Manchester Centre for Anglo-Saxon Studies (MANCASS)
Easter Conference 2015
Hulme Hall, University of Manchester, UK
7-9 April 2015
Proposals for 20 minute papers on this topic are invited. Topics that the conference will include, but are not limited to:
• Male identities and constructions of masculinity
• Literary presentations and representations of manhood
• Laws and Penitentials
• Male sexualities
• Manhood and Archaeology
• Representations of masculinity in art
We are looking for submissions (approx. 300 words) on these and related subjects to reach us by 30th November 2014. Please send submissions, and direct enquiries to the conference director, Dr Charles Insley, Department of History, University of Manchester.
Saturday, 26 July 2014
Saturday, 12 July 2014
Hauntings: An Anthology - Launch Party
International Anthony Burgess Foundation
3 Cambridge Street
Manchester M1
United Kingdom
Thursday, 31 July 2014
7-9pm
Come and join us at the launch party for Hauntings: An Anthology, a new collection of short stories from Hic Dragones.
Hauntings: An Anthology - twenty-one new tales of the uncanny
A memory, a spectre, a feeling of regret, a sense of déjà vu, ghosts, machines, something you can’t quite put your finger on, a dark double, the long shadow of a crime, your past, a city’s past, your doppelganger, a place, a song, a half-remembered rhyme, guilt, trauma, doubt, a shape at the corner of your eye, the future, the dead, the undead, the living, someone you used to know, someone you used to be.
We are all haunted.
Join us at the launch party on Thursday July 31st. Readings by: Tracy Fahey, Mark Forshaw, Hannah Kate, Sarah Peploe, James Everington, Michael Hitchins, Daisy Black and Rachel Halsall
Free wine reception, giveaways and launch discount on the book. For more information, please visit the publisher's website.
3 Cambridge Street
Manchester M1
United Kingdom
Thursday, 31 July 2014
7-9pm
Come and join us at the launch party for Hauntings: An Anthology, a new collection of short stories from Hic Dragones.
Hauntings: An Anthology - twenty-one new tales of the uncanny
A memory, a spectre, a feeling of regret, a sense of déjà vu, ghosts, machines, something you can’t quite put your finger on, a dark double, the long shadow of a crime, your past, a city’s past, your doppelganger, a place, a song, a half-remembered rhyme, guilt, trauma, doubt, a shape at the corner of your eye, the future, the dead, the undead, the living, someone you used to know, someone you used to be.
We are all haunted.
Join us at the launch party on Thursday July 31st. Readings by: Tracy Fahey, Mark Forshaw, Hannah Kate, Sarah Peploe, James Everington, Michael Hitchins, Daisy Black and Rachel Halsall
Free wine reception, giveaways and launch discount on the book. For more information, please visit the publisher's website.
Wednesday, 9 July 2014
Summer Sale from Hic Dragones!
All paperbacks are £4.99 for the whole of July!
To celebrate the publication of Hauntings: An Anthology later this month, all our titles are now just £4.99 (plus p+p).
Check out our catalogue for more information about our titles.
To celebrate the publication of Hauntings: An Anthology later this month, all our titles are now just £4.99 (plus p+p).
Check out our catalogue for more information about our titles.
CFP: Gender and Medieval Studies Conference 2015
Gender, Dirt and Taboo
7-9 January 2015
Bangor University
The Middle Ages are synonymous with dirt – bodily, spiritual, linguistic and literary. People lived in closer proximity to the material reality of filth: privies, animal waste, the midden, and while walking city streets. Keeping one’s body and clothes uncontaminated by filth would have represented a challenge. The Church took great pains to warn about the polluting effect of sin, and the literal and metaphorical stains that it could leave upon body and soul. The Middle Ages remains (in)famous, to some, due to the perception that its comedy is simply ‘latrine humour.’ Women, with their leaky and pollutant bodies, lie at the heart of the medieval materiality of filth. Throughout her life course, a woman engaged with dirt; in bearing children, caring for the sick, working within the household and outside of the home, listening to sermons in church and to literature in a variety of contexts. In the misogynist discourse of Churchmen such as Odo of Cluny, woman was little more than dirt herself. Odo of Cluny did not acknowledge that manure is, of course, essential to healthy new growth.
We welcome abstracts from postgraduates and colleagues on all aspects of gender, dirt and taboo and from a broad range of disciplines, including history, archaeology, book history, literature, art history, music, theology and medicine.
Papers are particularly welcome on, but are not limited to:
The language of dirt
Dirt in texts/‘dirty’ texts
Landscapes of dirt
Bodily dirt
Dramatising dirt
Dirt and spirituality
Dirt and sexuality
Controlling/cleansing dirt
The comedy of dirt
The science of dirt
Please send abstracts of 200-300 words, for papers lasting 20 minutes, no later than 30 September 2014 to Dr Sue Niebrzydowski (School of English, Bangor University) for consideration. Please also include your research area, institution and level of study in your abstract.
It is hoped that The Kate Westoby Fund will be able to offer a modest contribution (but not the full costs) towards as many student travel expenses as possible.
7-9 January 2015
Bangor University
‘to embrace a woman is to embrace a sack of manure’
Odo of Cluny
The Middle Ages are synonymous with dirt – bodily, spiritual, linguistic and literary. People lived in closer proximity to the material reality of filth: privies, animal waste, the midden, and while walking city streets. Keeping one’s body and clothes uncontaminated by filth would have represented a challenge. The Church took great pains to warn about the polluting effect of sin, and the literal and metaphorical stains that it could leave upon body and soul. The Middle Ages remains (in)famous, to some, due to the perception that its comedy is simply ‘latrine humour.’ Women, with their leaky and pollutant bodies, lie at the heart of the medieval materiality of filth. Throughout her life course, a woman engaged with dirt; in bearing children, caring for the sick, working within the household and outside of the home, listening to sermons in church and to literature in a variety of contexts. In the misogynist discourse of Churchmen such as Odo of Cluny, woman was little more than dirt herself. Odo of Cluny did not acknowledge that manure is, of course, essential to healthy new growth.
We welcome abstracts from postgraduates and colleagues on all aspects of gender, dirt and taboo and from a broad range of disciplines, including history, archaeology, book history, literature, art history, music, theology and medicine.
Papers are particularly welcome on, but are not limited to:
The language of dirt
Dirt in texts/‘dirty’ texts
Landscapes of dirt
Bodily dirt
Dramatising dirt
Dirt and spirituality
Dirt and sexuality
Controlling/cleansing dirt
The comedy of dirt
The science of dirt
Please send abstracts of 200-300 words, for papers lasting 20 minutes, no later than 30 September 2014 to Dr Sue Niebrzydowski (School of English, Bangor University) for consideration. Please also include your research area, institution and level of study in your abstract.
It is hoped that The Kate Westoby Fund will be able to offer a modest contribution (but not the full costs) towards as many student travel expenses as possible.
Friday, 13 June 2014
WIN 3 BOOKS! Wolf-Girls Competition (International Entry)
A fantastic new competition from Hic Dragones...
Enter now via the Rafflecopter widget below for a chance to win 3 wonderful paperbacks PLUS an exclusive WOLF-GIRLS tote bag!
Wolf-Girls: Dark Tales of Teeth, Claws and Lygogyny
edited by Hannah Kate
Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded, the abject, the monster. The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…
Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.
In addition to this lycanthropic anthology, the prize also includes novels by two of the contributors: Kim Bannerman and Beth Daley!
The Tattooed Wolf
by K. Bannerman
Morris Caufield thought he’d seen it all…
Until the moment Dan Sullivan walked into his office. Dan needs a divorce lawyer he can trust, and he thinks Morris is the man for the job. The thing is, Dan wants Morris to represent his wife. Who tried to kill him. Twice. And as if that wasn’t enough, Dan expects Morris to buy some crazy story about werewolves…
As Dan reveals the truth about his life and his marriage, Morris listens to a captivating tale of lycanthropy, love and betrayal. It’s lunacy, he’s sure of that, but there’s something about Dan Sullivan that makes it all very easy to believe.
Blood and Water
by Beth Daley
Dora lives by the sea. Dora has always lived by the sea. But she won’t go into the water.
The last time Dora swam in the sea was the day of her mother’s funeral, the day she saw the mermaid. Now she’s an adult, a respectable married woman, and her little sister Lucie has come home from university with a horrible secret. Dora’s safe and dry life begins to fray, as she is torn between protecting her baby sister and facing up to a truth she has always known but never admitted. And the sea keeps calling her, reminding her of what she saw beneath the waves all those years ago… of what will be waiting for her if she dives in again.
Enter now!
a Rafflecopter giveaway
Enter now via the Rafflecopter widget below for a chance to win 3 wonderful paperbacks PLUS an exclusive WOLF-GIRLS tote bag!
Wolf-Girls: Dark Tales of Teeth, Claws and Lygogyny
edited by Hannah Kate
Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded, the abject, the monster. The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…
Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.
In addition to this lycanthropic anthology, the prize also includes novels by two of the contributors: Kim Bannerman and Beth Daley!
The Tattooed Wolf
by K. Bannerman
Morris Caufield thought he’d seen it all…
Until the moment Dan Sullivan walked into his office. Dan needs a divorce lawyer he can trust, and he thinks Morris is the man for the job. The thing is, Dan wants Morris to represent his wife. Who tried to kill him. Twice. And as if that wasn’t enough, Dan expects Morris to buy some crazy story about werewolves…
As Dan reveals the truth about his life and his marriage, Morris listens to a captivating tale of lycanthropy, love and betrayal. It’s lunacy, he’s sure of that, but there’s something about Dan Sullivan that makes it all very easy to believe.
Blood and Water
by Beth Daley
Dora lives by the sea. Dora has always lived by the sea. But she won’t go into the water.
The last time Dora swam in the sea was the day of her mother’s funeral, the day she saw the mermaid. Now she’s an adult, a respectable married woman, and her little sister Lucie has come home from university with a horrible secret. Dora’s safe and dry life begins to fray, as she is torn between protecting her baby sister and facing up to a truth she has always known but never admitted. And the sea keeps calling her, reminding her of what she saw beneath the waves all those years ago… of what will be waiting for her if she dives in again.
Enter now!
a Rafflecopter giveaway
CFP: 'Profitable and spedful to use': Medieval and Early Modern Prayer
A Postgraduate Conference
Friday 19th September 2014, Cardiff University
Generously funded by Cardiff University Graduate College, this one-day conference will address the theme of prayer in the Medieval and Early Modern periods. Given its pervasive nature as an element of Medieval and Early Modern culture, prayer is often overlooked by scholars as a discrete topic of enquiry. Prayer’s very ubiquity in the literature, historical record and material culture of the time has led, perhaps counterintuitively, to a lack of sustained critical attention, at least in some disciplines. In the context of a religiously-literate society, prayer performs many functions beyond its role in worship, with its artistic, rhetorical and performative aspects often used for propagandistic, interrogative or subversive means, among others.
The topic of prayer has of late gained momentum amongst Early Modern scholars, but in Medieval Studies it is only just beginning to emerge as a field of enquiry. This conference aims to bring together researchers in this up-and-coming area. This theme is, by its nature, interdisciplinary, encompassing literature, history and religion, and we are seeking to reflect this interdisciplinarity throughout the day’s events. By inviting speakers from these, and related, disciplines, we hope that the day will offer a broad and rich insight into Medieval and Early Modern prayer.
We are delighted to announce that Dr Alastair Bennett (Royal Holloway, University of London) will be giving a keynote lecture.
We invite papers from researchers in the fields of archaeology, architecture, art history, history, language, literature, music, philosophy, politics, religion, and other relevant disciplines to submit abstracts of 300 words. Topics can include:
- Literary prayer
- Theory of prayer
- Prayer in liturgy
- Prayer and music
- Prayer and Biblical translation
- Prayer and rhetoric
- Prayer and violence
- Language of prayer
- Prayer as protest
- Prayer manuals
- Prayer books
- Prayer and politics
- Teaching on prayer
- Private devotion
- Prayer as magic
- Physical manifestations of prayer (e.g. objects, buildings, art, etc.)
- Any other related topic
Please send abstracts for papers of 20 minutes by the 9th of July 2014 to Judith Dray and Sheri Smith.
Friday 19th September 2014, Cardiff University
Generously funded by Cardiff University Graduate College, this one-day conference will address the theme of prayer in the Medieval and Early Modern periods. Given its pervasive nature as an element of Medieval and Early Modern culture, prayer is often overlooked by scholars as a discrete topic of enquiry. Prayer’s very ubiquity in the literature, historical record and material culture of the time has led, perhaps counterintuitively, to a lack of sustained critical attention, at least in some disciplines. In the context of a religiously-literate society, prayer performs many functions beyond its role in worship, with its artistic, rhetorical and performative aspects often used for propagandistic, interrogative or subversive means, among others.
The topic of prayer has of late gained momentum amongst Early Modern scholars, but in Medieval Studies it is only just beginning to emerge as a field of enquiry. This conference aims to bring together researchers in this up-and-coming area. This theme is, by its nature, interdisciplinary, encompassing literature, history and religion, and we are seeking to reflect this interdisciplinarity throughout the day’s events. By inviting speakers from these, and related, disciplines, we hope that the day will offer a broad and rich insight into Medieval and Early Modern prayer.
We are delighted to announce that Dr Alastair Bennett (Royal Holloway, University of London) will be giving a keynote lecture.
We invite papers from researchers in the fields of archaeology, architecture, art history, history, language, literature, music, philosophy, politics, religion, and other relevant disciplines to submit abstracts of 300 words. Topics can include:
- Literary prayer
- Theory of prayer
- Prayer in liturgy
- Prayer and music
- Prayer and Biblical translation
- Prayer and rhetoric
- Prayer and violence
- Language of prayer
- Prayer as protest
- Prayer manuals
- Prayer books
- Prayer and politics
- Teaching on prayer
- Private devotion
- Prayer as magic
- Physical manifestations of prayer (e.g. objects, buildings, art, etc.)
- Any other related topic
Please send abstracts for papers of 20 minutes by the 9th of July 2014 to Judith Dray and Sheri Smith.
Monday, 9 June 2014
Coming Soon: New Digital Editions of Victorian Penny Dreadfuls
Serialized Victorian Gothic pulp fiction for the discerning modern reader!
Penny dreadfuls have a significant place in the modern imagination and affections, but they are rarely read in the twenty-first century. And this is hardly surprising—with only a few exceptions, these texts can only be found in original publications or mechanically scanned copies. Until now!
The Digital Periodicals serials from Hic Dragones have been fully formatted (by a human being) to create searchable eBook texts with interactive tables of contents. For the first time since their original publication in the mid-nineteenth century, these texts will be sold as serials, with new instalments (comprising between 5-10 chapters) being released fortnightly. Readers can once again savour the anticipation of a new instalment, and enjoy these episodic stories as they were once intended.
Digital Periodicals launches on Friday 13th June 2014 with two of James Malcolm Rymer’s classic titles: VARNEY THE VAMPYRE; OR, THE FEAST OF BLOOD and VILEROY; OR, THE HORRORS OF ZINDORF CASTLE. Additional serials will be published in due course, with THE LIFE AND ADVENTURES OF VALENTINE VOX, THE VENTRILOQUIST coming out later in the month. As well as better-known titles, such as WAGNER THE WEHR-WOLF and THE STRING OF PEARLS (Sweeney Todd), Digital Periodicals will introduce readers to works that have unfairly fallen into obscurity: including, George Reynolds’ FAUST, Albert Coates’ SPRING-HEEL’D JACK and Pierce Egan’s WAT TYLER.
Penny dreadfuls were always meant to be pure, sensationalist entertainment, and the Digital Periodicals series is designed to inject the fun back into these under-read masterpieces of lurid, melodramatic, garish pleasure. Readers can subscribe to receive reminders about their favourite serials, and join in discussion about the stories on Twitter and Facebook.
Let the feast of blood begin again…
For more information, or to sign up for the mailing list, please see the website or contact Hic Dragones via email. For academic and press enquiries, please contact Hannah Kate (series editor).
OUT NOW: Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films, ed. by Nadine Farghaly (McFarland, 2014)
About the book:
Resident Evil is a multidimensional as well as multimedia universe: Various books, graphic novels, games and movies (the fifth one came out in 2012) all contribute to this enormous universe. The new essays written for this volume focus on this particular zombie manifestation and its significance in popular culture. The essayists come from very different fields, so it was possible to cover a wide range and discuss numerous issues regarding this universe. Among them are game theory, the idea of silence as well as memory, the connection to iconic stories such as Alice in Wonderland, posthumanism and much more. A lot of ground is covered that will facilitate further discussions not only among Resident Evil interested persons but also among other zombie universes and zombies in general. Most of these essays focus on the female figure Alice, a character revered by many as a feminist warrior.
Contents:
Introduction: Unraveling the Resident Evil Universe
Nadine Farghaly
From Necromancy to the Necrotrophic: Resident Evil's Influence on the Zombie Origin Shift from Supernatural to Science
Tanya Carinae Pell Jones
Survival and System in Resident Evil (2002): Remembering, Repeating and Working-Through
David Müller
Why They Keep Coming Back: The Allure of Incongruity
Adam M. Crowley
Opening Doors: Art-Horror and Agency
Stephen Cadwell
Survival Horror, Metaculture and the Fluidity of Video Game Genres
Broc Holmquest
The Strong, Silent Type: Alice's Use of Rhetorical Silence as Feminist Strategy
Suzan E. Aiken
'My name is Alice and I remember everything!': Surviving Sexual Abuse in the Resident Evil Films
James Stone
The Woman in the Red Dress: Sexuality, Femmes Fatales, the Gaze and Ada Wong
Jenny Platz
Chris Redfield and the Curious Case of Wesker's Sunglasses
Nicolas J. Lalone
Through the Looking-Glass: Interrogating the 'Alice-ness' of Alice
Hannah Priest
Thank You for Making Me Human Again: Alice and the Teaching of Scientific Ethics
Kristine Larsen
Zombies, Cyborgs and Wheelchairs: The Question of Normalcy Within Diseased and Disabled Bodies
J.L. Schatz
'I barely feel human anymore': Project Alice and the Posthuman in the Films
Margo Collins
'Six impossible things before breakfast': Living Memory and Undead History
Simon Bacon
For more information about the book, please visit the publisher's website.
Monday, 19 May 2014
CFP: Bodies Beyond Borders: The Circulation of Anatomical Knowledge, 1750-1950
Leuven, 7-9 January 2015
Bodies Beyond Borders is a scholarly conference on the circulation of anatomical knowledge that indicates the heighted interest in the history of anatomy in Leuven. This conference fits in with two current projects on the history of anatomy in Leuven. The first is a research project on Anatomy, scientific authority and the visualized body in medicine and culture (Belgium, 1780-1930), that is conducted in our research group, Cultural History since 1750. The project is supervised by Kaat Wils, and co-supervised by Raf de Bont, Jo Tollebeek and Geert Vanpaemel, and has two PhD fellows, Tinne Claes and Veronique Deblon and one postdoctoral fellow, Pieter Huistra. This research project takes as its object the history of anatomy in Belgium in the ‘long nineteenth century’.
Secondly, Leuven will celebrate a Vesalius year in 2014-2015, to commemorate the 500th birthday of Andreas Vesalius. The mainstay of the programme will be the exhibition Unravelling the body. The theatre of anatomy, of which Geert Vanpaemel will serve as curator. This exhibition studies Vesalius himself, but also his work influenced representations of the human body and the tradition of anatomical research. These themes will also be included in Bodies Beyond Borders, our conference that takes up the question: how does anatomical knowledge move from site to another? Whereas our research project focuses specifically on Belgium, the conference will have a broad geographical scope in its topics as well as its speakers.
Call for Papers
How does anatomical knowledge move from one site to another? Between 1750 and 1950 the study of anatomy underwent great changes, as a part of the development of scientific medicine, through public anatomies, as well as in the interplay between the two. How did these changes spread geographically? How did knowledge about newly discovered lesions travel from one hospital to another? What was the role of anatomical models in the spread of the public consciousness of syphilis, for example? Was the spread of this knowledge hindered by national borders, or did anatomical knowledge cross those borders easily? These questions are concerned with what James Secord terms ‘knowledge in transit’. To seek an answer to these questions, a conference focusing on the circulation of anatomical knowledge between 1750 and 1950 will be organized in Leuven from 7-9 January 2015. Confirmed speakers are Sam Alberti, Sven Dupré, Rina Knoeff, Helen MacDonald, Anna Maerker, Chloé Pirson, Natasha Ruiz-Gómez and Michael Sappol.
Knowledge does not move by itself – it has to be carried. To better understand how anatomical knowledge moves from place to place, we will seek to trace the trajectories of its bearers. Some of those bearers were tied very specifically to the discipline of anatomy: wax models, preserved bodies (or parts of them) or anatomical atlases, for example. These objects are polysemic in nature, tending to have different meanings in different contexts and for different audiences. It makes the question of how anatomical knowledge travelled all the more pertinent if, for example, wax models that went from a Florentine museum to a Viennese medical training institution underwent a shift in meaning en route. But bearers of knowledge less specifically tied to anatomy were equally important: articles, books and individual persons to name but a few examples.
For our conference we welcome contributions regarding the geographical movement of anatomical knowledge between 1750 and 1950. We are equally interested in ‘scientific’ and ‘public’ anatomy – as well as in exchanges between the two domains. Therefore, we encourage contributions about bearers of anatomical knowledge as wide-ranging as persons (scientists, students, freaks), objects (models, preparations, bodies or body parts), visual representations (films, atlases, wall maps) and practices (dissections, travelling exhibitions), as well as their (transnational and intranational) trajectories.
Paper proposals must be submitted by 1 June 2014.
Please send a 300-word abstract to Pieter Huistra.
Notification of acceptance: early July, 2014.
Bodies Beyond Borders is a scholarly conference on the circulation of anatomical knowledge that indicates the heighted interest in the history of anatomy in Leuven. This conference fits in with two current projects on the history of anatomy in Leuven. The first is a research project on Anatomy, scientific authority and the visualized body in medicine and culture (Belgium, 1780-1930), that is conducted in our research group, Cultural History since 1750. The project is supervised by Kaat Wils, and co-supervised by Raf de Bont, Jo Tollebeek and Geert Vanpaemel, and has two PhD fellows, Tinne Claes and Veronique Deblon and one postdoctoral fellow, Pieter Huistra. This research project takes as its object the history of anatomy in Belgium in the ‘long nineteenth century’.
Secondly, Leuven will celebrate a Vesalius year in 2014-2015, to commemorate the 500th birthday of Andreas Vesalius. The mainstay of the programme will be the exhibition Unravelling the body. The theatre of anatomy, of which Geert Vanpaemel will serve as curator. This exhibition studies Vesalius himself, but also his work influenced representations of the human body and the tradition of anatomical research. These themes will also be included in Bodies Beyond Borders, our conference that takes up the question: how does anatomical knowledge move from site to another? Whereas our research project focuses specifically on Belgium, the conference will have a broad geographical scope in its topics as well as its speakers.
Call for Papers
How does anatomical knowledge move from one site to another? Between 1750 and 1950 the study of anatomy underwent great changes, as a part of the development of scientific medicine, through public anatomies, as well as in the interplay between the two. How did these changes spread geographically? How did knowledge about newly discovered lesions travel from one hospital to another? What was the role of anatomical models in the spread of the public consciousness of syphilis, for example? Was the spread of this knowledge hindered by national borders, or did anatomical knowledge cross those borders easily? These questions are concerned with what James Secord terms ‘knowledge in transit’. To seek an answer to these questions, a conference focusing on the circulation of anatomical knowledge between 1750 and 1950 will be organized in Leuven from 7-9 January 2015. Confirmed speakers are Sam Alberti, Sven Dupré, Rina Knoeff, Helen MacDonald, Anna Maerker, Chloé Pirson, Natasha Ruiz-Gómez and Michael Sappol.
Knowledge does not move by itself – it has to be carried. To better understand how anatomical knowledge moves from place to place, we will seek to trace the trajectories of its bearers. Some of those bearers were tied very specifically to the discipline of anatomy: wax models, preserved bodies (or parts of them) or anatomical atlases, for example. These objects are polysemic in nature, tending to have different meanings in different contexts and for different audiences. It makes the question of how anatomical knowledge travelled all the more pertinent if, for example, wax models that went from a Florentine museum to a Viennese medical training institution underwent a shift in meaning en route. But bearers of knowledge less specifically tied to anatomy were equally important: articles, books and individual persons to name but a few examples.
For our conference we welcome contributions regarding the geographical movement of anatomical knowledge between 1750 and 1950. We are equally interested in ‘scientific’ and ‘public’ anatomy – as well as in exchanges between the two domains. Therefore, we encourage contributions about bearers of anatomical knowledge as wide-ranging as persons (scientists, students, freaks), objects (models, preparations, bodies or body parts), visual representations (films, atlases, wall maps) and practices (dissections, travelling exhibitions), as well as their (transnational and intranational) trajectories.
Paper proposals must be submitted by 1 June 2014.
Please send a 300-word abstract to Pieter Huistra.
Notification of acceptance: early July, 2014.
CFP: Seventeenth Biennial Meeting of the International Society of Anglo-Saxonists
University of Glasgow, 3–7 August 2015 (post-conference excursion to Iona, 8–9 August 2015)
Call for Papers
The conference theme is “The Daily Life of the Anglo-Saxons”. Ordinary Anglo-Saxons are often less visible to us than the key political and religious figures, but their lives shaped and were shaped by the wider events of the early medieval period. The theme encompasses all aspects of life, whether mundane or glamorous, covering activities such as farming and cooking, trade and craftsmanship, child-rearing and education, as well as government and administration, religion and devotional practices, travel and communication, medicine, art and leisure. The theme is a broad one by design to accommodate not only archaeological and historical investigations, but also explorations of the language, literature and place-names of the period. Papers on open topics are also welcome.
Proposals will be evaluated “blind” by members of the ISAS Advisory Board. Decisions regarding which proposals are accepted will be announced by January 2015.
Papers should be no more than 20 minutes in length, and will be grouped into 3-paper sessions of one hour and 30 minutes in length so as to leave time for questions and discussion. Proposals are welcome for individual papers or for complete sessions. Abstracts, whether for papers or for sessions, should be no more than 500 words in length (including bibliography). Abstracts are also required for individual papers within a proposed session.
Proposals are also welcome for project reports, which should be no more than 10 minutes in length and will be grouped into 5-report sessions of one hour so as to leave a short time for factual questions. Abstracts for project reports should be no more than 250 words in length (including bibliography).
All sessions will be held in a room that is fully equipped with audiovisual and computer equipment. Abstracts can be submitted from 15 June 2014 to 15 October 2014 via the submission site (note: this link will not be active beforehand). There you will receive instructions as to how to submit your proposal. To submit an abstract within the permitted amount of time online, you might wish to prepare it first as a word-processing document, then copy and paste it in. Please note that the deadline of 15 October is necessary to allow time for the reviewing process, and will not be extended.
Please note that in order to present at ISAS Glasgow, it is necessary to be a current member of ISAS. Information on joining ISAS or updating membership can be found on the ISAS website. http://www.isas.us/mem.html
Questions or problems relating to the submission of proposals may be directed either to the conference host, current ISAS President Carole Hough or to Executive Director Martin Foys.
Call for Papers
The conference theme is “The Daily Life of the Anglo-Saxons”. Ordinary Anglo-Saxons are often less visible to us than the key political and religious figures, but their lives shaped and were shaped by the wider events of the early medieval period. The theme encompasses all aspects of life, whether mundane or glamorous, covering activities such as farming and cooking, trade and craftsmanship, child-rearing and education, as well as government and administration, religion and devotional practices, travel and communication, medicine, art and leisure. The theme is a broad one by design to accommodate not only archaeological and historical investigations, but also explorations of the language, literature and place-names of the period. Papers on open topics are also welcome.
Proposals will be evaluated “blind” by members of the ISAS Advisory Board. Decisions regarding which proposals are accepted will be announced by January 2015.
Papers should be no more than 20 minutes in length, and will be grouped into 3-paper sessions of one hour and 30 minutes in length so as to leave time for questions and discussion. Proposals are welcome for individual papers or for complete sessions. Abstracts, whether for papers or for sessions, should be no more than 500 words in length (including bibliography). Abstracts are also required for individual papers within a proposed session.
Proposals are also welcome for project reports, which should be no more than 10 minutes in length and will be grouped into 5-report sessions of one hour so as to leave a short time for factual questions. Abstracts for project reports should be no more than 250 words in length (including bibliography).
All sessions will be held in a room that is fully equipped with audiovisual and computer equipment. Abstracts can be submitted from 15 June 2014 to 15 October 2014 via the submission site (note: this link will not be active beforehand). There you will receive instructions as to how to submit your proposal. To submit an abstract within the permitted amount of time online, you might wish to prepare it first as a word-processing document, then copy and paste it in. Please note that the deadline of 15 October is necessary to allow time for the reviewing process, and will not be extended.
Please note that in order to present at ISAS Glasgow, it is necessary to be a current member of ISAS. Information on joining ISAS or updating membership can be found on the ISAS website. http://www.isas.us/mem.html
Questions or problems relating to the submission of proposals may be directed either to the conference host, current ISAS President Carole Hough or to Executive Director Martin Foys.
CFP: Mid-American Medieval Association XXXIX: Collectivity and Exchange
with a keynote by Dr Pamela Sheingorn
Papers are invited on a range of topics, including the conference theme of ‘Collectivity and Exchange’ for the annual meeting of the Mid-America Medieval Assn, which will convene on Saturday, 28 February 2015, at the University of Missouri-Kansas City.
Collectivity might be imagined expansively to include not just temporal but also ephemeral and spiritual communities. Exchange might also be considered in various forms, from economic and material to ideological and philosophical.
Please send proposals of 250 words by 1 December 2014 to:
Dr Virginia Blanton
Department of English, CH106
University of Missouri-Kansas City
5121 Rockhill Road
Kansas City, Missouri 64110 USA
Papers are invited on a range of topics, including the conference theme of ‘Collectivity and Exchange’ for the annual meeting of the Mid-America Medieval Assn, which will convene on Saturday, 28 February 2015, at the University of Missouri-Kansas City.
Collectivity might be imagined expansively to include not just temporal but also ephemeral and spiritual communities. Exchange might also be considered in various forms, from economic and material to ideological and philosophical.
Please send proposals of 250 words by 1 December 2014 to:
Dr Virginia Blanton
Department of English, CH106
University of Missouri-Kansas City
5121 Rockhill Road
Kansas City, Missouri 64110 USA
CFP: All That Gothic: Excess and Exuberance
2nd International Conference
Łódź, 9-11 October, 2014
organised by
Department of British Literature and Culture
Department of American Literature and Culture
University of Łódź
Call for Papers
The Gothic is wildly diverse. It can refer to ecclesiastical architecture, supernatural fiction, cult horror films and a distinctive style of music. It has influenced poets, novelists, painters, musicians, political theorists, social reformers, academics, home décor and fashion. It manifests itself in regional and national diversities. It ruptures borders, defies conventions and ridicules taboos.
Łódź seems an ideal venue for discussions on all things Gothic. This city is post-industrial grandeur with neo-gothic architecture and archetypically Gothic cobbled alleyways. Here the past speaks through dereliction and wistfulness, fresh-glazed modernity overlying cobwebs and broken plaster where cinematic paths lead directly to Polański and Lynch.
The 2014 follow-up to the initial All that Gothic conference, held in Łódź in 2011, aims to capture the evolution of the Gothic, providing accounts of this haunting-to-horrifying cultural mode from its onset to the early years of the twenty-first century, adopting a broad international perspective. Open for inspection under this canopy are such manifestations of the Gothic as the sack of Rome by barbarian tribes, mediaeval architecture, popular culture of the sixteenth century (including ballads and revenge tragedy), political theories of the seventeenth and eighteenth centuries, the rise of the Gothic novel, the Gothic Revival, and the influence of Gothic culture on film, music, and fashion today.
Among its more modern concerns, this interdisciplinary conference will foster new readings of popular Gothic productions over the last few decades. Topics may include, but are not limited to:
• from Victorian to contemporary High Street Goth/ic fashion
• Gothic performance and art festivals
• Gothic popular fiction from Twilight to Shadow of the Wind
• Goth/ic manifestations across genres: novel, theatre, poetry, music, Goth/ic as film and TV
• such trends and icons as Steampunk, Batman and Lady Gaga,
• theorizations of popular Gothic monsters (from zombies and vampires to werewolves and ghosts) in an age of terror/ism.
Excess and Exuberance are key words in the 2014 edition of All That Gothic. In keeping with the conference theme, individual proposals may address:
• the connections of Gothic fictions to political and industrial revolutions
• Gothic regional and national diversities
• nationalism and racism from Europe to America, colonized and post-colonial populations
• the struggle of "high" with "popular" culture
• changing attitudes towards human identity, life and death, sanity and madness
It is our great honour to announce that our confirmed plenary speakers are:
Zofia Kolbuszewska
John Paul II Catholic University of Lublin, the author of The Poetics of Chronotope in the Novels of Thomas Pynchon, and The Purloined Child: American Identity and Representations of Childhood in American Literature 1851-2000
Agnieszka Soltysik-Monnet
University of Lausanne, Switzerland, the author of The Poetics and Politics of the American Gothic: Gender and Slavery in the Nineteenth Century American Gothic and the co-editor of The Gothic in Contemporary Literature and Popular Culture
Catherine Spooner
County College, Lancaster University, the author of Fashioning Gothic Bodies, and Contemporary Gothic, co-president of the International Gothic Association
Conference organisers Agnieszka Łowczanin and Dorota Wiśniewska welcome proposals (maximum 250 words) for panels and 20-minute papers from academics and post-graduate students working in all areas of literary, film and cultural studies. Selected papers will be published in a themed volume.
Abstract submission deadline: 10 August, 2014. Please email abstracts to the conference organisers.
Notification of acceptance: 15 August, 2014.
Registration deadline: 10 September, 2014.
Conference fee:
Polish academics: 500 PLN
Foreign scholars: € 150
Polish Ph.D. candidates: 250 PLN
Foreign Ph.D. candidates: € 80
Conference fee includes conference materials, conference banquet, snacks and beverages and covers the cost of post-conference publication.
For more information, please visit the conference website.
Łódź, 9-11 October, 2014
organised by
Department of British Literature and Culture
Department of American Literature and Culture
University of Łódź
Call for Papers
The Gothic is wildly diverse. It can refer to ecclesiastical architecture, supernatural fiction, cult horror films and a distinctive style of music. It has influenced poets, novelists, painters, musicians, political theorists, social reformers, academics, home décor and fashion. It manifests itself in regional and national diversities. It ruptures borders, defies conventions and ridicules taboos.
Łódź seems an ideal venue for discussions on all things Gothic. This city is post-industrial grandeur with neo-gothic architecture and archetypically Gothic cobbled alleyways. Here the past speaks through dereliction and wistfulness, fresh-glazed modernity overlying cobwebs and broken plaster where cinematic paths lead directly to Polański and Lynch.
The 2014 follow-up to the initial All that Gothic conference, held in Łódź in 2011, aims to capture the evolution of the Gothic, providing accounts of this haunting-to-horrifying cultural mode from its onset to the early years of the twenty-first century, adopting a broad international perspective. Open for inspection under this canopy are such manifestations of the Gothic as the sack of Rome by barbarian tribes, mediaeval architecture, popular culture of the sixteenth century (including ballads and revenge tragedy), political theories of the seventeenth and eighteenth centuries, the rise of the Gothic novel, the Gothic Revival, and the influence of Gothic culture on film, music, and fashion today.
Among its more modern concerns, this interdisciplinary conference will foster new readings of popular Gothic productions over the last few decades. Topics may include, but are not limited to:
• from Victorian to contemporary High Street Goth/ic fashion
• Gothic performance and art festivals
• Gothic popular fiction from Twilight to Shadow of the Wind
• Goth/ic manifestations across genres: novel, theatre, poetry, music, Goth/ic as film and TV
• such trends and icons as Steampunk, Batman and Lady Gaga,
• theorizations of popular Gothic monsters (from zombies and vampires to werewolves and ghosts) in an age of terror/ism.
Excess and Exuberance are key words in the 2014 edition of All That Gothic. In keeping with the conference theme, individual proposals may address:
• the connections of Gothic fictions to political and industrial revolutions
• Gothic regional and national diversities
• nationalism and racism from Europe to America, colonized and post-colonial populations
• the struggle of "high" with "popular" culture
• changing attitudes towards human identity, life and death, sanity and madness
It is our great honour to announce that our confirmed plenary speakers are:
Zofia Kolbuszewska
John Paul II Catholic University of Lublin, the author of The Poetics of Chronotope in the Novels of Thomas Pynchon, and The Purloined Child: American Identity and Representations of Childhood in American Literature 1851-2000
Agnieszka Soltysik-Monnet
University of Lausanne, Switzerland, the author of The Poetics and Politics of the American Gothic: Gender and Slavery in the Nineteenth Century American Gothic and the co-editor of The Gothic in Contemporary Literature and Popular Culture
Catherine Spooner
County College, Lancaster University, the author of Fashioning Gothic Bodies, and Contemporary Gothic, co-president of the International Gothic Association
Conference organisers Agnieszka Łowczanin and Dorota Wiśniewska welcome proposals (maximum 250 words) for panels and 20-minute papers from academics and post-graduate students working in all areas of literary, film and cultural studies. Selected papers will be published in a themed volume.
Abstract submission deadline: 10 August, 2014. Please email abstracts to the conference organisers.
Notification of acceptance: 15 August, 2014.
Registration deadline: 10 September, 2014.
Conference fee:
Polish academics: 500 PLN
Foreign scholars: € 150
Polish Ph.D. candidates: 250 PLN
Foreign Ph.D. candidates: € 80
Conference fee includes conference materials, conference banquet, snacks and beverages and covers the cost of post-conference publication.
For more information, please visit the conference website.
Friday, 9 May 2014
True Crime: Fact, Fiction, Ideology (Manchester, 7 June 2014)
Registration is now open for True Crime: Fact, Fiction, Ideology, a one-day conference to be held at the Manchester Conference Centre on Saturday 7 June 2014. Registration information can be found on the conference website.
Programme
9.00-9.30 Registration
9.30-11.00 Panel 1: Depicting Taboo Crimes
Chair: Hannah Priest
Karen Oughton (Regents University London): Deliciously Deranged: Depicting the Raison d’être of Jeffrey Dahmer as a Celebrity Serial Killer
Jacquelyn Bent (University of Huddersfield): What Constitutes a ‘Taboo’?: Cultural, Societal and Legal Standards for the Identification of Taboo Acts Including Taboo Crime
David McWilliam (Lancaster University): Without Conscience: Re-opening Old Wounds to Pass the Empathy Test in Dave Cullen’s Columbine (2009)
11.00-11.30 Coffee
11.30-1.00 Panel 2: Generic Boundaries and Conventions
Chair: tbc
Carys Crossen (University of Manchester): Invoke Not Reason: Defining the Parameters of True Crime in the Case of Jack the Ripper
Charlotte Beyer (University of Gloucestershire): ‘Angel Makers’: Recent True Crime Stories of Baby Farming
Maysaa Jaber (University of Baghdad): Crime Culture of Monstrosity: The Cold War, Paranoia and the Psychopathy in Post-war Crime Fiction
Abby Bentham (University of Salford): Cold Blood, Warm Heart: Truman Capote and the Transformation of the Psychopath
1.00-2.00 Lunch
2.00-3.30 Keynote Lecture
Chair: David McWilliam
David Schmid (University at Buffalo, State University of New York): The Moors Murders and the “Truth” of True Crime
3.30-4.00 Coffee
4.00-5.30 Panel 3: Place, History, Communities
Chair: tbc
John David Jordan (Manchester Metropolitan University): Real Life Crimes, Council Estate Dramas and Proleaphobia: How ‘Socio-Chthonic Mythologies’ Serve the Neoliberal Welfare Agenda
Martyn Colebrook (Independent Scholar): ‘Do what you want, just don’t get caught doing it’ – Gordon Burn’s Happy Like Murderers
Het Phillips (University of Birmingham): ‘Digging Up Your Fiction’: Place, Intertext and the Raw Materials of History in Neil McKay’s True Crime Television
5.30 Conference Close
The registration fee for the day is £40, including refreshments and lunch. For more information and to register, please visit the conference website or email the organizers.
Wednesday, 30 April 2014
OUT NOW: Wounds in the Middle Ages, ed. Anne Kirkham and Cordelia Warr (Ashgate, 2014)
Wounds were a potent signifier reaching across all aspects of life in Europe in the middle ages, and their representation, perception and treatment is the focus of this volume. Following a survey of the history of medical wound treatment in the middle ages, paired chapters explore key themes situating wounds within the context of religious belief, writing on medicine, status and identity, and surgical practice. The final chapter reviews the history of medieval wounding through the modern imagination.
Adopting an innovative approach to the subject, this book will appeal to all those interested in how past societies regarded health, disease and healing and will improve knowledge of not only the practice of medicine in the past, but also of the ethical, religious and cultural dimensions structuring that practice.
Contents:
Part I: Medical Overview
1. The Management of Military Wounds in the Middle Ages
Jon Clasper
Part II: Miraculous Wounds and Miraculous Healing
2. Changing Stigmata
Cordelia Warr
3. Miracle and Medicine: Conceptions of Medical Knowledge and Practice in Thirteenth-Century Miracle Accounts
Louise Elizabeth Wilson
Part III: The Broken Body and the Broken Soul
4. The Solution of Continuous Things: Wounds in Late Medieval Medicine and Surgery
Karine van 't Land
5. Medicine for the Wounded Soul
M.K.K. Yearl
Part IV: Wounds as Signifiers for Romance Man and Civil Man
6. Christ's Wounds and the Birth of Romance
Hannah Priest
7. Wounding in the High Middle Ages: Law and Practice
Jenny Benham
Part V: Wound Surgery in the Fourteenth Century
8. Medicines for Surgical Practice in Fourteenth-Century England: The Judgement Against John le Spicer
Ian Naylor
9. The Medical Crossbow from Jan Yperman to Isaak Koedijck
Maria Patijn
Part VI: The Modern Imagination
10. The Bright Side of the Knife: Dismemberment in Medieval Europe and the Modern Imagination
Lila Yawn
About the Editor: Dr Anne Kirkham is a research associate at the University of Manchester. She obtained her PhD in 2007 and has published an article on St Francis of Assisi in Revival and Resurgence in Christian History (Studies in Church History, vol. 44, 2008). Since 2008, she has taught in the department of Art History and Visual Studies and researched, with Cordelia Warr, medieval wounds and has also co-supervised medical students researching dissertations in the history of medieval medicine.
Dr Cordelia Warr is senior lecturer in Art History and Visual Studies at the University of Manchester. She has published on Dressing for Heaven (2010), has co-edited two books on art in Naples with Janis Elliot (The Church of Santa Maria Donna Regina, 2004, and Art and Architecture in Naples, 1266-1714, 2010), and is currently working on the representation of stigmata between the thirteenth and seventeenth centuries.
For more information about the book, please visit the publishers' website.
Wednesday, 16 April 2014
OUT NOW: K Bannerman, The Tattooed Wolf (Hic Dragones, 2014)
A fantastic new novel, edited by yours truly...
Caufield muttered as he slouched back in his seat and crossed his hands over his belly, smirking. “You’ve got my attention, Dan; I’ll humour you. Tell me, from the very beginning, how you got into this whole bloody mess.”
Morris Caufield thought he’d seen it all...
Until the moment Dan Sullivan walked into his office. Dan needs a divorce lawyer he can trust, and he thinks Morris is the man for the job. The thing is, Dan wants Morris to represent his wife. Who tried to kill him. Twice. And as if that wasn’t enough, Dan expects Morris to buy some crazy story about werewolves...
As Dan reveals the truth about his life and his marriage, Morris listens to a captivating tale of lycanthropy, love and betrayal. It’s lunacy, he’s sure of that, but there’s something about Dan Sullivan that makes it all very easy to believe.
Praise for The Tattooed Wolf:
“[K. Bannerman] displays unusual and sometimes uncomfortable characters, and I care about them all, the significant players and the extras. If you like reading stories about intriguing people, this story doesn’t disappoint... buy this book.”
- Joe Murphy, The Dragon Page
K Bannerman lives in a tiny house surrounded by forests on Vancouver Island, Canada, where she writes short stories, novels and plays. She is the author of four novels, including the historical murder mystery Bucket of Blood. Together with her partner-in-crime, Shawn Pigott, they run Fox&Bee Studio, where they have written, produced and directed over 100 short films.
For more information, please visit the publisher's website.
Caufield muttered as he slouched back in his seat and crossed his hands over his belly, smirking. “You’ve got my attention, Dan; I’ll humour you. Tell me, from the very beginning, how you got into this whole bloody mess.”
Morris Caufield thought he’d seen it all...
Until the moment Dan Sullivan walked into his office. Dan needs a divorce lawyer he can trust, and he thinks Morris is the man for the job. The thing is, Dan wants Morris to represent his wife. Who tried to kill him. Twice. And as if that wasn’t enough, Dan expects Morris to buy some crazy story about werewolves...
As Dan reveals the truth about his life and his marriage, Morris listens to a captivating tale of lycanthropy, love and betrayal. It’s lunacy, he’s sure of that, but there’s something about Dan Sullivan that makes it all very easy to believe.
Praise for The Tattooed Wolf:
“[K. Bannerman] displays unusual and sometimes uncomfortable characters, and I care about them all, the significant players and the extras. If you like reading stories about intriguing people, this story doesn’t disappoint... buy this book.”
- Joe Murphy, The Dragon Page
K Bannerman lives in a tiny house surrounded by forests on Vancouver Island, Canada, where she writes short stories, novels and plays. She is the author of four novels, including the historical murder mystery Bucket of Blood. Together with her partner-in-crime, Shawn Pigott, they run Fox&Bee Studio, where they have written, produced and directed over 100 short films.
For more information, please visit the publisher's website.
Monday, 7 April 2014
OUT NOW: Hannah Priest (ed.), The Female of the Species: Cultural Constructions of Evil, Women and the Feminine (Inter-Disciplinary Press, 2013)
Blurb:
From Alien Queens to prostitutes, 'phallic' mothers to child murderers, evil women proliferate across cultural productions that span millennia. This collections explores the perennial question of 'evil' and its relationship to women and femininity. Taking as their starting points material as diverse as Greek mythology, nineteenth-century medical texts, Elizabethan drama and contemporary cartoons, and informed by various theoretical perspectives, the authors scrutinise the construction of the feminine as evil, and vice versa. Throughout these essays, recurring anxieties of female agency, reproduction and the appropriation of patriarchal power are identified and explored. As the writers reveal, these anxieties are not always situated within the anatomically or genetically 'female' (or even human) body, but rather in culturally-constructed and pervasive concepts of femininity - which is at once recognisable and abject, necessary and disavowed. These essays reveal the strategies of construction and maintenance upon which the reification of feminine evil are based.
Contents
- Introduction, by Hannah Priest
Part I: Writing the Evil Woman
- Medea's Medicine: Women and Pharmaka in Greek Mythology, by Alison Innes
- The Representation of the Evil Woman in Elizabethan Literature, by Abdulaziz Al-Mutawa
- (De)centring Women in Salman Rushdie's The Satanic Verses, by Zubaidah Mohamed Shaburdin
Part II: Reproductive Evils
- Alien Queens and Monstrous Machines: The Conflation of the Out-of-Control Female and Robotic Body, by Simon Bacon
- The Ultimate Cold War Monster: Exploring 'Mother' in the Film The Manchurian Candidate, by Kathleen Starck
- The Tainted Birth in Lovecraft's Fiction, by Cécile Cristofari
Part III: The Evil That Women Do
- Sugar and Spice, But Not Very Nice: Depictions of Evil Little Girls in Cartoons and Comics, by Jacquelyn Bent, Helen Gavin and Theresa Porter
- A Wellspring of Contamination: The Transgressive Body of the Prostitute in Nineteenth-Century Medical Discourse, by J. Shoshanna Ehrlich
- Myra: Portrait of a Portrait, by Shelley Campbell
For more information, please visit the publisher's website.
Thursday, 3 April 2014
CFP: 'To Die Would be an Awfully Big Adventure': The Glory and the Gore of Death and Horror Through the Ages
Bangor University, UK
Friday 6 June 2014
Abstracts are now being invited for the 10th annual Medievalism Transformed conference at Bangor University, a one-day interdisciplinary event sponsored by the School of English Literature. We will be convening to explore the medieval world and its sustained impact on subsequent culture and thought.
Papers are welcome from all disciplines related to medieval studies as well as modern expressions of medievalism. All topics within the general scope of the conference will be considered, including:
• Preparing for death
• Dying well
• Limbo / Purgatory
• Underworld
• Disease / Black Death / Medicine
• Ghosts
• The Occult / Cults
• The grotesque
• Apocalypse
• Saints / Martyrdom
• Theme of horror in medieval literature
Your proposal for a 20-minute paper should be no longer than 300 words. Please make submissions electronically to the conference convenors by 18 April. Proposals should be accompanied by your name, institutional affiliation, email address, and contact information. Please also specify any audio / visual requirements.
Letters of acceptance will be sent via email unless a hard copy is requested.
Friday 6 June 2014
Abstracts are now being invited for the 10th annual Medievalism Transformed conference at Bangor University, a one-day interdisciplinary event sponsored by the School of English Literature. We will be convening to explore the medieval world and its sustained impact on subsequent culture and thought.
Papers are welcome from all disciplines related to medieval studies as well as modern expressions of medievalism. All topics within the general scope of the conference will be considered, including:
• Preparing for death
• Dying well
• Limbo / Purgatory
• Underworld
• Disease / Black Death / Medicine
• Ghosts
• The Occult / Cults
• The grotesque
• Apocalypse
• Saints / Martyrdom
• Theme of horror in medieval literature
Your proposal for a 20-minute paper should be no longer than 300 words. Please make submissions electronically to the conference convenors by 18 April. Proposals should be accompanied by your name, institutional affiliation, email address, and contact information. Please also specify any audio / visual requirements.
Letters of acceptance will be sent via email unless a hard copy is requested.
Wednesday, 19 February 2014
Events at the University of Manchester
Some upcoming events at the University of Manchester that may be of interest to medievalists...
Wednesday 26th February 2014
5.15pm, 4.05 Mansfield Cooper
Art History Visual Studies Seminar Series 2013/4
Pilkington Visiting Lecturer
Horst Bredekamp, Professor of Art History (Humboldt University, Berlin): Charlemagne and the Image Politics of the Body
Monday 3rd March 2014
6pm, Historic Reading Room, John Rylands Library Deansgate
The Toller Lecture
Professor John Hines (University of Cardiff): A New Chronology and New Agenda: The Problematic Sixth Century
Followed by a free wine reception, and then dinner (at own expense). If you wish to attend the post-lecture dinner, please book by Monday 24th February with Gale Owen-Crocker.
Tuesday 15th - Thursday 17th April 2014
Hulme Hall
Registrations are now being taken for the MANCASS Easter Conference 2014 on Womanhood in Anglo-Saxon England. Programme and enrolment information is available from Brian Schneider.
Wednesday 26th February 2014
5.15pm, 4.05 Mansfield Cooper
Art History Visual Studies Seminar Series 2013/4
Pilkington Visiting Lecturer
Horst Bredekamp, Professor of Art History (Humboldt University, Berlin): Charlemagne and the Image Politics of the Body
Monday 3rd March 2014
6pm, Historic Reading Room, John Rylands Library Deansgate
The Toller Lecture
Professor John Hines (University of Cardiff): A New Chronology and New Agenda: The Problematic Sixth Century
Followed by a free wine reception, and then dinner (at own expense). If you wish to attend the post-lecture dinner, please book by Monday 24th February with Gale Owen-Crocker.
Tuesday 15th - Thursday 17th April 2014
Hulme Hall
Registrations are now being taken for the MANCASS Easter Conference 2014 on Womanhood in Anglo-Saxon England. Programme and enrolment information is available from Brian Schneider.
CFP: Fons Luminis: Using and Creating Digital Medievalia
Fons Luminis, a peer-reviewed interdisciplinary journal edited and produced annually by graduate students at the Centre for Medieval Studies in the University of Toronto, provides a forum in which to address, challenge, and explore the content and methodologies of our various home disciplines. We invite current graduate students to submit papers relating in some way to the 2015 journal theme, “Using and Creating Digital Medievalia.”
Since the mid-twentieth century, computing has been and continues to be a major factor in the medievalist’s research. From Father Busa’s creation of the Index Thomasticus in the 1940’s to current library and archival digitization projects, computational methods are essential aspects of the medievalist’s occupation. Papers are encouraged to address: medievalist use of digitally stored information; social scientists and librarians as creators and/or curators of knowledge about the Middle Ages; future directions of digital humanities; the importance of digital humanities to work in paleography, codicology, diplomatics, and text editing.
Articles may also focus on topics including (but not limited to) mapping and space, the impact of digitization on concepts of the archive, and digital tools in teaching.
Contributions may take the form of a scholarly essay or focus on the study of a particular manuscript. Articles must be written in English, follow the 16th edition (2010) of The Chicago Manual of Style, and be at least 4,000 words in length, including footnotes. Quotations in the main text in languages other than English should appear along with their English translation.
As usual, we continue to accept other submissions on any aspect of medieval studies and welcome longer review articles (approximately 1,500 words) on recent or seminal works in medieval studies.
Submissions must be received by July 1, 2014 in order to be considered for publication.
Inquiries and submissions (as a Word document attachment) should be sent to the editors.
Since the mid-twentieth century, computing has been and continues to be a major factor in the medievalist’s research. From Father Busa’s creation of the Index Thomasticus in the 1940’s to current library and archival digitization projects, computational methods are essential aspects of the medievalist’s occupation. Papers are encouraged to address: medievalist use of digitally stored information; social scientists and librarians as creators and/or curators of knowledge about the Middle Ages; future directions of digital humanities; the importance of digital humanities to work in paleography, codicology, diplomatics, and text editing.
Articles may also focus on topics including (but not limited to) mapping and space, the impact of digitization on concepts of the archive, and digital tools in teaching.
Contributions may take the form of a scholarly essay or focus on the study of a particular manuscript. Articles must be written in English, follow the 16th edition (2010) of The Chicago Manual of Style, and be at least 4,000 words in length, including footnotes. Quotations in the main text in languages other than English should appear along with their English translation.
As usual, we continue to accept other submissions on any aspect of medieval studies and welcome longer review articles (approximately 1,500 words) on recent or seminal works in medieval studies.
Submissions must be received by July 1, 2014 in order to be considered for publication.
Inquiries and submissions (as a Word document attachment) should be sent to the editors.
Sunday, 16 February 2014
Win two amazing SIGNED books! (International entry allowed)
Another great competition from Hic Dragones... entry via the Rafflecopter widget below.
Enter now to win two SIGNED books:
The Palace of Curiosities by Rosie Garland
A luminous and bewitching debut novel that is perfect for fans of Angela Carter. Set in Victorian London, it follows the fortunes of Eve, the Lion-Faced Girl and Abel, the Flayed Man. A magical realism delight.
Before Eve is born, her mother goes to the circus. She buys a penny twist of coloured sugar and settles down to watch the heart-stopping main attraction: a lion, billed as a monster from the savage heart of Africa. Mama swears she hears the lion sigh, just before it leaps... and nine months later when Eve is born, the story goes, she doesn’t cry – she meows and licks her paws.
When Abel is pulled from the stinking Thames, the mudlarks are sure he is long dead. As they search his pockets to divvy up the treasure, his eyes crack open and he coughs up a stream of black water. But how has he survived a week in that thick stew of human waste?
Cast out by Victorian society, Eve and Abel find succour from an unlikely source. They soar to fame as The Lion Faced Girl and The Flayed Man, star performers in Professor Josiah Arroner’s Palace of Curiosities. And there begins a journey that will entwine their fates forever.
Rosie Garland is an eclectic writer and performer, ranging from singing in Goth band The March Violets through touring with the Subversive Stitch exhibition in the 90s, to her current incarnation as Rosie Lugosi the Vampire Queen, cabaret chanteuse, incomparable compere and electrifying poet. The Palace of Curiosities is her debut novel. Rosie's short story, 'Cut and Paste' is published in the Hic Dragones Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny anthology.
Take a Bite by Nancy Schumann
Take a Bite is a non-fictional text discussing female vampires in folklore and Anglo-American Literature and how their characteristics changed through the ages.
Readers will find a concise introduction to female vampires in folklore of various regions; with specific focus on the Lilith and Lamia figures that later on feature prominently in art and literature and including an overview on the numerous superstitions and phenomena that gave rise to vampire belief around the world.
Further chapters deal with the representation of vampiresses in literature and how this changed through the eras; starting with early romantic works such as Le Fanu’s Carmilla and Keat’s Lamia where the vampires is a strong, independent woman who does not fit into the patriarchal society.
Dracula puts female vampires in an inferior position, as the count takes centre stage. The discussion of Dracula focuses on the character of Lucy Westenra as a woman misunderstood by many critics.
The works of Tanith Lee and Anne Rice also include very interesting female characters. Anne Rice’s male vampires have been discussed excessively but her vampiresses deserve much more attention than they have received so far.
The Vampire Diaries are conquering TV screens and with True Blood and Twilight vampires are all around us, but is there a vampire queen among them or are we all just lusting after Edward?
Nancy Schumann completed a master’s degree in English Literature at the University of Leipzig, Germany. Particular research interests were Gothic novels, detective stories and women’s studies. Her MA thesis was on female vampires through the ages. The topic combines feminism and Gothic novels with her personal interest in fanged fiends. This formed the basis to Take A Bite, now available in vamped up form for public consumption. Nancy's short story 'The Hostel' was published in the Hic Dragones Impossible Spaces anthology.
Enter the competition...
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The Palace of Curiosities by Rosie Garland
Before Eve is born, her mother goes to the circus. She buys a penny twist of coloured sugar and settles down to watch the heart-stopping main attraction: a lion, billed as a monster from the savage heart of Africa. Mama swears she hears the lion sigh, just before it leaps... and nine months later when Eve is born, the story goes, she doesn’t cry – she meows and licks her paws.
When Abel is pulled from the stinking Thames, the mudlarks are sure he is long dead. As they search his pockets to divvy up the treasure, his eyes crack open and he coughs up a stream of black water. But how has he survived a week in that thick stew of human waste?
Cast out by Victorian society, Eve and Abel find succour from an unlikely source. They soar to fame as The Lion Faced Girl and The Flayed Man, star performers in Professor Josiah Arroner’s Palace of Curiosities. And there begins a journey that will entwine their fates forever.
Rosie Garland is an eclectic writer and performer, ranging from singing in Goth band The March Violets through touring with the Subversive Stitch exhibition in the 90s, to her current incarnation as Rosie Lugosi the Vampire Queen, cabaret chanteuse, incomparable compere and electrifying poet. The Palace of Curiosities is her debut novel. Rosie's short story, 'Cut and Paste' is published in the Hic Dragones Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny anthology.
Take a Bite by Nancy Schumann
Take a Bite is a non-fictional text discussing female vampires in folklore and Anglo-American Literature and how their characteristics changed through the ages.
Readers will find a concise introduction to female vampires in folklore of various regions; with specific focus on the Lilith and Lamia figures that later on feature prominently in art and literature and including an overview on the numerous superstitions and phenomena that gave rise to vampire belief around the world.
Further chapters deal with the representation of vampiresses in literature and how this changed through the eras; starting with early romantic works such as Le Fanu’s Carmilla and Keat’s Lamia where the vampires is a strong, independent woman who does not fit into the patriarchal society.
Dracula puts female vampires in an inferior position, as the count takes centre stage. The discussion of Dracula focuses on the character of Lucy Westenra as a woman misunderstood by many critics.
The works of Tanith Lee and Anne Rice also include very interesting female characters. Anne Rice’s male vampires have been discussed excessively but her vampiresses deserve much more attention than they have received so far.
The Vampire Diaries are conquering TV screens and with True Blood and Twilight vampires are all around us, but is there a vampire queen among them or are we all just lusting after Edward?
Nancy Schumann completed a master’s degree in English Literature at the University of Leipzig, Germany. Particular research interests were Gothic novels, detective stories and women’s studies. Her MA thesis was on female vampires through the ages. The topic combines feminism and Gothic novels with her personal interest in fanged fiends. This formed the basis to Take A Bite, now available in vamped up form for public consumption. Nancy's short story 'The Hostel' was published in the Hic Dragones Impossible Spaces anthology.
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