This next story should need no introduction... it's 'The Landlady' by Roald Dahl! If you heard me talk about the book on my radio show, then you'll know that this short story is the clearest (and fondest) memory I have of reading the anthology in the 90s. Being too young to have watched the Tales of the Unexpected TV series when it was first broadcast, I wasn't familiar with Roald Dahl's stories for adults until I read 'The Landlady'.
I absolutely adored it back then, and I think it's still one of my favourite short stories of all times (though that's partly because I can remember how much I loved it the first time I read it). The clearest memory I have of reading the Hitchcock anthology when I somehow acquired it in the 90s is sitting in my bedroom at my parents' house, being confused and intrigued as to why Roald Dahl's name was in the table of contents. I've got no idea how many times I've read 'The Landlady' since then, of course. I wrote my undergrad dissertation on Dahl's adult fiction, and I even used 'The Landlady' when I was tutoring KS4 kids. I still reread it for this anthology reread post though. Obviously.
A couple of observations... It probably goes without saying that when I first read this story as a teenager, I pictured the landlady as an impossibly ancient old woman. It's a bit scary/depressing to realize I'm not far off her age myself now. And I suppose it says a lot about my reading habits as a young teen that I knew exactly why the tea tasted of bitter almonds!
'The Landlady' is a bit different to the usual Tales of the Unexpected-type stories (by Dahl, but also by others) in that Billy Weaver doesn't deserve his fate. This isn't a karmic comeuppance, but just horrifying bad luck. I just love the way it's all set up though. And the final line is perfect. It ends in just the right place.
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Reviews, articles and musings from a pop culture scholar. Female werewolves, speculative fiction, creative writing, medieval culture... and anywhere else my mind takes me.
Monday, 13 September 2021
Stories to be Read with the Lights On 5: Granny by Ron Goulart
The next story in my Stories to be Read with the Lights On reread is 'Granny' by Ron Goulart. This one felt familiar from the first sentence, though I couldn't (initially) remember anything about what happens. I knew I'd read this one before but I couldn't put my finger on where it was going. And then BAM! It all just came flooding back, and I remembered the ending as clearly as if I'd read it yesterday! This is the sudden nostalgia rush I'm here for.
I don't know whether it's the nostalgia buzz, but I really enjoyed (re)reading Goulart's story. It's got a great set-up, and the Granny Goodwaller backstory is presented with impressive economy. The bit in the diner where McAlbin chats to Nan Hendry is fun too. Innocuous enough the first time round, but when you go back over it you see exactly what's happening. It's all about that ending though. I can clearly remember being totally shocked by the final paragraph and then dwelling for a while on the implications of the last line. I've got to admit, that ending came back to me so clearly when I was rereading the story that I'm almost wondering if I've reread Goulart's story more recently in another anthology. If not, then wow! apparently it really stuck with me.
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Saturday, 4 September 2021
Stories to be Read with the Lights On 4: Mr Mappin Forecloses by Zena Collier
Continuing with the fourth story in my Stories to be Read with the Lights On reread... And at first glance... I didn't remember anything at all about this story! However, when we started to get to the meat of things, it definitely started to ring a bell. Mr Mappin's fantasies about murdering his boss started to feel a bit familiar.
Collier's story is very much in the Tales of the Unexpected mode. It's got the ordinary, frustrated man dreaming of something bigger (or more sinister), and the sting-in-the-tail ending you want from a story like this. What I liked about it though was that Mr Mappin's frustrations at being stuck as a mortgage clerk for 20 years have a proper nasty edge to them. I suppose this is partly to make sure we don't have too much sympathy for Mr Mappin. We have to know that he's got a mean streak to him (his thoughts on the secretaries Miss Ashley and Miss Burke definitely reveal this).
I can't work out whether the ending is a bit predictable or I was just remembering it from when I was a teenager. To be honest, I think I'm leaning towards saying it's a bit predictable. But for all its predictability, 'Mr Mappin Forecloses' is very well done. It's a nice example of the... genre? style? mode? that these type of stories employ.
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