Showing posts with label manchester. Show all posts
Showing posts with label manchester. Show all posts

Wednesday 22 February 2012

GUEST POST: Bryan Sitch



The Heronbridge Skeletons at The Manchester Museum

The human skeletons from Heronbridge near Chester have attracted a lot of interest recently. Some of this is thanks to Hannah with whom I discussed the remains last year. Within a matter of hours it seemed Hannah had arranged for me to speak about the discovery at a conference she was organising about Gender and the Middle Ages. In just over five weeks’ time on 29th March there will be another opportunity to explore what the bones mean when the Manchester Museum holds a day school on the Heronbridge skeletons. This is to coincide with a Manchester Anglo-Saxon Studies Colloquium which is being held on 28th March. Hopefully people will find it worthwhile to stay over. What is it that makes the skeletons so interesting?

The skeletons were found during excavations at Heronbridge during the early 1930s. Many of the finds were of Roman date and it was assumed that the skeletons were also of Roman date. In the excavation publication it was stated that the remains would be deposited at the Manchester Museum and that a detailed report had been presented to the university librarian. On the basis of this statement a number of enquirers had contacted the Museum to ask about the skeletons but no-one was able to find them. It was just over a year ago that the penny dropped.

As Curator of Archaeology I had gone through the human remains in the collection to find out what was known about them. I noticed that many of the bones had no associated information. Some, however, had distinctive labels on which Greek characters were written such as alpha, beta, gamma, delta and so on. At the time this meant nothing to me but it quickly became clear when I re-read the brief report about the Heronbridge skeletons published in 1933. In a table at the back of the report the skeletons were listed but half way across the table the numbering changed and the skeletons had dual numbering using Greek characters. On its own this might not be sufficient to tie down the provenance but the bone report also referred to wounds on the skulls. When I checked the skulls I saw large impact trauma, injuries made by long edged weapons. Dr Elwyn Davies who wrote the bone report speculated the injuries were caused by Roman cavalry swords. This conclusion was based on the presence of Roman finds on the Heronbridge site. However, in 2005 further archaeological work was carried out at Heronbridge and two of the skeletons were recovered and radiocarbon dated. The range of dates suggested a time somewhere around the early 7th century AD.

This was extremely interesting because in his 'Ecclesiastical History of the English People' Bede gave an account of the Battle of Chester. A Northumbrian army led by King Aethelfrith fought a smaller force of northern Welsh Britons and defeated it. Bede's account said that Aethelfrith, seeing British Christian monks praying for the defeat of the Northumbrians, ordered his men to cut them down. Many of the monks were killed. The Northumbrians retreated having suffered heavy casualties in their turn and with British reinforcements on their way.

Could the skeletons in the Manchester Museum be casualties of the Battle of Chester in or about 616 AD? None have been radiocarbon dated but they come from very similar contexts to the skeletons lifted in 2005. As the latter have been radiocarbon dated it seems reasonable to infer that the skeletons from the 1930s excavations are of the same date. As the dead were buried in significant numbers in pits (laid out respectfully like sardines in a tin), it must have been a significant battle. The wounds on some of the bones are very similar to those seen on skeletons from Anglo-Saxon cemeteries. And they are all men. I conclude that the skeletons in the Museum must be from the Battle of Chester. To have a sizeable group of human remains showing trauma from a 'Dark Age' battlefield together with an historical account is really exciting.

But who are the skeletons? Which side were they on? Could they be the remains of the monks? Perhaps tidied away respectfully by the Welsh reinforcements that arrived too late to take part in the battle? Prof. Nick Higham of the University of Manchester has argued that we must take what Bede has to say with a large pinch of salt. Bede isn't a reliable guide to events on the battlefield. He was writing providential history and trying to justify the slaughter of Christians by the pagan Anglo-Saxons who would later become Christian. Bede was serving a religious agenda. For instance no early medieval monastery in this country can have had the numbers of monks ascribed to it by Bede. Bu'Lock argued the monks were former warriors who had retired to the cloister to pass their twilight years only to be pressed back into military service in an emergency when the Northumbrians attacked Chester. Again this seems unlikely. Whether we can find out from isotopic studies which part of the world these men came from remains to be seen.

We will explore aspects of the story in the day school at the Manchester Museum on 29th March. Six speakers have confirmed their titles and it looks like a fascinating date.

Bryan Sitch
Deputy Head of Collections and Curator of Archaeology
The Manchester Museum

For more information about the Heronbridge skeletons, see the Ancient Worlds blog from The Manchester Museum.

GUEST POST: Bryan Sitch (The Manchester Museum)

Monsters, the Museum and Sacrificial Theory

When Hannah contacted me about contributing a paper to a conference she is organising on the subject of Monsters, I immediately thought of the presentation I gave - or rather a colleague gave on my behalf - at a conference a year or so ago. In the paper I made a brief survey of objects in the Manchester Museum archaeology collection depicting monsters, including Odysseus in the Cyclops’ cave on an ancient Greek vase and figurines of the chimera or chimaera, the sirens and the sphinx.



At that time I was very interested in sacrificial theory, but I was only able to touch upon the topic in passing because most of the paper was devoted to monstrous objects in the Museum collection. One of the questions I posed was if, as has been argued by Adrienne Mayor in her fascinating book The First Fossil Hunters: Paleontology in Greek and Roman Times (2001), some of the monsters in ancient Greek myths were inspired by discoveries of fossilised bones from long-extinct Mediterranean megafauna, then how do we explain weird composites or hybrids like the chimaera or the sphinx in which the bodies of completely different creatures are mixed together? The former animal had the body of a lioness with a snake for a tail and a goat’s head sticking out of its back. It's like one of those books for children in which you turn a page and the head of one person is superimposed upon the body of someone else who is in turn superimposed over the lower body of another person. Reading Rene Girard's books about sacrificial theory seemed to offer a solution. Girard is a French academic who has worked for many years in the USA

His argument goes something like this: in the distant past members of a community that facing a flood or a famine or pestilence might experience into a state of collective anxiety such that the members of that community become progressively more agitated to the point where a total break-down of order and respect for social distinction is threatened. Girard compares the situation to a pan of milk about to boil over. What prevents the pan boiling over and a collective descent into anarchy – what Girard calls the ‘sacrifical crisis’- is the selection of a victim or scapegoat who acts as a lightning rod, exorcising the communal frenzy and bringing about a return to normality. Typically the victim is accused of having committed horrendous crimes and suffers a violent death in which all the members of the community take part. The victim is selected on the basis of disabilities or blemishes (and sometimes being unblemished is the excuse). Think of the myth of Oedipus with his club foot for example. Once order has been restored the community rationalises its violent treatment of the victim, who undergoes a change of status. Girard calls this the ‘mythic crystallisation’. Instead of being held responsible for the break-down of social order the victim is seen as having brought about its resolution and becomes a sanctified figure.

There are a number of things here that are relevant. Firstly, people who suffer from a disability or a blemish can be perceived as monstrous as well as being accused of monstrous crimes by other members of the community. Think of Oedipus who murdered his father and married his mother. Secondly Girard characterises the descent into chaos as a lack of respect for order and degree and social hierarchies. The people involved become so agitated that they can no longer make sense of what they are seeing. In the collective madness their perceptions are confused, resulting in the mixing of different categories, such as animal and human, and the creation of monstrous compilations and hybrids.



Monstrosity, therefore, is an important part of Rene Girard’s work on scape-goating. This offers potentially a way of understanding monsters, of which hybrids like the chimaera and the sphinx in Greek mythology are such memorable examples.

Bryan Sitch
Deputy Head of Collections and Curator of Archaeology
The Manchester Museum

Images:

1. Bronze Figurine of a Sphinx
2. Terracota Depicting Medusa


Bryan Sitch will be speaking on 'Monsters, the Museum and Sacrificial Theory' at the Hic Dragones Monsters: Subject, Object, Abject Conference, to be held at the Manchester Museum on 12-13 April 2012. For more information about the conference, please visit the Hic Dragones website.

Tuesday 21 February 2012

Monsters: Subject, Object, Abject

Kanaris Lecture Theatre and Conference Room
Manchester Museum, Oxford Road,
Manchester M13 9PL, United Kingdom

Thursday 12th April – Friday 13th April 2012

Conference Programme

Thursday 12th April

9.00-9.30am: Registration

9.30-11.00am: Opening Remarks (Dr. Hannah Priest, University of Manchester) and Session 1: Monsters in Popular Culture (Kanaris Lecture Theatre)
Chair: TBC
(i) Matthew Freeman (University of Nottingham): Who’s Monster?: Monsters, Subjectivity, and the Figure of the Child in Doctor Who
(ii) James Campbell (University of Stirling): ‘Welcome to the Madhouse’: The Conflation of Monstrosity, Madness and Mental Illness in DC Comics’ Batman Franchise
(iii) Christina Wilkins (University of Southampton): Transatlantic Differences and the Importance of Religion in Post-9/11 Monsters

11.00-11.30am: Coffee

11.30-1.00pm: Parallel Sessions

Session 2a: Literary Monsters (Kanaris Lecture Theatre)
Chair: TBC
(i) Lisa Tagliaferri (The Graduate Center, CUNY): S’el fu sì bel com’elli è ora brutto: Dante’s Vision of Lucifer
(ii) Imke Heuer (University of Southampton): ‘A brood of monsters like myself’: Joshua Pickersgill’s The Three Brothers, Byron’s The Deformed Transformed and Mary Shelley’s Frankenstein
(iii) Giulia I. Sandelewski (Shakespeare Institute, University of Birmingham): Vengeful or Revenger? Renaissance Drama as a Lens for Vallgren’s Hercules Barefoot

Session 2b: Making Monsters (Conference Room)
Chair: TBC
(i) Lisa Temple-Cox (Independant Researcher): Making Myself a Monster: Self-Portraiture as Teratological Specimen
(ii) Rosie Garland (Independent Researcher): ‘The Girl You Never Loved But Always Looked For’: Occupational Therapy and the Development of the Performance Persona Rosie Lugosi the Vampire Queen
(iii) Susanne Hamscha (FU Berlin): “Gaga, Ooh La La”: Lady Gaga and the Pleasures of Being a Freak

1.00-2.00pm: Lunch

2.00-3.30pm: Parallel Sessions

Session 3a: Embodying Monstrosity (Kanaris Lecture Theatre)
Chair: TBC
(i) Tracy Fahey (Limerick School of Art and Design, LIT): Invisible Monsters: Gothic and the Diabetic Body
(ii) Michel Delville (University of Liège) and Andrew Norris (Institut Supérieur des Traducteurs et Interprètes): Monstrosity, Hunger and Resistance
(iii) Lorie Hamalian (California State University): Swans and Prawns: Monster Metamorphoses and Hybrid Identities in Aronofsky’s Black Swan and Blomkamp’s District 9

Session 3b: Monsters of Literature (Conference Room)
Chair: TBC
(i) Jessica George (Cardiff University): Celtic Subject and Racial Other in Arthur Machen’s ‘The White People’
(ii) Kay Lint (University of Hertfordshire): ‘Mangy fur and red, smouldering eyes’, The Monstrous Dog in Graham Masterton’s Charnel House
(iii) Rick Hudson (Bath Spa University): ‘Their Hand Is At Your Throat, But Ye See Them Not’: Monstrous Absence in the Fiction of H.P. Lovecraft

3.30-4.00pm: Coffee

4.00-5.00pm: Parallel Sessions

Session 4a: Folk Monsters (Kanaris Lecture Theatre)
Chair: TBC
(i) Carla Bascombe (University of the West Indies): Monsters of the Caribbean: A Portrait of the Traditional Torturer in the Untraditional Tale
(ii) Alexandra McGlynn (Independent Researcher): Kappa: Buttocks-Ball Eating Monsters of Shintõ Suijin

Session 4b: Monsters of Cinema (Conference Room)
Chair: TBC
(i) Michael C. Bongiorno (CUNY, College of Staten Island): Another One for the Fire: Spectatorship, Apparatus and Recognition in Night of the Living Dead (1968)
(ii) Joshua Peery (Independent Researcher): Fear the Ma(SHE)ne: Monstrous Female Machines in Sci-Fi Cinema

5.00pm: Close

7.30pm: Conference Dinner at Felicini

*****

Friday 13th April

9.30-11.00am: Parallel Sessions

Session 5a: Old Monsters, New Faces (Kanaris Lecture Theatre)
Chair: TBC
(i) Rachel Mizsei Ward (University of East Anglia): Munchkin Cthulhu, My Little Cthulhu and Chibithulu: The Transformation of H.P. Lovecraft’s Cthulhu from Horrific Body to Cute Body
(ii) Carys Crossen (University of Manchester): ‘The loup-garou has a duty: justice’: The Law, Justice and Vigilantism in Contemporary Lycanthropic Fiction
(iii) Kim Wilkins (University of Queensland): Writing the Medieval Monstrous

Session 5b: Spaces of Monstrosity
Chair: TBC
(i) Ersi Ioannidou (University of Brighton): Dismembered Domesticity: the House as Monster
(ii) David Allen (Midland Actors Theatre): Expedition Everest
(iii) Garfield Benjamin (University of Wolverhampton): Virtual Monsters: Becoming Death and the Quantum Immortal

11.00-11.30am: Coffee

11.30-1.00pm: Parallel Sessions

Session 6a: Of Monstrosity and Humanity (Kanaris Lecture Theatre)
Chair: TBC
(i) Maria Chatzidimou (Aristotle University of Thessaloni): I am not an elephant! I am not a man! I am a colonized abject! : Re-viewing David Lynch’s The Elephant Man
(ii) Ian Pettigrew (University of Miami): The Monster’s Choice to Be Human: Guillermo del Toro’s Incarnations of a Hitchcockian Theme

Session 6b: More Literary Monstrosity (Conference Room)
Chair: TBC
(i) Martyn Colebrook (University of Hull): ‘The Last Banned Book in Britain’: David Britton, Michael Butterworth, Lord Horror and Monstrosity
(ii) Eva Bru (Independent Researcher) The Spectacle of the Monstrous: Enforcing Normalcy in Mercè Rodoreda’s Death in Spring
(iii) Kristy Butler (Mary Immaculate College, University of Limerick): Breaking the Frame: Alternative Histories, Monstrous Ideologies and the Political Gothic

1.00-2.00pm: Lunch

2.00-3.00pm: Monsters, the Museum and Sacrificial Theory: Workshop with Bryan Sitch (Manchester Museum) (Kanaris Lecture Theatre)

3.00-3.30pm: Coffee

3.30-4.30pm: Session 7: The Monstrous Human (Kanaris Lecture Theatre)
Chair: TBC
(i) Abby Bentham (University of Salford): The Monster in Me: On Cultural Fascination with the Fictional Psychopath
(ii) David McWilliam (Lancaster University): Demystifying the Folk Devil: The Humanization of Aileen Wuornos in Patty Jenkins’s Monster (2003)





4.30-5.00pm: Closing Remarks

5.00pm: Conference Close








This conference is being run by Hic Dragones, and information on registration can be found on the Hic Dragones website. The registration fee is £75 (including refreshments) or £97 (including a 3-course conference dinner on Thursday 12th), and the deadline for registration in 30th March 2012. Following the conference, there will be a series of public events with a horror/monstrous theme. For more information about the public events, please click here.

Tuesday 15 November 2011

Gender and Medieval Studies Conference 2012: Gender and Punishment

Martin Harris Centre, University of Manchester
11-13 January 2012

Registration is now open for GMS 2012: Gender and Punishment. Click here to register or here to visit the conference website.

Programme

Wednesday 11 January

12:45-1:45pm: Registration (Foyer)

1:45pm: Welcome and Opening Remarks by Dr. Anke Bernau (University of Manchester) (John Thaw Studio Theatre)

2-3:30pm: Keynote Lecture (John Thaw Studio Theatre)
Chair: Professor Gale Owen-Crocker (University of Manchester)
Professor Dawn Hadley (University of Sheffield): Masculinity and Mass Graves in Anglo-Saxon England

3:30-4pm: Coffee (Foyer)

4-5:30pm: Parallel Sessions

Panel 1a: Torture and Spectacle (John Thaw Studio Theatre)
Chair: TBC
(i) David Matthews (University of Manchester): “Take example, and thereof beware”: The Medieval Execution Ritual
(ii) Megan Welton (University of Notre Dame): Diversis angustiata cruciatibus: Adelheid of Italy and Tenth-Century Capture, Torture, and Gender
(iii) Iain MacInnes (UHI Centre for History): “A somewhat too cruel vengeance was taken for the blood of the slain”: punishment of rebels and traitors in medieval Scotland, c.1100-c.1400

Panel 1b: Holy Women and Punishment (G16)
Chair: TBC
(i) Jessica Cheetham (University of Bristol): Mechthild of Magdeburg and Vicarious Punishment
(ii) Clare Monagle (Monash University): Authority and Punishment in the Letters of Hildegard of Bingen and Catherine of Siena
(iii) Kate E. Bush (The Catholic University of America): Cani Giudei: Anti-Semitism in the Sermons of Saint Catherine of Bologna

5:30pm: Close

6pm: Wine reception at International Anthony Burgess Foundation (Engine House, Cambridge Street)

*****

Thursday 12 January

9:30-11am: Parallel Sessions

Panel 2a: Space and Punishment (John Thaw Studio Theatre)
Chair: TBC
(i) Sergi Sancho Fibla (Universitat Pompeu Fabra): Marguerite d’Oingt’s Pagina Meditationum. The female hell for the “brothers of flies”
(ii) Polly Stevens Fields (University of Nevada, Reno): Reconsideration of Hrothwissa’s Convent Dramas: Source and Site of Female Punishment in Paphnutius
(iii) Kristin Distel (Ashland University): Holy Fear as Incentive for Enclosure

Panel 2b: Presence and Absence in Punishment (G16)
Chair: TBC
(i) Drew Maxwell (University of Edinburgh): “Traytur untrew and trowthles”: Women's roles as punishers and teachers in the concept of trowth within Ywain and Gawain and Sir Launfal
(ii) Hannah Priest (University of Manchester): “De l’altre part la dame a prise”: Hiding Punitive Violence Against Women in Insular Romance
(iii) Carl G. Martin (Norwich University): “Par destresce e par poür”: Bisclavret’s Constrained Bodies

11-11:30am: Coffee (Foyer)

11:30-1pm: Parallel Sessions

Panel 3a: Law and Punishment (John Thaw Studio Theatre)
Chair: TBC
(i) Daniela Fruscione (University of Frankfurt): Adultery, gender and punishment in the 7th century: Legal and social frames
(ii) Charlene M. Eska (Virginia Tech): Castration in Early Irish Law
(iii) Gillian R. Overing (Wake Forest University): Within Striking Distance: Gender, Insult and Injury in Some Anglo-Saxon Laws

Panel 3b: Virgins and Punishment (G16)
Chair: TBC
(i) Christine Williamson (University of York): The Moment of Death in the Passiones of the Virgin Martyrs: Exploring Gendered Forms of Execution in Medieval Hagiography
(ii) Sarah Schäfer (University of Paderborn): “Letting Satan in…” On teeth, tongues, throats and symbolic defloration in Female Saints’ Legends
(iii) Stavroula Constantinou (University of Cyprus): Holy Violence: Crime and Punishment in the Miracles of Saint Thecla

1-2pm: Lunch (Foyer)

2-3:30pm: Parallel Sessions

Panel 4a: Punitive Scripts of Selfhood (John Thaw Studio Theatre)
Chair: TBC
(i) Emily Rhodes (University of Bristol): Punishment & Imitatio Christi: Medieval Holy Women Creating Purgatory
(ii) Sarah Macmillan (University of Birmingham): Punishment, Pain and the Invisible Injuries of Christina Mirabilis
(iii) Michelle M. Sauer (University of North Dakota): Devotional Violence and Sacred Sacrifice: Asceticism, Flagellation, and Penetration in A Talkyng of the Loue of Gode

Panel 4b: Gendered Punishment (G16)
Chair: TBC
(i) Rachel Jones (Cardiff University): Punishing the Unruly Female Saint: The Anomalous Case of Mary Magdalene
(ii) Inna Matyushina (University of Exeter): Punishments in Chastity Tests
(iii) Anastasija Ropa and Edgar Rops (University of Wales, Bangor): Gender specific punishment in the ‘Queste del Saint Graal’ and contemporary legal practice

3:30-4pm: Coffee (Foyer)

4-5:30pm: Keynote Lecture (John Thaw Studio Theatre)
Chair: Dr. Anke Bernau (University of Manchester)
Professor Karen Pratt (King’s College, London): Does the punishment fit the crime, or only the person? The intersection of gender, class and punishment in Old French
Literature

5:30pm: Close

7pm: Conference Dinner at Felicini (Oxford Road)

*****

Friday 13 January

9:30-11am: Parallel Sessions

Panel 5a: Uncanny Bodies and Punishment (John Thaw Studio Theatre)
Chair: TBC
(i) Stephen Gordon (University of Manchester): Post-Mortem Punishment and the Fear of the Errant Corpse in Writings of William of Newburgh
(ii) Patricia Skinner (University of Swansea): The Gendered Nose and its Lack – some thoughts on medieval rhinectomy
(iii) Katja Fält (University of Jyväskylä, Finland): Men, Women and Devils - Representations of Gender and the Diabolic in the Late-Medieval Wall Paintings of the Diocese of Turku (Finland)

Panel 5b: Discipline and Punish (G16)
Chair: TBC
(i) Kathy Frances (University of Manchester): Penance and Punishment: The Male Body and Masculine Bonds in John Audelay the Blind’s Counsel of Conscience
(ii) Frank Battaglia (College of Staten Island/CUNY): Boys Should Be Heroes: Beowulf’s disciplinary discourse
(iii) Rachel Friedensen (Western Michigan University): Si invita passa est: Consent and Gender in Anglo-Saxon and Frankish Penitentials
11-11:30am Coffee (Foyer)

11:30-12:30pm: Panel 6: Timely Punishment (John Thaw Studio Theatre)
Chair: TBC
(i) Beverly R. Sherringham (Farmingdale State College, New York): The Graceful Fall: Medieval Misogyny as a Redemptive Precursor to an Egalitarian Society
(ii) Daisy Black (University of Manchester): Troublesome Flotsam: Verbal Resurrections of a Drowned Past

12:30-1:30pm: Lunch (Foyer)

1:30-2:30pm: GMS Business Meeting (G16)

3-4:15pm: Optional Workshops

(i) John Rylands Library Manuscript Collections (John Rylands Library, Deansgate)
or
(ii) The Heronbridge Skeletons (led by Dr. Bryan Sitch) (Manchester Museum, Oxford Road)

4:15pm Conference Close

*****

Registration is now open. Click here to register. For more information, visit the conference website or the University of Manchester website, or email the conference convenors.

Friday 21 October 2011

CFP: MANCASS Postgraduate Conference: Domestic Life and Lifestyle

Manchester Anglo-Saxon Society Post Graduate Student Conference

John Rylands Library, Deansgate, Manchester, UK
March 5-6, 2012

Domestic Life and Lifestyle

What did the simple folk do? We are looking for papers on the average daily life of Anglo-Saxon people. Topics may include, but are certainly not limited to textiles, making of pottery, domestic architecture, farming, animal husbandry, wood carving, cooking, glass making, and metal working. If your topic is secular and related to the Anglo-Saxon world, it will be considered. Send abstracts to Christina Petty by 1 Jan 2012.

Friday 14 October 2011

Further Adventures in Wonderland: The Afterlife of Alice

Registration is now open for the Hic Dragones Further Adventures in Wonderland: The Afterlife of Alice conference. See here for more details.

This one-day inter-disciplinary conference in Manchester, UK, explores the influence, interpretation and representation of Alice in Wonderland in contemporary popular culture. Dress and style, music and film - Alice is out of the rabbit hole and into our collective psyche. This conference seeks to address the perennial popularity of Lewis Carroll's creation, and to explore her most recent incarnations.

Venue: The International Anthony Burgess Foundation, Manchester

Date: Thursday 1st December 2011

Programme:

9.30-10.00 Registration

10.00-11.00 Plenary Paper
Dr. Will Brooker (Kingston University): The Further Adventures of Alice

11.00-11.30 Coffee

11.30-1.00 Panel 1: Adaptation and Literature

Laura-Jane Maher (Monash University): Taking Liberties: Adaptation and Transmedia Narrative in Frank Beddor’s The Looking Glass Wars

Hannah Priest (University of Manchester): Steampunk, Cyberpunk, Whimsy: Genre Definition and Jeff Noon’s The Automated Alice

Deidre Flynn (Mary Immaculate College, Limerick): Adventures in the Postmodern Wonderland

1.00-2.00 Lunch

2.00-4.00 Panel 2: Performing Alice

Michael Goddard (University of Salford): Alice in Radioland: Radio Alice and the Movement of 77 Through the Looking Glass

Justine Houyaux and Neil Elliott Beisson (UMONS, Belgium): Waltz in Wonderland – Tom Waits and Alice

Guilia Sandelewski (Shakespeare Institute, University of Birmingham): Behind Bars and yet in Wonderland – Alice Refracts Hamlet, Reflects Italy’s Fractured Identity

Alexander Sergeant (King’s College London): Twas Brillig! Nonsense, Play and Inconsequentiality in Paramount’s Alice in Wonderland (1933)

4.00-4.30 Coffee

4.30-6.00 Panel 3: Alice at Play

David Allen (Midland Actors Theatre): Alice In Wonderland – The Disneyland Dark Ride

Franziska Kohlt (University of Sheffield): Into the X-Box and what Alice Found There: American McGee's Alice: Madness Returns

Jennifer Hardy Williams (Calvin College): Alice Meets Lolita: Quinrose’s Alice in the Country of Hearts

To register, visit the website or email the conference convenors.

Thursday 29 September 2011

CFP: Fifty Years of A Clockwork Orange

28 June - 1 July 2012
Manchester, United Kingdom

WITTY : FUNNY : SATIRIC : MUSICAL : EXCITING : BIZARRE : POLITICAL : THRILLING : FRIGHTENING : METAPHORICAL : COMIC : SARDONIC : BEETHOVEN

To mark the fiftieth anniversary of Anthony Burgess’s A Clockwork Orange (1962), the International Anthony Burgess Foundation is organising a multi-disciplinary conference to examine its profound and enduring impact on literature, film, music, theatre and society.

The conference will assess the history and reception of A Clockwork Orange in all its manifestations. Papers of 20-30 minutes in length are invited on any aspect of A Clockwork Orange and its legacy. Possible topics might include the linguistic and/or musical aspects of Burgess’s novel; invented languages; the film versions directed by Andy Warhol and Stanley Kubrick; the stage adaptations by John Godber, Anthony Burgess and Ron Daniels; translations into other languages and media; the history of book design; the political and Cold War contexts of the book and films; and the continuing influence of Burgess’s text on popular music, fashion, or other aspects of youth culture and counter-culture.

The conference will be supported by, a new Burgess/Kubrick exhibition at the John Rylands Library (in collaboration with the Stanley Kubrick Archive), a film season at the Cornerhouse cinema, new commissions of contemporary classical music, and more.

If you would like to submit a paper, please send an abstract of 200-300 words to the International Anthony Burgess Foundation.

Thursday 8 September 2011

A Journey Through Wonderland: Alice in Multi-Media

An exhibition of books, pictures, videos and more

The Portico Library, Manchester M2 3HY
7th October - 30th November 2011
Preview on Thursday 6th October

Lewis Carroll created, in Alice, one of the most enduring and endearing characters in literature. An escape from boredom plunges this easily distracted child into a surreal and fantastical Wonderland at once exciting and frightening as she meets, along the way, such whimsical, yet sinister, characters as the White Rabbit, the Mad Hatter and the Duchess. Carroll had already imagined their appearance and John Tenniel, already an established illustrator, was given clear instructions on their depiction for the first edition of Alice’s Adventures in Wonderland followed by her return to a dream-land in Through the Looking Glass.

Since its first publication in 1867 Alice has continued to inspire illustration, theatre, films, cartoons, toys and more. Walt Disney, Salvador Dali, Jonathan Miller are just three of the innumerable people who got the Alice bug and were inspired to produce their interpretation of one of the most fascinating and mind-boggling children’s stories ever.

This exhibition, curated by Emma Marigliano and Lynne Allan, for The Portico Library, seeks to capture some of the magic of the tale through a range of books, comics, pop-ups, artworks, film and other media along with a programme of events throughout October and November.

• The exhibition will launch at the preview on 6th October and will be opened by none other than Vanessa St Clair, great-granddaughter of Alice Liddell, the real little girl who was Carroll’s inspiration for his made-up Alice

• Leah Moore and John Reppion will delight graphic novel fans with a talk on their production of The Complete Alice on 12th of October

• From Hat Works Hat Museum, Stockport, Howard Green, will reveal the reason behind the Mad-Hatter’s insanity in his talk, Top Hats and Mercury on 25th October
This event is part of Manchester Science Festival; a programme of over 150 events, shows, debates, installations and more across Greater Manchester from 22 – 30 October 2011.

• Disney fans will be enchanted with Robin Allan’s talk, on 12th November, about Europe’s influence on Walt Disney

• Alan Shelston will talk about the grotesque in the Alice illustrations near the end of the exhibition on 29th November.

• In between there will be film/video showings, children’s activities and more. Look out for the full programme on our website and our Portico Quarterly newsletter.

All events begin at 6.30 and cost £7 per person, including wine and nibbles and may be booked by email, telephone or post.

Alice has been enjoying attention throughout the year in exhibitions and performances in the UK. The Portico will be linking in to some of those that will be taking place in the North West.

Tate Liverpool launches a major exhibition of Alice with Lewis Carroll manuscripts and drawings as well as paintings and drawings from well-known artists and illustrators - from 4th November to 4th January

• A one-day inter-disciplinary conference - Further Adventures in Wonderland; the Afterlife of Alice - will be held at the International Anthony Burgess Foundation, Manchester, on 1st December. The conference is organised by Dr Hannah Priest, founder of Hic Dragones, a creative writing and literature organisation based in Manchester.

We are most grateful for permission to use illustrations for publicity and promotion and for loans of books and artworks to the exhibition from the following (placed in no particular order):

Bryan Talbot, Manchester Metropolitan University Library Special Collections, Leah Moore and John Reppion, David Blamires, Walker Books for Anthony Browne’s illustrations, Rodney Matthews for his illustrations, Chris Beetles Gallery, Bryan Haworth, Robin Allan, Viv Doyle and the two curators Lynne Allan and Emma Marigliano

We are also grateful for the support of (in no particular order):

The Lewis Carroll Society, Vanessa St Clair, Manchester Science Festival, Manchester Children’s Book Festival, The Portico Library Trust, Dr Hannah Priest

For further information please contact Emma Marigliano, Librarian, telephone 0161-236 6785

Sunday 21 August 2011

CFP: Monsters: Subject, Object, Abject

April 12th-13th 2012

The Manchester Museum, Oxford Road
Manchester, United Kingdom

This two-day interdisciplinary, cross-period conference will explore humanity’s perennial fascination with the monstrous. From children’s toys to religious architecture, from medical and legal definitions to Gothic romance – cultural products resonate with fear, obsession and desire for the monster.

CALL FOR PAPERS

Proposals are sought for 20-minute papers. Possible topics include (but are not limited to):

- Monsters in literature, art, music and film
- Architectural monsters
- Subjectivity and the monster
- Objectification and the monster
- Historical definition of the monstrous
- Medical and legal monsters
- Theorizations of the monstrous
- Mythology, folklore and legends
- Hybrids and hybridity
- Cyborgs and the posthuman


Please send 300-word abstracts to the conference convenors by Sunday 1st January 2012. For more information, please see our website.

Following the conference, there will be a two-day public Monsters Convention in Manchester. We would be interested in hearing from anyone interested in offering a talk or seminar at this convention. Please email Dr. Hannah Priest.

Thursday 3 March 2011

Book Launch: David Matthews (ed), In Strange Countries

An invitation to the launch of a new collection of essays in memory of J.J. Anderson, a respected medievalist and a wonderful teacher.

In Strange Countries: Middle English Literature and its Afterlife

A Volume of Essays in Memory of J.J. Anderson


John Anderson taught medieval literature at the University of Manchester for nearly 40 years. This book, with contributions from medievalists around the world, pays tribute to his career and its diverse interests, from medieval drama, to Arthurian literature, to the work of the Gawain-poet, whose remarkable poems preoccupied John throughout his career.

Please join us to celebrate John’s career and the publication of In Strange Countries.
Tuesday 8 March 2011, 6pm
The International Anthony Burgess Foundation
Chorlton Mill
3 Cambridge Street
Manchester
M1 5BY
For more information about In Strange Countries, please click here.


Sunday 27 February 2011

Save the Date: Hic Dragones Manchester Monster Convention

Thursday 12th - Sunday 15th April 2012
Venues tbc

Thursday 12th - Friday 13th April
Monsters: Subject, Object, Abject

A two-day, interdisciplinary conference exploring monsters and monstrosity. CFP coming soon.

Friday 13th April
The Monster Mash

A deliciously decadent and moreishly monstrous costume ball. Entertainment line-up and details to follow.

Saturday 14th - Sunday 15th April
MancMonCon

A two-day convention with talks, debates and exhibitions. Programme to follow.

Ticket info

Registration details will be posted soon. Registration will be available for one or more events, and full weekend passes will be available.

Entry to The Monster Mash will be included in some registration options, but individual tickets to this event will also be available.

For more information about any of these events, please check the Hic Dragones website or email the convenors.

Thursday 10 February 2011

Submissions Wanted: Cottonopolis: Steampunk Manchester

Please note: the deadline for Cottonopolis submissions has been extended until October 31st 2011.

Submissions wanted for a new anthology of steampunk fiction set it Manchester. In the Age of Steam, Manchester ruled – the world’s first industrialized city; the first passenger railway station for new steam-powered transport; multi-millionaires pouring their money into Gothic libraries and trying to ignore the sprawling slums.

One 19th-century commentator wrote of Manchester: “A thick black smoke covers the city. The sun appears like a disc without any rays. In this semi-daylight 300,000 people work ceaselessly. A thousand noises rise amidst this unending damp and dark labyrinth ...the footsteps of a busy crowd, the crunching wheels of machines, the shriek of steam from the boilers, the regular beat of looms, the heavy rumble of carts, these are the only noises from which you can never escape in these dark half-lit streets”

What if these days had not come to an end? What if Cottonpolis, the Warehouse City, had gone from strength to steam-powered strength? We’re looking for new and established writers to contribute dark fiction tales for a new collection of stories that imagines that this ‘damp and dark labyrinth’ really was ‘unending’.

Editor: Hannah Kate
Publisher: Hic Dragones

What we want: Edgy dark steampunk fiction set in a fictionalized future Manchester. Some familiarity with the city and its history is advisable. Any interpretation within these bounds is welcome. Queer, trans, cis, straight are all welcome. Pure Victoriana is discouraged, as we are looking for stories set in an imagined future. (And, I should warn you, we are unlikely to be publishing any celebrations of imperialism!)

Word Count: 3000-5000

Submission Guidelines: Electronic submissions as .doc, .docx, .rtf attachments only. 12pt font, 1.5 or double spaced. Please ensure name, title and email address are included on attachment. Email to this address. Submissions are welcome from anywhere, but must be in English.

Submission Deadline: Monday 6th June 2011
Payment: 1 contributor copy (how we wish it could be more!)

For more information, visit the website or email us.

Tuesday 4 January 2011

Manchester: Then & Now Tour

I've recently been contacted by Walk Talk Tours with some interesting information about their audio tour of Manchester:

We're recently made our 2.4 mile (3.8km) Manchester: Then & Now tour completely free - for good.

The audio downloadable tour is available in MP3 format and can be played on iPods, iPhones, smart phones, MP3 players and other devices with MP3 playing capabilities.


The tour offers descriptions of "some of the key socio-economic developments and personalities responsible for shaping Manchester's past and present".

Check out their blog for more info.

Wednesday 15 September 2010

A big thank you to everyone who helped us with the conference last week...

Ah... the She-Wolf Conference has been and gone. And what a fantastic few days it was. A lot of fascinating papers, stimulating discussions and engaging conversations. It was an absolute pleasure to host an event with such an interesting and diverse range of papers.

A quick word on some future developments... I will be continuing to run this blog as a resource for all things female werewolf - and related - issues/ideas/events. So if you come across anything of interest, please do get in touch. I'm already in the process of putting together an edited collection of essays on the female werewolf in art, literature and culture. I'll post more details of this as it happens.

For now, I'd like to offer our thanks to everyone who helped to make the conference a big success. As many of you know, we didn't receive any funding for the conference, but we were able to make it happen through the support of the following people:

Carys Crossen - conference co-organizer
Kathy Frances and Helen Taylor - conference assistants
Linda Sever - conference fringe assistant

Rosie Lugosi, Chantal Bourgault du Coudray and Tom Fletcher - our panel of writers for the Wednesday night fringe discussion

The International Anthony Burgess Foundation, the Manchester Museum and Kro Bar - excellent and helpful venues that helped us to host a professional conference (despite being on a very limited budget)

werewolf-movies.com, werewolf-news.com, The Werewolf Cafe, The F Word and darkfictionreview.net - excellent websites that offered inspiration and support, and also helped to promote the conference

Juniper Manton Limited, The International Bram Stoker Film Festival, the Royal Exchange Theatre and Grimm Up North! Film Festival - who offered support and donated stationery and raffle prizes

Thanks to all of you!

The following people won prizes in our raffle:

Linda Priest - two tickets for Faustus at the Royal Exchange Theatre
Linda Sever - two tickets for the Vampire Ball at the International Bram Stoker Film Festival
Jules Grozier - a bottle of Czech absinthe

Saturday 4 September 2010

Two Horror Film Festivals for October

We'll be absolutely spoilt for horror films this October.

First up... The Bram Stoker Horror Film Festival runs in Whitby from the 14th-17th October. Featuring 'independent narrative features, documentaries and shorts from around the world', this festival promises to offer films that you may not have chance to see elsewhere, including some world premieres. In addition to this, awards will be given in several categories.

As well as the films, there will be some pretty impressive special guests, a Hammer exhibition, talks and a Vampires' Ball on Saturday 16th October. And, of course, the whole thing takes place just yards away from where the Demeter ran aground (and spiritual home of all goths) - Whitby.

There are a few different passes and ticket options available on their website, and (if you don't fancy the films) tickets can be bought separately for the Vampires' Ball.

And if that's not enough...

Grimm Up North! Manchester's Premier Horror and Sci Fi Festival is returning for its second year. Running 28th-31st October at The Dancehouse in central Manchester, this festival features films, talks and special guests (including Ramsey Campbell and Christopher Priest).

Among the films already announced are Reel Zombies and Alien vs. Ninja. Visit their website and sign up for the newsletter to find out more.

Again, there are a variety of ticket options, including a few early-bird passes that allow you to save up to £40 on tickets.

(I should add that we are quite big fans of Grimm Up North! here at She-Wolf, as they've been really supportive while we've been getting the project off the ground.)

So between the two festivals, you should be able to get enough frights to keep you awake for most of November. Enjoy.

Saturday 14 August 2010

Updated Conference Programme

She-Wolf: Female Werewolves, Shapeshifters and Other Horrors in Art, Literature and Culture

Kanaris Lecture Theatre
Manchester Museum, Oxford Road, Manchester

Thursday 9th-Friday 10th September 2010

Programme


Thursday 9th September

10.00-11.00 Registration

11.00-11.30 Opening Remarks

11.30-1.00 Session 1: Monstrous Sexuality (Chair: Carys Crossen)


Tim Snelson (University of East Anglia): 'Women Can Be Wolves Too': The Cry of the Werewolf (1944), the Female Monster and the Contested Bodies of Wartime Women

Kerstin Frank (University of Heidelberg): Angela Carter's Wolf-Girls: Power Struggles, Transformation and Gender in her Rewritings of 'Little Red Riding Hood'

Eva Bru -Dominguez (University of Birmingham): Reclaiming Desire: the She-Wolf in Merce Rodoreda's Death in Spring

1.00-2.00 Lunch

2.00-3.00 Museum Workshop: Monstrous Material Culture (led by Sam Alberti and Bryan Sitch)


3.00-3.30 Coffee

3.30-5.00 Session 2: Shapeshifting Sisters (Chair: Hannah Priest)


Linda McGuire (Independent Researcher): Magical Transformations: Owl Women and Sorcery in Latin Literature

Laura Wilson (University of Manchester): Dans Ma Peau: Shape-shifting and Subjectivity

5.00 Close

Friday 10th September

9.30-11.00 Session 3: Of Otherness and Conformity (Chair: Linda McGuire)

Brian Feltham (University of Reading): Imagined Identities - The Woman in the Wolf Suit

Willem de Blecourt (Meertens Institute, Amsterdam): The Case of the Cut-Off Hand. On Female Werewolves and Incest Metaphors

Carys Crossen (University of Manchester): 'The Complex and Antagonistic Forces that Constitute One Soul': Religious Conviction versus Feminist Principles in Clemence Housman's The Werewolf

11.00-11.30 Coffee

11.30-12.30 Keynote Addess: Peter Hutchings (Northumbria University): The She-Wolves of Horror Cinema: Marginality, Transformation and Rage

12.30-1.30 Lunch

1.30-3.00 Session 4: Fantasy and the She-Wolf (Chair: Brian Feltham)

Nickianne Moody (Liverpool John Mores University): Supernatural Hierarchies: The Place of Werewolves in the Paranormal Romance and Contemporary Urban Fantasy

Hannah Priest (University of Manchester): I Was a Teenage She-Wolf: Boobs, Blood and Chocolate

Jacquelyn Bent and Helen Gavin (University of Huddersfield): An Uberwald Werewolf Howled in Patrician Square

3.00-3.30 Coffee

3.30-5.00 Session 5: Creating the She-Wolf (Chair: Nickianne Moody)

Jazmina Cininas (RMIT University): The Girlie Werewolf Hall of Fame: Historical and Contemporary Representations of the Female Lycanthrope

Chantal Bourgault du Coudray (University of Western Australia): 'You Should Write a Werewolf Screenplay': Meeting the Challenge

5.00 Conference Close

To register for this event, please click here

Saturday 19 June 2010

Oxfam Manchester Sci Fi/Horror/Fantasy Event

The lovely people at Oxfam Manchester have sent me details of an event they are running that might be of interest to some. Funnily enough, it's being held at the shop that I used to manage before I left the world of charity retail for academia. Sometimes, it's a very small world.

Manchester Oxfam is holding a FREE science fiction/fantasy/horror event at the
Oxfam Emporium, 8-10 Oldham Street, on Thursday, July 8, from 6-8pm. We have debut Manchester horror novelist Tom Fletcher, Dr. Who writers Paul Magrs and Steve Lyons and and feminist sci-fi writer Gwyneth Jones all reading, there will be a sci-fi quiz, music, drinks and refreshments, and an informal Q&A. Cos play is encouraged with a prize for the best costume. For more information email Emma Cooney or call 0161 273 2019.

Wednesday 16 June 2010

She-Wolf Conference September 2010

A two-day interdisciplinary conference to be held at the University of Manchester, 9th-10th September 2010.

The figure of the werewolf has haunted art, literature and culture for millenia. While not as common as their male counterparts, female werewolves appear in a variety of texts, of different genres and different cultures. From transcripts of witchcraft trials to Buffy the Vampire Slayer, the female werewolf, and her shapeshifting sisters, continues to challenge, excite and entertain.

This conference will explore the manifestations and cultural meanings of female werewolves and other female shapeshifters, and the perennial fascination of these creatures.

Conference Programme

Thursday 9th September

10.00-11.00 Registration

11.00-11.30 Opening Remarks

11.30-1.00 Session 1: Monstrous Sexuality (Chair: Carys Crossen)
Tim Snelson (University of East Anglia): 'Women Can Be Wolves Too': The Cry of the Werewolf (1944), the Female Monster and the Contested Bodies of Wartime Women

Kerstin Frank (University of Heidelberg): Angela Carter's Wolf-Girls: Power Struggles, Transformation and Gender in her Rewritings of 'Little Red Riding Hood'

Eva Bru-Dominguez (University of Birmingham): Reclaiming Desire: the She-Wolf in Merce Rodoreda's Death in Spring

1.00-2.00 Lunch

2.00-3.00 Museum Workshop: Monstrous Material Culture (led by Sam Alberti and Bryan Sitch)

3.00-3.30 Coffee

3.30-5.00 Session 2: Shapeshifting Sisters (Chair: Hannah Priest)
Linda McGuire (Independent Researcher): Magical Transformations: Owl Women and Sorcery in Latin Literature

Geoff Holder (Independent Researcher): Were-Cats, Were-Deer and Were-Whales: Female Shapeshifting in Scottish Witchcraft Narratives

Laura Wilson (University of Manchester): Dans Ma Peau: Shape-shifting and Subjectivity

5.00 Close

Friday 10th September

9.30-11.00 Session 3: Of Otherness and Conformity (Chair: Linda McGuire)
Brian Feltham (University of Reading): Imagined Identities - The Woman in the Wolf Suit

Shannon Scott (University of St. Thomas): Lycanthropic Representations of Native Americans in Henry Beaugrand's 'The Werewolves'

Carys Crossen (University of Manchester): 'The Complex and Antagonistic Forces that Constitute One Soul': Religious Conviction versus Feminist Principles in Clemence Housman's The Werewolf

11.00-11.30 Coffee

11.30-12.30 Keynote Address: Peter Hutchings (Northumbria University): The She-Wolves of Horror Cinema: Marginality, Transformation and Rage

12.30-1.30 Lunch

1.30-3.00 Session 4: Fantasy and the She-Wolf (Chair: Brian Feltham)
Nickianne Moody (Liverpool John Moores University): Supernatural Hierarchies: The Place of Werewolves in the Paranormal Romance and Contemporary Urban Fantasy

Hannah Priest (University of Manchester): I Was a Teenage She-Wolf: Boobs, Blood and Chocolate

Jacquelyn Bent and Helen Gavin (University of Huddersfield): An Uberwald Werewolf Howled in Patrician Square

3.00-3.30 Coffee

3.30-5.00 Session 5: Creating the She-Wolf (Chair: Nickianne Moody)
Jazmina Cininas (RMIT University): The Girlie Werewolf Hall of Fame: Historial and Contemporary Representations of the Female Lycanthrope

Chantal Bourgault du Coudray (University of Western Australia): 'You Should Write a Werewolf Screenplay': Meeting the Challenge

Allison Moon (Independent Researcher): Courting the Lunatic Fringe: Shapeshifting at the Vanguard of Queer Activism and Post-Gender Feminism

5.00 Close


For details of how to register for this conference, please go to our registration page

Coming soon: Details of our fabulous fringe events, including a 'Writing the Female Monster' discussion panel and a film screening.



Tuesday 15 June 2010

Welcome!

Welcome to She-Wolf: Female Werewolves, Shapeshifters and Other Horrors in Art, Literature and Culture.

This site has been designed to pass on information about the She-Wolf conference and events that will be happening on 8th-11th September 2010, in Manchester (UK). I'll be posting details of the conference, discussion panel and film screening soon, as well as all the information you'll need to register for any of these events.

But that's not all this site is for... during the work for the conference we have built up quite a network of supporters, partners and other people of interest - so we'll also be using this blog to give details on other female werewolf related stuff that you might find interesting.

If you've got any links or events that might be of interest, get in touch and let us know about it.