as part of Prestwich Book Festival
Monday 27th May, 7.30pm
Prestwich British Legion (near Heaton Park tram station)
225 Bury Old Road
Prestwich M25 1JE
Tickets £6 (+ booking fee) in advance from the festival’s Eventbrite shop
Come and listen to some of the finest and strangest authors writing in the UK today. What do they have in common? They’ve all been published – at one stage or another – by North Manchester’s strangest publishing house, Hic Dragones. And they’re together in Prestwich for one night only.
Rosie Garland:
Manchester-based Rosie Garland has published five solo collections of poetry and her award-winning short stories, poems and essays have been widely anthologized. She is an eclectic writer and performer, ranging from singing in Goth band The March Violets to her well-loved stage persona Rosie Lugosi the Vampire Queen. The Palace of Curiosities (HarperCollins) is her debut novel.
Toby Stone:
Toby Stone is a Whitefield-based novelist who also teaches in North Manchester. Toby went to the same school as Batman (Christian Bale) and Benny Hill. As an adult, Toby has been a toy-seller, an Avon lady, double-glazing Salesman of the Week, a mortgage broker, a suspicious barman, a school governor and a bingo caller. Aimee and the Bear (Hic Dragones) is his first novel.
Also featuring readings from Hic Dragones anthology writers:
Simon Bestwick: acclaimed author of ‘modern masterpiece of horror’ The Faceless (Solaris)
Richard Freeman: writer and cryptozoologist
Jeanette Greaves: contributor to Wolf-Girls and Impossible Spaces
Nancy Schumann: author of Take a Bite, a history of female vampires in folklore and literature
Beth Daley: graduate of the Creative Writing PhD programme at the University of Manchester
Daisy Black: writer, medievalist and heavy metal morris dancer
Your host for the evening will be Hannah Kate, ringmaster at the strange little circus that is Hic Dragones.
Plus… prizes to be won, a bookstall and a stall from Rock and Goth Plus
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Reviews, articles and musings from a pop culture scholar. Female werewolves, speculative fiction, creative writing, medieval culture... and anywhere else my mind takes me.
Tuesday, 23 April 2013
Hic Dragones presents... A Night of Strange and Dark Fictions
Labels:
Aimee and the Bear,
Beth Daley,
events,
hannah kate,
Hic Dragones,
horror,
North Manchester,
Prestwich,
Prestwich Book Festival,
rosie garland,
short stories,
Simon Bestwick,
Toby Stone
Monday, 22 April 2013
Call for Submissions: Hauntings: An Anthology
Short Story Submissions Wanted
A memory, a spectre, a feeling of regret, a sense of déjà vu, ghosts, machines, something you can’t quite put your finger on, a dark double, the long shadow of illness, your past, a nation’s past, your doppelgänger, a place, a song, a half-remembered rhyme, guilt, trauma, doubt, a shape at the corner of your eye, the future, the dead, the undead, the living, a grey cat, a black dog, a ticking clock, someone you used to know, someone you used to be.
We are all haunted.
Submissions wanted for a new anthology of short stories based around the theme of haunting.
What we want: Edgy, dark and weird fiction. Any interpretation of the theme is welcome – and we have no preconceptions about what ‘haunting’ might mean. Any genre considered: dark fantasy, urban fantasy, Gothic, horror, sci fi, steampunk, cyberpunk, biopunk, dystopian, slipstream. We’re looking for original and fresh voices that challenge and unsettle. (And, please remember, we do not publish misogyny, misandry, homophobia, transphobia or racism.)
Editor: Hannah Kate
Publisher: Hic Dragones
Word Count: 3000-7000
Submission Guidelines: Electronic submissions as .doc, .docx or .rtf attachments only. 12pt font, 1.5 or double spaced. Please ensure name, story title and email address are included on the attachment. Email submissions to Hic Dragones. Submissions are welcome from anywhere, but must be in English.
Submission Deadline: Thursday 31st October 2013
Payment: Contributor copy: 1 copy of paperback, eBook in ePub and/or mobi format; permanent 25% discount on paperback (resale permitted); 1 free eBook from our catalogue
For more information, see the publishers' website or email Hic Dragones
Important Information:
This is a non-paying market. Hic Dragones is currently a micro-press with plans to become a small press, and we acknowledge that this is not the market for everyone. We feel that what we offer – professional and thorough developmental editing and copy-editing, support and exposure (from IRL and virtual platforms) – will benefit emerging writers; however, we welcome submissions from more established writers (see previous anthologies). We value transparency and communication, so if you would like to know more about our business model, our background or our plans for the future, please email Hic Dragones or chat to us on Twitter or Facebook.
A memory, a spectre, a feeling of regret, a sense of déjà vu, ghosts, machines, something you can’t quite put your finger on, a dark double, the long shadow of illness, your past, a nation’s past, your doppelgänger, a place, a song, a half-remembered rhyme, guilt, trauma, doubt, a shape at the corner of your eye, the future, the dead, the undead, the living, a grey cat, a black dog, a ticking clock, someone you used to know, someone you used to be.
We are all haunted.
Submissions wanted for a new anthology of short stories based around the theme of haunting.
What we want: Edgy, dark and weird fiction. Any interpretation of the theme is welcome – and we have no preconceptions about what ‘haunting’ might mean. Any genre considered: dark fantasy, urban fantasy, Gothic, horror, sci fi, steampunk, cyberpunk, biopunk, dystopian, slipstream. We’re looking for original and fresh voices that challenge and unsettle. (And, please remember, we do not publish misogyny, misandry, homophobia, transphobia or racism.)
Editor: Hannah Kate
Publisher: Hic Dragones
Word Count: 3000-7000
Submission Guidelines: Electronic submissions as .doc, .docx or .rtf attachments only. 12pt font, 1.5 or double spaced. Please ensure name, story title and email address are included on the attachment. Email submissions to Hic Dragones. Submissions are welcome from anywhere, but must be in English.
Submission Deadline: Thursday 31st October 2013
Payment: Contributor copy: 1 copy of paperback, eBook in ePub and/or mobi format; permanent 25% discount on paperback (resale permitted); 1 free eBook from our catalogue
For more information, see the publishers' website or email Hic Dragones
Important Information:
This is a non-paying market. Hic Dragones is currently a micro-press with plans to become a small press, and we acknowledge that this is not the market for everyone. We feel that what we offer – professional and thorough developmental editing and copy-editing, support and exposure (from IRL and virtual platforms) – will benefit emerging writers; however, we welcome submissions from more established writers (see previous anthologies). We value transparency and communication, so if you would like to know more about our business model, our background or our plans for the future, please email Hic Dragones or chat to us on Twitter or Facebook.
Labels:
CFP,
ghosts,
hannah kate,
Hauntings,
Hic Dragones,
short stories
CFP: Anchorites in their Communities
The 5th International Anchoritic Society conference, in association with the Centre for Medieval and Early Modern Research (MEMO), Swansea University
April 22-24, 2014
Greygnog Hall, Newtown, Powys, Wales
Keynote Speakers:
Diane Watt (Surrey)
Tom Licence (UEA)
Eddie Jones (Exeter)
Postgraduate/Postdoctoral Manuscript workshop:
Eddie Jones (Exeter)
Bella Millett (Southampton)
Much of the work undertaken in the field of medieval anchoritism, particularly within an English context, has concentrated on the vocation’s role within the history of Christian spirituality, its function as a locus of (gendered) sacred space and its extensive ideological cultural work. Indeed, in the hundred years since Rotha Mary Clay’s foundational 1914 study of English anchoritism, The Hermits and Anchorites of England (1914), only sporadic attention has been given to the English anchorite as part of a community – whether social, intellectual, spiritual or religious – and as part of a widespread ‘virtual’ community of other anchorites and religious or ‘semi-religious’ figures spread across England and beyond.
In its focus on anchorites within their multifarious communities, this conference seeks papers attempting to unpick the paradox of the ‘communal anchorite’ and the central role often played by her/him within local and (inter)national political contexts, and within the arenas of church ideology, critique and reform. It also seeks contributions for a Roundtable discussion on any aspect of Mary Rotha Clay’s work, its lasting legacies and the debt to her scholarship owed by new generations of scholars in the twenty-first century.
Offers of 20-minute papers are sought on any aspect of medieval anchorites in their communities including (but not restricted to):
Spiritual circles
Communities of discourse
Anchoritic/lay interaction
Anchorites and church reform
Networks of patronage
Networks of anchorites
Anchorite case studies
Anchoritic friendship groups
Book ownership/ borrowing/ lending/ circulation
Communities of texts: ‘anchoritic’ miscellanies/ textual travelling companions
Textual translation, circulation and mouvance
Non-insular influence
Gendered communities
Abstracts of up to 500 words should be sent to Dr Liz Herbert McAvoy by Friday, August 30th 2013
April 22-24, 2014
Greygnog Hall, Newtown, Powys, Wales
Keynote Speakers:
Diane Watt (Surrey)
Tom Licence (UEA)
Eddie Jones (Exeter)
Postgraduate/Postdoctoral Manuscript workshop:
Eddie Jones (Exeter)
Bella Millett (Southampton)
Much of the work undertaken in the field of medieval anchoritism, particularly within an English context, has concentrated on the vocation’s role within the history of Christian spirituality, its function as a locus of (gendered) sacred space and its extensive ideological cultural work. Indeed, in the hundred years since Rotha Mary Clay’s foundational 1914 study of English anchoritism, The Hermits and Anchorites of England (1914), only sporadic attention has been given to the English anchorite as part of a community – whether social, intellectual, spiritual or religious – and as part of a widespread ‘virtual’ community of other anchorites and religious or ‘semi-religious’ figures spread across England and beyond.
In its focus on anchorites within their multifarious communities, this conference seeks papers attempting to unpick the paradox of the ‘communal anchorite’ and the central role often played by her/him within local and (inter)national political contexts, and within the arenas of church ideology, critique and reform. It also seeks contributions for a Roundtable discussion on any aspect of Mary Rotha Clay’s work, its lasting legacies and the debt to her scholarship owed by new generations of scholars in the twenty-first century.
Offers of 20-minute papers are sought on any aspect of medieval anchorites in their communities including (but not restricted to):
Spiritual circles
Communities of discourse
Anchoritic/lay interaction
Anchorites and church reform
Networks of patronage
Networks of anchorites
Anchorite case studies
Anchoritic friendship groups
Book ownership/ borrowing/ lending/ circulation
Communities of texts: ‘anchoritic’ miscellanies/ textual travelling companions
Textual translation, circulation and mouvance
Non-insular influence
Gendered communities
Abstracts of up to 500 words should be sent to Dr Liz Herbert McAvoy by Friday, August 30th 2013
Labels:
anchorites,
CFP,
conference,
medieval culture,
Swansea University
Wednesday, 10 April 2013
Guest Bloggers Wanted (but only if you exist)
So... this is a blog post about blogging. How very postmodern.
I started this blog in 2010, and it was originally intended to be a website for a conference I was organizing (She-Wolf: Female Werewolves, Shapeshifters and Other Horrors). I soon decided that I could use it for more than just promoting the conference, and started to include various bits and bobs about female werewolves, then some book reviews, then some other CFPs. After the conference finished, it made sense to keep the blog going, and it slowly became my own personal site. The focus is still (kinda) on female werewolves, but it's now more just a repository for stuff in my brain or my inbox that I think other people might be vaguely interested in.
After about a year, I got my first 'guest blog' request. If you run a blog, you might be familiar with these. A 'journalist' or 'freelance writer' sends you an unsolicited email offering to write a blog piece for you. They give you links to previous work they've done and tell you that there will be no fee for their services. They might give you an outline of the sort of thing they'd like to write for you. Sometimes they'll say something kind about your site, or about how interesting they find your posts.
In my experience, these requests range from the almost-genuine to the sublimely ridiculous. I had one from a 'writer' who wanted to write something on education - that sorta fits with some of my posts. But the most recent wanted to write about a driving school in Manchester, because he thought it would be of 'interest to my readers'. Of course, this post (like all the others) would just have to contain one small link to another site.
In case you don't know - and as you'll see in a minute, a lot of bloggers really don't know this - these requests aren't really from freelance writers and journalists. Well, they might be in a way, but they're always a little bit economical with the truth. They are from SEO or advertising companies. The purpose of the guest post is to get that all-important 'organic backlink' without invoking the wrath of Google's mighty penguin.
© Thethirdman | Dreamstime Stock Photos Stock Free Images |
Here's how it works:
If you run a business and want your website to move up search engine rankings, you can pay for a 'Guest Blogging Service'. These are companies that will target bloggers on your behalf (usually using one or another form of analytics to target blogs with high rankings, appropriate content, etc.) The Blogging Service will then contact the blogger and offer to write a guest post containing a link to your site. I'm (obviously) not going to link to any of these sites, but do a search for buy guest blog posts and you can see how it works in practice. It is solely for the purpose of moving the client's website up Google's page rankings, and is not intended to be active engagement with either the blog's content or its readers.
Is it deceptive?
Not always. In some cases, the Guest Blogging Service is up-front about what it is doing. Some do employ genuine freelance writers to write content tailored to a specific blog. These people won't necessarily be specialists in a particular field, but they will go to some effort to research and present a decent piece of writing. Decent SEO companies say that best practice is to avoid creating fake personas, and to research a blog thoroughly before contacting. They also advise being honest with bloggers about the SEO/advertising purpose of the guest post.
However, only a couple of companies operate like this. Most just churn out and regurgitate content that vaguely fits with the theme of the blog. It may be copied and pasted from other websites (I've seen one that just took chunks of Wikipedia and repackaged them as a post). The same post (or very similar) may be offered to multiple blogs. At best, this content is vapid and insubstantial. At worst, it is plagiarized and could lead to copyright issues. The 'writer' of the piece will be a fake persona created by the company.
Introducing Nancy - one of the most prolific writers who doesn't exist
I recently got an email from 'Nancy Parker', a 'freelance writer and journalist' who wanted to write a guest post for my site. I'd had a few emails along these lines that week, so I was a bit annoyed. I decided to see what I could find out about 'Nancy'.
Just Google Nancy Parker Guest Post, and you can see what I did. Wow. That 'writer' sure gets around! I found posts on numerous sites about better blogging, how to promote your business and SEO, but also posts on chronic back pain, talking therapy for surviving 'difficult times', childcare, finding a good nanny, cooking cheap meals for the family... I have just found one of 'her' posts entitled 'Gather Evidence to Prosecute Cyber-Criminals with Tech Forensics'. What got me more irritated was the number of posts I found on book and writer blogs - from this so-called 'writer' - about how to write good secondary character, how to self-publish, how music can inspire writing. While the SEO blogs must (surely) have known what 'Nancy Parker' really is, the indie writers who invited 'her' to their site didn't. Some seemed flattered to have been asked.
None of 'Nancy's' posts contain any links (how clever!), but each one comes with an identical biography for her:
Nancy Parker was a professional nanny and she loves to write about a write about a wide range of subjects like health, parenting, childcare, babysitting, nannying. You can reach her at [webmail address].Somewhere in that bio, either as a hyperlink or just written out in full, will be a link to a company called eNannySource. (This is the company that paid for the creation of 'Nancy Parker'.)
A lot of Nancy's posts come with a very fetching profile picture of the writer.
© Richard Cleveland apparently (though 'Nancy Parker' doesn't acknowledge this) |
Nancy Parker is not a real writer - she's not even a real person
How do I know this? Well, for starters Nancy Parker has no presence on the internet outside of her guest blog posts. That's pretty rubbish for a freelance journalist and writer! She has no personal blog, and no social media accounts. Secondly, that profile picture does not look like a typical writer's headshot. It looks a little bit more posed and professional to me. One quick reverse image search reveals that it is, in fact, ripped off from this MySpace page for a freelance photographer.
Are bought guest blog posts a problem?
In my humble opinion, yes and no. They're a form of internet advertising, which is no bad thing in itself. Some bloggers are happy to include them, as they offer fresh content on the site and (if they're done well) talking-points for readers to engage with. Occasionally, guest blog posts are researched and well-written, though they are more likely to be generic. You can also take it as a compliment and a sign of your page ranking that the Guest Blogging Service viewed your blog as a good place to advertise.
However, they can also be deceptive. Bloggers are not always informed that the guest post they are publishing is, in fact, just a piece of advertising. And bloggers are not paid for offering this advertising space either. This leaves me feeling a little uncomfortable. The Nancy Parker childcare and nannying posts get under my skin a little too, as parenting advice from a non-existent person seems rather dubious. I'd also advise any bloggers to thoroughly check the content of a guest blog post before publishing to ensure that it doesn't include any plagiarized or copy-and-pasted material.
To be honest, I like to think of Guest Blogging Services as the bill posters of the internet. They aren't doing any harm, per se; they're just provided a service to companies who want to boost their search engine ratings. But the tactics they use to advertise their clients are irritating to those of us who own the metaphorical walls they want to slap their posters over.
© Arrow | Dreamstime Stock Photos Stock Free Images |
CFP: Literary Dolls: The Female Textual Body from the 19th Century to Now
8 March 2014
University of Durham
This one-day conference held on International Women’s Day 2014 assesses the ways in which women’s physical form has been depicted in artworks from the nineteenth century to the present day.
Keynote speakers at the conference will include Pulitzer Prize winning author, Jane Smiley; Professor Jo Phoenix (University of Durham); Dr Kate MacDonald (University of Ghent).
We welcome abstracts of three hundred words for twenty minute papers discussing any textual presentation of women’s bodies. This includes literary depictions, but also those in film, television, digital media, the visual arts and the applied social sciences. Topics may include, but are not limited to the following:
The romanticised female form
Femininity vs. Femaleness vs. Womanliness
The historicized figure
The broken form
Fetishized body parts
Females made inanimate, e.g. as dolls or statues
Media representations of femaleness
The social impact of textual bodily representation
The sexual figure
The body in motion
Woman as goddess or muse
The maternal female
Females ensnared in the text
Violence on the body
Queering the body
Females made inanimate, e.g. as dolls or statues
Media representations of femaleness
The social impact of textual bodily representation
The conference will run at Durham University on 8th March 2014, International Women’s Day. It is organised in association with the University of Durham’s Centre for Sex, Gender and Sexualities.
Please send abstracts to the conference convenors by 1st June 2013.
For more information, please see the conference website.
University of Durham
This one-day conference held on International Women’s Day 2014 assesses the ways in which women’s physical form has been depicted in artworks from the nineteenth century to the present day.
“Lucky I have nice hands if nothing else,” says Ella at last, very dry. He comes to her, picks up her hands, kisses them, wearily, rake-like: “Beautiful doll, beautiful.” Doris Lessing, The Golden NotebookThrough history women’s bodies have been the subject of artistic presentation, ostensibly to celebrate the beauty of the female form, but also to fetishize, to dismember and to control women both within the arts and in the wider world. This interdisciplinary conference seeks to appraise the depiction of women’s physical form in artworks, as well as how artistic presentation has informed other disciplines, from the Nineteenth Century to Now, in order to assess how far the arts have changed in line with apparent developments in the treatment of women, over the comparable historical gulf. We are also keen to consider the social impact the arts have had, and continue to have, on the treatment of women.
Keynote speakers at the conference will include Pulitzer Prize winning author, Jane Smiley; Professor Jo Phoenix (University of Durham); Dr Kate MacDonald (University of Ghent).
We welcome abstracts of three hundred words for twenty minute papers discussing any textual presentation of women’s bodies. This includes literary depictions, but also those in film, television, digital media, the visual arts and the applied social sciences. Topics may include, but are not limited to the following:
The romanticised female form
Femininity vs. Femaleness vs. Womanliness
The historicized figure
The broken form
Fetishized body parts
Females made inanimate, e.g. as dolls or statues
Media representations of femaleness
The social impact of textual bodily representation
The sexual figure
The body in motion
Woman as goddess or muse
The maternal female
Females ensnared in the text
Violence on the body
Queering the body
Females made inanimate, e.g. as dolls or statues
Media representations of femaleness
The social impact of textual bodily representation
The conference will run at Durham University on 8th March 2014, International Women’s Day. It is organised in association with the University of Durham’s Centre for Sex, Gender and Sexualities.
Please send abstracts to the conference convenors by 1st June 2013.
For more information, please see the conference website.
Labels:
CFP,
conference,
durham,
femininities,
IWD,
literature
Tuesday, 9 April 2013
Win a SIGNED copy of Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny
Another book giveaway courtesy of Hic Dragones. This time the prize is a FREE copy of Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny, signed by a selection of the authors.
Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded, the abject, the monster.
The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…
Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.
To enter:
All you have to do to enter the competition is GUESS THE NAME OF THE WEREWOLF!
Give our little lycanthrope a name!
Enter your name suggestion in the Rafflecopter box below, and one lucky person will win a signed copy of the book and a little lycanthropic bonus. International entry permitted, and the prize will be shipped direct to wherever you live. The competition ends on April 29th, and we'll announce the winning entry shortly after that.
a Rafflecopter giveaway
Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded, the abject, the monster.
The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…
Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.
To enter:
All you have to do to enter the competition is GUESS THE NAME OF THE WEREWOLF!
Give our little lycanthrope a name!
Enter your name suggestion in the Rafflecopter box below, and one lucky person will win a signed copy of the book and a little lycanthropic bonus. International entry permitted, and the prize will be shipped direct to wherever you live. The competition ends on April 29th, and we'll announce the winning entry shortly after that.
a Rafflecopter giveaway
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