Showing posts with label Rachel Howzell Hall. Show all posts
Showing posts with label Rachel Howzell Hall. Show all posts

Sunday 14 February 2021

My Year in Books 2021: January

So, this month's list is a little strange. I finished off my 'Books Like And Then There Were None' list, but then I found myself struggling a bit with my motivation for reading again after that. This is something that I've been experiencing on and off throughout lockdown, and this month I decided to deal with it by going back to a 'comfort reading' series. Apologies for any repetition, but some of the books on this month's list are ones I've written about before in my monthly blog posts from previous years.

That said, here's my first post of 2021, and the books I read for pleasure in January...

They All Fall Down by Rachel Howzell Hall (2019)


I continued my ‘Books Like And Then There Were None’ list into the New Year. The next one I read was They All Fall Down, which was a little more explicitly indebted to Christie’s novel than The Dying Game (it even includes a quote from Christie as its epigraph). The narrator is Miriam Macy. Keen to escape some bad experiences at home, Miriam accepts an invitation to take part in a new reality TV show. She’s to travel to an isolated – but luxurious – island in Mexico, where she’ll stay with a group of strangers until one of them is crowned the winner. On the trip to the island, she discovers a motley crew of companions: a businessman, an ex-cop, a naïve widow, a nurse – none of whom she has any inclination to befriend. But, when they reach the house (called Artemis) on the island, it seems things are not how they initially appeared. And then the killing starts… They All Fall Down is a great homage to Christie’s novel and a fun book in its own right (the dark humour in one particular passage involving the ex-cop was particularly on-the-nose). It also has an unreliable narrator in Miriam, which is something that always wins me over. However, it lacks the shock value of Christie’s ‘big reveal’ and, for all its intentions, it lacks some of the darkness too. I did enjoy this one though. It’s well-paced, a bit of a page-turner, and it’s got a great sense of narrative voice.

Six Wakes by Mur Lafferty (2017)


And now… to space! Next on my ‘Books Like And Then There Were None’ list is a science fiction story set on a spaceship staffed by clones. Not my usual fare, but it definitely seemed interesting. The story begins with one of the clones, Maria, waking up in a cloning pod. She knows this means that her previous ‘shell’ (body) has died, but she has no memories of the event. As she emerges, she discovers all six of the crew have been cloned, and that their dead ‘shells’ are still floating around in the zero gravity of the room… and they’ve been murdered! Admittedly, this one doesn’t really follow the same formula as And Then There Were None, as all the victims/suspects are already dead (but also not dead) when the story begins. But it’s still a fun book and definitely one I’d recommend. The cloning storyline is a little hard to get your head around – I had to flip back and forth on occasions to double check timelines and details to keep things straight – but that’s part of its charm. And the question as to what any of this backstory has to do with the murders on board the spaceship (which is transporting a load of cryogenically frozen people to a new home on a planet called Artemis, by the way) is something that unfolds slowly throughout the narrative. The only thing I didn’t like about Six Wakes was the incongruously upbeat ending – it didn’t quite work for me.

Murder in the Crooked House by Soji Shimada (1982)


The last book on my little list was Shimada’s Murder in the Crooked House – a ‘classic Japanese locked room mystery’. The eponymous house here is the Ice Floe Mansion, an eccentric building in a remote location in northern Japan. It was constructed by successful businessman Kozaburo Hamamoto, who has retreated from public life to enjoy a reclusive life in his unusual house. The story begins with Hamamoto welcoming a group of guests to the Ice Floe Mansion to celebrate Christmas. It’s a dark and stormy night, and some guests are (of course!) bringing secrets and resentments to the party. It’s hardly surprising that, by the end of the first day, one of them is dead. What is surprising (for the characters, though perhaps not for readers who are fans of the genre) is that the victim is a hired driver with no connection to the rest of the guests, that his body has been found in a completely locked room, that the killer left no footprints in the snow, and that there are a series of cryptic clues in the room with the body. And then another guest dies… This is a locked room mystery that’s more John Dickson Carr than Agatha Christie, and you need to pay much more attention to mechanics than motive if you want a chance of working it out. It also uses something that is generally considered a no-no in locked room fiction, but I enjoyed the story so much I can completely forgive this!

Extraordinary People by Peter May (2006)


So… this is a bit weird, and I’m not quite sure how I’m going to do this, as the next six books on my list(s) are ones I’ve already written about since I started these monthly round-up posts. I don’t imagine I’m alone in saying that January was particularly tough this year (it’s never an easy month, is it?), and so – despite having that towering to-read pile of wonderful looking books – I retreated into my ‘comfort reading’ series and reread Peter May’s Enzo Macleod books. Or, I should say, I reread the Enzo series so far, as I found out part way through my reread that there’s going to be another one out next month! Clearly, my timing was impeccable. I have written mini-reviews of all six of the books before, so I’m not sure whether I’ll be repeating myself a bit in this post. Half-Italian, half-Scottish Enzo Macleod is a lecturer in biology and forensics at a French university who turns his hand to solving France’s most famous cold cases by applying new scientific techniques to old evidence. This is mostly done as a bet – he has waged he can solve the seven cases in a book about unsolved murders written by a journalist called Roger Raffin (sometimes Enzo’s colleague, sometimes his antagonist, sometimes something else altogether). That’s a very rough series synopsis, but it doesn’t really capture the pleasure of the novels, which are often as much about the ensemble (‘the gang’) than the (very) idiosyncratic main character.

The Critic by Peter May (2007)


Continuing with my comfort reading, I obviously moved on to the second Enzo book. Extraordinary People introduces the characters and the overall series arc, plus it sees Enzo solve the first of the notorious cases in Raffin’s book (the disappearance of a senior civil servant/film critic). Enzo is based in Cahors – and occasionally in Paris – and one of the things I love about this series is the very affectionate (and very Francophile) sense of place that comes through in each one. Extraordinary People is, perhaps, the most Parisian of the series, involving a very memorable trip into the catacombs beneath the city. The Critic takes Enzo to the Gaillac region to investigate the murder of a famous wine critic. I think I said in my last mini-review, I do like the bits involving ‘the gang’ in this one (Enzo’s daughter Sophie, her boyfriend Bertrand, star student Nicole, and on/off lover Charlotte all make an appearance, as well as small appearances by Raffin and Enzo’s older daughter Kirsty). And The Critic also lets May indulge in a lot of descriptions of wine, as Enzo and the gang decide that, to understand who might have killed the wine critic, they have to immerse themselves in the culture of the wine-producing region. They sample a lot of wine to get to the bottom of this one, and there are some interesting little details about the French wine industry – just be careful not to get side-tracked by the vin and miss all the clues!

Blacklight Blue by Peter May (2008)


The next book in the series starts off pretty dramatically, with various members of the gang coming under attack (as well as some nasty news for Enzo himself). Guessing that this has something to do with the next case in Raffin’s book, Enzo decides that he needs to get his nearest and dearest to a safe place, and then start investigating. It’s time for a road trip! (Sadly, Nicole doesn’t get to join in this time, but we do see a bit more of Raffin, who is now in a relationship with Enzo’s daughter Kirsty.) This is the first book in the series that plays around with narrator and perspective, with the story of… well… a mystery man being interspersed with the present-day story of the investigation. This does mean that the reader is privy to some information that the detective isn’t – which would normally be a bit of a no-no – but the point here is that we need Enzo’s investigation to put all the pieces together and make them fit. Also, it’s quite good fun watching to find out how on earth he’ll be able to work out some of the information that we only know because we read the killer’s flashbacks. The first two books ended with a couple of tantalizing loose ends, but Blacklight Blue takes that to the next level, and there’s quite a few unanswered questions at the end of this one. It’ll be a bit later in the series before we get the answers.

Freeze Frame by Peter May (2010)


Moving straight on to the next book… as I think I mentioned in my previous mini-review, Freeze Frame uses a similar technique to Blacklight Blue, in that the reader gets a lot of backstory for the killer (and even ‘witnesses’ a key event in the run-up to the murder) before Enzo gets involved at all. In fact, there’s even more information revealed in this one than in the previous book, and so we are coming into the mystery with quite a bit of background knowledge. Enzo isn’t though, and so we are once again watching the detective to see how he’ll catch up with what we already know. Freeze Frame takes Enzo to Brittany to reinvestigate the case of Adam Killian, who was murdered twenty years ago. While there was a suspect for Killian’s murder, his involvement was never proven. And, more intriguingly (for both Enzo and the reader), Killian rang his daughter-in-law shortly before his death to tell her that he was leaving a secret message for his son in his study that would explain everything. The son died in an accident before he saw the message, and so Killian’s daughter-in-law has carefully preserved the study until the day when someone can both find and interpret the dead man’s final code. Freeze Frame sort of breaks with Enzo’s stated intention of using new scientific methods to solve old crimes, as although developments in science are an important part of the plot, it’s not actually the key to the solution.