the monster
- Historical definition of the monstrous
- Medical and legal monsters
- Theorizations of the monstrous
- Mythology, folklore and legends
- Hybrids and hybridity
- Cyborgs and the posthuman


Please send 300-word abstracts to the conference convenors by Sunday 1st January 2012. For more information, please see our website.

Following the conference, there will be a two-day public Monsters Convention in Manchester. We would be interested in hearing from anyone interested in offering a talk or seminar at this convention. Please email Dr. Hannah Priest.

Wednesday, 8 September 2010

She-Wolf Fringe: Final Event Announcement

Our final event for the She-Wolf Fringe will be something a little different... and aimed at a slightly different audience to our other events!

So... here's one for the kids...

Saturday 11th September: Design a Monster at the Manchester Museum.

A drop-in activity session for young children, running from 11am-4pm, in the Manchester Museum Discovery Centre.

Free and no booking required.

Entry to the museum is also free. Opening times: 10am-5pm. For more information about the Manchester Museum, click here.