Sunday 4 March 2018

My Year in Books 2018: February

So I managed to stick to my New Year's Resolution for another month. Yay! I'm still making time to read for pleasure (even if I didn't read quite as much as last month), and I'm still sticking to my 250-word limit for my reviews.

If you missed it, you can click here for my reading list in January. But here are the books I read in February...

The End of Mr Y by Scarlett Thomas (2006)


I’ve been meaning to read Thomas’s novel for some time now, as it was recommended to me a couple of years ago. The person who told me about it really enjoyed it, and the blurb sounded right up my street. Ariel Manto, a PhD student working on nineteenth-century thought experiments, stumbles upon a copy of a supposedly lost and cursed work by obscure writer Thomas Lumas (the eponymous The End of Mr Y). The only person Ariel knows who has read Mr Y is her PhD supervisor, but he disappeared eighteen months earlier. As Ariel begins to read Mr Y, she discovers the secret that (presumably) drove Lumas to his death and her supervisor to disappear. I really wanted to like this book, as it’s a fabulous premise. But sadly, The End of Mr Y left me rather disappointed. I know I’m going to sound like a bit of a snob here, but, for all its academic pretensions, it just wasn’t quite clever enough. There are casual mentions of various ‘classic’ thought experiments (from Schrödinger’s Cat to Einstein’s theory of relativity) and philosophical principles, but these are never really treated in much detail. There’s also a tendency to stick to the famous examples, which makes Ariel’s PhD research seem a wee bit superficial. Strangely, for all Ariel’s insistence, Lumas’s novel doesn’t seem to be a thought experiment at all, in the end. However, for all that, I really liked the book’s ending, which is presented with a wonderfully light touch.

Reservoir 13 by Jon McGregor (2017)


I read McGregor’s debut novel If Nobody Speaks of Remarkable Things about ten years ago, on the recommendation of a Yr 10 lad I was tutoring at the time. I completely fell in love with the book and read So Many Ways to Begin shortly afterwards. I loved that McGregor’s first (and, to a lesser extent, second) book was, essentially, a prose poem, and that the narrative isn’t constructed in a particularly easy way. You sort of let the fragments wash over you, until you somehow know (without really being told) what is going on. I was hoping Reservoir 13 would do something similar – and I wasn’t disappointed. The book has thirteen chapters, and each one tells a year in the life of an English village, moving from New Year through the seasons until it reaches Christmas. But, as with McGregor’s first two novels, the thread of the story is strung on a communal tragedy. The first chapter tells of the first ‘new year’ since the unexplained disappearance of a young teenager who was visiting the village with her family. As in Remarkable Things, this is the story of how life continues around the hole formed by a devastating event, with characters and events presented through fragmentary and semi-objective snippets. The pace of the novel constantly reminds you of the unstoppable march of time and change, but the use of repetition and echoed phrases suggest that, perhaps, things aren’t changing as much as you think. I really enjoyed this one.

We Are All Made of Glue by Marina Lewycka (2009)


Some people don’t get Lewycka’s work, which blends madcap and often absurd comic writing with serious themes and references, but I really like the way that this works, as there’s something so human and so hopeful about the way life unfolds in her books. In her third novel, the protagonist is Georgie Sinclair, who is a copy-writer for a magazine called Adhesives in the Modern World and an aspiring romance writer. When Georgie’s husband walks out, she decides to chuck his stuff into a skip. She’s surprised to find her odd elderly neighbour, Mrs Shapiro, rooting items out and taking them away in a pram. She’s even more surprised when, a short time later, she is called by the hospital because Mrs Shapiro has listed Georgie as her next-of-kin. A quirky kind of alliance forms between the two women, with Georgie stumbling into taking care of Mrs Shapiro’s rambling, squalid home and assortment of earthy felines. She begins to get a glimpse into her neighbour’s past – taking in the Holocaust, Jewish diaspora, and the foundation of the Israeli state. A chance encounter with a Palestinian shop assistant with a side line in home repairs, the underhanded behaviour of a social worker of dubious morals, and the predations of an array of estate agents fixated on acquiring Mrs Shapiro’s house add further absurdity and trauma to the mix. I didn’t find this mix ‘glib’ as some reviewers have, but rather a testament to the extraordinary resilience of the survivor.

Career of Evil by Robert Galbraith (2015)


Okay, this one is a reread. I originally read Career of Evil when it first came out but ended up rereading it after the first episode of the BBC adaptation on 25th February. I knew the TV version had cut a lot of subplots out/down to fit the format, so I wanted to remind myself what was missing! Career of Evil is the third Cormoran Strike novel by Robert Galbraith (aka J.K. Rowling). As I’ve said to too many people (I’m such a hipster), I’ve never read anything by J.K. Rowling, but I do love Robert Galbraith. I couldn’t put The Cuckoo’s Calling or The Silkworm down. Career of Evil is a longer read – not so easy to finish in one sitting! – but it’s still a real page-turner. Galbraith’s detective, Strike, is a man out of time. He’s part hardboiled P.I., part whodunnit-unraveller. Like the rest of the characters who surround him, Strike is a larger-than-life figure, with enough quirks to keep a fleet of fictional detectives going. But there’s something so enjoyable about the novels, and I think it’s the story-telling. Galbraith sure can weave a yarn. Career of Evil sees Strike facing a figure from his past – someone who has sent a severed leg to his office, with a cryptic note that can only be meant for him. The mystery is: which unsavoury character is out for revenge? Strike gives us three suspects, the police offer up another, and there’s always a chance it’s someone else entirely. A really fun mystery novel.

Monday 26 February 2018

OUT NOW: Twenty-First-Century Popular Fiction, edited by Bernice M. Murphy and Stephen Matterson (Edinburgh University Press, 2017)

Contains a chapter by me on Stephenie Meyer's fiction (including The Host and the anniversary edition of Twilight)...


Blurb:
This groundbreaking collection captures the state of popular fiction in present day. It features twenty new essays on key authors associated with a wide range of genres and sub-genres, providing chapter-length discussions of major post-2000 works of contemporary popular fiction. The lively, accessible and academically rigorous essays presented here cover a wider range of established popular fiction genres such as fantasy, horror and the romance, as well as more niche areas such as Domestic Noir, Steampunk, the New Weird, Nordic Noir and Zombie Lit. The collection will primarily appeal to undergraduate and postgraduate students but general readers may also find the focus on many of today’s most prominent and influential authors to be of interest.

Contents:
- Introduction: ‘Changing the story’: Popular Fiction Today
Bernice M. Murphy and Stephen Matterson

- Larry McMurtry’s Vanishing Breeds
Stephen Matterson

- ‘Time to Open the Door’: Stephen King’s Legacy
Rebecca Janicker

- Terry Pratchett: Mostly Human
Jim Shanahan

- From Westeros to HBO: George R.R. Martin and the Mainstreaming of Fantasy
Gerard Hynes

- Nora Roberts: The Power of Love
Jarlath Killeen

- The King of Stories: Neil Gaiman’s Twenty-first Century Fiction
Tara Prescott

- Jo Nesbø: Murder in the Folkhemmet
Clare Clarke

- ‘It’s a trap! Don’t turn the page.’ Metafiction and the Multiverse in the Comics of Grant Morrison
Kate Roddy

- Panoptic and Synoptic Surveillance in Suzanne Collins’ The Hunger Games Series
Keith O’Sullivan

- E.L. James and the Fifty Shades of Grey Phenomenon
Dara Downey

- Fact, Fiction, Fabrication: The Popular Appeal of Dan Brown’s Global Bestsellers
Ian Kinane

- ‘I Need to Disillusion You’: J.K. Rowling and Twenty-First-Century Young Adult Fantasy

Kate Harvey
- Jodi Picoult: Good Grief
Clare Hayes-Brady

- ‘We Will Have a Happy Marriage If It Kills Him’: Gillian Flynn and the Rise of Domestic Noir
Bernice M. Murphy

- ‘The Bastard Zone’: China Miéville, Perdido Street Station and the New Weird
Kirsten Tranter

- Sparkly Vampires and Shimmering Aliens: The Paranormal Romance of Stephanie Meyer
Hannah Priest

- ‘We needed to get a lot of white collars dirty’: The Apocalypse as Opportunity in Max Brooks’ World War Z
Bernice M. Murphy

- Genre and Uncertainty in Tana French’s Dublin Murder Squad Mysteries
Brian Cliff
- ‘You Get What You Ask For’: Hugh Howey, SF, and Authorial Agency
Stephen Kenneally

- Cherie Priest: At the Intersection of History and Technology
Catherine Siemann

For more information, or to buy a copy, please see the publisher's website.