Showing posts with label Hic Dragones. Show all posts
Showing posts with label Hic Dragones. Show all posts

Tuesday 9 April 2013

Win a SIGNED copy of Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny

Another book giveaway courtesy of Hic Dragones. This time the prize is a FREE copy of Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, signed by a selection of the authors.



Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded, the abject, the monster.

The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…

Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.


To enter:

All you have to do to enter the competition is GUESS THE NAME OF THE WEREWOLF!



Give our little lycanthrope a name!

Enter your name suggestion in the Rafflecopter box below, and one lucky person will win a signed copy of the book and a little lycanthropic bonus. International entry permitted, and the prize will be shipped direct to wherever you live. The competition ends on April 29th, and we'll announce the winning entry shortly after that.

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Friday 29 March 2013

Hic Dragones presents... Twisted Tales of Cannibalism

International Anthony Burgess Foundation
3 Cambridge Street
Manchester M1 5BY
United Kingdom
Wednesday 24th April 2013, 6.30-8.30pm
Free event, booking required

A night of dark horror fiction with Conrad Williams (Blonde on a Stick, One, The Unblemished), Stephen McGeagh (Habit) and Harry Whitehead (The Cannibal Spirit), presented by Hic Dragones and Twisted Tales.

Cannibalism disrupts our relatively stable position at the top of the food chain. From Jeffrey Dahmer to Hannibal Lecter, cannibals are the subject of popular fascination in both fiction and crime reports. However, they have a much longer heritage and their monstrous appetites can make them seem something both greater and lesser than human. Join Twisted Tales and Hic Dragones for an evening of readings by authors known for their cannibal fiction, before engaging in discussion about this primal taboo.

Hic Dragones is a small press publisher and events organizer based in North Manchester. This event is a tie-in with the Cannibals: Cannibalism, Consumption and Culture conference running on 25-26th April 2013. For more information about this conference, please visit the website.

Twisted Tales is an award-nominated series of horror readings based in the North West, with the aim of promoting the best of 21st century horror through engaging the public in a series of dynamic literary events. Now entering into its third year, Twisted Tales has worked with a range of top authors, including China Miéville, Sarah Pinborough, Ramsey Campbell, Jeremy Dyson, Adam Nevill, Stuart MacBride, Graham Joyce, Alison Littlewood and many more. For further information, please visit the Twisted Tales website.

Saturday 23 March 2013

WIN A FREE BOOK! Aimee and the Bear Giveaway

Your chance to win a copy of Aimee and the Bear, the stunning debut novel by Toby Stone. I'm giving away TWO free copies on the 6th April. And the good news? You can enter from anywhere in the world!



When her mother’s cruelty is too much, Amy holds her teddy bear’s paw and travels to the Other Place—a world where teddies become real bears, where children attend the Night School to escape whatever it is they face at home, where Amy becomes Aimee, and there’s magic in the air. But the Other Place is in danger—the Witch has awoken, and Amy must find the courage to save her baby brother before it’s too late.

A dazzling, heart-wrenching and brutal descent into the world of the imagination. This is not a children’s book. This is not a fairy tale. This is not your average heroine.

Aimee and the Bear is published by Hic Dragones.

Praise for Aimee and the Bear:

What a fascinating read!! This is, hands down, one of the best books I’ve found in years. Like I said, Wow. No matter what I render as a review, there is nothing left more important than WOW. This author just blew me away with the perfect clarity, perfect flow, perfectly satisfying writing style that made me smile or frown out loud at times. I may have said this before, but this time I mean it when I say that I was captivated from the first 4 paragraphs.
- angelsintheunderworld.com

This is a very unusual book, a contemporary modern day novel with a twist. Amy has a cruel mother and she escapes to another world with her bear to escape her cruel mother, a world with a Night School, strange Teachers and creatures. It is not a children's book (it is quite dark in parts)or a fairy tale. It is enchanting and pulls you along. This is Toby Stone's first book according to the blurb, and for a debut novel it is stunning, he has massive potential.
- Goodreads

Absolutely brilliant! I’m not usually a fan of ‘magic realism’, but this really works. I think that’s because the realism is very real (this is not a book for kids, despite the cuddly toy element) and the magic is serious, funny and dark. Stone is a superb writer – intelligent, stylish and quirky – who creates very rounded characters. As an evocation of the childhood mind, it’s the most convincing thing I’ve read since Alice in Wonderland.
- Amazon

Need to know more? You can read Toby's exclusive short story, 'A Vampire's Guide to Dummies', right here on the She-Wolf blog.

Enter the Competition!

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Wednesday 20 March 2013

GUEST POST: A Vampire's Guide to Dummies

A new short story by Toby Stone

Toby Stone is a novelist from Whitefield, near Manchester. His debut novel, Aimee and the Bear is out now from Hic Dragones. You can find Toby on Twitter (@tobystone1) or on his blog.

'A Vampire's Guide to Dummies' is an exclusive, unpublished short story.


A Vampire's Guide to Dummies

You may have already read A Zombie’s Guide to Attaining Zen and A Skeleton’s Guide to Overcoming Anorexia. A Vampire’s Guide to Dummies is the third in this series of aspirational texts for the dead. Yes, you too can be a better creature of the night. But A Vampire’s Guide to Dummies is as much help-yourself as self-help. It’s about our food, about where to eat and what to eat – by which of course I mean, who to eat.

I’d like to thank you for taking an interest in where your next meal comes from. There is a wide range of flavours available to vampires, but dummies are the most representative of mortal dishes. Like Big Macs for human children, we all know how a dummy tastes. That sweat of desperation, the slight lard of overeating ice-cream on the sofa, the rich lethargy of their blood. Personally, I prefer to snack on the thick. Intelligence has always made the human bitter. Look at Nietzsche.

Dummies are formed by stupid parents, an insipid childhood and, most often, reality TV. They think vampires foppish, refined, with cheek-bones as high as Robert Pattinson’s side-burns. As a newly turned vampire, you will still be stumbling against this cliché. Female teenagers won’t give you the time of day, let alone night. With regard to film stars, people tell me I most resemble Darth Vader, after he takes off the mask. Words don’t really fit me. The word ‘corpulent’ could have been coined for my gut, but doesn’t have enough syllables and wouldn’t encompass it. Very little does and I shop by catalogue.

The human form, though, is the focus of this guide, and I want to help you to be the most effective vampire you can be. We are, after all, the mortal’s foremost predator. And where better to hunt than in the city, on a summer’s evening, as dusk rots the sky? The girls in their slight dresses, passing like sirens freed from their calling. The jiggle of their hems, of their bosoms. The strong, young men, their nape and shoulder muscles unfurled like wings. The city, in the summer, makes a simile of everything, and the motion of human limbs in the dying light is as pleasant as poetry. Always eat the beautiful. And you can tell, just by looking and listening around, that the most beautiful are also the most stupid.

There are three ways of defining the dummy food-group.

1. What a Dummy is Not

New vampires are drawn to a certain type of food. You will want to eat the vibrant, the strong. To drink blood barely held in check by its veins. I like late night cafés with large windows, and my voyeur’s pleasure is the chav. They are the big cats of the human race – its big game.

The chav, though, is an occasional snack. While they represent good calorific value (their bloodstream contains four-fifths of the RDBI – Recommended Daily Blood Intake), they are exceptionally tenacious livestock. According to research, the calorie-cost of subduing a chav is often more than the benefit of supping on one.

Still, an americano warming your frigid palms, you will find yourself gazing at them, drinking them in as they pass in gangs, having discarded black Nike hoodies for shaven heads and chequered, short-sleeved shirts. You will rise, as I so often have, and follow one into an alley, as he looks to leave his last drink on the cobbles via his bladder.

When you do, there exists a combination of techniques (recommended by most vampire masters) used to prepare this plate. Any good Nocturnal Arts class can train you in these, until they become muscle memory. Practise the moves with a dummy (not a real one, of course). Diagrams can be found in the appendices.

● First, he will unzip. You will clutch at him, grasping his wide, pink, sun-spanked throat.

● Pull him close until you can feel the muscles of his back writhing against your gut.

● The chav will curse and butt back his head.

● You say: ‘Hold still, please.’ And: ‘Stop fighting it, sir.’

● You wrap your legs around his hips, topple him to the side, and roll on the ground, behind cardboard boxes, green skips and black bags.

● The chav will fight like he has always known how, since he was six. But he has always been beaten and, at the end, will go limp, apart from the motion of his tears.

● Then feed. As noted, a chav is not a dummy but a treat, and, though it is important to indulge oneself once in a while, be sure to pop a Rennie afterwards. Chavs give me indigestion. It’s not that I don’t like them, but that they don’t like me.

2. The Male Dummy
Interesting Facts
The top investment banks (of which number JP Morgan, Goldman Sachs, and Barclays Capital) take pride in firing 20% of their employees every year. The crème may become wildly rich, but the bottom is regularly tapped out and left to rot on the floor. Financiers are among the five professions rated most likely to commit suicide. Due to this, and to 90-hour working weeks, which mean personal relationships are few and distant, bankers are easy pickings. Like thread worms from the bottom of society, nobody misses their passing.
If chavs are rare steaks, the strip joint is the easiest place to pick up the more everyday meat. Near the centre of the city, lap-dancing clubs throb with flesh, with neon lights, and with lines of magnetism that draw the dummies in. This is the place to buffet.

I eat peanuts by the bar and try to ignore the women. From time to time, I may prospect one for a private dance, so as to blend in, but I tell them I’m an arse man. I recommend the bottom dance. It does the appetite no good when you are enveloped in the down of their breasts, in the scratch of their areola, in the probing of their nipples. All your skin will feel is the throb above each, the clanging of blood like church bells in her jugular.

If you can, take a friend. The choice of companion is important. If possible, sit with somebody you cannot stand and have little inclination to talk to. You do not want to be distracted from the hunt. If you have not already turned your spouse, may I suggest doing so now? If you are unmarried, as I was, take a parent. I sit with Frank, who sired me.

Frank was not how one would wish to be turned. A straight man’s bad dream: moustached, leather clad, he maintains a relationship with B.O. that has several unhealthy issues, many of which come from his crotch. I often eat roasted peanuts when he speaks, to disguise my wincing and his mouth odour. Ignoring him, I usually pretend to look at the dancers and all they have to offer.

In reality, I am looking at the door. I suggest living in financial centres: New York, London, Tokyo, Paris, Frankfurt, Shanghai. Keep up with the business sections of newspapers and note the trading times. When the markets close, your buffet will open for business, and a tide of drink will flood in. A Red Sea closing: of investment bankers, hedge funders, open armed investment managers, shorters, speculators, portfolio re-engineers. Dummies out on the city that suckles them.
A Helpful Table
Here’s a selection of which professions you should aim for. (More comprehensive tables to be found in Appendix C.)

Profession: Banker
Risk: Very low - as above.

Profession: Children in Care
Risk: Low. There is only one subset of society humans ignore more than children, and that is children in care.

Profession: Call Centre Operative
Risk: Average. Due to a lack of daylight, may well be as grey as your flesh but, when not plugged into a computer at the right times, they cause a series of statistics to flash red. Other humans may not miss them, but the machines and their maths will, and in today’s work-place they are all that really matter. On the other hand, these employees really don’t.

Profession: Prostitute
Risk: High. Very little makes the media foam more than the marriage of sex and violence, and the drained body of a hooker is enough to send newspapers into spittle-invected overdrive. The scantily dressed corpse makes the biggest splash, I can tell you. It’s something to do with skin on water. Can I recommend cellophane?

Profession: Soap Opera Character
Risk: Very high. It has long been noted that the human mind is capable of storing only a set number of faces (ranging from 150 to 450). If column inches measure the importance humanity ascribes to one of its own, these alone will be missed.
As you prowl the strip club, do not browse for the alpha males, the men slapping rump and pressing the queen’s crinkled face into places her majesty would rather not see. Instead, cast your greed to the group’s tattered hem. The newbies. The greens. Young men straight out of Oxbridge who have not yet fitted in. Awkward grins long and loose and rubbery, holding their drinks with two hands to stop the shaking. They drink quicker than the rest. Soon, they will be drunk, and not in the way they expected to be at the inception of the evening. Afterwards, you’ll feel elated and tipsy. That’s the advantage of dining on the inebriated; you get a free drink with every meal.

I recommend making your move in the toilet. Open a conversation with a comment on one of the dancers, a line that encompasses her curves.

Say:

● ‘That Ruby’s a bit of alright’;

● or: ‘I wouldn’t mind a bit of slap and tickle with that Sapphire’;

● or: ‘When Diamond bent over, I think my brain came into my nose’; etc.

A male in a toilet has to follow up on these amuse bouche or be thought homosexual, which is not the impression to give in the Gents. Even better, say it in a northern accent. From there, convince them that a dancer wants a private audience, because they are so young and pretty and different.

Say: ‘That Emerald, I caught her looking at you. I’m a bit of regular here. Reckon I could get you a private room.’ (Add ‘lad’ or ‘son’ if you think you can get away with it.)

A man falls for this, a highly educated human, before he realises that ‘special’ was a word concocted for children who don’t understand ‘retarded’. If he does fall, you will walk into the private booth you have booked and because you, like me, are as ugly as a vampire can be, his callow, whiskey soaked eyes will flinch across you. And if you are like me, which is to say obese, you will subdue him with a lap-dance more forceful and heftier, than he had been imagining. And the breasts in his face will be moobs, and unexpected, and it won’t be long before his Bambi body is broken, and your belly thickens.

3. The Female Dummy

Never, and can I make this clear, never attempt to eat a woman you do not know. They start at the presumption, no matter how ugly the lady, that all men are predators. This is not conducive to hunting.

For hunting ladies, I use Facebook.
Did you know?
97% of callers to the Rape Crisis Line report being assaulted by men they know or, I would suppose, thought they knew. Preying on the familiar is what humanity does best, and, if we are to blend in, it is thus the way to go.
Social media is a wonderful way to convince them that they do, in fact, know you.

I have several profiles: some male, some female, some heterosexual, some homosexual, some a little of all four. The pictures are cropped from Google Images. Once one is nestled in a friendship group, it’s amazing how everybody thinks you are someone else’s acquaintance. I spread myself around, using all the tricks they warn children (but not adults) about.

In the main, I turn the subject of threads to my love of the Twilight series.

‘I real respect Edward, he’s so cool, it must be real hard for him.’ I will post, having Wikipediaed the books. I was unable to read them.

‘Yeah, I no how u feel. Sometimes the hardest thing 2 do is the best thing. Sometimes, u cant have what u want, and it makes u thirstier for it, but somehow its better,’ she will reply.

‘I no right what you mean.’

‘You’re the only man I no who gets it.’

‘8-) I think we can actually learn something from vampires. No I sound crazy. But I do.’

‘Yeah, same here.’

After several months, I will arrange to meet my quarry. Yes, a long incubation period for the maggot to turn into a fly, but you have to imagine several of these ‘relationships’ gaining wings at the same time. Twilites, I call them. Light meals, not too stodgy, you can do things afterwards and enjoy the rest of your evening. Nothing worse than a full roast on a summer’s night.
A Case Study
As with humanity, the most powerful teaching tool for vampires is often the anecdote. This is not, though, a heart-warming parable of a frog tricking a scorpion, or of a bear that learns to talk about his feelings. But if you practise what this study preaches, it will at least warm your guts.

I met one particular ‘Twilite’ for the first time in Starbucks. (Please note: women find coffee less intimidating than alcohol on a first date.) I asked her to wear something red, around her throat, so that I would know her.

The meal-to-be tends to writhe on the hook of this meeting for at least an hour. I sat regarding this one for two hours , as she waited for somebody who looked entirely unlike my ugliness. She wept a little, and in public, and a group of young women pointed at her and whispered. One laughed, and my victim-to-be left in a tirade of clothing and a line of cravat. She looked like someone whose faith in humanity had been shattered. A bit quick to jump to conclusions, humans. She wasn’t paying attention as she reached her flat, and she didn’t lock the door.

It would be insensitive to describe what happened within.

I followed her down an unlit hall, past a white-framed, single paned window. I am light-footed, for an obese man, and can creep. (I am not weighted by a soul.) She slumped on a chair beside a small wooden table and fell forward into her own arms, crying. Her sobs were loud, and I feared the neighbours might be roused, before seeing the regular red gashes, like the marking of prison time, up her arms. I realised that this kitchen had heard it all before. The cupboards were worn, the shelves listless. Her arms, as I was watching them, continued around to clutch at her back, not so much hugging as trying to stab. I could hear tight cotton tearing.

‘You’re right,’ I said.

Her nails stopped, her hands became claws: furtive, stunned animals trapped by her own elbow joints.

‘You could learn from vampires.’

She attempted to turn, but I leant the weight of my chest upon her nape. She tried to scream but the weight, as I knew it would, crushed her lungs into withered leaves. I slammed her head, once, against the small, wooden table. A book toppled onto the floor, face up. New Moon, it said, and it looked eared and resigned, like an old dog. I could hear panting, but it was just her.

She was bleeding from her nose. This distressed me. Impatient, I bit and sucked, and she jolted in her Ikea chair, wetting the tea-stained white cushion and soiling her summer skirt. All I could smell was the red stuff. I could hear her squelching as she writhed, until she stopped.

You’re hungry now, aren’t you?

Before I left I walked through the lounge to the bathroom, picking my feet between discarded books. The lounge had the look of a struggle. Above the sink, the electric light came on but seemed reluctant. Since I’ve been gone, it’s been a relief not to stare at my face. In my day-life, I was an estate agent and the crap of it all had begun to rub off. I looked like shit alive. No doubt I look worse now, but not to me.

I smiled at my lack of reflection, curled back my lips, revealing the extent of my teeth, and reached inside the top-right pocket of my black jacket. From it, I removed a thin, white box, with a single canine drawn on it, in blue.
After every meal, I floss.

Some Pointers on Dining Decorum:

• Always carry floss. We may be descended from medieval Eastern European savages, but we are not barbarians. It is anti-social to spend the evening with larynx hanging from your teeth.

• Wear a dark suit and a shirt a shade lighter. Dark cloth is not an aesthetic choice, as you can imagine. First, it hides the sweat patches of a fight. Second, it hides stains. Blood can be absurdly difficult to remove.

• If you do dribble, I suggest lemon juice and cold water. Do not use hot water, do not. It sets the stain. Then, as Buffy herself might have said, hang the article on a line that will receive direct sunlight; it will finish the job for you.

• And, of course, don’t forget your Rennies.

• And don’t forget to look behind you. No, don’t look up, not yet. Keep reading, please do. Dummies read self-help guides, didn’t you know? Why do you think I wrote this? It’s not exactly life-enhancing. Did you know 94.5% of self-help readers are so gullible they’ll believe any old statistics?

I watch you dummies browsing in bookstores from my blacked-out 2CV, with your dirty little self-help purchases. Watch you pay, watch you leave. Follow you home. There’s no bigger dummy than someone who thinks they can change. What is it with humans and vampires? You want to be like us, do you? If there even was an Appendix C, you’d find Aspiring Vampires at the top of the Helpful Table. You keep odd hours. You’re avoided around the water cooler. If you don’t live alone, you’re heading that way. You’re bloody perfect.

Some Final Tips:

● Stay still. The skin of your throat is soft as I run my nails across it. The finest of hairs lift up onto my fingertips. Does that tickle? My nails are short. They don’t grow anymore.

● Try not to soil yourself. This will feel uncomfortable, like having a tooth removed through your throat. No need to add the smell of faeces to your discomfort. Can you smell my chest, instead, as it presses against your back? I’m wearing Old Spice. Nice.

● If you experience sexual excitement, even as you die, if you harden or quicken, do not go red. The body acts in unusual ways to unusual stimulus. You would not be the first to orgasm as you pass out. Go with the flow, it won’t be the only part of you that does.

As advertised in the title, this guide has led me to you. As with any good dummy, it’s time I popped you in my mouth, sucked, and shut up.




About Toby: Toby Stone went to the same school as Batman (Christian Bale) and Benny Hill. Though they were not all there at the same time. As an adult, Toby has been a toy-seller, an Avon Lady, Double-Glazing Salesman of the Week, a mortgage broker, a suspicious barman, a school governor and a bingo caller. Aimee and the Bear is his first published novel. Follow Toby on Twitter (@tobystone1) or on his own blog.



Aimee and the Bear is OUT NOW, published by Hic Dragones. When her mother’s cruelty is too much, Amy holds her teddy bear’s paw and travels to the Other Place—a world where teddies become real bears, where children attend the Night School to escape whatever it is they face at home, where Amy becomes Aimee, and there’s magic in the air. But the Other Place is in danger—the Witch has awoken, and Amy must find the courage to save her baby brother before it’s too late. A dazzling, heart-wrenching and brutal descent into the world of the imagination. This is not a children’s book. This is not a fairy tale. This is not your average heroine.

Watch the trailer:

Saturday 2 March 2013

Registration Open: Cannibals: Cannibalism, Consumption and Culture

Kanaris Lecture Theatre and Conference Room
Manchester Museum, Oxford Road, Manchester M13 9PL, United Kingdom

Thursday 25th April – Friday 26th April 2013

Registration is now open for the Hic Dragones Cannibals: Cannibalism, Consumption and Culture conference. For information about how to register, please visit the conference website.

Conference Programme

Thursday 25th April

9.15-9.45am: Registration

9.45-10.00am: Welcome and Opening Remarks (Kanaris Lecture Theatre)

10.00-11.30am: Session 1: Cultural/Cannibal Encounters (Kanaris Lecture Theatre)
Chair: TBC

(i) Sarah-Louise Flowers (University of Manchester): Consuming Local Tradition: How Outsiders Have Left the Amazon’s Dead Cold and Lonely
(ii) Ruth (Meg) Oldman (Indiana University of Pennsylvania): Preying Upon Blood: Depictions of Catholics in Early Modern Literature
(iii) Michelle Green (University of Nottingham): The Wendigo Cannibal and the ‘Myth’ of Diabetes in Native American Groups

11.30-12.00am: Coffee

12.00-1.30pm: Parallel Sessions

Session 2a: Theorizing Cannibal Culture (Kanaris Lecture Theatre)
Chair: TBC

(i) Sandra Bowdler (University of Western Australia): ‘Cannibalism is Bad’
(ii) Kamil Łacina and Dagna Skrzypinska (Jagiellonian University, Krokow): Bon Appetit! A Concise Defense of Cannibalism
(iii) Suzanne Stuart (University of South Wales, Australia): A Very Particular ‘Consumer Culture’: Theorising Cannibalism in Cultural Discourse

Session 2b: Consuming Women (Conference Room)
Chair: TBC

(i) Jennifer Bowes (Leeds Metropolitan University): Devouring the Self: Eating Disorders as Cannibalism of the Psyche in Stephenie Meyer’s Twilight Universe and Margaret Atwood’s The Edible Woman
(ii) Nancy Schumann (Books With Bite): Pardon My Bite: Vampire Women Who Kill Children From Ancient Folklore to Post-Modern Literature
(iii) Carys Crossen (University of Manchester): Fine Young Cannibals: Cannibalism, Psychoanalysis and the Ethics of Consumption in Stephenie Meyer’s Twilight Series and Poppy Z. Brite’s Lost Souls

1.30-2.30pm: Lunch

2.30-3.30pm: Film Screening and Round Table: Babysitting and the Child Cannibal (Kanaris Lecture Theatre)
A screening of Babysitting (dir. Lucas Masson, 2012), followed by a round table discussion about children, horror and cannibalism
Chair: Hannah Priest
Panel: TBC

3.30-4.00pm: Coffee

4.00-5.00pm: Session 3: Cannibalism in Fiction (Kanaris Lecture Theatre)
Chair: TBC

(i) Abby Bentham (University of Salford): Let Us Prey: Cannibalism, Capitalism and Culture in Jim Thompson’s The Getaway
(ii) Nela Roxana Gheorghica (Independent Scholar): Faber’s Under the Skin and the Cannibal Within Us All

5.00pm: Sessions End

*****

Friday 26th April

9.00-10.30am: Parallel Sessions

Session 4a: Consuming Knowledge, Consuming Christ (Kanaris Lecture Theatre)
Chair: TBC

(i) Matthew Graham (Leeds Metropolitan University): The Devouring of Knowledge: Consumption and Philosophy in Blanchot’s Thomas the Obscure
(ii) Daisy Black (University of Manchester): ‘Smiting a Cake’: Preparing and Cooking Christ in the Croxton Play of the Sacrament
(iii) Sara Williams (Independent Scholar): ‘The Soul is Like an Infant That Still Nurses When at its Mother’s Breast’: Oral Fixation and Fantasies of Kleinian Cannibalism in Female Hagiography

Session 4b: On Serial Murder (Conference Room)
Chair: John Wallen

(i) Helen Gavin (University of Huddersfield): Guess Who’s Coming to Dinner? Inside the Mind of the Cannibal Serial Killer
(ii) Emilia Musumeci (University of Catania): Love Me, Kill Me, Eat Me. Serial Killers, Sexual Behaviour, and Voluntary Cannibalism
(iii) David McWilliam (University of Lancaster): ‘Help Me, I am in Hell’: Necrophiliac, Necrophagic Serial Killer Jeffrey Dahmer and the Limits of Empathy

10.30-11.00am: Coffee

11.00-12.30pm: Parallel Sessions

Session 5a: Empire and Machine (Kanaris Lecture Theatre)
Chair: TBC

(i) Jessica George (Cardiff University): ‘The War Ate my Boy, Damn Them All’: Food Chain and Fantasy in Lovecraft
(ii) James Collinge (Leeds Metropolitan University): Rethinking the Martian: British ‘New Imperialism’ as a Cannibal Cyborg in H.G. Wells’s The War of the Worlds
(iii) Franziska E. Kohlt (Independent Scholar): Horrid King Besmear’d with Blood of Human Sacrifice: Man-Consuming Machinery and Moloch as Dystopic Metaphor in H.G. Wells’s Time Machine and Fritz Lang’s Metropolis

Session 5b: Cannibalism and Textuality (Conference Room)
Chair: TBC

(i) Barbara Laner (University of Innsbruck): Incorporating Media: Cannibalism in Film as a Metaphor for Intermediality
(ii) Ellie Dobson (University of Birmingham): Flesh-Eaters in London: Cosmopolitan Cannibals in Late Nineteenth-Century Fiction and the Press
(iii) John Wallen (University of Nizwa, Oman): The ‘Cannibal Club’ and the Roots of British Racism and Pornography

12.30-1.30pm: Lunch

1.30-3.00pm: Parallel Sessions

Session 6a: Cannibals and the Other (Kanaris Lecture Theatre)
Chair: TBC

(i) Savi Munjal (University of Leeds): ‘’Tis Human Flesh They Gnaw’: The French Revolution and Cannibalism in Gillray’s Un Petit Souper à La Parisienne
(ii) Joanne Ella Parsons (Bath Spa University): ‘Bone Soup’: Cannibalism, Civilisation, and Racism in The Frozen Deep and the Franklin Expedition

Session 6b: Of Aliens and Monsters (Conference Room)
Chair: TBC

(i) Matthias Stephan (Aarhus University, Denmark): How Other is the Cannibal? – Ontological Blurring in SF Cannibal Scenes
(ii) Franziska Burstyn (University of Siegen): Wicked Witches and Gruesome Giants: Parental Infanticide in Children’s Literature

3.00-3.30pm: Coffee

3.30-5.00pm: Session 7: Cannibals and Popular Culture (Kanaris Lecture Theatre)
Chair: TBC

(i) Karley Adney (ITT Technical Institute): A Carnivalesque Cannibal: ‘Mein Teil’ and Representations of Homosexuality
(ii) Hannah Priest (Hic Dragones/University of Manchester): ‘Killing for Sport… Eating All the Bodies’: Richard the Lionheart, Eric Cartman, Hollywood Superstar Shia Leboeuf
(iii) Edward Powell (University of Leeds): ‘SuperUndeadMassacreFPS!’: Cannibalism and Consuming Commodified Violence in Call of Duty: Zombies

5.00pm: Conference Close

To register for this two-day event, please visit the conference website or email the conference convenors.

Friday 18 January 2013

Coming Soon... Aimee and the Bear by Toby Stone

So, this post is about a book I've recently edited, rather than a book I've written, but I'm so excited about it I thought it deserved a post.



Aimee and the Bear is the absolutely stunning debut novel by Toby Stone, to be published by Hic Dragones in February 2013. It's a dark (sometimes very dark) fantasy story about a troubled young girl who makes a dangerous journey into the world of her imagination. Stuffed to the brim with echoes of Oz, Wonderland and 100 Aker Wood - but with its feet firmly in early twenty-first-century Manchester - Aimee and the Bear is no children's story. It's captivating and unsettling piece of Manc magic realism that'll change the way you look at teddy bears (and Russian dolls) forever.

Aimee and the Bear is being launched on February 7th 2013, at the International Anthony Burgess Foundation in Manchester, with readings and wine reception. It's a free event, and there's more details on the launch party website. If you can make it, it'll be a great night. If you can't make it, I strongly recommend you get hold of a copy of the book as soon as you can!

Thursday 22 November 2012

Returning to Oz: The Afterlife of Dorothy

Thursday 7 February 2013
International Anthony Burgess Foundation, Manchester, United Kingdom

Registration is now open: please visit the Hic Dragones website for more information.

Programme

9.30-10.00 Registration

10.00-11.00 Keynote Paper: Geoff Ryman (University of Manchester)
Harrowing the Land of the Dead: Oz, Was and Joseph Campbell

11.00-11.30 Coffee

11.30-1.00 If I Only Had a Heart: Storytelling and Oz
Chair: TBC

Matthew Freeman (University of Nottingham): Across the Rainbow: L. Frank Baum’s Land of Oz as the Historical Origins of Transmedia Storytelling

Hannah Priest (Hic Dragones/University of Manchester): The Once and Future Dorothy: Intertextuality in Tin Man

Alexander Berezkin (Far Eastern Federal University, Vladivostok): Dorothy Gale and her twin Ellie Smith in a magical land of the USSR

Dee Michel (Independent Researcher): Gay Folkloric Beliefs About the MGM Film and Judy Garland

1.00-2.00 Lunch

2.00-3.30 If I Only Had a Brain: Theorizing Oz
Chair: TBC

Johanna Schorn (University of Cologne): “Just you and I / Defying Gravity”: A Queer Reading of Wicked

Ashley Wilson (University of Cambridge): East or West, Home is Best: Using Place/Space Theory to Identify the 1939 Wizard of Oz as the True ‘American Fairy Tale’

Sorcha Ní Fhlainn (Manchester Metropolitan University): The Oz you haven’t see before!’: The Gothic Sublime in Return to Oz (1985)

3.30-4.00 Coffee

4.00-5.30 If I Only Had the Nerve: Merit and Madness
Chair: TBC

Maria Cohut (University of Warwick): The Grotesque and the Sinister in The Wizard of Oz: Perpetuating Christian Models of Merit

Karen Graham (University of Aberdeen): ‘Now what are we going to do about Dorothy?’: The Judgement of Dorothy in Gregory Maguire’s The Wicked Years series

Carys Crossen (University of Manchester): We’re off to See the Psychiatrist: Madness, Feminine Symbols and Female Power in Disney’s Return to Oz

5.30-5.45 Short Break 5.45-6.45 Special Guest (via Skype): Gregory Maguire (tbc)

6.45 Conference Close

For more information about the conference, or to register, visit the Hic Dragones website or email the conference convenors.

Thursday 15 November 2012

OUT NOW: Variant Spelling Kindle Edition

And also at long last... my debut poetry collection is now available on Kindle (UK and US)

I sigh, but it’s not from frustration
But because I think that you’ve forgotten
that sometimes punctuation
just reminds us when to breathe.




Hannah Kate is a North Manchester-based poet, author and editor. Her work has appeared in a number of local and national magazines, as well as an anthology published by Crocus Books. She is a freelance teacher of English, Maths and Creative Writing, and reviews genre fiction and academic writing for a number of organizations. This is her first full-length collection of poetry.

“Delicate and strong, Hannah’s words beautifully communicate the impossibilities of communication. She explores the subtexts of what we do with our language in ways that will resonate with anyone who finds their own feelings and intents too big for semi colons.”
Dominic Berry, Poet

“The poems in Variant Spelling evoke a North in revolt; a place of abandoned dyeworks, soot, winter, granite and grease. Through the ‘shifting vowels’ of the title poem they celebrate a world at odds with the imposed culture of the South. It is at its most rebellious in Praise God, where Hannah ‘praises the God of the North’, a place where the ‘air hangs with burning witches’.”
Rosie Lugosi, Poet and Performer

For more information, please visit the Hic Dragones website.

To order, visit Amazon UK or Amazon US.

Friday 2 November 2012

OUT NOW: Wolf-Girls Kindle Edition

At long last... the anthology of short stories about female werewolves that I edited is now available on Kindle.



lycogyny, n., the assumption by women of the form and nature of wolves

Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny
Edited by Hannah Kate


Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded, the abject, the monster.

The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…

Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.

Available now from: Amazon UK and Amazon US.

For more information, visit the Hic Dragones website.

Wednesday 19 September 2012

GUEST POST: What's so fascinating about female werewolves by Jeanette Greaves

I'm pleased to welcome another guest post as part of the Wolf-Girls blog tour. Today Jeanette Greaves, author of 'The Cameron Girls', posts on her fascination with female werewolves...



Lions and tigers and bears are old hat, what we want these days are vampires, werewolves and zombies. All three were human once, all three infected by some agent that has changed them and taken them out of normal society, but the werewolf stands alone in still having life. Vampires and zombies are cold creatures, forever apart from humanity. The werewolf can pass for human and often does, struggling with its bloody secret, fighting to keep its human life and place in society, knowing that inside lies the monster, an animal that will break free, that will have its due. The secret beast within a werewolf is its power and its downfall.

The werewolf is ruled by the moon, the rise and fall of the beast subject to an inevitable, regular cycle. Once a month, the demon breaks free, and everything changes. Sounds familiar? The idea of linking the threat of a woman at the peak of her cycle with that of a werewolf's monthly rage comes inevitably, and it's no surprise that so many of our modern female werewolves are angry creatures, ready to use their sudden strength and power to strike back at those who have hurt and humiliated them in the past.

It's somewhat surprising that the werewolf has traditionally been a male creature, when the waxing and waning of strength and blood is so female. It is women who give birth to new life, who change the world with every child they bring forth. Perhaps it's a secret envy of that power to change that led to so many stories of the werewolf, the man who changes, the man whose body dances to the rhythm of the moon?

Many traditional western shapeshifter stories painted women who changed into animals as witches, fated to be caught out in their deceit by an injury carried from their animal form to their human form, revealing them as shapeshifters. Even in animal form, these women were rarely wolves, more often they were deer or hares, prey creatures. These women would be shamed and often killed, in their human form, driving home the message that women who stray from their given fate will be found out and punished. Male werewolves die in wolf form, allowed to keep their strength and power, even in death.

It's hardly surprising that today's writers are claiming the female werewolf as the essence of power, strong, uninhibited, and with a rare gift. Our werewolf girls and women are as varied as the writers who they spring from, some are kind and dread the escape of the beast within, some are ruled by the moon, others are in control of their inner wolf. They have one thing in common, strength and power, traditionally male attributes, which are being taken by our wolf girls and used for their own purposes. Will they be used for good or evil? We can only watch and wait, and hope for more stories about the wolf girls and their kin.

Read Jeanette's story in Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, published by Hic Dragones.

Friday 14 September 2012

GUEST POST: The Poetry of the Wolf-Girl by Kim Bannerman

It gives me great pleasure to welcome another guest post from a writer taking part in the Hic Dragones Wolf-Girls blog tour. Today I welcome Kim Bannerman, author of the story 'A Woman of Wolves Born'.



Question: What’s so fascinating about female werewolves?

Answer: For me, it’s simple. Female werewolves are fascinating because they are completely, utterly free. They embody the capricious, confident spirit that so many women desire: they are free of hesitation, free of obligation, free of restraint. Female werewolves do not cast fearful glances over their shoulders when they walk down dark alleys. They do not stay safe behind locked door. They don’t freak out when they find a bit of hair where society tells them none should be. Female werewolves can be bitches, and it’s totally okay, because it’s not an insult: it’s biology.

Image: Shawn Pigott


Of course, I can only speak to finding them fascinating in a female sort of way. I love to read about female werewolves because I love what they can do, and I wish I could do it, too. I can’t speak to why men find them fascinating, if they even do at all.

But while men might not find the concept of unrestrained liberation as intoxicating as I do, I wager there’s a good portion of the male population that finds female werewolves fascinating in a whole other way. A werewolf is powerful, unpredictable, and brimming with bestial sexuality. Female werewolves are sleek, lithe and strong, and unabashed by their body. (Vampires are sexy, too, but they don’t run around naked and athletic.) Have you ever seen a pack of wolves, running through the snow? Their bodies are fluid and fierce, and they slice through the air like arrows.

Now translate that into a woman’s form. See her move with grace through a crowded street, her head held high, her bright eyes catching every movement. She is an apex predator, a silent shadow that slips between the cacophonic traffic of an urban setting. Her heightened senses sample the delights that surround her: the smell of almond biscotti in a bakery window, the sound of the heartbeats of those around her, the touch of the cool autumn breeze as it ruffles the leaves of the elms in the park.

Image: Shawn Pigott


And tonight, when the moon is full, she will leave behind her human form to creep silently along silver-touched paths, a beast capable of poetry. She will embrace her bitchiness, delight in the taste of blood on her teeth, and drive all the wolf-boys wild.

Kim Bannerman's story is one of seventeen new female werewolf stories in Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, edited by Hannah Kate and published by Hic Dragones. For more information, or to buy a copy, please visit the publishers' website.

Thursday 30 August 2012

GUEST POST: J.K. Coi and Sarah Peacock on Wolf-Girls

Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny is a new collection of short stories about female werewolves. Edited by Hannah Kate and published by Hic Dragones, this collection features seventeen new stories about dark, dangerous and (above all) female lycanthropy.



As part of the Wolf-Girls Blog Tour, I'm happy to host a joint guest post from two of the writers, J.K. Coi and Sarah Peacock, who talk about their experiences of writing female werewolf fiction...

JK Coi is the author of 'Run Wolf' — part of Wolf Girls: Dark Tales of Teeth, Claws and Lycogyny, and the award-winning author of more than a dozen novels and short stories about dark, epically tortured characters. She also writes dark fantasy for young adults as Chloe Jacobs.

'Run Wolf' is a short story about a young female werewolf who’s been forced into the fight of her life. Kill or be killed, wolf. What’s it going to be? That’s the voice in her head, the one that won’t let up, won’t set her free, not until the sick humans’ game is over. Except that… the game is never going to be over.

I enjoyed writing this story so much, I still can’t get Gwen out of my head. Her strength and determination have inspired a greater storyline that I’m excited to start writing about soon.

But what is it that makes her such a compelling character? Why are werewolves so fascinating in fiction right now, and female werewolves in particular? Well, I think the great thing about seeing more books featuring female wolf protagonists is the fact that it’s fairly new and fresh. Sure, werewolves have been around about as long as vampires, but they’re usually male. Not all, but predominantly. And why is that? Because like vampires, werewolves are traditionally dark characters with lots of brooding badassery and baggage.

Personally, I would love to see more female werewolf characters. I think it’s about time that readers experienced strength and power from a female perspective! And you know what, I think the authors in Wolf Girls are the perfect ones to start writing those books!



Sarah Peacock's contribution to the collection is entitled 'Exiled'. Having a degree in Archaeology and Pre-history, Sarah now divides her time between writing and looking after her children. Fascinated by traditional tales of the supernatural, ‘Exiled’ was inspired by the mention of ‘cú glas’ (grey wolf) in the Ulster Cycle to describe a person wholly without ties, a foreigner, or someone who doesn’t belong.

In 'Exiled', Cassie isn't your normal everyday werewolf. But then again, I don't suppose any of the lycanthropes in 'Wolf Girls' are. For a start, they're all female. For me, the concept behind a woman transforming or becoming a werewolf is such a fascinating one to explore and one that I really enjoyed writing about.

The first time I came across a female werewolf was in the film 'Ginger Snaps' which portrays female lycanthropy as a metaphor for puberty and female sexuality. I love this film; it's one of only a few films that I can watch over and over again. The women as werewolves are strong but remain human in many ways - it says so much about being female.

In 'Exiled', Cassie's transformation is psychological. She becomes a werewolf as she discovers her own strength, finds her own voice in a culture that expects women to behave and look a certain way. As a result she becomes an outsider, she doesn't follow other's expectations and she becomes 'Cǔ Glas' – Grey Wolf. I first came across the idea of the grey wolf in an 11th Century Latin poem – I was researching a novel at the time and looking into Iron age customs and traditions. In the poem 'De Mirabulis Hiberniae' it talks about how those outlawed from the tribe would assume the form of a wolf. This is also mentioned in the stories of Cu Chulainn.

Cassie's story essentially developed from that idea. It was, at first, just a scribbled note in my journal.

The story takes the theme of not belonging and explores what happens when Cassie begins refuses to fit in with the small minded expectations that the people around her have. Her anger is unleashed and so she becomes an outsider. In our culture, Women aren't supposed to get angry and there is an extra special stigma reserved for women who are violent or kill. They are seen as the worst of the worst – a far cry from their idealised roles as care givers and nurturers.

One thing that springs to mind is that Cassie's transformation is not clear – does she change purely because she finds her voice or was the potential for turning there already? I quite like that ambiguity.

What is refreshing about the stories in Wolf Girls is that they explore these themes and more. Female lycanthropy has, at times, been taken and subverted into something to be exploited – a cartoon like portrayal of woman as wolf, but these stories veer sharply away from that and do something much more intelligent. In female lycanthropy, we as writers can explore some fascinating avenues; female sexuality, the body, violence, anger and psychology. Of course, never forgetting that a good story should always be the focus. But then again, all stories, including my own have within them, a subconscious undercurrent, something we might not be quite aware of as we write, only visible from the outside later, themes, ideas, pieces of our own psychology.

Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny is available now in paperback from the Hic Dragones website. An eBook edition is coming soon.

Wednesday 15 August 2012

GUEST POST: Andrew Quinton (Wolf-Girls Blog Tour)

As part of the Hic Dragones Wolf-Girls blog tour, I'm happy to host a guest post from Andrew Quinton, one of the book's contributors...



Hello! I’m Andrew Quinton, Wolf-Girls contributor and writer of The Librarian. I find it difficult to write about myself, so for the purposes of this article, I’ve asked Alexis LaPierre — werewolf, peer-pressured vegetarian and protagonist of The Librarian — to conduct an informal interview with me. This interview makes some oblique references to scenes in the story, but contains no spoilers.


Illustration by Tandye Rowe

Alexis LaPierre: Really? Interviewed by your own character? I’d love to cite some examples illustrating just how gimmicky this is, but I can’t think of any other cases where a writer was shy enough to try it. I’ll find something when I’m back at work.

Andrew Quinton: Do you think you’ve still got a workplace to go back to? You took some unannounced time off, didn’t you? A long weekend that sort of –

AL: I don’t want to talk about it. Besides, I wasn’t strictly responsible, given how hard you worked to put me in that situation.

AQ: Well, yes, I did guide you there, but I didn’t know how it was going to turn out. I thought you were going to end up on Grouse Mountain in the middle of the night. I didn’t know much at all, really. Your story is the first piece of fiction I’ve completed since high school. That was in 1999. I haven’t had any formal writing instruction at all since then, so this story just carried me along with it. I didn’t think you were going to miss any time at work. I know that’s important to you.

AL: I’m the creation of someone who got a B+ in Creative Writing 12? How fortunate for both of us. Being relatively new to it, then, I take it that you don’t have a set process for writing?

AQ: For The Librarian, it was more of an anti-process. When I really started work on it, there were less than seven weeks before the submission deadline, so I was in a hurry. Most of the first two drafts were written on an iPod Touch or an iPhone, using WriteRoom and Dropbox to keep things organized. I wrote in little sprints, 5 minutes here, 20 there. On the bus, standing in line at a hockey game, in bed, once even during a meeting at work (not smart).

AL: Everything you’re telling me is making me feel like a child born healthy despite the fact that her mother drank and smoked through the pregnancy.

AQ: Yeah, it wasn’t ideal, but I made it work. It was convenient, being able to pull out a device and start writing wherever I was. Working like that also removed the framework of habits that I think a lot of rookie writers like me get tangled in. No rituals, no lucky coffee cups or special pens.

AL: Was it difficult to concentrate, writing like that? I often find it… difficult… to concentrate.

AQ: Headphones were the key. Every word of your story was written to music. Anything that takes places in the woods was written to Loscil’s gorgeous, glacial “Coast / Range / Arc”. For the non-flashback scenes, I listened to Cliff Martinez’s “Solaris” score, all tranquil bells and pensive strings.

AL: I see. What about the climax of the story?

AQ: Just one song, on repeat. “Demon Seed”, by Nine Inch Nails. I think that’s your theme song in this story. Particularly the last 90 seconds of it.

AL: “Demon Seed”? Are you sure you’re not still in high school?

AQ: Hey, it worked for you.

AL: That “my theme” can be expressed by such a song is profoundly disturbing on a number of levels. Next question. What made you want to write something — and then submit it for publication, which was a first for you — after over a decade of inactivity?

AQ: In early 2010 I set myself a few self-improvement goals, and one of them was to finish a piece of writing and have it accepted for publication before my 30th birthday, in May 2011. I wound up ignoring that writing goal in favour of the other things I’d set out to do, but when I heard about the Wolf-Girls anthology in January 2011, I knew I’d never find a better excuse to get started writing again. Dark short stories about female werewolves? To my family and friends it probably sounded like a vanity project I made up for myself.

AL: And yet you didn’t actually start writing the story until late February.

AQ: Yeah, despite the self-improvement kick, I’m still a consummate procrastinator.

AL: Clearly. Were you at least able to make your “accepted for publication by 30” deadline?

AQ: I got the acceptance email less than 12 hours before I turned 30. That was a good night.

AL: I’m so happy for you.

AQ: Really?

AL: Maybe. Moving on. I have a clear sense of my own history, but I can sense faint echoes of “previous versions” of myself. I get the feeling that I was iterated a few times during the writing process.

AQ: That’s right. I did quite a lot of re-writing. Originally you were going to be a court reporter, but I decided that you being a part of the justice system would create a premise too much like Showtime’s “Dexter”. I think Dexter Morgan is a terrific anti-hero, but he’s comfortable in his disguise. You’re never truly comfortable, are you? Even after seven years of relative domesticity.

AL: Let’s talk about something else, please. You run Werewolf News, and you’ve also created the SRA, a fake government agency that tracks “non-human” entities, including lycanthropes. Why do werewolves hold such fascination for you?

AQ: The short answer is that werewolves are awesome. The longer, more articulate answer is that I’m intrigued the concept of metamorphosis, especially when it’s mixed up with the construction of one’s personal identity. If you ignore how long a werewolf stays in either shape, how would you be able to tell which is his or her “real” body?

AL: How nice that you have the luxury of pondering that as an intellectual exercise. I know precisely which is my “real” body, thank you very much.

AQ: See, that’s why I usually go with the short answer.

AL: Speaking of “real” bodies… since I’m a character you made up, are you visualizing me as being physically there, across from you, asking these questions?

AQ: When we began this interview I tried to visualize you, yes, but the mental image of you sitting across from me on this train is very much at odds with the last scene of The Librarian. The latter keeps bleeding into the former. No pun intended.

AL: That pun was absolutely intended, and for that reason, we’re done here.

AQ: Hey, am I going to get to write about that other secret you have? The one I cut from the story becau–

AL: WE’RE DONE HERE.

Read 'The Librarian' in Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, edited by Hannah Kate and published by Hic Dragones.

Monday 2 July 2012

OUT NOW: Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny

lycogyny, n., the assumption by women of the form and nature of wolves


New title from Hic Dragones, edited by Hannah Kate
Price: £8.99

Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded, the abject, the monster.

The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…

Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.

To order, please go to the Hic Dragones website

For more information, please contact the publisher.

Wednesday 27 June 2012

Call for Submissions: Impossible Spaces...

and the things we find there.

Submissions wanted for a new anthology of short stories set in impossible spaces. From the conceptual impossibilities of China Mièville’s worlds, to the ludic illogicality of Lewis Carroll’s Wonderland, the retro-futurism of steampunk and the Kafka-esque repetitions and restrictions of dystopia – we love fiction set in places that could not (or should not) be. We’re looking for new and established writers to contribute dark and weird fiction for a new collection of stories set in places that bend the mind.

Editor: Hannah Kate
Publisher: Hic Dragones

What we want: Edgy, dark and weird fiction. While setting is very important, we’re also looking for compelling characters and original plots. Any interpretation of the theme is welcome – and we have no preconceptions about what ‘place’ and ‘space’ might mean. Any genre considered: dark fantasy, urban fantasy, horror, sci fi, steampunk, cyberpunk, biopunk, dystopian, slipstream. We’re looking for original and fresh voices, that challenge and unsettle. (And, please remember, we do not publish misogyny, misandry, homophobia, transphobia or racism.)

Word Count: 3000-7000

Submission Guidelines: Electronic submissions as .doc, .docx or .rtf attachments only. 12pt font, 1.5 or double spaced. Please ensure name, title and email address are included on the attachment. Email submissions to the editor. Submissions are welcome from anywhere, but must be in English.

Submission Deadline: Thursday 13th December 2012

Payment: 1 contributor copy (how we wish it could be more… and one day, perhaps, it will be!)

For more information, visit the Hic Dragones website or email the editor.

Tuesday 26 June 2012

CFP: Cannibals: Cannibalism, Consumption and Culture

25-26 April 2013
Manchester, United Kingdom

From contemporary horror film to medieval Eucharistic devotions, from Freudian theory to science fiction, cannibals and cannibalism continue to repel and intrigue us in equal measure. This two-day interdisciplinary conference will explore humanity’s relationships with, and attitudes towards, cannibalism, whether fascination, horror or purely practical considerations.

Papers are sought from all disciplines, including but not limited to literature, film studies, history, anthropology, archaeology, psychology and medicine.

Call for Papers:

Proposals are sought for 20 minute papers. Possible topics may include:

• Cannibalism in popular culture
• Cannibalism as cultural metaphor
• Theorizations of cannibalism
• Taboos, socialization and psychoanalysis
• Survival and necessity
• Maternal infanticide
• Vampires, werewolves and zombies – a question of species?
• Eating the enemy
• Rites, rituals and sacrifice
• Serial killers (in life and in fiction)

Please send 300 word abstracts to the conference convenors by 31st December 2012.

For more information, please see the conference website.

Tuesday 12 June 2012

Coming Soon: Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny



lycogyny, n., the assumption by women of the form and nature of wolves

New title from Hic Dragones
Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny
Edited by Hannah Kate
Price: £8.99
ISBN: 978-0-9570292-1-7
Available: 29th June 2012

Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded,the abject, the monster.

The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…

Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.

For more information, please visit the Hic Dragones website.

Hic Dragones will be having a launch party for the book on Friday 29th June 2012. This is a free event, but places are limited. For more information, or to book a ticket, please click here.

Monday 21 May 2012

CFP: Returning to Oz: The Afterlife of Dorothy

Thursday 7th February 2013
Manchester, UK

CALL FOR PAPERS

Papers are sought for a one-day conference in Manchester on representations and interpretations of Dorothy and Oz in popular culture. This conference seeks to address the perennial popularity of L. Frank Baum’s creations, and to explore their most recent incarnations.

Possible themes may include (but are not limited to):
• Film, TV and animated adaptations
• Sequels and prequels (other than Baum’s series); translations, editions and revisions
• Music and musicals
• Kitsch
• ‘Friends of Dorothy’ and gay culture
• MGM and Judy Garland
• Graphic novels and visual art
• Merchandise, memorabilia and ephemera

This conference is the sister project to our Further Adventures in Wonderland: The Afterlife of Alice project. As such, papers are also welcomed that offer some comparison of the respective afterlives of Alice and Dorothy, or that deal with texts featuring both characters. For more information on our Afterlife of Alice conference, please click here.

Abstracts of 250-300 words (for a 20 min paper) should be sent via email to the conference convenors by 30th September 2012.

Selected papers may be invited for inclusion in an academic collection of essays following the conference.

For information, please click here.

Tuesday 3 April 2012

Manchester Monster Convention

Saturday 14th – Sunday 15th April 2012
Sachas Hotel, Tib Street, Manchester

Weekend Tickets: just £10
For more information on this event, and to book tickets, please visit the Hic Dragones website.

Saturday 14th April
Doors open at 10am

Talks (Jefferson Suite)

11.00am Before Dawn - a new British horror film set in Yorkshire
Dominic Brunt (Actor/Director) and Neale Myers (Cameraman/Digital Effects Artist) will be showing clips from their new Yorkshire horror movie, Before Dawn, talking about the movie and answering questions

12.30pm Q&A with Sam Stone and David J Howe
Sam is the author of the Vampire Gene series, and David has written numerous books on Doctor Who. Both authors will be reading from their work, answering questions and generally talking vampires, monsters and Who.

2.00pm Tales from the Crypt: Two Real-Life Vampire Cases
Talk by Geoff Holder, author of Paranormal Glasgow and Paranormal Cumbria, covering the hunt for the Vampire with Iron Teeth, and the infamous case of the Vampire of Croglin Grange.

3.30pm In Search of Real Monsters
Talk by Richard Freeman, Zoological Director of the Centre for Fortean Zoology

Signings (Washington Suite)

1.20pm Sam Stone and David J Howe
2.50pm Geoff Holder

The Monster Market (Washington Suite)
Stalls will be open from 10am to 5pm

Film Screenings (Jefferson Suite)

From 6pm Monster Movie Triple Bill (sponsored by Grimm Up North)
Island of Lost Souls
Whisperer in the Darkness
Reel Zombies


Sunday 15th April
Doors open at 10am

Talks (Jefferson Suite)

11.00am How to Make a Monster
A talk on creative writing, horror and monsters by Rick Hudson. Rick's work has been published by a wide variety of magazines in the UK, US and Europe as well as appearing in collections and broadcast by the BBC. He is currently working on a documentary for the BBC and a film for a leading Hollywood studio.

12.30pm Psychopaths, Deviants and Serial Killers, Oh My!
A talk on the psychology of 'human monsters' by Jacquelyn Bent, who is currently completing a doctorate in Criminal Psychology at the University of Huddersfield

2.00pm Q&A with Leah Moore and John Reppion
Graphic novelists, creators of the Wild Girls series, the Albion series (with Alan Moore and Shane Oakley) and the Raise the Dead series (with Hugo Petrus). The duo have also created The Complete Dracula and The Complete Alice in Wonderland, and are currently working on the Thrill Electric, a motion comic set in Victorian Manchester.

3.30pm Writers Panel: Readings and Q&A
With Wayne Simmons (author of Flu and Fever) Simon Bestwick (author of The Faceless, Tide of Souls and Pictures of the Dark) and Scott Stanford (author of Dorothy - The Darker Side of Oz and Abaddon Rising)

Signings (Washington Suite)

2.50pm Leah Moore and John Reppion
4.20pm Wayne Simmons, Simon Bestwick and Scott Stanford

The Monster Market (Washington Suite)
Stalls will be open from 10am to 5pm

Convention closes at 5pm
Tickets for the event cost just £10. To book, please visit the Hic Dragones website.