Mansfield College, Oxford, United Kingdom
This inter-disciplinary and multi-disciplinary conference seeks to examine and explore issues which lie at the interface of fear, horror and terror. In particular the project is interested in inverstigating the various contexts of fear, horror and terror, and assessing issues surrounding the artistic, cinematic, literary, moral, social, (geo)political, philosophical, psychological and religious significance of them, both individually and together.
We are also looking towards a 'track' theme in the area of the relationship between fear, horror and terror and the audio-visual (sight/sound/silence) this year. We invite proposals on any area listed below that relates to this track theme, as well as any areas related to the conference. This thematic track is envisioned to develop with each subsequent meeting.
In addition to academic analysis, we welcome the submission of case studies or other approaches from those involved with its practice, such as people in religious orders, therapises, victims of events which have been provoked by experiences of fear, horror and terror - for example, lawyers or others involved with law enforcement, medical practitioners, or fiction authors whose work aims to evoke these reactions.
Papers, reports, work-in-progress and workshops are invited on issues related to any of the following themes:
1. The Contexts of Fear, Horror and Terror
- case studies
- professions dealing with the Fear, Horror and Terror (Therapists, Clergy, Lawyers, Law enforcement etc.)
- creating and experiencing fear, horror and terror
- the properties of fear, horror and terror
- contexts of fear, horror and terror
- the language of fear, horror and terror
- the meaning of fear, horror and terror
- the significance of fear, horror and terror
2. At the Interface of Fear, Horror and Terror
- the role of fear, horror and terror
- emotional releases (pleasant or negative) achieved by Fear, Horror and Terror
- techniques of fear, horror and terror
- marketing fear, horror and terror
- recreational fear, horror and terror
- aesthetic fear, horror and terror
- the temperature of fear, horror and terror
- the sound of fear, horror and terror
- silence as a strategic subversion of the operation of fear, horror and terror
- fear, horror and terror and the visible/invisible
3. Representations of Fear, Horror and Terror and:
- the imagination
- pleasure
- art, cinema, theatre, media and the creative arts
- survival horror video games
- literature (including children's stories)
- the other
- technology
- hope and despair
- relations to anxiety, disgust, dread, loathing
- hope and the future
- the sublime
For 2011, the Fear, Horror and Terror project will meet alongside our project on Making Sense of: Health, Illness and Disease. It is our intention to create cross-over sessions between the two groups - and we welcome proposals which deal with the relationship between health, illness and disease and fear, horror and terror. Themes could include: fear and global threats to health (swine flu, bird flu, SARS, for example), or horror and disease (fear of our bodies, contagion, HIV/AIDS, for example), or terror and biological warfare. Papers will be accepted which deal with related areas and themes.
300 word abstracts should be submitted by Friday 25th March 2011. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 22nd July 2011. 300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats, following this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract
Emails should be entitled: FHT Abstract Submission
Please use plain text (Times New Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Colette Balmain
Independent Scholar, London, United Kingdom
Sorcha Ni Fhlainn
School of English, Trinity College, Dublin, Ireland
Rob Fisher
Network Founder and Network Leader
Inter-Disciplinary.Net, Freeland, Oxfordshire, United Kingdom
The conference is part of the At the Interface series of research projects. The aim of the conference is to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume.
For further details about the project, please click here.
For further details about the conference, please click here.
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